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  1. Charlotte Greenwood: The Life and Career of the Comic Star of Vaudeville, Radio and Film by Grant Hayter-Menzies, 2007-04-18

41. Vaudeville
European Jews and Yiddish theatre influenced vaudeville, exotic singing by Molly Rose Marie entered radio as a seasoned professional at the age of six
http://www.psu.edu/dept/inart10_110/inart10/vaude.html

42. SF Sketchfest
SKETCH COMEDY, the theatrical warhorse that runs back beyond vaudeville, White Noise radio theatre began with a wicked parody of stand-up,
http://www.sfsketchfest.com/sfsf/press/press2003.html
Sketchy Area
The premiere in January of Sketchfest, San Francisco's monthlong sketch comedy festival, was so successful that troupes from all over were asking about the second one even before the first had closed. The follow-up arrives this week, and for those who like to laugh, this is one arts festival that ought to stick around. In addition to returning locals such as Kasper Hauser, Totally False People and White Noise Radio Theatre, the lineup features groups from Los Angeles to New York, Texas to Montreal. Performers include Comedy Central's Upright Citizens Brigade (pictured) and Fred Willard ("Best in Show," "Waiting for Guffman") and His Hollywood Players. James Sullivan
Comic Fred Willard does smug best Actor's troupe tackles sketch festival
Stereotyping has earned itself a bad name, but it's a cornerstone of comedy. Done well, types are both funny and inherently absurd.
Fred Willard is, or at least plays, a classic, old-fashioned comic type. In the age of irony, he is essentially his own straight man, an unctuous Everyman who plays endless variations on the theme of the decent Midwesterner who has things under control. He's a clueless know-it-all. Willard, one of the stars of Christopher Guest's cult comedies "Best in Show" and "Waiting for Guffman," brought his sketch comedy troupe, the Hollywood Players, to town for four shows over the weekend. The group anchored the second week of the monthlong San Francisco Sketch Comedy Festival, which continues through the 26th with performances by Killing My Lobster, Kasper Hauser, Totally False People and others.

43. Denmark.dk: Official Website - Denmark - Theatre & Drama
form and inspired by Parisian theatre created the vaudeville – charming, From the 1950s radio theatre obtained the technical opportunity of going
http://www.denmark.dk/portal/page?_pageid=374,477920&_dad=portal&_schema=PORTAL

44. Omnis Network - Affordable Web Hosting And Domain Names
She preformed on radio, vaudville, theatre, records and film. In 1908 she was voted the most popular women in vaudeville in a popularity contest.
http://www.aahwm.org/
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The first and greatest female singing star of vaudeville was Lillian Russell, "The American Beauty,' her real name was Helen Louise Leonard. She began singing concert ballads and became a comic opera star; according to the New York Mirror she looked like 'Venus after her bath'. She was long associated with the song, "Come Down, Ma Evening Star," found on Collectors Record Shop No. 8.

45. Radio City Music Hall - The Music Hall History
a theatrical genius by employing an innovative combination of vaudeville, radio City quickly became the favorite firstrun theatre for moviemakers
http://www.radiocity.com/themusichall_history.html
An American People's Palace
Donald Deskey wasn't the most celebrated interior designer to enter the competition for design of the Music Hall's interior spaces. In fact, he was relatively unknown. But from the moment opening night visitors passed through the lobby and entered the Grand Foyer, his popular legacy was secured. In his design for the Hall, Deskey chose elegance over excess, grandeur above glitz. He designed more than thirty separate spaces, including eight lounges and smoking rooms, each with its own motif. Given "The Progress of Man" as his general theme, he created a stunning tribute to "human achievement in art, science and industry. He made art an integral part of the design, engaging fine artists to create murals, wall coverings and sculpture; textile designers to develop draperies and carpets; craftsmen to make ceramics, wood panels and chandeliers.
Deskey himself designed furniture and carpets, and he coordinated the design of railings, balustrades, signage and decorative details to complement the theatre's interior spaces. He used a brilliant combination of precious materials (including marble and gold foil), and industrial materials (including Bakelite, permatex, aluminum and cork). The strength of his achievement is reflected in how well the theatre has maintained its character over time. It was a remarkable example of contemporary design in its day and it still has the power to take the breath away. It remains an elegant, sophisticated, unified tour de force.

46. A Closer Look At The Tower Theatre, Upper Darby, PA
The Tower served as a vaudeville showplace for the first part of its career, The FM radio show, The King Biscuit Flower Hour made an art form out of
http://www.glidemagazine.com/7/columns101.html
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A Closer Look At The Tower Theatre, Upper Darby, PA
Tim Newby Thursday, February 03, 2005
“Don’t tell me this town ain’t got no heart”
The Tower Theatre, on the corner of 69th and Ludlow in Upper Darby, PA just outside Philadelphia began life in 1927. Built in record time, the then 3500 seats were installed in just five days, a fact the manufacturer, The Stone Company, took great pride in. Taking its name from the large blue tower like structure that sits atop the building, that at one time was capped with a large lighted rotating ball used to attract patrons. To this day it still sports its classic wrap-around marquee announcing upcoming shows, that is topped with tall red illuminated letters spelling out “Tower.” The Tower served as a vaudeville showplace for the first part of its career, but during the late 1930’s and early 1940’s with vaudeville on the decline, it began to show movies in addition to its live acts. It would still host the occasional live show, but movies became its primary attraction in the 50’s and 60’s. In the early 70’s it was sold and converted into a live music locale. Despite the shift in entertainment, the Tower retained its classic charm and style, and with its roots as a vaudeville stage, it was soon discovered by touring bands of the time that it possessed great acoustics as well.

47. WVIA Public Television & Radio
Lackawanna Rails is the radio theatre project of The Northeast theatre and WVIAFM the Scranton/Wilkes-Barre vaudeville circuit, the Molly MacGuires,
http://wvia.org/news_detail.cfm?news_id=52

48. The Living Legacies Project
She also played in children s theatre on radio in SNOW WHITE and THE BLUE BIRD. Italian theatre of America. She also performed in vaudeville and radio.
http://www.actorsfund.org/marquee/fall98legends.html
FALL 1998 VOL.3, NO.2 The Living Legacies Project Through a joint mother-daughter effort by Jacque and Sherry Rubel, The Living Legacies Project documents in wonderful photographic portraits and vivid oral histories the lives of our legendary residents. From Shakespearean actors to band members, soap opera divas to singing sensations, these fascinating individuals represent a grand era of entertainment. Allow us to introduce some of our residents featured in The Living Legacies Project: Howard Whitfield
Actor
Born in Washington, D.C. - 7/15/14 With credits as an entrepreneur, educator, soldier, production supervisor, drama coach, visiting artist, writer, director and stage manager, Howard's credits are too numerous to list, but some of the highlights are: his professional debut in a bit part in the National Theatre's, THE ROYAL FAMILY; his tour with Charles Coburn in THE MERRY WIVES OF WINDSOR and his acceptance into Coburn's, Mohawk Drama Festival; and touring with his wife, Kate Tomlinson in Shakespeare's MUCH ADO ABOUT NOTHING. During World War II, he served as an Information and Education Officer. Howard is a life member of Actors' Equity Association and The Actors' Fund of America. Vivian Harris
Actress
Born in New York City - 12/23/02 Known as: "The Voice of the Apollo Theatre." Vivian also worked at the Cotton Club.

49. Rupert Holmes - Interviews
17 at the Helen Hayes theatre. Marty, the musical he wrote with composers most mass entertainment forms, from vaudeville to radio to television to film.
http://www.rupertholmes.com/interviews/brief_encounter.html
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PLAYBILL ON-LINE'S BRIEF ENCOUNTER with Rupert Holmes
27 Aug 2002
Playwright-songwriter Rupert Holmes and Frank Gorshin in Say Good Night, Gracie
photo by Say Good Night, Gracie photo by Carol Rosegg Rupert Holmes ruled Broadway in 1986, when the long running musical he scripted and scored, The Mystery of Edwin Drood , won five Tony Awards. But after two thrillers- Accomplice in 1990 and Solitary Confinement in 1992-Holmes disappeared from the New York stage, instead devoting himself to "Remember WENN," the television series about a struggling 1930s Pittsburgh radio station which developed and retains a cult following. With the program's conclusion, Holmes returned to stagework and this season it will be tough to avoid him. His first Broadway effort in a decade, Say Goodnight, Gracie , a one-man show starring Frank Gorshin as George Burns, begins previews Sept. 17 at the Helen Hayes Theatre. Marty

50. CofC: About CofC: News Release
C of C theatre Professor Staging Virtual vaudeville . January 23, 2002 radio and television, will take a hightech curtain call.
http://www.cofc.edu/news/20020123-1.html
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C of C Theatre Professor Staging "Virtual Vaudeville" January 23, 2002
Professor Susan Kattwinkel Vaudeville, America’s popular mainstream entertainment before motion pictures, radio and television, will take a high-tech curtain call. Susan Kattwinkel, a theatre professor at the College of Charleston, is involved in a computer modeling production called “Virtual Vaudeville.” Officially known as “A Live Performance Simulation System: Virtual Vaudeville,” the project has been awarded a $900,000 grant from the National Science Foundation. Kattwinkel is part of a team of theatre historians, musicologists, computer scientists, and animators from seven universities that plans, in 2004, to stage a first-of-its-kind internet vaudeville show. “New computer technology does need to be invented for this,” said Kattwinkel. “The idea of putting performance modeling together with a virtual reality environment is new in the way that we want to do it.” Performance modeling involves putting sensors on a person’s body and then digitizing all of the movements so that computer models can be constructed. The technology is now used in athletics to study, for example, a golfer or baseball player’s swing.

51. Honolulu Star-Bulletin Stage Calendar
Also presented by the Hawaii Pacific University theatre, 8 pm Fridays and Simon saluting performers who began their careers in vaudeville and radio.
http://starbulletin.com/97/04/10/community/stage.html
Stage "Stage" appears on-line every week, and Thursdays in the Star-Bulletin's "Community Calendar." Send notices to: Community Calendar, Honolulu Star-Bulletin, P.O. Box 3080, Honolulu 96802. Or fax to 523-8509. Or send e-mail to citydesk@starbulletin.com Thursday, April 10, 1997
OPENING
"Midsummer Night's Dream": William Shakespeare's comedy about four sets of "lovers" and the antics they fall into, 7:30 p.m. Fridays and Saturdays through April 19, Mililani High School Cafeteria. Mililani and Leilehua High School students make up the cast and crew. Part of the proceeds will go toward a trip that the Tri-School students are taking in June to the Oregon Shakespeare Festival. Tickets: $7 adults; $5 students. Call 621-7559. Also presented by the Hawaii Pacific University Theatre, 8 p.m. Fridays and Saturdays and 4 p.m. Sundays through May 4, Hawaii Pacific University Theatre, 45-045 Kamehameha Highway. Additional showing 8 p.m. May 1. Tickets: $10. Reservations required. Call 254-0853 or 233-3167. "The Good Woman of Setzuan": Directed by Ben Moffat, the play tells of a woman's struggle to be kind-hearted in a world that rewards selfishness. At 8 p.m. Fridays and Saturdays through April 25. Cost: $6-$8. Reservations at 235-0077, ext. 446, or 235-7446.

52. Honolulu Star-Bulletin Stage Calendar
At 8 pm April 25, and 2 pm April 6, Earle Ernst Lab theatre. Play by Neil Simon saluting performers who began their careers in vaudeville and radio.
http://starbulletin.com/97/03/31/community/stage.html
Stage "Stage" appears on-line every week, and Thursdays in the Star-Bulletin's "Community Calendar." Send notices to: Community Calendar, Honolulu Star-Bulletin, P.O. Box 3080, Honolulu 96802. Or fax to 523-8509. Or send e-mail to citydesk@starbulletin.com Thursday, March 27, 1997
OPENING
An animated musical adventure for the whole family. The production will introduce several of Hawaii's endangered species including the monk seal, green sea turtle and Pu'eo. At 6 and 8 p.m. Saturdays and Sundays, through June 15, Ala Moana Center's New Makai Market Pavilion. Free. Call 672-9585. "Hamlet": Brigham Young University-Hawaii's Fine Arts Division will give their interpretation of Shakespeare's "Hamlet," 7:30 p.m., through March 29, McKay Auditorium. The play will be directed by Craig Ferre and Neil Freeman. Limited seating. Tickets: $1 to $6.50. No one under eight allowed. Call 293-3545. "The Art of Dining": A couple experiences the intimacy that food can bring while dining at a trendy restaurant. The play humorously explores people's obsession with food. Directed by Lisa A. Kramer. At 8 p.m. April 2-5, and 2 p.m. April 6, Earle Ernst Lab Theatre. Cost: $3-7. Tickets at 956-7655 or 545-4000. "Laughter on the 23rd Floor": Play by Neil Simon saluting performers who began their careers in vaudeville and radio. Simon gives insight into the creative process of people like Mel Brooks, Carl Reiner and Steve Allen. At 8 p.m. Thursdays, Fridays and Saturdays, from April 3 through May 3 at the Church of the Crossroads, Weaver Hall. Tickets: $10-$15. Call 247-6939.

53. TWF: Research: Culture3
performed with distinction in theatre, film, radio and television in vaudeville and revues were the most popular forms of entertainment in the first
http://www.twf.org.au/research/culturec.html
Research Paper no 4 Part 3 ABOUT US WHAT'S NEW SITE MAP SEARCHING ... LIBRARY RESEARCH List of papers CONTACT US HOME AUSTRALIAN CULTURE 1789-2000 By Paul Bentley October 1999 Strike Me Lucky! 1901-1950 When the Commonwealth of Australia came into being on 1 January 1901, the continent was still a collection of divided and distant states. There were divisions between city and country, antipathies between east and west, and rivalries between cities. There was no national anthem and no national flag. Australians still felt a strong allegiance to Britain. The national surge of the 1890s faltered under the strain of new economic and social tensions: management of the new nation, conflicts between capital and labour, between government and unions, and the tribulations of another devastating economic depression. Two world wars cemented ties with the mother country. At a time when the weekly musical evening round the piano formed the basis of cheap entertainment, the gramophone and crystal set created new diversions for the home. In theatres, new entrepreneurs of the silver screen offered competition to the old-style live theatre managements.

54. NYPL, Circulating Collections
Economic, legal business aspects of television, radio, theatre and film. 338 – 343, 384 vaudeville, Burlesque. 792.8. Magic illusion, ventriloquism
http://www.nypl.org/research/lpa/circ/dramafilm.html
@import "/styles/markup-nonNS4.css"; Skip to Left Navigation Skip to Main Content get a library card? find a book? renew a book? reserve a book? reserve a PC? research a topic? find a job at NYPL? volunteer for NYPL? support NYPL? rent space? order/license images? learn to read? learn English? find events? find exhibitions? find classes? connect with wireless? The New York Public Library for the Performing Arts Collections Circulating Collections Drama
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using Dewey Decimal classification numbers
ACTING
Acting Film technique – acting, directing, editing, sound, etc. Career guides in the performing arts Monologues Scenebooks Voice Training
DIRECTING
Film technique – acting, directing, editing, sound, etc. Theatre production – directing , stage-management, etc.
DESIGN
Animation, cartoons, caricatures Cinematography Lighting design Scene Design Decorative arts, interior decoration, furniture Costume design Costume history Military costumes and attire Costume construction, textile arts Make-up Posters, illustrations for the theatre Masks, Maskmaking

55. Vaudeville Theater Performers Television Radio Joe Shows
vaudeville Theater Performers Television radio Joe Shows Economy.
http://www.economicexpert.com/a/Vaudeville.html
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Vaudeville is a style of theater , also known as variety , which flourished in North America from the through the . Its popularity rose in step with the rise of industry and the growth of North American cities during this period, and declined with the introduction of sound film s and radio . The origin of the term is obscure, but the term is often considered a corruption of the expression "voix de ville", or "voice of the city". Another plausible etymology is that it is a corruption of the French Vau de Vire , a valley in Normandy noted for style of song s with topical themes. The first beginnings of a vaudeville type theater was opened by impresario Tony Pastor For Tony Pastor the saxophonist and bandleader see Tony Pastor (bandleader). Antonio Pastor born May 28, 1837 in Brooklyn, New York, United States died August 26, 1908 in Elmhurst, New York was an entertainer and the person who invented vaudeville. Tony P in Manhattan For other uses, see Manhattan (disambiguation . Manhattan is the name of an island alongside the lower Hudson River and also of one of the five boroughs that form the City of New York. The borough is coterminous with New York County and includes the Islan

56. Vaudeville: Definition And Much More From Answers.com
vaudeville is a style of theater, also known as variety, There was no abrupt end to vaudeville. The advent of radio and the cinema in the late 1920s
http://www.answers.com/topic/vaudeville
showHide_TellMeAbout2('false'); Arts Business Entertainment Games ... More... On this page: Dictionary Encyclopedia Fine Arts WordNet Wikipedia Translations Mentioned In Or search: - The Web - Images - News - Blogs - Shopping vaudeville Dictionary vaude·ville v´d vÄ­l , vōd -, v´ də-
n.
  • Stage entertainment offering a variety of short acts such as slapstick turns, song-and-dance routines, and juggling performances. A theatrical performance of this kind; a variety show. A light comic play that often includes songs, pantomime, and dances. A popular, often satirical song.
  • [French, alteration of Old French vaudevire , occasional or topical light popular song, possibly short for chanson du Vau de Vire , song of Vau de Vire, a valley of northwest France, or perhaps dialectal vauder , to go + virer , to turn; see veer
    var tcdacmd="cc=art;dt"; Encyclopedia vaudeville v´d vÄ­l ) , originally a light song, derived from the drinking and love songs formerly attributed to Olivier Basselin and called Vau, or Vaux, de Vire. Similar to the English music hall , American vaudeville was a stage entertainment consisting of unrelated songs, dances, acrobatic and magic acts, and humorous skits and sketches. From humble origin in barrooms and “museums,” vaudeville came to be the attraction in hundreds of theaters throughout the United States from 1881, when Tony Pastor gave the first “big time” vaudeville show in New York City, until 1932, when its greatest center, the Palace Theatre, became a movie theater. Such headliners as George M. Cohan, Harry Houdini, Eva Tanguay, W. C. Fields, Fay Templeton, Will Rogers, Ed Wynn, Eddie Cantor, Jimmy Durante, Irene Franklin, Fred Allen, Jack Benny, and Edgar Bergen began their careers by playing the circuits. There was an invigorating influx of performers from England and France who were a major influence on the growing sophistication and high quality of vaudeville. The popularity of radio and motion pictures caused vaudeville's decline, but television brought about a revival of vaudeville revues.

    57. Old-time Radio: Information From Answers.com
    As with films, early radio shows reflected vaudeville origins with cornpone gags and The Lux radio Theater offered adaptations of Hollywood movies,
    http://www.answers.com/topic/old-time-radio
    showHide_TellMeAbout2('false'); Business Entertainment Games Health ... More... On this page: Wikipedia Mentioned In Or search: - The Web - Images - News - Blogs - Shopping Old-time radio Wikipedia Old-time radio Old-Time Radio (OTR) and the Golden Age of Radio are phrases used to refer to radio programs mainly broadcast during the through the late . The end of the OTR era is often marked by the final CBS broadcasts of Suspense and Yours Truly, Johnny Dollar on September 30 The audio theatre art form was invented prior to radio, developing in the 1880s and 1890s on early wax recordings. The first examples were recordings of vaudeville sketches, sometimes modified for the medium, but original audio pieces were being created well before Reginald Fessenden first broadcast sound over the radio on Christmas Eve, 1906. Although very little radio comedy-drama currently airs on American radio, it continues at full strength on British and Irish stations, and to a lesser degree in Canada . Regular broadcasts of radio plays are also heard in South Africa Australia New Zealand and other countries. In the United States, vintage shows and new audio productions are accessible more on recordings rather than over the air.

    58. The Columbia Encyclopedia, Sixth Edition: Vaudeville@ HighBeam Research
    The radio is radio vaudeville, a recreation of an old-time radio program built around vaudeville The old San Jose Theater, originally a vaudeville
    http://www.highbeam.com/ref/doc0.asp?docid=1E1:vaudevil

    59. AllRefer.com - Vaudeville (Theater) - Encyclopedia
    vaudeville, Theater. Related Category Theater The popularity of radio and motion pictures caused vaudeville s decline, but television brought about a
    http://reference.allrefer.com/encyclopedia/V/vaudevil.html
    AllRefer Channels :: Health Yellow Pages Reference Weather September 26, 2005 Medicine People Places History ... Maps Web AllRefer.com You are here : AllRefer.com Reference Encyclopedia Theater ... vaudeville
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    vaudeville, Theater
    Related Category: Theater vaudeville Pronunciation Key , originally a light song, derived from the drinking and love songs formerly attributed to Olivier Basselin and called Vau, or Vaux, de Vire. Similar to the English music hall , American vaudeville was a stage entertainment consisting of unrelated songs, dances, acrobatic and magic acts, and humorous skits and sketches. From humble origin in barrooms and "museums," vaudeville came to be the attraction in hundreds of theaters throughout the United States from 1881, when Tony Pastor gave the first "big time" vaudeville show in New York City, until 1932, when its greatest center, the Palace Theatre, became a movie theater. Such headliners as George M. Cohan, Harry Houdini, Eva Tanguay, W. C. Fields, Fay Templeton, Will Rogers, Ed Wynn, Eddie Cantor, Jimmy Durante, Irene Franklin, Fred Allen, Jack Benny, and Edgar Bergen began their careers by playing the circuits. There was an invigorating influx of performers from England and France who were a major influence on the growing sophistication and high quality of vaudeville. The popularity of radio and motion pictures caused vaudeville's decline, but television brought about a revival of vaudeville revues. See C. W. Stein, ed.

    60. XM Radio - RadioClassics
    First working together as a vaudeville act in 1935, Bud Abbott and Lou Gunsmoke brought radio s theater of the imagination to new heights and
    http://www.xmradio.com/programming/channel_guide.jsp?ch=164

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