41. Welcome To The Utah Shakespearean Festival A worldrenowned regional theatre company presenting three Shakespeare plays, and five plays by other playwrights, in three theatres each season from June through October. http://www.bard.org/

Home Tickets The Plays Gift Shoppe ... Festival News What is life without a little play? Without the laughter of an uproarious comedy, the thoughtfulness of a great drama, the melodies of a classic musical? Thanks to Our Season Media Sponsors Photos. Top row, left to right: Peter Sham as Benjamin Franklin in 1 2003; Tessa Auberjonois (left) as Viola and A. Bryan Humphrey as Malvolio in Twelfth Night , 1997; Charles Metten as Verges in Much Ado about Nothing, 2003; Kolob Canyon section of Zion National Park; and Anne Newhall as Billie Dawn in Born Yesterday, 351 West Center Street Cedar City, UT 84720 800-PLAYTIX Festival Information: usfinfo@bard.org Webmaster: lee@bard.org Hosted by 2005 Season 2006 Season Buy Tickets Prices/Seating Charts ... Miscellaneous Photos

42. Sault Youth Theatre Information about instructional classes and the Dream on the Island shakespearean drama camp. Also several pages of theatre related humor. http://saultyouththeatre.tripod.com/

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43. SOC - Fourteen Years Of Classical Theatre Dedicated to presenting the finest shakespearean productions at the Waltmar theatre, Orange, in Southern California. http://www.chapman.edu/comm/td/soc/index.html

A MIDSUMMER NIGHT'S DREAM July 7 - 23, Pre-show begins at 7:30 p.m. Mainstage performances begin at 8:15 p.m. ~ E N T E R ~ MEASURE FOR MEASURE August 4 - 20, NOW PLAYING! Find Yourself "Under the Stars" this Summer Shakespeare Orange County P.O. Box 923 Orange, CA 92856 BOX OFFICE: (714) 590-1575 ADMINISTRATION: (714) 744-7016 FAX: (714) 744-7015

44. Frequently Asked Questions About Shakespeare In American Communities The Shakespeare theatre of New Jersey (Madison, NJ) The Theater at Monmouth (Monmouth,ME) Utah shakespearean Festival (Cedar City, UT) http://www.nea.gov/national/shakespeare/About.html

NEA Home Chairman's Forum About Us Grants News Room National Initiatives Lifetime Honors Publications NEA Partners Resources Features Support the Arts Search/Site Map About Shakespeare in American Communities Overview The National Endowment for the Arts, in cooperation with Arts Midwest, is bringing professional theater productions of Shakespeare and related educational activities to Americans in small and mid-sized communities throughout the country. Shakespeare in American Communities is the largest tour of Shakespeare in American history. The initiative launched in September 2003 with a nationwide tour of seven professional theater companies, including a tour to 13 military bases. A new phase, Shakespeare for a New Generation , began with the 2004-05 school year and provides professional Shakespeare performances and educational programs by 21 theater companies to high school and middle school students. Shakespeare for a New Generation will continue into the 2005-06 school year with approximately 40 additional grants to theater companies. By May 2005, having concluded the nationwide tour and the first year of

45. Shakespeare Society Links - Shakespearean Resources And Theatre Productions The Shakespeare theatre of New Jersey www.shakespearenj.org Shakespeare Company www.shakespeare.org The Shakespeare theatre www.shakespearedc.org http://www.shakespearesociety.org/links.htm

THE SHAKESPEARE SOCIETY 2002-2003 PRODUCTION BULLETIN The Shakespeare Society Website features selected Shakespeare productions in addition to helpful links to theatres. For details on current or future productions by companies listed here visit their Websites. SHAKESPEARE IN NEW YORK CITY These companies most frequently produce Shakespeare’s plays and related programming for audiences of all ages. The Acting Company www.theactingcompany.org (click on tour intinerary) The Acting Shakespeare Company www.actingshakespeare.org The Adobe Theatre Company www.adobe.org Aquila Theatre Company www.aquilatheatre.com Classic Stage Company www.classicstage.org Genesis Repertory Ensemble www.genesisrep.org Judith Shakespeare www.judithshakespeare.org Kings County Shakespeare www.kingscountyshakespeare.org New Perspectives Theatre Company The Pearl Theatre Company www.pearltheatre.org

46. Travelcuts And ISIC Travelmax - Events: Event Search: (England, Shakespeare) Royal Shakespeare theatre After 2004 s season of shakespearean tragedies, Chapterhouse theatre Company present their version of Shakespeare s magical http://travelmax.travelcuts.com/sisp/?fx=event.search&loc_id=131037&cat_id=62

47. Summary Of Lears the play with Shakespeare’s ending at the Bowery theatre in New York. the first fully restored shakespearean text at Drury Lane theatre in London. http://www.rhul.ac.uk/drama/research/lear/learsummary.html

CUP King Lear Project Table of Contents A Selective Historical Summary Rationale Behind the Project King Lear : a Selective Historical Summary or 1605 - Little is known about the first production of the play but it is assumed that it was performed at the Globe Theatre with Richard Burbage as Lear and Robert Armin as the Fool 1608 - The Quarto edition was published. Title page 1608 Quarto, Trinity College Cambridge. Click on the thumbnail for a larger version of this image. All rights reserved. This image can only be reproduced with the permission of the Trinity College Cambridge. 1623 - The Folio edition of the play was published. The Quarto contains approximately 300 lines which are not in the Folio edition and the Folio contains approximately 100 lines which are not in the Quarto. 1623 Folio, Folger Shakespeare Library. Click on the thumbnail for a larger version of this image. All rights reserved. This image can only be reproduced with the permission of the Folger Shakespeare Library. Garrick as Lear.

48. Oxford University Press: Shakespeare The Theatre-Poet: Robert Hapgood Hapgood sees Shakespeare the theatrepoet as making theatre not only by Hapgood caps his long critical involvement in shakespearean theater with this http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/Drama/Shakespear

What are sales promo codes? Keyword ISBN Author Title Corporate You are here: OUP USA Home U.S. General Catalog Literature/English Drama Shakespeare the Theatre-Poet Robert Hapgood Add to Cart paper 280 pages Dec 1991, In Stock Price: Shipping Details Description Reviews Product Details ... Author Information Named an Outstanding Academic Book of 1989-1990 by Choice Description How subject to interpretation is Shakespeare? The valid options his plays afford can seem infinite, yet they are not. This book comes fully to terms with Shakespeare's openness to interpretation while respecting the primacy of his creative presence. Hapgood sees Shakespeare the theatre-poet as making theatre not only by outlining an imaginary world, but also by providing guidelines for its enactment and reception, implying in each of his plays a distinctive rapport between the playwright, the actors, and the audience. Hapgood demonstrates that these guidelines may be found through study of the range and limits of the options that each text affords, and through close reading of several playsparticularly Hamlet, Othello, King Lear

49. VASTA Conference 2001: The Lost Secrets Of Speaking Shakespeare She is Professor of theatre at the University of Delaware and teaches Voice and Text in such theatres as Oregon Shakespeare Festival, Utah shakespearean http://www.vasta.org/conferences/conf2001/flyerlores.html

VASTA - The Voice And Speech Trainers Association, Inc. Presents: The Lost Secrets of Speaking Shakespeare Hosted by Roosevelt University Conference Planner: Eric Armstrong A UGUST Presenters VASTA friends and colleagues from around the world. Catherine Fitzmaurice has performed in, directed, or coached all but five of Shakespeare's plays. She has been Voice and Text Consultant on Shakespeare productions for award-winning directors Frank Galati, DesMcAnuff, Mark Lamos, Joanne Akalaitis, Robert Wilson, Michael Langham,Robert Cohen, Irene Lewis, John Hirsch, and William Ball at such venues as the American Conservatory Theatre, La Jolla Play-house, the Guthrie Theatre, the Goodman Theatre, Stratford/Canada, Center Stage, McCarter Theatre, Hartford Stage, the Shakespeare Theatre, and the New York Shakespeare Festival. She has been on the faculty at Yale School of Drama, ART/Harvard, Juilliard, NYU, ACT, and the Central School of Speech and Drama. She is Professor of Theatre at the University of Delaware and teaches Voice and Text at the Actors Center in New York City. Catherine's contribution at the 2001 VASTA Conference will be directed towards Fine Points and Pictures.

50. Shakespeare On The Hudson Theatre Company There is not a summer shakespearean theater in the country that makes a profit There s a lot of good shakespearean theater within a 45 minute or http://www.shakespeareonthehudson.com/hudsonValley.html

In Love with Shakespeare A businessman with a passion for the Bard has done what the playwright himself did – built his own theater. Lipstein became enamored of William Shakespeare during his days as a student at the University of Sussex in the late 70s. “I just roamed around England on a motorcycle reading Shakespeare and staying at bed and breakfasts,” he recalls. “I was studying literature, so I was allowed to be excited about it.” When asked what exactly it was about Shakespeare that so captivated him, Lipstein presses thumb to index finger, as if trying to capture a breath of air, and answers without hesitation, “His sublime language.” It is what Biron in Love’s Labour’s Lost eloquently, though mockingly, described as, “Taffeta phrases, silken terms precise, three-piled hyperboles, spruce affectation.” The master playwright and poet has been a constant companion to Lipstein ever since.

51. Shakespeare's Theatre An annotated guide to Shakespeare theater resources on the Internet. http://shakespeare.palomar.edu/theatre.htm

Introduction Shakespeare's Globe Theatre Aspects of Elizabethan Performance Speech ... General Theatrical Related Linked Pages Festivals and Theatre Companies Introduction Top Every link I could find having to do with Shakespeare's theatre, historical and modern, has been gathered on this page. This includes sites dedicated to the physical Globe Theatre (the original and the modern, reconstructed Globe) and other contemporary Elizabethan playhouses, as well as aspects of Shakespearean theatrical performance. It is hoped that the sites linked here will prove useful to those wishing to mount Shakespearean productions. Finally, in a departure from the earlier format of these pages, information about current productions and festivals has also been mounted here. If you are a producer and wish your production information added to this page, use the email link on the navigation menu above to write me. The Globe and other playhouses Top If you are doing research on Shakespeare's Globe Theatre or are simply curious about the rebuilt Globe you cannot do better than to visit Shakespeare and the Globe Theatre produced by Chantal Miller-Schütz and hosted by the University of Reading.

52. The Elizabethan Theatre The following is the text of a lecture by Professor Hilda D. Spear. http://www.uni-koeln.de/phil-fak/englisch/shakespeare/spear.html

53. Shakespeare And The Globe: Then And Now International Shakespeare Globe theatre. Dennis Bailey New Issues in theReconstruction of Shakespeare s Theater (1990), a collection of essays, http://search.eb.com/shakespeare/esa/660005.html

Shakespeare and the Globe Theatre by Andrew Gurr Early in 1599, Shakespeare paid into his acting company's kitty a sum of money amounting to 12.5 percent of the cost of building the Globe . He did so as one of the chief shareholders in the company, the Lord Chamberlain's Men . By doing so he helped to establish a uniquely successful form of commercial operation for the actors of the time. In 1599 officially approved playhouses and officially approved acting companies had only been in existence in London for five years. Only two companies were licensed to perform in London. One used the Rose playhouse, owned by an impresario and his ex-actor son-in-law. The other, the Lord Chamberlain's, in 1599 formed itself into a consortium to build its own playhouse. This gave a majority of the leading actors both a share in the company's profits and a share in their playhouse. No other company in Shakespeare's time ever succeeded in setting up such a splendidly interactive system. Building the Globe was both cause and effect of the accident that brought this novel system into being. The second-best playhouse.

54. Shakespeare And The Globe: Then And Now To look at the Elizabethan theatre through Shakespeare s internal plays is to, The social setting of theatre in Shakespeare s London is addressed by http://search.eb.com/shakespeare/esa/660009.html

Performance in Shakespeare's Theatre by Alvin Kernan A hundred yards or so southeast of the new Globe Theatre there is a vacant lot surrounded by a corrugated-iron fence marked with a bronze plaque as the site of the original Globe Theatre of 1599. A little closer to the new Globe one can peer through dirty slit windows into a dimly lighted space in the basement of a new office building, next to London Bridge, where about two-thirds of the foundations of the Elizabethan Rose Theatre can barely be made out. A little farther to the west, the new Globe rises up on the Bankside, asserting definite knowledge of Shakespeare's theatre and deserving praise for doing so; but the difficulty of seeing the earlier theatres in the shadows of the past better represents our understanding of performance in Shakespeare's theatre. Acting stylerealistic or melodramaticstage settings, props and machinery, swordplay, costumes, the speed with which the lines were delivered, length of performance, entrances and exits, boys playing the female roles, these and other performance details remain problematic. Even the audiencerowdy, middle-class, or intellectualis difficult to see clearly. We know something of the mise en scene, but not nearly enough, and while the historians continue their painstaking researches the best general sense of Shakespeare in his theatre still comes from the little plays within his plays that across the centuries still give us something of the feel of performance in the Elizabethan theatre.

55. Ellen Terry Established shakespearean actress and later management of theatres with her son. Helped popularize the work of Henrik Ibsen and George Bernard Shaw. http://www.spartacus.schoolnet.co.uk/ACterry.htm

Ellen Terry Spartacus USA History British History Second World War ... Email Ellen Terry , the daughter of a provincial actor, and sister of Fred Terry , was born in Coventry in 1847. Ellen never went to school and at the age of eight appeared as Mammilius in The Winter's Tale at the Prince's Theatre in London. After a brief marriage to the painter, George Frederick Watts in 1864, Terry established herself as Britain's leading Shakespearean actress. In 1878 she formed a partnership with Henry Irving at the Lyceum, where he became actor-manager. Working closely with Irving she dominated English theatre for over twenty years. In 1903 Terry went into theatre management and with her son helped to popularize the work of Henrik Ibsen and George Bernard Shaw . Ellen Terry, who slowly sank into blindness, died in 1928. Available from Amazon Books (order below) Enter keywords...

56. The Shakespeare Theatre Information The mission of The Shakespeare theatre is to become the nation s leading force in Michael Kahn The Shakespeare theatre in Washington, DC, under Artistic http://www.shakespearedc.org/tinfo.html

ABOUT THE SHAKESPEARE THEATRE Theatre Address: 450 7th Street NW Washington, DC 20004-2207 The Shakespeare Theatre Ticket Sales and Subscriber Services: Phone: 202.547.1122 Toll-free: 1-877-4TST-TIX (1.877.487.8849) TTY: 202.638.3863 (deaf patrons only) Fax: Administrative Office: The Shakespeare Theatre 516 8th Street SE Washington, DC 20003-2834 Phone: 202.547.3230 Fax: 202.547.0226 (Please do not fax ticket exchanges to this number since doing so will delay processing and affect seat availability. Educational programs: 202.547.5688 TTY: 202. 546.9606 (deaf patrons only) Mission Statement The mission of The Shakespeare Theatre is to become the nation's leading force in producing and preserving the highest quality of classic theatre.

57. 2004-2005 Season At A Glance With “The Scottish Play,” The Shakespeare theatre explores one of the most profound For the first time in its 17year history, The Shakespeare theatre http://www.shakespearedc.org/0405plays.html

A SEASON OF FIVE INCREDIBLE ADVENTURES THE 2004-2005 SEASON Macbeth Pericles Lorenzaccio The Tempest ... Fan Macbeth by William Shakespeare directed By Michael Kahn August 31 - October 24, 2004 Macbeth Washingtonian Pericles by William Shakespeare directed by Mary Zimmerman November 9, 2004 - January 2, 2005 Pericles Metamorphoses , makes her Shakespeare Theatre debut. The New York Times Lorenzaccio by Alfred de Musset directed by Michael Kahn translated and adapted by John Strand January 18 - March 6, 2005 With the bold and broad Lorenzaccio Tartuffe and The Goat, or Who Is Sylvia? Jekyll and Hyde ) in his Shakespeare Theatre debut as the Duke. Artistic Director Michael Kahn directs this classic French play, considered one of the greatest works of Romantic theatre. The Washington Post The Tempest by William Shakespeare directed by Kate Whoriskey March 22 - May 22, 2005

58. STAA - Shakespeare Theatre Association Of America - For The Producers Of Shakesp The Shakespeare theatre Association of America (STAA) was established to providea forum for the artistic and managerial leadership of theatres whose http://www.staaonline.org/

@import "/staa.css"; Shakespeare Theatre Association of America Home About STAA Conferences ... Member Login Statement of Purpose The Shakespeare Theatre Association of America (STAA) was established to provide a forum for the artistic and managerial leadership of theatres whose central activity is the production of Shakespeare's plays; to discuss issues and share methods of work, resources, and information; and to act as an advocate for Shakespearean productions in North America. August 25, 2005 STAA Conference 2006 Posted by David Dreyfoos Baja Shakespeare Festival in Los Barriles, Mexico is the exciting location for our 16th annual STAA conference. Join us January 11-14, 2006 with our hosts Marin Shakespeare Company for Shakespeare, Sun and Sand! Near the end of September, Lesley Currier will be emailing each organizational member and each associate member a full registration packet with all of the essential information. Please make sure that your member information is up to date on the website. If we do not have your email address and we need to send you need a hard copy of the registration material, please contact Lesley Currier at 415.499.1108 or David Dreyfoos at 541.482.2111 ext. 280. We hope to see you in sunny Mexico!

59. STAA - Shakespeare Theatre Association Of America - Member Index Shakespeare theatre Association of America Advice to the Players; Airmid theatre Alabama Shakespeare Festival Arcadia Shakespeare Festival http://www.staaonline.org/index/member_index.php

@import "/staa.css"; Shakespeare Theatre Association of America Home About STAA Conferences ... Member Login Member Index Please submit any errors or omissions through our feedback form Advice to the Players Airmid Theatre Alabama Shakespeare Festival Arcadia Shakespeare Festival Atlanta Shakespeare Company (at The New American Shakespearean Tavern) ... Colorado Shakespeare Festival Company of Fools Delaware Shakespeare Festival Flatwater Shakespeare Foothill Theatre Company/Sierra Shakespeare Festival Georgia Shakespeare Festival ... New Renaissance Theatre and Film New Rose Shakespeare Festival North Carolina Shakespeare Festival Ohio Shakespeare Festival Ojai Shakespeare Festival Oklahoma Shakespeare in the Park Oregon Shakespeare Festival Orlando/UCF Shakespeare Festival ... Shakespeare Theatre of New Jersey Shakespeare Ventures Shakespeare's Globe Shenandoah Shakespeare Stratford Festival of Canada Summer Shakespeare at Notre Dame Tennessee Stage Company - East Tennessee Shakespeare in the Park Texas State University Texas State University The Shakespeare Festival at Tulane The Shakespeare Guild The Shakespeare Project The Shakespeare Theatre Unseam'd Shakespeare Co.

60. Electronic Shakespeare, Resources For Researchers; Authorship Debate; Shakespear This page is devoted to William Shakespeare, his Globe theatre and all the websites out there devoted to his work. http://www.wfu.edu/~tedforrl/shakespeare/

Comprehensive Sites Shakespeare's Works Shakespeare's Life Shakespeare's Theatres ... Roz and the Globe Theatre This site is intended as a guide to Shakespeare Resources on the WWW. If you are wondering who I am and what qualifies me to create a site like this, you are a savvy web searcher. I am the Information Literacy Librarian at the ZSR Library at Wake Forest University. I have an MA in English, specifically Shakespeare, and a Masters of Library Science. I have personally visited all of these sites and have found them to be of good quality and relative stability. I check the links regularly (last updated 11-23-04), but if you find a dead one or if you know of sites I have not included yet (this will always be a work in progress) please email me: Rosalind Tedford . To learn more about me, please visit my Home Page Comprehensive Sites: Absolute Shakespeare Mr. William Shakespeare and the Internet Shakespeare.com Shakespeare Illustrated: Emory Univeristy ... Active Shakespeare (intreactive Shakespeare exercises and quizzes) Shakespeare's Work on the WWW: Audio Recordings of Shakespeare The Complete Works of Shakespeare: Searchable from MIT The Collected Works of Shakespeare Shakespeare's Sonnets Shakespeare's Sonnets Furness Shakespeare Library (University of Pennsylvania - Digital Images of several Shakespeare Works and many Renaissace Texts)

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