21. Utah Shakespeare Festival Adams Memorial shakespearean theatre. The outdoor Adams Memorial ShakespeareanTheatre. (Copyright Utah Shakespearean Festival. Photo by Karl Hugh.) http://www.utah.com/arts/shakespeareanfestival.htm

Lodging Guides / Rentals Hot Deals Campgrounds ... Trip Packages Utah Shakespeare Festival The Utah Shakespearean Festival is widely recognized as one of the best professional theater events in the nation; in 2000, it was awarded the Tony Award for "Outstanding Regional Theater". The Festival is a grand event that includes not only Shakespeare and contemporary productions, but also the Greenshow, the Royal Feaste, seminars, classes and tours. The Plays Six plays are presented each Summer Season in two grand theaters: the outdoor Adams Shakespearean Theatre, which is a replica of Shakespeare's Globe Theatre and features only Shakespeare plays; and the indoor Randall L Jones Theatre, a modern facility that features contemporary works. In the Fall, the Festival presents three more world-class plays, including one Shakespeare play, a musical and a comedy. The Royal Feaste, Backstage Tours and Seminars Indulge in the fun of a four-course meal at The Royal Feaste, eaten in the style of renaissance noblemen. It's a magical world of color, light, music and dance. The Royal Feaste is available during the Summer Festival season. Reservations are required and can be made at the Festival Box Office. The Backstage Tour is an opportunity to step behind the scenes to learn inside information about the Festival and visit various production areas, including costume, makeup, and scene shops. Patrons can also attend one of the Literary Seminars to participate in lively give-and-take discussions between the play directors and audience members (sometimes actors will be present). Participants are encouraged to voice honest reactions to various aspects of the plays. Seminars take place in the Seminar Grove, Tuesday through Sunday.

22. Shakespearean Theatre Vocabulary: Darkness, Ghosts And Vanishing TITLE OF EXERCISE shakespearean theatre Vocabulary Darkness, Ghosts and Vanishing .3. GOALS To explore the theatrical possibilities for communicating http://www.tamut.edu/english/folgerhp/Recipes/8shthvoc.html

1. GENERAL HEADING: Video and Film Analysis 2. TITLE OF EXERCISE: "Shakespearean Theatre Vocabulary: Darkness, Ghosts and Vanishing" 3. GOALS: To explore the theatrical possibilities for communicating darkness and vanishing on Shakespeare's stage. 4. NUMBER OF STUDENTS: Any number of students. 5. EQUIPMENT AND SUPPLIES: VCR; videotapes and scripts of scenes in which darkness is dramatically important, or in which ghosts vanish from the scene. Alan Dessen's handout cited the suggestions for darkness in the stage directions of Heywood's The Iron Age , and Tailor's The Hog Hath Lost His Pearl ; the editorial variants of accounting for the movements of Demetrius and Lysander as they miss each other in the dark wood in 3.2 of A Midsummer Night's Dream ; and the stage directions for the ghosts in Richards' Messalina , Goffe's The Raging Turk 1 Hieronimo , and 5.3 of Shakespeare's Richard III . He provided videotapes of the ghost sequence (5.3) in Jane Howell's BBC video of Richard III and of the Puck-Demetrius-Lysander chase (3.2) in Peter Hall's video of

23. Southern Ontario Tourism - Shakespearean Theatre & Lake Erie North Shore Southern Ontario Tourism The place to search for Ontario Travel Information,Attractions, Accommodations, Adventure, Shopping, Dining, Theatre, Culture, http://www.soto.on.ca/southernontario.asp?xsotoarea=2

24. BROADWAY NEW YORK | All Things Broadway | All Things New York Staging shakespearean theatre by Elaine Adams Novak. The essential guide toselecting, interpreting, producing, and directing Shakespeare. http://www.broadwaynewyork.com/Item.asp?CategoryId=15&CategoryName=Technical The

25. Staten Island Shakespearean Theatre - Who We Are/Our History Staten Island shakespearean theatre Company is now online! http://www.lunacat.net/sistcompany/history.htm

Who We Are/Our History Over the past 24 seasons the company has grown into a viable and visible theatre in the New York City area. Our seasons consist of 7 productions a year, attracting audiences, directors and actors (both Union and Non-Union), from all over the United States. We have continued to offer a variety of productions ranging from original works to contemporary comedies, dramas and musicals, as well as the works of Shakespeare and other classic playwrites. Recently, we presented the Maxwell Anderson thriller THE BAD SEED, featuring special guest artist Patty McCormack, star of the original Broadway and film productions, in the role of Mrs. Daigle. As we enter our 25th season, we are pleased that - to paraphrase a Sondheim lyric - We're still here! The following pages will offer you further insight into our history as well as our present and future plans. If you like what you see, give us a call and join us for our 25th anniversary season. Sincerely, Craig Stoebling President Not an actor, but want to get involved?

26. Production Services: Adams Shakespearean Adams shakespearean theatre The Adams Memorial Theatre is unique in the West asone of the only replicas of Shakespeare s Wooden O theatre. http://services.bard.org/facilities/adams_shakespearean.html

Home About Us Facility Scheduling Contact Us ... Downloads Facilities Randall L. Jones Theatre Auditorium Adams Theatre Outdoor Spaces ... Scheduling The Adams Memorial Theatre is unique in the West as one of the only replicas of Shakespeare's "Wooden 'O'" theatre. Facility Photos Drawings Adams Theatre Calendar Calendar will open in a new window. Technical Specifications Seating Charts Facilities Map Adams Memorial Theatre History The Adams Memorial Theatre, located on the campus of Southern Utah University is one of the most authentic Elizabethan theatres in the world, began as a stagehouse; but in five years’ time was gradually surrounded by its permanent orchestra and gallery seating. The Adams Memorial Theatre, dedicated in 1977 and seating 819 plus 66 gallery-bench or standing room seats, was designed by Douglas N. Cook, Utah Shakespearean Festival Producing Artistic Director, along with Max Anderson of the Utah State Building Board, and is patterned after drawings and research of sixteenth century Tudor stages. The construction of the Adams Memorial Theatre begins. The replica of Shakespeare's Globe Theatre was completed in 1977.

27. Shakespearean Theatre reference author, title, language for ISBN0750228091 shakespearean theatre. http://my.linkbaton.com/isbn/0750228091

Shakespearean Theatre ( ISBN: Book informaion links: Shakespearean Theatre ISBN Title Shakespearean Theatre Chrisp, Peter Paperback Back to the ISBN symbols home

28. Guardian Unlimited Arts News Is This Gdansk I See Before Me? In Poland, efforts are underway to reconstruct a shakespearean theatre that thrived Later, under Communist rule, the Shakespeare theatre site became the http://www.artsjournal.com/theatre/redir/20030828-28565.html

29. Ashland Southern Oregon Rogue Valley And Shakespearean Theatre Ashland in Southern Oregon Rogue Valley and Shakespeare Festival and Shakespeareantheatre theater. Jackson County, historical towns and cities. http://www.rogueweb.com/ashland/

Business Lodging Real Estate Recreation ... Home Ashland Oregon Profile Page Ash land is located 15 miles north of the California border on Interstate 5 at the south end of the Rogue Valley, sitting at about 2,000 feet above sea level. Mt. Ashland looms above the city to the South, 7,500 feet high, and the Cascade Range lies about 30 miles to the east. Ashland offers qualities of life that many towns only dream about. Snow-capped mountain peaks, a major theater company joined by other smaller theaters, art galleries, museums and fine restaurants offer a truly picturesque setting. Ashland is a unique place, offering a ski resort in the winter, and three other distinctive seasons. With its warm summers and mild climate, Ashland is an excellent place to garden. The climate is so good, in fact, that Ashland had an active agricultural industry around the turn of the century. The Rogue Valley is still known as "pear country," and you can see trees from the old orchards around town. The climate is also conducive to growing grapes, and Ashland has two local wineries. Ashland has an active and varied theatrical community. Home to the

30. Project MUSE offered by both doubling and gender crossing in shakespearean theatre. but it also helps to remind us that Shakespeare s theatre is one in which http://muse.jhu.edu/journals/theatre_journal/v048/48.1pr_shakespeare01.html

How Do I Get This Article? Athens Login Access Restricted This article is available through Project MUSE, an electronic journals collection made available to subscribing libraries NOTE: Please do NOT contact Project MUSE for a login and password. See How Do I Get This Article? for more information. Login: Password: Your browser must have cookies turned on Orgel, Stephen "Performance Review: The Tempest" Theatre Journal - Volume 48, Number 1, March 1996, pp. 91-93 The Johns Hopkins University Press Excerpt Danny Scheie made his debut as a professional director with an audacious and hilarious Comedy of Errors for Shakespeare Santa Cruz in 1988. As Artistic Director of the company since 1992, he has been responsible for a remarkable series of innovative Shakespeare productions, for the most part performed outdoors in a redwood grove on the campus of the University of California at Santa Cruz. His work, even at its most deliberately outrageous (at Theatre Rhinoceros, for example, an all-male, frankly homoerotic Twelfth Night with Malvolio omitted), has been consistently interesting and genuinely enlightening about elements of the Shakespeare text that tend to be ignored or even suppressed by the editorial and critical tradition. The indignation his productions often evoke is a measure of how genuinely unsettling his readings tend to be for people devoted to settled notions of Shakespeare.

31. Renaissance Forum: Volume 1, Number 1, 1996: Michael Scott has been paid to the cultural politics of shakespearean theatre production, This is not to say that the RSC could not produce radical theatre, http://www.hull.ac.uk/renforum/v1no1/scott.htm

Robert Shaughnessy. 1994. Representing Shakespeare: England, History and the RSC . Hemel Hempstead: Harvester/Wheatsheaf. 222 pp. ISBN 0-7450-1560-3. £12.95. we mean by Shakespeare'. The problem in an ongoing critical crisis is that if the RSC 'means' by Shakespeare it is in danger of critical condemnation for political or historical incorrectness. Whereas if the cultural materialists 'mean' by Shakespeare they condemn themselves for their inability to influence current political agendas. It is not a crisis in English studies or theatrical criticism, but a crisis in discourse, meaning and communication. Shaughnessy demonstrates that in the context of the RSC's political agenda of the 1960s, which could, in its liberal humanism, bask in the knowledge that National Socialism had been defeated and that the Communism of the Cold War could be decried, the Company found a pertinence in contemporary relevance. In this period of super-power politics, Peter Hall and John Barton's cyclic rendering of the Henry VI plays and Richard III was exemplary of RSC artistic and ideological policy. As Shaughnessy notes, their

32. Florida Shakespeare Theatre Founded in 1979, the FST has toured in more than half of Florida's 67 counties, presented 28 shakespearean productions, and won critical acclaim for its artistic excellence. http://www.afn.org/~theatre/

Florida Shakespeare Theatre The mission of the Florida Shakespeare Theatre (FST) is to provide the South Florida community with classical and contemporary theatrical productions of artistic excellence. FST hopes to challenge our multi-cultural audience with innovative productions that entertain as well as confront today's issues and ideas. By emphasizing nontraditional casting and employing the best of our local creative force, FST endeavors to meet the needs of our diverse community. FST is committed to the enrichment of the local actor, director, designer, and technician - providing them the opportunity of achieving artistic acclaim in this region. FST believes the future of theatre can only be assured by the development of young audiences. Therefore, FST's in-house mainstage and in-school touring educational programs are major components of the theatre. Furthermore, FST welcomes the opportunity to address some of the needs in our community though special programs for at-risk youth, as well as supporting as many worthy causes as possible through our theatrical productions. The specific goals of the FST educational programs include teaching students to listen, to discern and to think both critically and creatively; increasing each students cultural awareness and building self-esteem by being involved with quality theatrical presentations that educate as well as entertain; and enriching the spirit, provoking the intellect and expanding life experiences of students who come from the diverse ethnic and economic backgrounds that make our community so vibrant and dynamic.

33. The Shakespeare Theatre Critically acclaimed, awardwinning company based in Washington DC. Season includes three shakespearean productions and two classics. http://www.shakespearedc.org

4-Play and 3-Play Packages Classics in Context Audience Enrichment Capital Weekend With the Classics Hotel Packages ... Join our Email list SPOTLIGHT Fall Master Acting Classes Guide to the Season's Plays Campaign for the Harman Center for the Arts ... Gift Certificates Artistic Director Michael Kahn Managing Director Nicholas T. Goldsborough 202.547.1122 • 450 7th Street NW Washington, DC •20004-2207 © 1999-2005 The Shakespeare Theatre

34. RESURGENCE THEATRE COMPANY - York Shakespeare Festival, Newmarket, Ontario A professional theatre company presenting shakespearean productions, staged under a tent setup in Newmarket, Ontario. http://www.resurgence.on.ca/

If a menu does not appear here go to our Site Map The Emperor’s New Clothes and Other Favourite Stories Senior Youth Theatre Conservatory Directed by Laila Moos August 5-19, 2005 - Monday, Wednesday and Friday at 2:00 p.m. Read more about our Senior Youth Theatre Conservatory 2005 Season - BMO Nesbitt Burns Summer Play Reading Series The two staged readings presented by BMO Nesbitt Burns at Fairy Lake Park in Newmarket, were an overwhelming success. Over 200 persons attended the "Taming of the Shrew" reading on July 25th, and approximately 250 persons attended the "Midsummer Night's Dream" reading on August 7th. Both readings featured some of Canada's finest professional actors. Read the press release announcing the series. Make a DONATION ON-LINE TODAY! Resurgence has partnered with CanadaHelps.org to process on-line donations. CanadaHelps.org is a non-profit organization that makes on-line giving convenient for donors and Canadian charities. Click here to read about this new service and donate today! A charitable tax receipt will be issued for your contribution. Have you signed up for our "What's New" free e-mail service?

35. Shakespeare's Globe Theatre Provides background information on shakespearean performance in original conditions. Includes guides to the original Globe theatre and a reconstructed version. http://www.rdg.ac.uk./globe/

Unfortunately this site is no longer available. For details of the current programme at the New Globe theatre, London, please visit the Globe Website School of English and American Literature The University of Reading Last modified 6th July 2004

36. Genesius Guild And The Genesius Guild Theatre Foundation Rock Island. A group that performs Greek plays in mask, shakespearean comedies and tragedies, Greek comedy in contemporary rewrites, and professional ballet. Includes season schedule, history, auditions, and rehearsal information. http://www.genesius.org

THE GENESIUS GUILD A community theatre organization located in the Quad Cities specializing in free classical drama. Founded in 1956, the group performs Greek drama, Greek comedy, the works of Shakespeare, and other classical authors every weekend throughout the summer. The schedule also includes opera in partnership with Opera@Augustana and ballet in partnership with Ballet Quad Cities. The Genesius Guild depends, in large measure, on contributions from its audience for operating income. GENESIUS THEATRE FOUNDATION A tax-exempt group which raises funds for artistic capital projects. The Foundation recently raised $140,000 to make capital improvements to guarantee the Genesius Guild's future. Please mail your contributions for either or both groups to: 1120 40th Street, Rock Island, IL 61201 2005 SUMMER SCHEDULE All performances at 8 pm Lincoln Park Classic Theatre, Rock Island Admission Free Download the 2005 Study Guide (PDF) TRYOUTS at Lincoln Park May 29, Sunday 1pm

37. The Calvert Revivals - Alfred Darbyshire By Alfred Darbyshire, F.R.I.B.A. Lecture given in 1893; published 1912. http://shakespearean.org.uk/cal1-dar.htm

The Calvert Revivals at the Manchester Prince's Theatre - By Alfred Darbyshire, F.R.I.B.A. (Lecture given in 1893. Published 1912) Source Text : Ed. Lieut.-Col. Fishwick, F.S.A, Shakespearian Addresses : Delivered at the Arts Club, Manchester, 1886-1912 (London : Sherratt and Hughes, 1912), pp. 77-101. Transcribed and edited by Thomas Larque . Page numbers are given in the web text, in square brackets, at the start of each page. http://shakespearean.org.uk for more details. Return to the "Shakespeare and His Critics" Homepage **THE CALVERT REVIVALS** **AT THE MANCHESTER PRINCE'S THEATRE** He would be a bold man who would attempt to impart elementary knowledge, or who would "lay the flattering unction to his soul" that he could say anything new or scholarly on the subject of Shakespeare, to such an audience as I have now the honour of addressing. When I think of the learned and eloquent discourses which have been annually delivered in this room, and before this cultured audience, I feel that I have accepted a responsibility which I cannot hope to discharge worthily; and had not a certain line of thought been suggested to me, I would not have ventured to stand here to-night, and attempt a discourse on such a splendid theme as William Shakespeare. It is natural to avoid seriousness, solemnity, and gloom, and to love sunlight, happiness, and mirth. We are here to-night, I trust, to be merry, and may be to thank Providence for that twenty-third day of April, 1564, which ushered into the world that spirit "whose great name we revere." When, however, an occasion like this is devoted to a discourse about Shakespeare, one cannot resist serious thoughts, neither can one quite avoid a feeling of depression. Think for a moment of the subject - how vast it is! When I reflect that our Poet's name is written in that record which marks the three great epochs of the "rolling ages," that he stands enshrined with Homer and Dante, and that the purity and beauty of our language are due to his magic pen, I indeed feel that I have undertaken a

38. Shakespeare Theatre Association Of America Home Page A Forum for shakespearean Productions and Training in North America About theShakespeare theatre Association of America (STAA) A directory of members http://ise.uvic.ca/STAA/

A Forum for Shakespearean Productions and Training in North America This site was created in 2001 by the Internet Shakespeare Editions to host information about the Shakespeare Theatre Association of America (STAA). STAA now has its own site. The current page will be maintained to provide a link to the new site. Please visit http://www.staaonline.org/ for full information about the organization. Our statement of purpose About the Shakespeare Theatre Association of America (STAA) A directory of members Statement of purpose ... Directory The site for the Shakespeare Theatre Association of America is hosted by the

39. Lumina Studio Classes and performance opportunities in shakespearean acting techniques in the Takoma Park area. http://www.luminastudio.org

Announcing Lumina Studio Theatre's upcoming performances: A Midsummer Night's Dream December 3-6 and Macbeth December 2-4

40. Chicago Shakespeare Theater On Navy Pier A professional theater venue/company located on Navy Pier and features 510 seats on three levels around the courtyard theater's thrust stage. Also features a flexible 180seat theater, a teacher resource center, an English pub, a shakespearean bookstall, and a special events room. http://www.chicagoshakes.com/

Chicago Shakespeare Theater 800 East Grand Avenue • Chicago, IL 60611 Box Office 312.595.5600 • Administration 312.595.5656 Site Design and Conceptualizing by LivingDesign/Karin Pritikin Architectual photography by Steinkamp-Ballogg Photography, Chicago Architecture and Design by VOA Associates, Chicago © 2000 Chicago Shakespeare Theater online ticketing and user account management, DigitalWork, Inc. 2005

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