21. Pre-Raphaelite Art And High Victorian Art Prints, Posters And Books Sells high Victorian art prints, posters, cards and wall hangings. http://www.pre-raphaelites.co.uk

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22. Art/Museums - Ruskin, Turner And The Pre-Raphaelites Illustrated essay on major exhibition at the Tate Britain in London on JohnRuskin, Turner and the preraphaelites. http://www.thecityreview.com/ruskin.html

RUSKIN, TURNER AND THE PRE-RAPHAELITES Tate Britain March 9 to May 28, 2000 Portrait of the Critic as a Young Artist "John Ruskin" by Sir John Everett Millais, oil on canvas, 78.7 by 68 centimeters, private collection By Michele Leight Connoisseurs and artists are different, usually. The former take delight in the work of others and the latter take delight in their own work, generally. Most people would prefer to be known as an artist rather than merely as a connoisseur, but without connoisseurs most artists would be lost. John Ruskin, the world’s foremost art critic in the mid- and late-19th Century, was a connoisseur and an artist. Although best known for his controversial libel trial with Whistler and for his promotion of the work of Turner and the Pre-Raphaelites, Ruskin was a very influential writer on architecture whose advocacy of preservation and public exposure to the arts and "adult education" were highly important. In the current age of multi-culturalism and "political correctness," Ruskin’s "elitist" views might still seem controversial to some, but his fervor and oeuvre, both literary and artistic, is in no way diminished. While his contributions to English heritage are magnificent and very impressive, his life’s interests, goals, and achievements are of exceeding interest to everyone in love with art, architecture, and the notion of beauty. Moreover, his is a fascinating story of how even the most brilliant observers can have blind spots and how even powerful and influential men can have strange love lifes.

23. Pre-Raphaelites: Links Genetrix art screensavers for windows; Tiamat s Treasures Fine art A BrotherhoodOf Realism And Romance The pre-raphaelites - 24 Hour Museum http://persephone.cps.unizar.es/General/Gente/SPD/Pre-Raphaelites/Links.html

The Pre-Raphaelites: Links The Rossetti Archive The Complete Writings and Pictures of Dante Gabriel Rossetti Cybergrrl Pre-Raphaelite page Pre-Raphaelite Overview at the Victorian Web At Nihil pages you can find more pictures. Some books by George Landow (GPLANDOW@BROWNVM.brown.edu) Gelao's Home Page has some links too. Ophelia's Mirror Some pictures, nice page You can buy here some posters The Northeast Victorian Studies Association Home Page Brian Yoder's Art Gallery and Critic's Corner Carol Gerten-Jackson Fine-Art Athena Ophelia Pages All you want to know about ophelia The Isabella Project bob speel's 19th Century art pages LITIR Database on Victorian Studies The Pre-Raphaelite Collection ... Frogpotpie's Gallery A well presented Fine Art Gallery Glastonbury Romantics Looking for prints? The Pre-Raphaelite Brotherhood at Kerry's Room The Germ Diana's Pages Art Gallery "vaguely Pre-Raphaelite"; but a fine selection. Genetrix Art screensavers for windows Tiamat's Treasures Fine Art Art links You can add yours Renaissance and Impressionist Artists The Art of Elizabeth Louise Vigee Le Brun The Pre-Raphaelite Collection at WebMagick The home page of Bob Speel Tuscany Fine Arts They sell prints, including many PRB artists

24. Pre-Raphaelites And Illustration but because they raised the craft of illustration to high art, FrederickSandys was a close follower of the preraphaelites whose strong http://www.speel.demon.co.uk/other/prbillus.htm

Pre-Raphaelites and Illustration John Everett Millais The Pre-Raphaelite Brotherhood had a very important impact on book illustration from the middle of the 19th Century. This was not because of the number of illustrations that they produced, which was not large, but because they raised the craft of illustration to high art, and gave an inspiration to generations of future illustrators, some of whom continued to draw in the Pre-Raphaelite style long after painting had moved in other directions. The startling drawings of Rossetti Millais and Holman Hunt first appeared in Allingham's The Music Master , in the Moxon Tennyson and in Willmott's Poets of the Nineteenth Century Holman Hunt Arthur Hughes made evocative pictures for children's stories such as MacDonald's At the Back of the North Wind (1871), and in the 1860s Simeon Solomon , another Pre-Raphaelite artist, drew pictures of Jewish life in a mysterious, almost impressionistic fashion. Frederick Sandys was a close follower of the Pre-Raphaelites whose strong draughtsmanship made him especially effective in woodcut illustration. Arthur Hughes Simeon Solomon Dalziel's Bible Gallery (1881) drew together the Pre-Raphaelites with Classicists such as Leighton Watts and Poynter Walter Crane , strongly influenced by Rossetti and by the Classicists, illustrated toy books in the 1860s-1880s in black and white and colour, and has been popular ever since.

25. Oxford And The Pre-Raphaelites, Art History - Woodstocker Books Like other breakaway bands, the pre-raphaelites rejected conventional Hunt’s art was characterized by “colors based on an uncompromising study of the http://new.aschwartzbooks.com/Woodstocker_Books/b_preview.php?id=284

26. Pre-Raphaelites While contemporary critics and art historians worshiped Raphael as the great and in common with the other preraphaelites, his art was a fusion of http://www.artchive.com/artchive/prb.html

Pre-Raphaelite Brotherhood The Artchive needs EVERYONE to help! If you enjoy this site, please click here to find out how YOU can help to keep it online. See also: Pre-Raphaelite Screensaver (free demo) Ford Madox Brown Edward Burne-Jones William Holman Hunt ... online - Click here THE PRE-RAPHAELITES "Toward the middle of the 19th century, a small group of young artists in England reacted vigorously against what they felt was "the frivolous art of the day": this reaction became known as the Pre-Raphaelite movement. Their ambition was to bring English art (such as it was) back to a greater "truth to nature." They deeply admired the simplicities of the early 15th century, and they felt this admiration made them a brotherhood. "While contemporary critics and art historians worshiped Raphael as the great master of the Renaissance, these young students rebelled against what they saw as Raphael's theatricality and the Victorian hypocrisy and pomp of the academic art tradition. The friends decided to form a secret society, the Pre-Raphaelite Brotherhood, in deference to the sincerities of the early Renaissance before Raphael developed his grand manner. The Prc-Raphaelites adopted a high moral stance that embraced a sometimes unwieldy combination of symbolism and realism. They painted only serious - usually religious or romantic - subjects, and their style was clear and sharply focused. it entailed a unique insistence on painting everything from direct observation. "The group initially caused outrage when the existence of their secret brotherhood became known after their first works were exhibited in 1849. They also offended with their heavily religious and realist themes that were so unlike the popular historical paintings. However, the Royal Academy continued to exhibit Pre-Raphaelite paintings, and after 1852 their popularity burgeoned. Their work, though certainly detailed and for the most part laboriously truthful, became progressively old-worldish, and this decision to live in the past, while deploying the judgments of the present, makes the work of an artist such as

27. Julia Margaret Cameron (1815-1879) Notes on the life of Cameron, in the context of pages on preraphaelites and other Victorian art. From Bob Speel. http://www.speel.demon.co.uk/artists/cameron.htm

Julia Margaret Cameron (1815-1879) Julia Margaret Cameron, the photographer, finds a place on these pages because she was the 'Pre-Raphaelite photographer', and produced illustrative work using photography of poems by Tennyson and others, in the same way that many artists painted and illustrated them. She was born in Calcutta, educated in Paris, and back in India, married Charles Hay Cameron, a wealthy tea estate owner. He was 20 years older than her, and retired in 1838. They went to live in London, becoming part of the artistic community centred around Little Holland House in Kensington. Tennyson became a friend of the Camerons, and they visited him at his home in the Isle of Wight (at Farringford, Freshwater) in the 1850s. In 1860, the Camerons bought two adjacent houses at Freshwater Bay on the island, and converted them into one large residence by adding a central, squat Gothic tower. Julia Cameron took up photography while living there, in 1863. She was then 48 years old. Her Pre-Raphaelite subjects included Arthurian illustrations for Idylls of the King (1874), and of other poems by Tennyson, Browning, Kingsley, and Shakespeare. She also made figure studies of Pre-Raphaelite types - girls in flowing dresses with long hair, looking melancholy, and very much one of her aims in photography was to show moods of sadness or introspection. As well, she produced some of the best photographic portraits of famous people of her day - Tennyson of course (many times), Browning , Richard Burton, Herschel the astronomer (a friend who helped teach her photographic processes), Darwin, Carlyle, and Ellen Terry (in 1864, the year she married

28. The Pre-Raphaelite Collection At Walker Art Gallery World Museum Liverpool Walker art Gallery Conservation Centre Lady Lever art The preraphaelites. The Pre-Raphaelite paintings that can be seen at http://www.liverpoolmuseums.org.uk/online/pre-Raphaelites/index.asp

Home About Us Vacancies Learning ... Text Only Search : image search World Museum Liverpool Walker Art Gallery Conservation Centre ... Museum of Liverpool Life The Pre-Raphaelites The Pre-Raphaelite paintings that can be seen at National Museums Liverpool venues are among the best in the world. Liverpool was the only provincial town to have its own school of Pre-Raphaelite artists ( The Liverpool Academy ). Merchants and industrialists in the area often added Pre-Raphaelite pictures to their own collections and several of these have, over the years, found their way into public galleries. In this special feature you can take a closer look at some of the works in our collections. Each painting is examined in detail, in particular looking at the following areas: subject matter Pre-Raphaelite paintings are often about serious or religious subjects symbolism many Pre-Raphaelite paintings contain visual symbols technique Pre-Raphaelite painters often used bright, clear colours and small detailed brushwork with paint put onto a wet white 'ground'. Landscape painting was often done out-of-doors with and concerned with 'truth to nature'

29. Victorian Art Dealer, Consultant And Historian - Christopher Wood A leading expert and writer on Victorian art, especially the preraphaelites. Visit this site for information about his consultancy service as well as his range of paintings and furniture for sale. http://www.christopherwoodgallery.com

Christopher Wood is England’s leading expert and writer on Victorian art, especially the Pre-Raphaelites. Last Updated

30. Countrybookshop.co.uk - Pre-Raphaelites,Art Of The Add Item To Wish List Send information about preraphaelites,art Of The to mymobile as an SMS. Published Price £9.99. Our Price £4.99 http://www.countrybookshop.co.uk/books/?whatfor=0753701979

31. Links To Pre-Raphaelite Web-sites The preraphaelites (Persephone) Victorian art in Britain (Lady Lever Gallery)Victoria Research Web (Patrick Leary) Victorian art in Britain (Paul Ripley) http://www.dlc.fi/~hurmari/preraph.htm

Links to Pre-Raphaelite web-sites Pre-Raphaelite and Victorian Artists L Alma-Tadema FM Brown EC Burne-Jones ... Museums with Pre-Raphaelite Paintings The Pre-Raphaelite Brotherhood The Pre-Raphaelite Brotherhood was founded in 1848 by a group of English painters: Dante Gabriel Rossetti John Everett Millais and William Holman Hunt , as well as poets and critics: William Michael Rossetti, an art critic and Dante's younger brother; the art critic Frederic George Stephens; the painter James Collinson; and the sculptor and poet Thomas Woolner . Millais left the group in 1859, but as the second generation Pre-Raphaelites, other English artists joined it, including the painter Edward Coley Burne-Jones ; the poet and artist William Morris was never a Pre-Raphaelite in the true conception of the term. The group reacted against the Victorian materialism and the conventions of the Royal Academy in London and was inspired by medieval and early Renaissance painters up to and including the Italian painter Raphael. They found their inspiration at first from the bible, history and poems, but soon the subjects from modern life were also used rooted in realism and truth to nature. Pre-Raphaelite art became distinctive for its blend of archaic, romantic, and moralistic qualities. Encarta Encyclopedia An Introduction to The Pre-Raphaelite Brotherhood (Victorian Web) Arts and Crafts Movement (Bob Speel) Birmingham Municipal School of Art (Bob Speel) Bob Speel’s 19th Century Art Gallery (Bob Speel) Camille Paglia On Pre-Raphaelite Art (Camille Paglia)

32. Pre-Raphaelites In The Regions - 24 Hour Museum - Official Guide To UK Museums, At the RussellCotes art Gallery and Museum in Bournemouth visitors will find a for the pre-raphaelites will want to check out Towneley Hall art Gallery http://www.24hourmuseum.org.uk/trlout_gfx_en/TRA18278.html

Text-only Version September 25 2005 Search this site GO ADVANCED SEARCH PRE-RAPHAELITES IN THE REGIONS By Richard Moss This trail collects some of the smaller collections of Pre-Raphaelite art waiting to be discovered in galleries the length and breadth of the UK. Photo: The Annunciation Starting down on the south coast, the Southampton City Art Gallery is home to an impressive collection of major Pre-Raphaelite and related work. Space constraints mean the drawings, gouaches and paintings are rotated and some may be tucked away at any one time, but a trip here is worthwhile if only to see the stunning Burne-Jones set of ten gouaches for the Perseus Series A beautiful group housed permanently in their own wood panelled room - the artist worked on them between 1876-85 with the intention of making a set of oil paintings but only four were ever completed. Photo: At the Russell-Cotes Art Gallery and Museum in Bournemouth visitors will find a collection that is strong on Pre-Raphaelite-influenced art, including a Rossetti as well as works by Sandys, Arthur Hughes and the later classicist Alma-Tadema. Moving further into the West Country

33. Art Passions Dedicated to illustrators such as Arthur Rackham, Gustave Dore, William Morris, Aubrey Beardsley, Edmund Dulac, Adrienne Segur, the preraphaelites and others. http://www.artpassions.net/

Welcome to Art Passions. Art Passions is primarily about artists and illustrators whose works I grew up with. I encourage you to explore this site and learn about the works of Arthur Rackham Gustave Dore William Morris Aubrey Beardsley ... Warwick Goble , the Preraphaelites and others. Latest Images: All four color plates from Arthur Rackham illustrations to John Ruskin's King of the Golden River and additional images from Mother Goose, the Old Nursery Rhymes illustrated by Arthur Rackham. New Links! Current coupons for posters and artprints are here: art prints and posters . These are usually updated within the first few days of the month. Confused? Artpassions is just the art (the free online gallery). The index of online books is here: Artpassions Book Listing . The poster and art print reference is here: Artpassions Poster and Art Print Reference 2005 calendars are here: 2005 calendars . And amazingly, the first 2006 calendars have arrived 2006 calendars General Site Layout Art Passions (you are here): General introduction and orientation to the site, art gallery and descriptive index, e-postcards (or send from any display page), a few online books, and especially the

34. A Brotherhood Of Realism And Romance - The Pre-Raphaelites - 24 Hour Museum - Of Not only did the preraphaelites seek to improve standards in contemporary art, Espousing an approach to art that strove to achieve a realism in nature http://www.24hourmuseum.org.uk/trlout_gfx_en/TRA18481.html

Text-only Version September 25 2005 Search this site GO ADVANCED SEARCH A BROTHERHOOD OF REALISM AND ROMANCE - THE PRE-RAPHAELITES By Richard Moss Photo: Dante Gabriel Rossetti, Venus Verticordia, oil, 1863-8, Russell-Cotes Art Gallery, Bournemouth. Love them or loathe them the Pre-Raphaelites occupy a peculiar and influential space in the history of British art. Even today, over 150 years after it was painted, the most popular painting in Tate Britain's postcard shop remains Millais' classic portrayal of Shakespeare's tragic heroine, Ophelia In many ways, the painting serves as a kind of blueprint of the Pre-Raphaelite style; there's the beautifully tragic girl, the truth to nature, the literary theme and layer upon layer of symbolism. Yet despite these easy-to-identify themes, to look for a common style in the Pre-Raphaelite painters is really to look in vain. Photo: A survey of their work reveals a wide variety of approaches and subject matter, whilst an investigation of the artists themselves shows an idealistic group in touch with their times. Not only did the Pre-Raphaelites seek to improve standards in contemporary art, later members and associates, in particular Edward Burne-Jones and William Morris, sought to improve standards in society as well.

35. The Lost And Beautiful Past:Embracing The English Preraphaelite Spirit-the Art O A lost world of Gothic romance inspired by the art of the English preraphaelites. http://www.geocities.com/beautifulpast/

The eternal human quest for Love set in a lost Gothic world whose inhabitants are caught between the contradictions of their dreams and the world as they have found it to be. UPDATED 3 June 2005 seven new paintings, and for other news, click on What's New [ Next Page ]

36. Art Nouveau - Wikipedia, The Free Encyclopedia As an art movement it has affinities with the preraphaelites and the Symbolismmovement, and artists like Aubrey Beardsley, Alfons Mucha, http://en.wikipedia.org/wiki/Jugendstil

Art Nouveau From Wikipedia, the free encyclopedia. (Redirected from Jugendstil Alfons Mucha , lithographed poster Dancel Art Nouveau (French for "new art") is an art and design style that peaked in popularity at the beginning of the 20th century . Other, more localized terms for the cluster of self-consciously radical, somewhat mannered reformist chic that formed a prelude to 20th-century modernism , included " Jugendstil " in Germany, named for the snappy avant-garde periodical Jugend ('Youth') or " Sezessionstil " in Vienna, where forward-looking artists and designers seceded from the mainstream salon exhibitions, to exhibit on their own in more congenial surroundings. In Russia, the movement revolved around the art magazine World of Art , which spawned the revolutionary Ballets Russes Arts and Crafts movement , a sign both of the Art Nouveau's commercial aspect and the "imported" character that it always retained in Italy. In Catalonia , the movement was centred in Barcelona and was known as " modernisme ", with Antoni Gaud­ as the most noteworthy practitioner.

37. ArtLex On The Pre-Raphaelite Brotherhood The PreRaphaelite Brotherhood defined, with images of examples from art history, The Germ is about the Romantics, the pre-raphaelites the Bloomsbury http://www.artlex.com/ArtLex/p/preraphaelite.html

P re-Raphaelite Brotherhood - A group of English artists which formed an association in 1848 to recapture the beauty and simplicity of the medieval world. Their painting style and art movement reacted to the sterility of English art, along with the materialism resulting from England's industrialization. They identified Raphael (Italian, 1483-1520) with the scientific interests of Renaissance art, which they felt had led to modern technological development. They aimed to study nature , to sympathize with what is direct, serious and heartfelt in earlier art, and to infuse their works with literary symbolism , bright colors , and attention to detail The founders of the Brotherhood were the painters Dante Gabriel Rossetti (1828-1882) [a photo of him by Charles Lutwidge Dodgson, aka Lewis Carroll, English mathematician and writer, author of Alice In Wonderland , as well as photographer, 1832-1898), 1863], William Holman Hunt (1827-1910), John Everett Millais (1829-1896), James Collinson (1825-1881), Frederic George Stephens (1828-1907), sculptor Thomas Woolner (1825-1892), and writer William Michael Rossetti (1829-1919), the painter's brother.

38. Dante's Dream Of The Time Of The Death Of Beatrice by Dante Gabriel Rossetti, 1871, Walker art Gallery, (88Kb) http://persephone.cps.unizar.es/general/gente/spd/pre-raphaelites/ros/jpg/Rosset

39. The Pre-Raphaelite Brotherhood They aimed to go back to a more genuine art, exemplified as they saw it by the worship of Raphael that the preraphaelites may have taken their name. http://www.speel.demon.co.uk/other/prb.htm

The Pre-Raphaelite Brotherhood The Pre-Raphaelite Brotherhood was started in 1848 by Dante Gabriel Rossetti John Everett Millais and William Holman Hunt , as a reaction against what they saw as the stale, formula-driven art produced by the Royal Academy at the time. They aimed to go back to a more genuine art, exemplified as they saw it by the work of the Nazarenes, and rooted in realism and truth to nature. Why the term "Pre-Raphaelite"? To quote from John Ruskin "We begin by telling the youth of fifteen or sixteen that Nature is full of faults, and that he is to improve her; but that Raphael is perfection, and that the more he copies Raphael the better; that after much copying of Raphael, he is to try what he can do himself in a Raphaelesque, but yet original manner: that is to say, he is to try to do something very clever, all out of his own head, but yet this clever something is to be properly subjected to Raphaelesque rules, is to have a principal light occupying one seventh of its space, and a principal shadow occupying one third of the same; that no two people's heads in the picture are to be turned the same way, and that all the personages represented are to have ideal beauty of the highest order..." It was in reaction to this misdirected worship of Raphael that the Pre-Raphaelites may have taken their name. Their ideas were that for every scene a real unidealised landscape or interior should be painted, that every figure should be based on a real model with their real proportions, that the figures should be grouped without reference to any artistic arrangement, and that they should paint worthy subjects. That is to say, as Ruskin had it, to avoid

40. Syllabus For English 151 (section 02) Pre-Raphaelites, Aesthetes, And Decadents, (a) depending upon whether the week s subject involves art or literature, preraphaelites, Aesthetes, and the Reform of Victorian Decorative arts http://www.victorianweb.org/courses/poetry/151.2004.html

Syllabus for English 151 (EL0151/HA0151, section 2) Pre-Raphaelites, Aesthetes, and Decadents, Semester I 2004 Professor Landow (office: 338 Carr House; e-mail : george@landow.com); office hours: 1.00-1:50, Monday, Wednesday, and Friday. Class meets in List 220, 1-1:50 AM, Monday, Wednesday, and Friday. Note : Check this on-line reading list at the beginning of each week since assignments may change or be reordered. Classweb Victorian Web Assignments Weekly discussion questions . The weekly reading and discussion question has three parts: (a) depending upon whether the week's subject involves art or literature, you will either cite a painting or include substantial passage of 1-3 paragraphs (please don't forget page numbers and to give your question set a title); (b) a graceful and effective introduction to the passage or the aspect of the painting that suggests why the reader wants to examine it closely; and (c) 4-5 questions, chiefly concerning matters of technique, for which you do not have to have answers. These exercises, which provide the basis of class discussion, should be e-mailed to me no later than 6 pm Sunday before we begin discussing the reading. (You can skip a single set of questions during the semester.) Follow for an example of such reading questions for another course.

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