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         Native American Mythology:     more books (100)
  1. Native American Religions: An Introduction by Denise Lardner Carmody, John Tully Carmody, 1993-09
  2. Coyote and Native American Folktales by Joe Hayes, 1999-10
  3. The Enchanted Moccasins and Other Native American Legends by Henry R. Schoolcraft, 2007-06-26
  4. Native American Myths by Diana Ferguson, 2001-12-31
  5. Native American Tales and Activities by MARI LU ROBBINS, 1996-03-01
  6. Creative Kids: Native American Tales & Activities by TEACHER CREATED RESOURCES, 2004-11-04
  7. Grandmother's Gift: Stories from the Anishinabeg (Native American Studies) by Anne M. Dunn, 1997-08
  8. Return of the Sun: Native American Tales from the Northeast Woodlands by Joseph Bruchac, 1990-10
  9. The Wonderful Sky Boat: And Other Native Americans Tales from the Southeast by Jane Louise Curry, 2001-06-01
  10. The Walking People: A Native American Oral History by Paula Underwood, 1994-06
  11. Little Bear: And Other Native American Animal Tales / Retold by Cheyenne Cisco (Book Treks) by Cheyenne Cisco, 2002-01
  12. Native American Religion and Black Protestantism
  13. Roots of Survival: Native American Storytelling and the Sacred by Joseph Bruchac, 1996-09
  14. Song of the Hermit Thrush: An Iroquois Legend (Native American Lore and Legends) by Gloria Dominic, 1997-07

101. Native American Folklore Of Mount Shasta
In an unpublished USFS report titled native american Historic Context Mount According to Brunvand, myths are traditional prose narratives, which,
http://www.siskiyous.edu/shasta/fol/nat/
Folklore
Native American
Traditional Prose Narratives
There is no doubt that Mount Shasta has long been viewed as a sacred place by a number of Native American groups, and the special relationship has caused the mountain to play a significant role in their customs, myths, legends, and folktales. In an unpublished U.S.F.S. report titled " Native American Historic Context: Mount Shasta California ," Winfield Henn provides an excellent review of the literature relating to the historical importance of Mt. Shasta to local Native Americans (1991). In another unpublished U.S.F.S report, Theodoratus and Evens clearly show that the mountain remains a sacred entity today ( "Statement of Findings: Native American Interview and Data Collection Study of Mount Shasta, California" 1991). We have included the full-text versions via the links above for those wishing to further examine local Native American groups and their relationship with Mount Shasta. Also, while this page contains links to full-text tales, there are a couple general points worth considering before you read the narratives. First, although there are a quite a few traditional prose narratives that have been collected from local Native Amerian groups, it is sometimes impossible to know whether the tale in question is a myth, legend or folktale. According to Brunvand, myths are "traditional prose narratives, which, in the society in which they are told, are considered to be truthful accounts of what happened in the remote past." Further, myths most often deal with "the activities of gods and demigods, the creation of the world and its inhabitants, and the origin of religious ritual." Legends, like myths, are also regarded as true by the teller, but legends are often secular, set in the historical past, and most commonly assign humans the major narrative roles. A narrative regarded as fictional by the storyteller would be termed a "folktale" (Brunvand 1998).

102. Trickster
Trickster myths are found in nine of the eleven native american Regions (Hynes 3). Koshare, Koyemshi, and Neweke are trickster clowns of the Pueblo people
http://sorrel.humboldt.edu/~me2/engl560/karin.html
The trickster is a mythological figure dominant in creation and recreation stories birthed with stories themselves. The historical global omnipresence of this general character, who can shapeshift within the chosen animal or human embodiment, has given rise to much study and debate. This writing will specifically concern itself with tricksters within Native American storytelling. Trickster is at one and the same time creator and destroyer, giver and negator, he who dupes others and who is always duped himself. He wills nothing consciously. At all times he is constrained to behave as he does from impulses over which he has no control. He knows neither good nor evil yet he is responsible for both. He possesses no values, moral or social, is at the mercy of his passions and appetites, yet through his actions all values come into being (xxiii). He concludes his study with: The overwhelming majority of all so-called trickster myths in North America give an account of the creation of the earth, or at least the transforming of the world, and have a hero who is always wandering, who is always hungry, who is not guided by normal conceptions of good or evil, who is either playing tricks on people of having them played on him and who is highly sexed. Almost everywhere he has some divine traits. These vary from tribe to tribe. In some instances he is regarded as an actual deity, in others as intimately connected with deities, in still others he is at best a generalized animal or human being subject to death (155).

103. PAL:Native American Oral Literatures
The Emergence Myth in native America. Indiana U Publications in Folklore 9 (1957) 66—91. Wiget, Andrew. Oral Narrative. In native american Literature.
http://www.csustan.edu/english/reuben/pal/chap1/native.html
PAL: Perspectives in American Literature - A Research and Reference Guide - An Ongoing Project Paul P. Reuben Chapter 1: Early American Literature to 1700 - Native American Oral Literatures Native American Authors Tsalagi (Cherokee) Literature Selected Bibliography MLA Style Citation of this Web Page ... Home Page Learning and Teaching Strategies in dealing with Native American Oral Literatures Andrew Wiget is a distinguished scholar in this field - note the bibliographical entries below. Here are some of his comments: Culture is a system of beliefs and values through which a group of people structure their experience of the world. By working with this definition of culture, which is very close to the way current criticism understands the impact of ideology upon literature, we can begin to pluralize our notion of the world and understand that other peoples can organize their experience in different ways, and dramatize their experience of the world through different symbolic forms. If culture is a system of beliefs and values by which people organize their experience of the world, then it follows that forms of expressive culture such as these (creation) myths should embody the basic beliefs and values of the people who create them. These beliefs and values can be roughly organized in three areas: (1) beliefs about the nature of the physical world; (2) beliefs about social order and appropriate behavior; and (3) beliefs about human nature and the problem of good and evil.

104. ACL: TMRC
Material on Orpheus and Eurydice, Persephone, native american and African myths. the Odyssey, the Aeneid, and African and native american myths.
http://www.aclclassics.org/tmrc/catalog.asp?parent=369&category=9&c=

105. Browse The Modern English Collection -- Electronic Text Center
Other users search all unrestricted works including native american texts Many Swans Sun Myth of the North american Indians 1920
http://etext.lib.virginia.edu/subjects/Native-American.html
Subject: Native Americans
Items marked RESTRICTED are available to University of Virginia users only, due to licensing requirements. Users of these texts agree to adhere to our Conditions of Use . For tips on searching the collection, consult our helpsheet. Help Mail Return
University of Virginia users:
search all works including Native American texts

Other users:
search all unrestricted works including Native American texts
Abbott, Jacob
Ah-nen-la-de-ni [La France, Daniel]
Alexander, Hartley
Anonymous
Austin review: Steffens, Lincoln, 1866-1936
Austin, Mary

106. Etext Center: Collections
Note Not all works are by native american authors Many Swans Sun Myth of the North american Indians (1920) ebook Palm web version
http://etext.lib.virginia.edu/ebooks/subjects/subjects-natam.html
dqmcodebase = "/scripts/"
Ebook Subject Collections: Native American
Users of these e-books agree to adhere to our Conditions of Use
Note: Not all works are by Native American authors
Abbott, Jacob
"Aboriginal America"
e-book
Palm web version
Ah-nen-la-de-ni [La France, Daniel]
"An Indian Boy's Story" (30 July 1903)
e-book
Palm web version
Austin, Mary
"Agua Dulce"
e-book
Palm web version
"Art Influence in the West"
e-book
Palm web version
"The Land of Little Rain"
e-book
Palm web version
"The Walking Woman"
e-book
Palm web version "The Woman at Eighteen Mile" e-book Palm web version e-book ... web version
Brooks, Noah
"First Across the Continent; The Story of The Exploring Expedition of Lewis and Clark in 1803-5-6" e-book Palm web version
Brooks, Elbridge Streeter, 1846-1902
"The True Story of Christopher Columbus, Called the Great Admiral" e-book Palm web version
Calamity, Jane (pseud. Marthy Cannary Burk)
"The Life and Adventures of Calamity Jane" e-book Palm web version
Carelton, S.
"The Lame Priest" e-book Palm web version "The Whale" e-book Palm web version "The Tall Man" e-book Palm web version
Cary, Elizabeth Luther

107. Aztec Myth - Native American Myths
Aztec Myth, Category Home Humanities native american Myths, Rank 32278 of 60251. Placed online May 17, 2001, Times played 134
http://www.funtrivia.com/quizdetails.cfm?id=39365

108. Air Force Link - History Features
Diane Ferguson and Colin Taylor, native american Myths (London Collins Brown, Ltd., 2001). Sam D. Gill and Irene F. Sullivan, Dictionary of native
http://www.af.mil/history/essay1.asp

109. Native American Tarot Cards : Aeclectic Tarot
native american Tarot cards and decks, inspired by or based on their spirituality, teachings, with imagery shaped by native american myths and legends.
http://www.aeclectic.net/tarot/cards/native-american.shtml
Native American
Native American Tarot cards and decks, inspired by or based on their spirituality, teachings, legends and myths of the indigenous North Americans. Medicine Cards Discover power through the ways of animals, using traditional Native American animal associations. The Medicine Cards feature a nice cameo of the particular animal, but are a little on the plain side.
Medicine Woman Tarot
The artist draws on the energies of Mother Earth in the Native American fashion, using pastel, positive looking artwork to create a feeling of harmony, reverance, and wonder.
Native American Tarot
Some of the cards in the Native American Tarot depict historically authentic traditions from a wide range of tribes, but others are unique to the author. The new suits used are blades, vessels, pipes and shields.
Native American Tarot
This Italian-published Native American Tarot is inspired by their shamanism, spirituality, and connection with the natural world. The card art is muted, dusty and attractive by the same artist who created the Vikings Tarot
Sacred Path Cards
The Sacred Path Cards is an oracle deck based on Native American spirituality. Each high-contrast card presents a painting on a tanned hide of varying hue, set upon a black background. Cards are titled and also have an explanatory keyword.

110. Index Of Native American Electronic Text Resources On The Internet
(Re)Invention And Contextualization In Contemporary native american Fiction by Wendy J. Many Swans Sun Myth of the North american Indians Amy Lowell
http://www.hanksville.org/NAresources/indices/NAetext.html
WWW Virtual Library - American Indians
Index of Native American Electronic Text Resources on the Internet
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