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         Modernism & Post-modernism Art:     more books (62)
  1. Art of the Western World From Ancient Greece to Post-Modernism (Paperback) by Wood, 1989
  2. ART OF THE WESTERN WORLD From Ancient Greece to Post Modernism by Michael Wood, 1989
  3. Art of the Western World: From Ancient Greece to Post-Modernism by Michael Wood, 1989
  4. Art of the Western World from Ancient Greece to Post-Modernism by Bruce and Adelheid Gealt Cole, 1989
  5. What is Post-Modernism (What Isà?) by Charles Jencks, 1996-06-13
  6. Architecture: From Prehistory to Post-Modernism : The Western Tradition by Marvin Trachtenberg, 1986-01
  7. La Iglesia y la posmodernidad.(TT: The Church and post modernism.): An article from: Proceso by Javier Sicilia, 2000-07-16
  8. Unhappy returns: John Rajchman on the po-mo decade. (Writing the '80s).(post-modernism)(Critical Essay): An article from: Artforum International by John Rajchman, 2003-04-01
  9. Towards Post-modernism by Michael Collins, 1994-07
  10. Religion and Its Relevance in Post-Modernism: Essays in Honor of Jack C. Verheyden
  11. From Neo-Renaissance to Post-Modernism by Ellinor Bergvelt, 1996-08
  12. Impressionist, Modern and Post War Art-Christie's London-February 7, 2001 (Sale #6420) by Christie's of London, 2001
  13. Rocking Around the Clock : Music Television, Post Modernism and Consumer Culture by E. Ann Kaplan, 1987-11-17
  14. The Impact of Modernism, 1900-1920: The Visual Arts in Edwardian England by Stella K. Tillyard, 1988-08

41. Postmodernism
Many modernist works try to uphold the idea that works of art can provide the According to Frederic Jameson, modernism and postmodernism are cultural
http://www.colorado.edu/English/ENGL2012Klages/pomo.html
Postmodernism
Postmodernism is a complicated term, or set of ideas, one that has only emerged as an area of academic study since the mid-1980s. Postmodernism is hard to define, because it is a concept that appears in a wide variety of disciplines or areas of study, including art, architecture, music, film, literature, sociology, communications, fashion, and technology. It's hard to locate it temporally or historically, because it's not clear exactly when postmodernism begins. Perhaps the easiest way to start thinking about postmodernism is by thinking about modernism, the movement from which postmodernism seems to grow or emerge. Modernism has two facets, or two modes of definition, both of which are relevant to understanding postmodernism. The first facet or definition of modernism comes from the aesthetic movement broadly labeled "modernism." This movement is roughly coterminous with twentieth century Western ideas about art (though traces of it in emergent forms can be found in the nineteenth century as well). Modernism, as you probably know, is the movement in visual arts, music, literature, and drama which rejected the old Victorian standards of how art should be made, consumed, and what it should mean. In the period of "high modernism," from around 1910 to 1930, the major figures of modernism literature helped radically to redefine what poetry and fiction could be and do: figures like Woolf, Joyce, Eliot, Pound, Stevens, Proust, Mallarme, Kafka, and Rilke are considered the founders of twentieth-century modernism.

42. From Modernism To Postmodernism
Postmodernism is often characterized as a critique of modernism and the Modern art. 1. Originality and Genius In art, the notion of originality is
http://homepage.newschool.edu/~quigleyt/vcs/pomo.html
From Modernism to Postmodernism Three Key Concepts Modernism is generally used as a way of referring to an aesthetic approach dominant in European and American art and literature in the Twentieth Century. The principles of formalism and the autonomy of art are key features of modernism. 2. The "project of Modernity " can be thought of as the development of science, philosophy and art, each according to its own inner logic. [See Habermas, "Modernity - An Incomplete Project"; cf. Greenberg, "Modernist Painting".] This links the concept of modernity to the concept of modernism as it was articulated by Greenberg. 3. The concept of the avant-garde is that of a loosely organized oppositional force and challenge to the dominant artistic culture. The avant-garde is often thought of as part of the "inner logic of modernism" - the built in source of contradiction or critique that moves art forward. (Note that this assumes a model of progress as part of the inner development of the arts and culture.) Postmodernism is often characterized as a critique of modernism and the project of modernity. It is best understood as part of a cultural shift which has been felt in science, philosophy and the arts.

43. Art: Art Since 1900: Modernism, Antimodernism, Postmodernism - Sunday Times - Ti
art SINCE 1900 modernism, Antimodernism, Postmodernismby Hal Foster, RosalindKrauss, YveAlan Bois and Benjamin HD BuchlohThames and Hudson £45 pp704.
http://www.timesonline.co.uk/article/0,,2102-1526637,00.html
NI_IFRAME('Top'); ARCHIVE CLASSIFIED SHOPPING PROMOTIONS ... WEATHER Search SUNDAY TIMES TIMES ONLINE Home Britain World Business ... Site Map SPECIAL REPORTS Management Issues Making Skills Work European Cities Arts Power 100 ... Other
The Sunday Times - Books
March 20, 2005
Art: Art Since 1900: Modernism, Antimodernism, Postmodernism
REVIEWED BY FRANK WHITFORD
ART SINCE 1900: Modernism, Antimodernism, Postmodernism
by Hal Foster, Rosalind Krauss, Yve-Alan Bois and Benjamin H D Buchloh NI_MPU('middle'); parergon supplement difference , and re-mark Artists clamour for attention. So do some art historians. If the four who wrote this book were to spend more time looking than reading, their work might have been of more use. As it is, I fear that it will be read only by other teachers of art history and their hapless undergraduates. www.timesonline.co.uk/booksfirstbuy NI_AD('Sponsorprint'); NI_AD('Sponsorsendfriend'); NI_AD('Sponsorbacktotop');
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44. Wentworth Institute Of Technology: Library
Titles in the Alumni Library's architecture collection cover the history, theory, and criticism of the built environment from its beginnings to the present day including such major subheadings as ancient architecture, medieval architecture, classicism, eclecticism, functionalism, international style, constructivism, and postmodernism.
http://www.wit.edu/Library/

Home
> Library
Wentworth Alumni Library Conveniently located at the center of the campus, The Wentworth Alumni Library is a valuable resource. It features over 70,000 volumes, approximately 400 periodical subscriptions, and a comprehensive offering of dozens of electronic databases, representing millions of records. In addition, the online catalog includes the holdings of nine other libraries - all available for use by Wentworth students. And, membership in the 14-institution Fenway Library Consortium provides access to more than 2,900,000 volumes and 13,000 periodical titles. Various services are also available through the Alumni Library.
September News NEW DATABASE: The Chronicle of Higher Education
NEW DATABASE: ARTstor

E-Book: The Engineer of 2020: Visions of Engineering in the New Century
See more information about the book from the National Academy of Engineering including links to the projects by clicking here
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45. Haber's Art Reviews: The Postmodern Paradox
The postmodern paradox how modernism and Postmodernism need each other, fromreviews by John If modernism no longer fits, for art or society, then why?
http://www.haberarts.com/postdox.htm
The Postmodern Paradox
John Haber
in New York City
Baudelaire the Postmodern
Start with a poet, a tireless defender of avant-garde painting: This life, this modern life, is a hospital where each patient is obsessed with the desire to change beds. Charles Baudelaire preceded Modernism, but he did not require the gift of prophecy. It is not just his love of Edouard Manet's generation and a new French taste . No, he breathed the modern condition and its artistic form in the night air of the city. If there is a postmodern condition, it cannot even be stated consistently much less cured. Like a right-wing fantasies of the welfare state, Postmodernism is a hospital where the beds must remain empty. Modernism demanded one thing: make it new . If I discard it, I have to find something else, something new. And so I am modernist. If I discard the aim of making it new, then I must do something other than Modernism. But that means something new. Instead of the postmodern condition, one ought to speak of a postmodern paradox.
Reasons and reasons why
No wonder that proponents of a new cultural era sound so otherworldly. They might be fierce post-cold war ideologues reveling in

46. Haber's Art Reviews: Gallery Reviews From Around New York
Will modernism or Postmodernism end up on the scrap heap of history first? Their pairing, at the Museum of Modern art through midSeptember,
http://www.haberarts.com/myintro.htm
ART REVIEWS
from Around New York
John Haber
in New York City
A Critic's Diary
Go beyond the blog Search or browse this site's archive, for dozens of full-length essays in review. But now for in brief . . . ABOUT Haberarts or . . . SEARCH ALL ARCHIVED REVIEWS You have only tomorrow and Sunday to catch Floating Island , before it becomes even more completely elusive, perhaps forever. Even this weekend, a decent view will patience, proper timing, or just plain luck, and the Whitney's Web site, which posts the schedule, may again reach capacity. I have therefore taken the liberty of making the map temporarily available here for your convenience. The Robert Smithson retrospective remains otherwise intact until late October, the coming of the next geologic age, or the museum's sinking underwater, whichever comes first. When it comes to art torn from visions of Central Park, competition this year has truly been fierce. Yes, coming out of the gate, or maybe The Gates , Christo and Jeanne-Claude took an early lead. But wait: Floating Island leads, as you can now see, by a nose. As a critic, I could offer to call the race, but I do not even know the finish line. My thanks to Ian Adelman, the Brooklyn design consultant who kindly supplied the photos of an actual incursion on art. (I have had no luck confirming this, so he could be spoofing me, but I love it anyway.)

47. Tate Britain | Courses & Workshops | Black British Art
Black British art From modernism to Postmodernism and Beyond. Led by Amna Malik,lecturer at The Slade School of Fine art
http://www.tate.org.uk/britain/eventseducation/coursesworkshops/blackbritishartc
Tate Collection Advanced Search Black British Art: From Modernism to Postmodernism and Beyond Led by Amna Malik, lecturer at The Slade School of Fine Art Tuesdays 27 September 2005 – 18 October 2005, 18.30–20.30
Frank Bowling Spreadout Ron Kitaj Tate © The artist In 1989 The Other Story opened at the Hayward Gallery. Curated by Rasheed Araeen, it attempted to address the unacknowledged presence of black artists in Britain. With Steve McQueen winning the 1999 Turner Prize and Chris Ofili representing Britain at the last Venice Biennale, the profile of black British artists has never been higher. This course examines the visibility of contemporary black and Asian artists from a variety of angles by focusing on the work of an older generation of artists, like Francis de Souza and Frank Bowling, who came to Britain in the 1950s. It considers the importance of issues of sexuality within the black art movements of the 1980s and the feminist and gay challenge posed by Lubaina Himid, Sutapa Biswas and Isaac Julien. Fundamental to the course is an examination of black aesthetics and the questions they raise about British Modernism, past and present. Tate Britain  Duffield Room £45 (£35 concessions), booking required

48. Tate Modern | Courses & Workshops | Art And Postmodernism
art and Postmodernism. Led by Marcus Verhagen, art historian and critic As modernism migrated from the spaces of the avantgarde to the institutions of
http://www.tate.org.uk/modern/eventseducation/coursesworkshops/artandpostmoderni
Tate Collection Advanced Search Art and Postmodernism Led by Marcus Verhagen, art historian and critic Mondays 19 September 2005 – 24 October 2005, 18.30–20.00
Michael Craig-Martin An Oak Tree Tate © Michael Craig-Martin Some commentators on twentieth-century culture argue that a major shift took place in the early to mid 1960s. As Modernism migrated from the spaces of the avant-garde to the institutions of the cultural establishment, younger artists distanced themselves from it and a new set of concerns and strategies emerged in their work, later to be labelled postmodernist. But the term remains contentious; commentators disagree on what exactly it means and on whether the shift, if there really was one, was a positive development. Course participants analyse influential texts on postmodernism and use the Collection displays at Tate Modern to assess its relevance in the study of contemporary art. Tate Modern  East Room £90 (£60 concessions), booking required Price includes drinks afterwards For tickets book online or call 020 7887 8888.

49. Overview: 'The Shift From Modernism To Postmodernism' © Liverpool John Moores U
Theories of modernist art are based on the notion of finding the limits of the Peter Brooker in his introduction to modernism/Postmodernism writes
http://www.hku.hk/english/courses2000/7006/figitne3.htm
OVERVIEW
THE SHIFT FROM MODERNISM TO POSTMODERNISM
    - Some critics see postmodernist fiction as a development of/from modernist fiction: "Postmodernism extends modernist uncertainty, often by assuming that reality, if it exists at all, is unknowable or inaccessible through a language grown detached from it. Postmodernism investigates instead what worlds can be projected or constructed by texts and language." (Randall Stevenson, Modernist Fiction , Harvester, 1993) - Many see Postmodernism as a reaction to modernism's monotonous universal world vision and its values of individuality, progress, and human self-determination. While modernism was serious, formally experimental, and apocalyptic, postmodernism is more often parodic, playful, and carnivalesque (transitional figures like Beckett, Nabokov, and Borges often seem to retain the pessimistic worldview). Theories of modernist art are based on the notion of finding the limits of the particular artform. Postmodernist art is by comparison, either an art of exhaustion or of celebration. - Modernism (in English fiction) has a paradoxical aesthetic unity in its emphasis on disunity, or fragmentation, as though art could contain life's chaos: could create an order. Postmodernist writing often mocks this pretension to pursue order through language and shows language breaking down or going into overdrive. For a discussion of these aspects see the section on postmodernism in David Lodge

50. Modernism To Postmodernism
modernism reflects a rapidly changing world – but art at odds with contemporaryworld Postmodernism – an art form that practices deconstruction
http://www.hku.hk/english/courses2000/6059/week1
MAES – ENGL6059 Postmodernism
/3 – QUESTIONS Introduction and Jean-Francois Lyotard, ‘Answering the Question: What is Postmodernism?’ (1984)
WHAT IS POSTMODERNISM?
WHEN IS POSTMODERNISM?
WHERE IS POSTMODERNISM?
WHO ARE THE POSTMODERNISTS?
WHAT WAS MODERNISM?
1. LITERARY MODERNISM (WOOLF, JOYCE, T.S. ELIOT
FUTURISM and ARCHITECTURE (Le Corbusier, Bauhaus)
CUBISM, MONTAGE, DADAISM (PICASSO
4. ABSTRACT EXPRESSIONISM (KADINSKY, MIRO
5. AUTEUR CINEMA (TRUFFAUT, GODARD)
Modernism to Postmodernism REPRESENTATION
Modernism reflects a rapidly changing world – but art at odds with contemporary world
Modernism finds aesthetic unity in an emphasis on disunity, or fragmentation; art can contain life's chaos? Art to transform/transcend life? Postmodernism mocks pretense to transcendence and order – representation breaking down or over-reaching itself
Modernist uncertainty (problematic relation to realism, but faith in art and language to convey uncertainty – modern sublime)
Postmodernism extends uncertainty, reality, if it exists at all, is unknowable or inaccessible through language (postmodern sublime). Postmodernism investigates how worlds can be projected or constructed by texts.

51. ARTKids - ARTAges Post Modern Age In Summary
Post modernism, New modernism, or the art of Identity, have taken on a whole newmarket. This age is still unfolding, so new items will be added to this
http://www.artfaces.com/artkids/postmod.htm
ART Ages- Post Modern Age in Summary
Post Modernism New modernism
, or the Art of Identity , have taken on a whole new market. This age is still unfolding, so new items will be added to this page as they develop.
Conceptual Art (1960's - 1970's) - Conceptual Art ends the colorful definable era of "modern art". Today’s artists are no longer a part of a collective source, but have delved into new trends and ideas that seem to change from year to year. Conceptual Art helped gain this independence, and in some sense, completes a source of new freedom began by the Impressionists 100 years ago.
Performance Art 1970's-Present
1. A performance art piece is unprecedented.
2. It is difficult to censor since it has a good possibility of never being done before.
3. It is usually very current. This means that it is usually relevant of today because of the short time between conception and performance.
4. Performance art can involve the audience with taste, smell and sounds not available with electronic media and not practical with conventional theater. This is due to the usually small audience.
5. Performance art is the ultimate in creativity. Since it has so many possibilities at creativity, it's essence tends to become creativity.

52. Books : Art Since 1900: Modernism, Antimodernism, Postmodernism
art Since 1900 modernism, Antimodernism, Postmodernism All the turning pointsand breakthroughs of modernism and postmodernism are explored in depth,
http://www.communityarts.net/cgi-bin/apf4/amazon_products_feed.cgi?Operation=Ite

53. Eye | Review
art since 1900 modernism, Antimodernism, Postmodernism By Hal Foster, RosalindKrauss, YveAlain Bois and Benjamin HD Buchloh. Thames Hudson, £45
http://www.eyemagazine.com/review.php?id=123&rid=579

54. UVic Course: ART 250 Modernism And Postmodernism
art 250. modernism and Postmodernism. Units 1.5, Hours 30. A lecture coursethat will survey some conditions that distinguish modernism from
http://web.uvic.ca/calendar2005/CDs/ART/250.html
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Visual Arts (ART)
ART 250
Modernism and Postmodernism
Units: 1.5, Hours: 3-0
A lecture course that will survey some conditions that distinguish modernism from postmodernism and consider pertinent theoretical positions. Undergraduate course in Visual Arts offered by the Department of Visual Arts in the Faculty of Fine Arts Fields of Study ACAN ADMN AE ANTH ... Contacts Updated May 30, 2005

55. WowEssays.com - Modernism Vs. Postmodernism
modernism Vs. Postmodernism. This question highlights one of the themes central provides a means of distinguishing postmodernism from modernism in art,
http://www.wowessays.com/dbase/aa3/cng205.shtml
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56. Contemporary Art Revealed
Constructive postmodernism wants to replace modernism and modernity, It couldbe argued that several forms of art have been postmodern since the
http://www.bol.ucla.edu/~leverett/ModernismandPostmodernism.html
In the later half of the 20th century there has been mounting evidence of the failure of the Modernist enterprise. Progressive modernism is riddled with doubt about the continued viability of the notion of progress. Conservative modernism, in the United States at least, has fallen prey in the political realm to the influences of the Church in the form of the so-called religious right which in recent years especially has seriously undermined the very constitutional foundations of the whole American experiment. Since Suzi Gablik wrote her book, the communist experiment undertaken in the former Soviet Union has collapsed. Fundamentalism in nearly all of the world's major organized religions (Christianity, Islam, Hinduism) has risen sharply in recent years in direct opposition to modernism. American Christian fundamentalists still agree with Martin Luther who recognized that "Reason is the greatest enemy that faith has; it struggles against the divine word, treating with contempt all that emanates from God." A growing number of people believe the modernist enterprise has failed. In the search for reasons to explain this failure, questions have necessarily been raised about the whole Western humanist tradition.

57. Avant-garde / Modernism / Postmodernism
For Bürger, the avantgarde s heroic attempt to sublate art into life, to destroythe After the Great Divide modernism, Mass Culture and Postmodernism.
http://www.cus.cam.ac.uk/~egk10/notes/postmodernism.htm
M.Phil. in European Literature
Fictions of Modernity

Home
CLAS Libraries University of Cambridge Week 1: Introduction
Avant-garde / Modernism / Postmodernism
Geoffrey Kantaris 1997 Seminar Paper and Annotated Bibliography All I can try to do in less than half an hour today is to sketch in extremely rapid overview some of the theoretical positions underlying the terms avant-garde, modernism, and postmodernism, peppering them with some examples inevitably torn out of context and simplified to fit the framework of my argument. But I'll have achieved what I intended if I can encourage you to follow up through the bibliography some of these ideas. The terms 'modernity' and 'modernism' are perplexing enough without the addition of the prefix 'post-'. Even the attempt to historicize modernity, to try and define its boundaries historically, is a paradoxical task because, in the words of Tony Pinkney (see bibliography ), modernity's awareness of itself as modern announces [Q] "merely the empty flow of time itself" [U], and its self-periodization is offered only as a break with the "mythic or circular temporality" (or non-temporality) of the organic community. This is to say that modernity can only define itself in terms of a temporal break with an organic past, but it is a break that has always already occurred no matter which moment one chooses as its starting point. Needless to say, this understanding of the infinite expandability of the modern, and the infinite regress of its origins, itself remains caught up within modernism's internal ideology.

58. Post Modernism - Artists Online, Your Guide To Artists And Art Information On Th
artists Online presenting information on post modernism. John Morgan GeeryThis is the internet home of the modern fine art stylings of John M. Geery
http://www.artistsonline.biz/painting/style/post_modernism.htm
Post Modernism Index Gallery Featured Artists e-Store ... Contact Related Categories: Media
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David Platt
Images of his surrealist and experimental paintings. http://www.davidplattartist.co.uk
Harry Day
Paints and exhibits "wave" paintings, as well as florals and abstracts. http://www.harrymday.com
John Morgan Geery
This is the internet home of the modern fine art stylings of John M. Geery, MFA. http://www.johngeery.com
Klaus Gropper
Provides a manifesto and galleries for the self-described anarchic realist artist. http://www.klaus-gropper.de/htm-en/index_english.htm
Max Coyer
Displaying minimalist, abstract, and enigmatic paintings. http://www.maxcoyer.com
Regis Shephard
Brightly colored, cartoon-like figurative paintings. http://www.regisshephard.com
Tony Calzetta
Featuring colorful abstract paintings and prints, described as 'abstract comics', or 'surreal funnies' by the artist. http://www.artishell.com/calzetta/calzetta.html

59. Crasis.com -- Critical Theory, Literary Criticism, Cultural Critique, Postmodern
art Since 1900 modernism, Antimodernism, Postmodernism After reading a numberof books on modern art, I have found this one to be, on the whole,
http://www.crasis.com/cgi-bin/amazon_products_feed.pl?input_item=0500238189&inpu

60. Premodernism, Modernism, And Postmodernism
PREmodernism, modernism, AND POSTmodernism. Excerpted from NF Gier, found thenew logic of Western art since the late 19th Century. Cezanne
http://www.class.uidaho.edu/ngier/490/premod.htm
PREMODERNISM, MODERNISM, AND POSTMODERNISM Excerpted from N. F. Gier, Spiritual Titanism: Indian, Chinese, and Western Perspectives (SUNY Press, 2000), chap. 2. Check the book for references. Let me say at the outset that I am not equating modernism with modernization in the sense of industrialization and urbanization. Modernism is also not necessarily Western and premodernism is not primarily Eastern. Furthermore, modernism is not something new and recent and premodernism something old and ancient. I shall argue that the seeds of modernism are at least 2,500 years old, and they are found in India as well as in Europe. Finally, I contend that we can also discern the beginnings of a postmodernist response among the ancient philosophers, most notably Confucius, Zhuangzi, and Gautama Buddha. Modernism has been described as a movement from mythos to logos, and this replacement of myth by logic has been going on for at least 2,500 years. Almost simultaneously in India, China, and Greece, the strict separation of fact and value, science and religion was proposed by the Indian

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