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         Lapidary Techniques:     more books (20)
  1. Lapidary carving: Design and technique by Frank W Long, 1982
  2. Lapidary Techniques by Editors, 1971
  3. Advanced Lapidary Techniques by Herbert Scarfe, 1979-10
  4. The creative lapidary: Materials, tools, techniques, design by Frank W Long, 1976
  5. Techniques of gem cutting: A lapidary manual by Herbert Scarfe, 1975
  6. Tumbling Techniques : A Guide to Tumbling Polishing (A Consensus of Findings) by D. G. Daniel, 1957
  7. Advanced Lapidary Techniques Cutting Polishing Safely Dangers Concerns Toxicity by james radtke, 2007
  8. Advanced Lapidary Techniques Cutting Polishing Safely Dangers Concerns Toxicity by james radtke, 2007
  9. Photographing Minerals, Fossils, and Lapidary Materials by Jeffrey A. Scovil, 1996-05
  10. Angulations: Creative Faceting Techniques and How to Facet a Gemstone
  11. Lapidary Carving for Creative Jewelry by Henry Hunt, 1993-06
  12. Gem and Lapidary Materials: For Cutters, Collectors, and Jewelers by June Culp Zeitner, 1996-09
  13. DIAMOND PRODUCTS: DLC Coating Technique Developed.: An article from: High Tech Ceramics News
  14. Gems & Jewelry Appraising: Techniques of Professional Practice by Anna M. Miller, Gail Brett Levine, 2008-03

81. Each Year
They present lectures to schools, displays for the library, and demonstratedlapidary techniques to all who were interested.
http://www.ghg.net/gpenning/scfmsor.htm
ROCKHOUND OF THE YEAR
Dee Cable , Chairperson
The AFMS has set up a special way for each dub, once a year, to honor a rockhound the members of the dub or an individual in the club deems worthy of recognition because of what that rockhound has done, or is doing to promote the well being of their club. This is not a competition. In the SCFMS, I have been given this honor to promote this worthy cause, to keep it organized and have decided to hand out certificates - one for the rockhound and one for the club - to honor those nominated. 1998, we got off to a roaring start, with Lester and Amy Bailey, Paul Bohmfalk, Ewing Evans, John W. Johnson, Bill and Lois Pattillo, and Sylvia Rainer. Lester and Amy Bailey were nominated by the Clear Lake Gem and Mineral Society, Houston, TX. They have served as the Show committee chairperson since 1981, Club Secretary, Historian, Refreshments chair, and Nominating committee. They present lectures to schools, displays for the library, and demonstrated lapidary techniques to all who were interested. The Pine Country Gem and Mineral Society, Jasper, TX, selected

82. PIRSA Minerals - Mineral Resource Potential - Nephrite Jade
Cowell black jade takes a very high polish by simple lapidary techniques.Very finegrained premium black takes a mirror-like polish.
http://www.pir.sa.gov.au/pages/minerals/commodity/nephrite_jade.htm:sectID=245&t
Trouble viewing this site? Help Site Map Feedback Friday September 23, 2005
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Minerals Home
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      Major Geological Provinces You are here: Home Minerals Geology and Resources Mineral Resource Potential
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      Nephrite Jade
      Nephrite, the traditional Chinese jade, is a monoclinic amphibole that ranges between the end members tremolite (Ca Mg Si O (OH) ) and ferroactinolite (Ca Fe Si O (OH) ). Nephrite can be white, yellow, green and brown to black, depending on the amount of iron substituting for magnesium. Iron-poor tremolite is white, grey or green; whereas iron-rich varieties (actinolite) are darker green, grey-green, and grading though to black. Cowell jade has an iron content of up to 7.9% Fe O
      Fine, interlocking fibres of Cowell nephrite jade around a central
      prism of tremolite.
      Width of view is ~40 µm.
      Jade in South Australia
      Ninety-one separate jade outcrops were identified by Department of Mines geologists in 1974, and well over one hundred are now known. All are located within an area of ~10 km , referred to as the Cowell Jade Province. The bulk of resources occur on the 23 leases held by Gemstone Corporation of Australia Ltd.

83. 2002-2003 UVSC Academic Catalog
Introduces various techniques used in the commercial art industry. Includesfabrication, construction, casting, enameling, and lapidary techniques.
http://www.uvsc.edu/catalog/2002-2003/courses/avc/avc-cdl.html
UVSC Home Students Prospective Students Employment Course Descriptions
Lower-Division

2002-2003 Catalog
Course Descriptions The general education code, if any, appears to the right of the course number, see Academic Policies section for code clarification. The line below the course title indicates the number of credits, lecture and laboratory hours per week (CR:LEC:LAB) and the terms the course will be offered for the academic year of this catalog (Su=Summer, F=Fall, Sp=Spring). AVC 1010 FF Introduction to Art 3:3:0 Su, F, Sp Develops an appreciation of art. Studies elements and principles of art. Includes identification of major art forms, surveys art history, art criticism, and media. Satisfies a humanities requirement when combined with an art studio class. Community members are welcome. AVC 1020 FF Basic Drawing 3:2:2 Su, F, Sp For non-majors. Introduces basic drawing techniques and stresses fundamentals of observation based drawing. Includes practice and skill building. Investigates basic black and white media such as graphite and charcoal. Requires sketchbook, in-class and home work assignments. Community members welcome. AVC 1110 Design 3:3:0 Su, F, Sp

84. Business Success Stories - Schooner Regional Development Corporation
St. Lawrence Mineral Products Inc., has been formed and using an onsite workshopproduces goods for the giftware market by lapidary techniques.
http://www.schooner.nf.ca/business-success-stories.html
Quick Links (within page) Active Bodies Golden Sands Resort CAS Plastics Edwards and Associates-Information Technology ... Burin Minerals Ltd.
Active Bodies
Active Bodies located at 3A Mall Street, Marystown, NL is owned and operated by Marlene Power and Marilyn Nash. It started operation in June, 2003 and is a women's only fitness center that offers circuit training and cardio. Various types of exercise equipment is available and onsite trainers, fitness consultants are on staff to answer questions. Active Bodies also offer tanning services.
For more information please call (709) 279-0888.
For more information please call (709) 279-3838.
Golden Sands Resort
Golden Sands Resort is a family-oriented resort owned and operated by Barry and Daisy Lee. It is located off Route 222, Winterland highway in Burin, NL. It offers various services including cottage rentals, trailer/campsites, sandy beach, convenience store/takeout service, miniature golf, and a water slide. Golden Sands Resort operates from June to Labour Day weekend in September.
For further information please call (709) 891-2400.

85. October 2001
demonstrations of lapidary techniques, dealers, and opportunity drawings for Demonstrations will include working with beads, wire wrap techniques,
http://www.mineralsocal.org/bulletin/2001/2001_oct.htm
THE 765th MEETING
OF
THE MINERALOGICAL SOCIETY
OF SOUTHERN CALIFORNIA 1:00 p.m., Saturday October 13, 2001 JEWEL TUNNEL IMPORTS
13100 Spring St.,
Baldwin Park, CA
OCTOBER PROGRAM
OPEN HOUSE INVITATION FOR THE
MEMBERS OF THE MINERALOGICAL SOCIETY OF CALIFORNIA
AND THEIR GUESTS FOR
JEWEL TUNNEL IMPORTS
Saturday, October 13, 2001 at 1:00PM
13100 Spring St., Baldwin Park, CA 91706, 626-814-2257 Jewel Tunnel Imports is a leading wholesale distributor of minerals, crystals, fossils, tumbled stones and many different kinds of lapidary items like balls, eggs, jewelry etc. made from different minerals. They have a warehouse in excess of 10,000 sq. feet full of mineral related natural history items, perhaps the largest of its kind in the United States. The owner of Jewel Tunnel (Rock Currier) is also interested in learning about new sources of mineral specimens and has been known to buy and trade such items. He is a micromounter and always interesting in trading for good micromount material not represented in his collection. The map on the following page shows the location of Jewel Tunnel Imports.

86. Entrez PubMed
Such as edge can be obtained either by breaking a piece of vitreous carbon or byusing lapidary techniques. The resultant edge seems well adapted to both
http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&list_uids=6

87. Community Briefs -- Los Altos Town Crier
Her jewelry, made from opals, semiprecious stones and various metals, includingsilver and copper, use the casting, fabrication and lapidary techniques.
http://latc.com/1999/04/07/community/communit7.html
Serving the Hometown of Silicon Valley Since 1947 News Comment People Community ... Archives Site Search Today,
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Published on 04/07/1999 All articles from this issue
Community Briefs
printer friendly version LAH Town Hall artist reception The town of Los Altos Hills invites the public to an opening reception for local artists Anna Wu Weakland and Kirsten Stein, from 2-4 p.m. this Sunday in the Town Hall Chambers. Weakland has shown her work extensively, including the San Francisco Museum of Modern Art, Gumps Art Gallery and the Stanford University Art Gallery. Stein's work includes clay, bronze and stone sculptures. The work will be on exhibit Sunday through May 28, in the Town Hall, located at 26379 Fremont Road, Los Altos Hills. For more information, call 941-7222. Watercolor classes offered locally The Rev. Henry Hayden, a skilled watercolor artist and instructor, will be offering free painting classes from 10 a.m. to noon April 14 and 21 at Foothills Congregational Church, 461 Orange Ave., Los Altos. Hayden, a retired minister from San Carlos, described as a man of many talents, will instruct all, including beginners who have never held a brush in their hands.

88. Interviews
the lapidary techniques to process crystal had existed from the Edo period . He says it is hard to learn the carving techniques but even harder to
http://www.kougei.or.jp/english/crafts/1404/d1404-5.html
Koshu Seals
Only one in the world

More and more people are buying ready-made seals. But the Koshu Tebori Insho Seals craftsmen of Yamanashi have never lost their passion for the unique beauty of hand-carved seals. I talked with one of them, Mr Shozo Yokomori, who has been working in this field for 45 years.
The red parts are carved in order from the left. A "new" traditional craft
Special because they are one of a kind

It was not until after a proclamation ordering citizens to start using personal seals in the Meiji Period (1868-1912) that everyone started to own their own. Mr Yokomori reminds me that "Until then, the masses didn't even have their own surnames." Nevertheless, the history of seals goes way back to antiquity, in fact as far back as Mesopotamian civilization. Mechanized production has, of course, come to the world of seals, but Mr Yokomori says there is nothing to beat a hand-made seal because it is one of a kind and if a seal is not one of a kind it has no meaning at all. He explained that a difficult ancient Chinese character style is used on seals for this very purpose.
The imprint reveals the beauty
A seal, worth examining close up

89. Archives :: The Web Edition Of The Lebanon Express, Lebanon, OR
Experts will be on hand to demonstrate various lapidary techniques and lectureon various topics, including fossil identification.
http://www.lebanon-express.com/articles/2005/08/03/community/calendar/calendar04

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  • Last modified Wednesday, August 3, 2005 9:48 AM PDT Gem and mineral show The 2005 Northwest Federation of Mineralogical Societies hosts its annual gem and mineral show from 10 a.m. to 6 p.m. on Aug. 5-6 and from 10 a.m. to 4:30 p.m. on Aug. 7 at the Linn County Fairgrounds. Nearly 200 exhibits of rocks and minerals will be featured, including displays from several Oregon museums. The Condon Museum, in conjunction with the University of Oregon, will have a display to highlight Mammoth Park Pleistocene fossils, from the Woodburn dig, by Dr. W. Orr. According to a show spokesperson, this is one of the few public displays of such fossils. Experts will be on hand to demonstrate various lapidary techniques and lecture on various topics, including fossil identification.

    90. How Are Gems Cut And Polished?
    Several common techniques are used in lapidary work One of the simplestlapidary forms is the cabochon, a stone that is smoothly rounded and polished
    http://www.tradeshop.com/gems/howcut.html
    How are Gems Cut and Polished?
    A citrine quartz preform . . . . . . . . . . and the finished faceted stone. T he process of cutting and polishing gems is called gemcutting or lapidary , while a person who cuts and polishes gems is called a gemcutter or a lapidary (sometimes lapidarist). G emstone material that has not been extensively cut and polished is referred to generally as rough . Rough material that has been lightly hammered to knock off brittle, fractured material is said to have been cobbed Rough corundum A ll gems are cut and polished by progressive abrasion using finer and finer grits of harder substances. Diamond, the hardest naturally occurring substance, has a Mohs hardness of 10 and is used as an abrasive to cut and polish a wide variety of materials, including diamond itself. Silicon carbide, a manmade compound of silicon and carbon with a Mohs hardness of 9.5, is also widely used for cutting softer gemstones. Other compounds, such as cerium oxide, tin oxide, chromium oxide, and aluminum oxide, are frequently used in polishing gemstones.
    Lapidary Techniques
    S everal common techniques are used in lapidary work: U sing the techniques listed above, gemstones are typically fashioned into one of several familiar forms:

    91. Silver Supplies Online Catalog: Books About Lapidary
    Silver Supplies lapidary and Jewelry Making Tools and Equipment. techniques formaking special tools are summarized, including detailed instructions on
    http://www.silversupplies.com/catalog/books/lapidary.shtml
    Home Sitemap Online Store Ordering Help ... Wire Work Books about Lapidary
    How do I place an order?
    Copy and paste your item order lines here, then click the "Place in Basket" button:
    Ordering Help
    Item #:
    81.10.045 Advanced Cabochon Cutting $4.50 Advanced Cabochon Cutting
    by Jack R. Cox
    Advanced Cabochon Cutting provides instructions for cutting special shaped cabochons such as hearts, crosses, stars and teardrops. Additional material covers making cabochon backings and assembled stones such as doublets and triplets. Also covered are orienting and cutting cat's eye and star stones, as well as cutting opal and jade. Soft cover, 5.5" x 8.5", 64 pages.
    Ordering Help
    Item #:
    81.10.049 American Lapidary $25.00 American Lapidary
    Designing the Carved Gemstone
    by Henry Hunt
    The author of American Lapidary categorizes carved gemstones into three main groups: angular designs, curvilinear designs and mechanical designs. In this work Henry Hunt presents information and ideas in major chapters on designing the design, angular design, curvilinear design, lathe turning and milling, laminated and combination designs, and tool design. Among the many topics discussed in this book are designing and cutting the freeform faceted stone, carving with grooves, organic design, use of optic dishes, carving designs with holes, use of Cratex wheels, making milled cuts, circular designs, laminating a candy cut, working with combination forms, copper points, shaping with wood wheels, polishing tools, special diamond cutting wheels, making diamond compounds, photographing carvings, and much more. Soft cover, 7" x 9", 191 pages.

    92. Fire Workers: Techniques Of Bronze Smithy And Lapidary: Stoneware Bangles
    Fire workers techniques of bronze smithy and lapidary stoneware bangles Seeweapons, implements etc. made by fireworkers of Sarasvati-Sindhu
    http://www.hindunet.org/hindu_history/sarasvati/html/fireworkers1.htm
    SITE MAP Home Indian Lexicon Corpus of Inscriptions Artefacts ... Decipherment Fire workers: techniques of bronze smithy and lapidary: stoneware bangles
    See weapons, implements etc. made by fire-workers of Sarasvati-Sindhu Kotla Nihang (30.57N, 76.32E), 2 kms. SE of Ropar on Shatadru (Sutlej) river; oval fire kilns in a row; fragments of terracotta bangles were picked up from the kilns; Sharma, Y.D., 1982, Pl. 13.1
    An exquisite example of bronze smithy is the statue wearing bangles from wrist to shoulder and a necklace, Mohenjodaro. (After Marshall, Pl. XCIV). How were stoneware bangles made? View of the slag with the coated sub-cylindrical bowl enclosing the stoneware bangles in a pile, in central position, Mohenjodaro. (Massimo Vidale, in:Jansen and Urban, 1987, p. 109)
    Signs 403-407 are shaped like a pair of bangles Balakot, Stoneware bangle and fragments (Blk-6, Parpola)
    The bangle has an inscription in red:
    Reconstruction of the stoneware bangles' firing apparatus; stoneware bracelets are piled up in five pairs and enclosed in a coated carinated jar. The jar is given red-slipped, chaff-tempered outer coating. The apparatus is mounted on a network of supporting terracotta bangles. A unicorn seal impression is affixed on the upper capping. (Massimo Vidale, in:Jansen and Urban, 1987, p. 111) Perforated jar (Use in gold purification

    93. Ancient Egyptian Stoneworking Tools And Methods: Stone Vase Making
    Long, FW (1976) The creative lapidary materials, tools, techniques, design.Van Nostrand Reinhold, New York, 136 p. Lucas, A. Harris, JR (1962) Ancient
    http://www.geocities.com/unforbidden_geology/ancient_egyptian_stone_vase_making.
    Ancient Egyptian Stoneworking Tools and Methods
    Archae Solenhofen (solenhofen@hotmail.com)
    Last modified December 10, 2002 Stone Vessel Making travertine (Egyptian alabaster), limestone , limestone breccia, and dolomite, smaller numbers were made of other rocks and mineral. The earliest materials used were limestone basalt travertine , limestone breccia, and hornblende diorite The range of stylistic forms were quite varied. Many are original in design (Fig. 2), or representations of foreign designs (Fig. 3), some are common to pottery (e.g. ), to basket-work (e.g. ), and even to metal vessels (e.g. a stone vessel with simulated rivet-heads (Lauer 1976, pl. 109)). Others appear to be fantasies on the part of the craftsmen (Fig. 4), or stone representations of certain useful objects made of fragile or perishable materials for use in the afterlife (e.g. ). Stone vessel forms were sometimes imitated in pottery (Fig 5b), such as that expressed in the spiral and zigzag line decorations (Fig 5a) representing the mottled appearance of limestone breccia (Bourriau 1981). Many of these vessels are remarkable for both perfection of workmanship and purity of stylistic form, which is especially true in the case of hardrock vessels. Fig. 2.

    94. Bob's Rock Shop: Books About Lapidary
    The author of American lapidary categorizes carved gemstones into three main techniques for making special tools are summarized, including detailed
    http://www.rockhounds.com/rockshop/books/lapidary.shtml
    Bead Work
    Buyer's Guides

    Casting

    Chain Making
    ...
    Wire Work

    References for Rockhounds
    Lapidary Order This Book
    Advanced Cabochon Cutting
    by Jack R. Cox
    Advanced Cabochon Cutting provides instructions for cutting special shaped cabochons such as hearts, crosses, stars and teardrops. Additional material covers making cabochon backings and assembled stones such as doublets and triplets. Also covered are orienting and cutting cat's eye and star stones, as well as cutting opal and jade. Soft cover, 5.5" x 8/5", 64 pages.
    Order This Book

    American Lapidary Designing the Carved Gemstone by Henry Hunt The author of American Lapidary categorizes carved gemstones into three main groups: angular designs, curvilinear designs and mechanical designs. In this work Henry Hunt presents information and ideas in major chapters on designing the design, angular design, curvilinear design, lathe turning and milling, laminated and combination designs, and tool design. Among the many topics discussed in this book are designing and cutting the freeform faceted stone, carving with grooves, organic design, use of optic dishes, carving designs with holes, use of Cratex wheels, making milled cuts, circular designs, laminating a candy cut, working with combination forms, copper points, shaping with wood wheels, polishing tools, special diamond cutting wheels, making diamond compounds, photographing carvings, and much more. Soft cover, 7" x 9", 191 pages. Order This Book The Art of Gem Cutting by Dr. H.C. Dake

    95. Reports Submitted To FAMSI - Bradford Andrews
    The assemblage did reflect evidence that lapidary 3 techniques were used to makebeads in the elite zone (Figure 5, g h). This interpretation is supported
    http://www.famsi.org/reports/01029/section02.htm
    Reports Submitted to FAMSI:
    Bradford Andrews Stone Tools and the Elite Political Economy at Epiclassic (A.D. 650-900) Xochicalco The Assemblage The elite flaked stone assemblage consists of 2,331 artifacts that were classified into items produced by core-blade, lapidary, and bifacial technologies ( Table 1 Table 2 The sample contains 1,920 core-blade artifacts ( Table 1 Table 1 ). The majority of these artifacts are standardized, parallel-sided blade segments (N = 1,314, Table 3 Table 3 ). The remaining core-blade artifacts are cores, core fragments (N = 9, Table 3 ), and artifacts related to the rejuvenation of core platforms (N = 133, Table 3 Figure 5 ). Most of the core-blade artifacts appear to be items used for utilitarian tasks although a few of them like the needle-tipped segments may have had ritual significance (i.e. blood-letting). The assemblage did reflect evidence that lapidary techniques were used to make beads in the elite zone ( Figure 5 Figure 5 , g). Two eccentrics and one small projectile point ( Table 4 ) also exhibited grinding (Figure 6, shown below) that may have been applied in the elite zone.

    96. Lapidary Journal & Step By Step Beads Present BEAD FEST: A Weekend Full Of Bead
    Bead Fest lapidary Journal and Step by Step Beads Annual Bead Show and onsite with live demonstrations of different bead making and bead techniques.
    http://www.stepbystepbeads.com/beadfest/

    Class listings and registration

    View All Bead Fest Philadelphia Classes

    Exhibitor List
    Floorplan ...
    NEW CLASSES UPDATED
    Meet the Teachers Reception: Friday, October 7, 2005
    Time:
    Place: The Lounge, Fort Washington Expo Center See what instructors will be attending Attendance is limited so reserve your spot now! Sign up here, or purchase a ticket at the door. Cost: $10 (cash only at the door) Buy your ticket in advance through PayPal - be sure to print out your receipt and give your name at the door (Will-Call).
    Sunday: 10am-5pm.
    Classes:

    Location:
    Fort Washington Convention Center, Fort Washington, PA, a few miles off Exit 339 (old exit 26) of the Pennsylvania Turnpike.
    * Tentative Bead Fest Events Schedule
    * More information about Bead Fest Philadelphia Bead Fest Philadelphia 2005 will be four days of learning Fort Washington Expo Center Over 200 vendors will offer beads, beading and bead making supplies, tools, and equipment. Experts will be on-site with live demonstrations of different bead making and bead techniques. You can buy supplies for most classes at the show and also stock up for plenty of future projects. unusual and fine beads (including glass and gemstone beads) and shop for wire, findings, kits, stringing materials, books, videos, and jewelry-making tools, equipment and supplies.

    97. Alibris: Crafts Hobbies Lapidary
    The Creative lapidary Materials, Tools, techniques, Design more books like this techniques of Gem Cutting A lapidary Manual more books like this
    http://www.alibris.com/search/books/subject/Crafts Hobbies Lapidary
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    ... help browse BOOKS Your search: Books Subject: Lapidary (15 matching titles) Narrow your results by: Hardcover Softcover First edition With dustjacket ... Eligible for FREE shipping Narrow results by title Narrow results by author Narrow results by subject Narrow results by keyword Narrow results by publisher or refine further Sometimes it pays off to expand your search to view all available copies of books matching your search terms. Page of 1 sort results by Top-Selling Used Price New Price Title Author Facet Cutter's Handbook more books like this by Soukup, Edward J This book contains everything the reader needs to know in order to facet gemstones expertly. see all copies from new only from first editions SVS Gem cutting a lapidary's manual more books like this by Sinkankas see all copies from first editions Introduction to Lapidary more books like this by Kraus, Pansy

    98. Yoruba Glass Beads
    Confusion arises as to the technique used to perforate these lapidary beads.By all appearances, the perforations look as if they are drilled or bored,
    http://www.nfobase.com/html/yoruba_glass_beads.html
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  • Published Every Other Week On Wednesday - Updated Daily
    Current Issue Published: 9-14-05 Yoruba Glass Beads
    by Kwesi Amanfrafo Contemporary glass bead making in West Africa is dominated by the Ghanaian powder glass industries. However, throughout the twentieth century and for centuries earlier, other glass bead makers in this region achieved prominence, notably the makers of "murakad" (Maure wet powder glass) and "Bida" beads (Massaga furnace wound). These two industries have both been examined somewhat extensively in the bead literature, as have the Ghanaian industries. Receiving less attention have been the various Yoruba (southwestern Nigeria) glass bead-making industries. Yoruba-made glass beads are either grouped with their Ghanaian powder glass counterparts or are practically unknown to students of beads in the West.
    Lapidary Beads Most of the evidence for Yoruba lapidary beads comes from the modern bead trade. Thus, like much contemporary African bead knowledge, our level of understanding is entirely superficial. The main documentary sources that confirm the trader origin myths include Eluyemi (1979) and Euba (1981). Such beads apparently have some age, indicated by their veneration even among groups removed from Yorubaland, such as the Krobo (southeastern Ghana), who covet the beads and endow them with mysterious properties and origins.

    99. Types Of Koli Beads Among The Krobo
    Today, exogenous beads and those made locally of scrap glass, either by lapidarytechniques, by drawing molten glass, or by the powder glass method,
    http://www.nationalbeadsociety.com/articles/pachecobead.html
    Pacheco’s Bead
    By KWESI AMANFRAFO
    At Rio dos Forcados, in Benin territory, barter takes place, chiefly in slaves, cotton cloth, and a few leopard skins, and palm oil, and certain blue beads with red lines, which they call coris . These things we buy for brass and copper arm rings , and all of this is of value at the Castle of Jorze da Mina, and our chief’s factor sells it for gold to the Negro merchants. — Pacheco Pereira (1506)
    The above quotation, from the dawn of the Atlantic trade to the west coast of Africa, is the first recorded European reference to what has come to be known as the "aggrey" bead. Now, nearly five hundred years later, identification of Pacheco’s "cori" or aggrey bead is still the subject of academic debate, the issue having been increasingly obfuscated over the centuries by both language problems and a general expansion of the definition to include virtually any old bead of value found or traded in West Africa. The purpose of this paper is to identify the cori bead described by Pacheco. Previous aggrey studies have focused on either the etymology of "aggrey", the material from which the bead was made, or interpretations of numerous historical references, beginning with Pacheco’s observations.

    100. Bahti Indian Arts - Jewelry Gallery 1
    He and his brother Boyd are wellknown for their combination of silver and lapidarytechniques. Richard has been silversmithing for over twenty years.
    http://www.bahti.com/jewelry.html
    Jewelry
    Gallery 1
    To Gallery 2

    To Gallery 3

    To Gallery 4

    To Gallery 5

    This wonderfully unique bracelet was made by Eveli, who apprenticed with the great Hopi artist, Charles Loloma. (Only two other people, nieces: Verma Nequatewa and Sherian Honhongva have that distinction.) Originally from North Africa, Eveli soon developed her own very distinctive style. Inlaid with iron pyrite (Fool's Gold) and salmon coral with turquoise accents, it fits a medium wrist and is priced at $3800.
    Hopi artist Elmer Satala, Bear Clan, has been promising me a sterling silver link necklace using a beautiful piece of lapis he was saving. Well today was the day. Here is the sterling silver and lapis cloud design necklace. $400
    Salmon coral sterling silver post earrings, by Michael Roanhorse. $200. (SOLD) (See more at the bottom of Gallery 2 and Gallery 3
    The stone in this fabulous bracelet by Mark Roanhorse comes from the Blue Diamond mine in Nevada. This mine is distinctive for producing hard, dark blue turquoise that includes a blotchy, black Chert matrix. The mine is not presently active. $485
    HOME
    TOP Gallery 2 Bahti Indian Arts 4280 N. Campbell Avenue, Suite 100, Tucson, Arizona 85718 520 577 0290

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