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         Japanese Theatre & Kabuki:     more detail
  1. Staging Japanese Theatre: Noh & Kabuki by John D. Mitchell, 1994-12
  2. KABUKI,the Resplendet Japanese Theatre
  3. Noh & Kabuki: Staging Japanese Theatre by John D. And Miyoko Watanabe Mitchell, 1994
  4. The Kabuki theatre of Japan by A. C Scott, 1966
  5. A Kabuki Reader: History and Performance (Japan in the Modern World)
  6. Kabuki Today by Donald Keene, Iwao Kamimura, 2001-09
  7. The Stars Who Created Kabuki: Their Lives, Loves and Legacy by Laurence R. Kominz, 1997-10
  8. Tranvestism And the Onnagata Traditions in Shakespeare And Kabuki
  9. Tamasaburo Bando
  10. JAPANESE NOH PLAYS How To See Them , Tourist Library 2 Explanation of a Very Ancient Form of Japanese Theater. Most People Today are Familiar with the Kabuki Theater But Quite Unfamiliar with the Ancient Noh.Includes Noh Theatre, Masks & Costumes ETC by Prof. Toyoichiro, Color Frontispiece and Two Color Plates. Numerous black/white Illustrations Throughout., Sticker Back Blank Endpaper Nogami, 1935

81. UH Press Journals: Asian Theatre Journal, Vol. 15, No. 2 (1998)
She is a translator/commentator at the kabukiza and National theatre in Tokyo Dr. Bach is the author of Bravo kabuki Bravo Japan (1993), published in
http://www.uhpress.hawaii.edu/journals/atj/ATJ152.html

Asian Perspectives
Asian Theatre Journal Buddhist-Christian Studies Biography ... Yishu
Asian Theatre Journal, vol. 15, no. 2 (Fall 1998)
NOTE FROM THE EDITOR, pp. iii-v PLAYS Takatoki: A Kabuki Drama
Translated by Faith Bach, p. 155 Although there are well over 250 plays in the kabuki katsureki masterpiece, Takatoki . As she notes, such plays were originally created during the Meiji era to bring kabuki a step closer to the realism of the modern theatre believed to exist in the West. What remains of the play itself, however, is replete with enough of kabuki Faith Bach has her D.Phil. in kabuki Manyoshu poetry from the University of Minnesota. She is a translator/commentator at the Kabuki-za and National Theatre in Tokyo and teaches kabuki at Kanto Gakuen University. Dr. Bach is the author of Bravo Kabuki: Bravo Japan (1993), published in Japanese. Kanadehon Hamlet: A Play by Tsutsumi Harue
Translated by Faubion Bowers with David W. Griffith and Hori Mariko
Introduced by Tsutsumi Harue, p. 181 In the spring of 1997, the editor of ATJ witnessed a production of this play at New York’s La MaMa E.T.C. and was immediately interested in publishing it. The play is interesting on several levels: it has a strong dramatic action, concerns an important problem in the transition of Japanese drama from traditional forms to modern ones, reveals the kind of serious misunderstandings that occur when cultures collide, allows for exciting "fusion" scenes in which Shakespeare is produced

82. KODANSHA INTERNATIONAL
This guide is invaluable for anyone keen to experience japanese theater firsthand, He is the author of kabuki A Pocket Guide and has translated for the
http://www.kodansha-intl.com/books/html/en/477002987X.html
KEYWORD BOOK TITLE AUTHOR ISBN
Architecture
Art, Architecture, and Crafts Children's Books Cooking ... ELT Text
About the Book Back
To take a peek, DjVu Plug-in (free download) is required. A Guide to the Japanese Stage
From Traditional to Cutting Edge
Ronald Cavaye
Paul Friffith
Akihiko Senda
Foreword by Mansai Nomura
Paperback 288 pages
132 x 189mm 350g ISBN : 4-7700-2987-X Publish : Feb, 2005 Price : $19.95 Take a Peek Want to Purchase [ About the Book ] US: Available in February 2005 Japanese theater is vibrant and exciting, with a wide range of unique genres to be enjoyed by both visitors to Japan and on tour at arts and drama festivals and theaters worldwide. From the stately refinement of and the colorful spectacle of Kabuki to the avant-garde of the and adaptations of Shakespeare or mainstream musicals, the world of the Japanese performing arts is thriving and innovative. A Guide to the Japanese Stage covers all the main genres as performed today, from traditional to cutting edge. A brief history and introduction to the features of each genre is accompanied by recommendations of entertaining plays that are accessible to non-Japanese audiences. Brief synopses are provided for many often-performed plays, and the best-known companies, actors, playwrights, and directors are highlighted. The text is illustrated with 32 color pages and over 150 black-and-white photographs, and includes information on theater listings, how to purchase tickets, and which plays are available on DVD in English. This guide is invaluable for anyone keen to experience Japanese theater firsthand, and will provide additional insights for students of Japanese theater and literature.

83. Kabuki -- Facts, Info, And Encyclopedia Article
kabuki. Categories LGBT history, japanese theater, japanese terms, japaneseculture, History of theater kabuki (?) is a form of traditional (A
http://www.absoluteastronomy.com/encyclopedia/k/ka/kabuki.htm
Kabuki
[Categories: LGBT history, Japanese theater, Japanese terms, Japanese culture, History of theater]
Kabuki (A constitutional monarchy occupying the Japanese Archipelago; a world leader in electronics and automobile manufacture and ship building) Japan ese (A building where theatrical performances or motion-picture shows can be presented) theater . The individual (Click link for more info and facts about kanji) kanji (A written symbol that is used to represent speech) character s, from left to right, mean sing dance skill (Click link for more info and facts about ateji) ateji , characters that do not reflect actual (The study of the sources and development of words) etymology . The word kabuki is believed to derive from the verb kabuku , meaning "to lean", "to be out of the ordinary", etc.) Kabuki theater is known for the stylization of its drama and for the elaborate (Cosmetics applied to the face to improve or change your appearance) make-up worn by its performers.
History
The history of kabuki began in 1603, when (Click link for more info and facts about Okuni) Okuni , an attendant at (Click link for more info and facts about Izumo Taisha) Izumo Taisha , began performing a new style of (A party for social dancing) dance in the dry river beds of (A city in central Japan on southern Honshu; a famous cultural center that was once the capital of Japan)

84. JNTO Website Japan: Unique Tokyo
kabukiza theatre in Ginza. Those seeking to access Japan s rich culture may beinterested to know that the famous kabuki-za theater in Ginza offers
http://www.jnto.go.jp/eng/JN/expat/art.html
Performing Arts Claudia Romberg works at OAG-Haus in Tokyo, an organization, which seeks to educate Germans about Japanese culture.
“To fully appreciate the contrasts that Japan offers you should try a short stay at one of the Buddhist temples in Japan.”
Traditional performing arts
Kabuki-za Theatre in Ginza Those seeking to access Japan's rich culture may be interested to know that the famous Kabuki-za theater in Ginza offers translated performances of traditional Kabuki shows. Kabuki is a ritualized form of theater, where the actors' movements and lines are carefully choreographed and synchronized with music from traditional Japanese instruments, including the three-stringed shamisen and the tsuzumi drum. Expect cries from the audience at heightened moments of the performance. These cries, known as kakegoe , are a part of the kabuki tradition, and, indeed, the performance. Recently, Kabuki, which was under threat of becoming a museum piece due to waning interest from the younger generation, decided to modernize. This has meant the dawn of new or "Super Kabuki," which involves a more dramatic and acrobatic performance. Often new and old Kabuki styles can be viewed in one show. The shows are divided into four acts, each one of which is a show in itself. Ticket prices for complete shows range from as low as 2,520 yen to 16,800 yen, depending on the position of the seat. But it's also possible to see part of the show with

85. Japanese Traditional Music [ History Of Japanese Traditional Music ]
Although Shinnai originally appeared in the kabuki theater, it eventually becamerestricted to banquet chambers and atmospherefilled narrative pieces like
http://jtrad.columbia.jp/eng/history03.html
previous page
After years of civil war, in the Edo period (1600 - 1868) there were centuries of peace. Although theoretically the warrior class was dominant, in reality the vast majority of samurai were rather impoverished while the merchant class became very prosperous. Unable to display their wealth and power too openly, the commoner class expressed themselves in the worlds of the pleasure quarters, Kabuki and Bunraku puppet theaters and popular fiction. Kabuki began as dance and then developed into very sophisticated drama, but music is an integral part of it. The lyrical Nagauta style accompanied dances and provided the background music for the plays. It took in the Joruri or narrative music style of Gidayu from the puppet theater and also gave birth to Joruri styles like Tokiwazu and Kiyomoto that only appear in Kabuki. Then the puppet theater grew up together with Gidayu, the most sophisticated form of Joruri, with narrative singing and shamisen music. Origins of Joruri
The Introduction of the Shamisen and Development of Joruri Narrative Music
Gidayu Bushi
Kabuki and Bungo Bushi Joruri
next page

86. Kabuki Theater Of Japan :: Term Papers, Essays - Free Summary Of Research Paper
This paper discusses the kabuki theater of Japan Body language, the virtuosityof the actor, acting techniques and japanese concepts of space.
http://www.academon.com/lib/paper/18275.html
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Papers on "Kabuki Theater of Japan" and similar term paper topics:
  • Paper #018275 :: Kabuki Theater of Japan - Buy and instantly download this paper now This paper discusses the Kabuki theater of Japan: Body language, the virtuosity of the actor, acting techniques and Japanese concepts of space. 2,025 words, 6 sources, $ 71.95 USD From the Paper: "This paper will be concerned with the Kabuki theater of Japan. It will discuss the virtuosity and techniques of the Kabuki actor, as well as the use of body language as it pertains to Japanese concepts of space. The origins of the Kabuki in Japan can be traced to the city of Kyoto in the early 17th century, A.D. Although the Kabuki is performed exclusively by men today, it was originally founded by a woman named Izumo no Okuni. Okuni led a group of women, most of whom were prostitutes, in the performance of narrative dances for the public. In this way, dance was used not just for its own sake but for the purpose of telling a story to the audience. Specifically, the gestures and body language of the dancers were used to tell the story while at the same time expressing the emotions of the characters. This was an important innovation in ... "
  • 87. Kabuki - Enpsychlopedia
    kabuki. This article is about the japanese theater. For the comic book, seekabuki (comics). Missing image kabukiza1044.jpg
    http://psychcentral.com/psypsych/Kabuki
    home resource directory disorders quizzes ... support forums Advertisement (
    Kabuki
    This article is about the Japanese theater. For the comic book, see Kabuki (comics)
    Missing image
    Kabukiza1044.jpg The Kabukiza in Ginza is one of Tokyo's leading kabuki theaters. Kabuki Japanese theater . The individual kanji characters , from left to right, mean sing dance skill ateji , characters that do not reflect actual etymology . The word kabuki is believed to derive from the verb kabuku , meaning "to lean", "to be out of the ordinary", etc.) Kabuki theater is known for the stylization of its drama and for the elaborate make-up worn by its performers. edit
    History
    Missing image
    Acteur_kabuki_Katsukawa.jpg Kabuki actor , by Shunsho Katsukawa (1726-1792) The history of kabuki began in , when Okuni (she called herself a priestess of Izumo Taisha ) began performing a new style of dance in the dry river beds of Kyoto . The style was instantly popular; Okuni was even asked to perform before the Imperial Court. In the wake of such success, rival troupes quickly formed, and kabuki was born as ensemble dance performed by women actresses were often also available for prostitution , and those male audience prostitute ) during the Edo period . The attention of the government was attracted, and in

    88. F&M | Press Releases
    kabuki is a traditional form of japanese theater founded in 17th century Kyoto. Onnagata, male actors who specialize in female roles, appeared on stage
    http://server1.fandm.edu/departments/communications/pressreleases/2002-03/015.ht

    Press Release Archive
    Current Press Releases Communications Home RELEASE #
    FOR IMMEDIATE RELEASE
    CONTACT: MARCY DUBROFF (717) 291-3837
    E-MAIL: M_DUBROFF@FANDM.EDU
    ARCHIVED RELEASE
    Ayako Kano, of the University of Pennsylvania, will discuss "Acting Like a Woman in Japanese Theater" at noon in Stahr Auditorium, Stager Hall. Following the talk, Kabuki actor Onoe Omenosuke will present an authentic Kabuki performance at 4:30 in the Green Room Theatre. Both events are free and open to the public. Kabuki is a traditional form of Japanese theater founded in 17th century Kyoto. "Onnagata," male actors who specialize in female roles, appeared on stage after the government banned women from performing in 1629 and youths in 1652. Women did not return to the Japanese stage until the 1890s. Kano, assistant professor of modern Japanese literature at the University of Pennsylvania, has made Japanese theater history and women's history the topics of her recent work, focusing on the first generation of actresses and their roles as feminists and femme fatales. In her talk, she will discuss the changing attitudes toward femininity in theater. Kano received her Ph.D. in Comparative Literature from Cornell University, and is currently associate professor in the Department of Asian and Middle Eastern Studies at the University of Pennsylvania. Her book "Acting Like a Woman in Modern Japan: Theater, Gender, and Nationalism" was published by Palgrave in 2001.

    89. Consulate General Of Japan In San Francisco FAQ
    japanese theater is comprised of four major forms of art kabuki, Noh, kabuki, with its dramatic effects, is perhaps the most popular form of the
    http://www.cgjsf.org/en/e_m08_01_03.htm

    FAQ on Japan
    Useful Link Drivers License for Japanese Teaching English in Japan ... Links
    Culture, Popular Culture and Traditions
    What are the aspects of Japanese architecture?
    What is Japanese art?
    Painting Ukiyo-e (woodblock prints)

    Sculpture
    ... What are some regional aspects (Okinawa, etc.) of Japanese culture 1. What are the aspects of Japanese architecture? For more information on Japanese architecture, see: http://web-japan.org/factsheet/arch/develop.html
    http://web-japan.org/museum/about_ar.html

    http://web-japan.org/museum/arch.html

    http://web-japan.org/atlas/architecture/archit_fr.html

    Hagurosan Shrine-Paragoda
    Himeji Castle 2. What is Japanese art? Traditional Japanese art is characterized by its use of seasonal motifs and symbols, such as the plum, cherry blossom, maple tree and chrysanthemum. Chinese and Buddhist influences are also prevalent in Japanese art. Since the mid-19th century, contemporary Japanese art has been partially defined by the use of Western techniques, although many works today still reflect a distinctly Japanese style. Most of traditional Japanese art falls into one of the following categories: painting (including ukiyo-e), sculpture, or ceramics. (1) Painting Traditional Japanese painting utilizes a variety of media, such as horizontal and hanging scrolls, fans, walls, and screens. Images of imperial courts, Buddhist institutions, and seasonal depictions of nature are popular themes. Two examples of distinctive styles of painting are suibokuga, or ink painting, in which artists use black ink to paint monochromatic images based on the Zen spirit, and Shoheiga, developed in the late 16th century, in which artists paint designs onto screens or walls. Traditionally, background of shoheiga was covered with gold-leaf or gold dust, but this practice has become less prevalent today.

    90. Metropolis - Tokyo Feature Stories: Stage Left
    Convinced by his kabuki training that indigenous japanese theater forms couldexpand to embrace the new and different while still maintaining their unique
    http://metropolis.japantoday.com/tokyofeaturestories/362/tokyofeaturestoriesinc.
    FEATURE
    Stage left
    Scenes from a recent production of Oriza Hirata's play, Balkan Zoo
    Kiely Ramos
    As the specter of Hollywood looms over Japan's film industry, innovative and intimate shogekijo ("little theaters") are carving a niche in the Tokyo art scene. Stuart Braun has the ticket.
    Scene 1: Friday night, a back lane in central Tokyo and from the shadows, people file into a small theater in the hope of relieving, or forgetting, another stressful week in the metropolis. Once inside, the pre-show build-up is tense. The audience - predominately young, well-dressed and thoughtful - is definitely not here to see a Broadway musical. Actors finally emerge amidst a spartan set, engaging in slow-paced movement and strains of barely audible monologue. But the hush around the 80-seat capacity theater is suddenly shaken by a booming drum 'n' bass rhythm. A bulk of the cast soon arrives on stage, throwing their bodies around the thinly lit room while abstract images splay out against the back wall.
    Kiely Ramos This is a long way from Shakespeare. Off-beat, dynamic and unpredictable, the acting is strong, the energy frenetic and it's all live, making a refreshing change from the detached experience of a night at the cinema. The small, irregularly-shaped and slightly run-down theater -

    91. Tsubouchi, Shoyo --  Britannica Student Encyclopedia
    notable line of actors in the kabuki theatre of Japan. 3 Student EncyclopediaBritannica articles, specially written for elementary and high school students
    http://www.britannica.com/ebi/article-9343987
    Home Browse Newsletters Store ... Subscribe Already a member? Log in This Article's Table of Contents Shoyo Tsubouchi Print this Table of Contents Shopping Price: USD $1495 Revised, updated, and still unrivaled. The Official Scrabble Players Dictionary (Hardcover) Price: USD $15.95 The Scrabble player's bible on sale! Save 30%. Merriam-Webster's Collegiate Dictionary Price: USD $19.95 Save big on America's best-selling dictionary. Discounted 38%! More Britannica products Tsubouchi, Shoyo
    Student Encyclopedia Article Page 1 of 1
    Shoyo Tsubouchi
    Shosetsu shinzui
    Tsubouchi, Shoyo... (75 of 299 words) var mm = [["Jan.","January"],["Feb.","February"],["Mar.","March"],["Apr.","April"],["May","May"],["June","June"],["July","July"],["Aug.","August"],["Sept.","September"],["Oct.","October"],["Nov.","November"],["Dec.","December"]]; To cite this page: MLA style: "Tsubouchi, Shoyo." Britannica Student Encyclopedia http://www.britannica.com/ebi/article-9343987

    92. Drama Screams - Japan - Times Online
    A kabuki play is a window on to a past as distant from Japan as from the rest of the Contemporary theatre is “fusion theatre”. The kabukiinfluenced
    http://travel.timesonline.co.uk/article/0,,13569-1077213,00.html
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    April 24, 2004
    Culture
    Drama screams
    Japanese theatre traditions are among the oldest in the world. The masked noh plays stretch back 600 years; the populist kabuki and its puppet fellow, bunraku, are younger by a couple of centuries. NI_MPU('middle'); Extraordinarily, not only have the texts survived, but also the highly stylised gestures, elaborate costumes and, in kabuki, vivid make-up. These have been handed down, with few alterations, from father to son across generations, sometimes in an unbroken line for hundreds of years. Women, having created the song-and-dance kabuki A kabuki Young Japan, internet-connected and international, needs a faster, brasher theatre to suit its neon lifestyle. Kazuyoshi Kushida, one of the younger directors forging new forms to reflect present realities, blended circus, naturalism and kabuki in his latest show, Kuso Mannen Circus.

    93. East Asian Library, University Of Kansas
    A History of japanese theater II bunraku and kabuki; Author Toshio, Kawatake.Publisher Tokyo Kokusai Bunka Shinkokai Publication Date 1971.
    http://www.lib.ku.edu/eastasia/jperforming_ku.shtml

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    Japanese Performing Arts: Bibliography
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    • Japanese performing arts: an annotated bibliography

    • Main Author: Matsui, Masato... [et al.].
      Publisher: Honolulu, Hawaii : Center for Asian and Pacific Studies, Council for Japanese Studies, University of Hawaii.
      Publication year: 1981. Subject(s): Performing artsJapanBiography. Format: Book Summary: This book lists and describes the holdings in Japanese performing arts of the Thomas Hale Hamilton Library, University of Hawaii at Manoa. The holdings, some of the finest in the country, consist of a wide variety of materials, including drama texts, stage scripts and musical scores, on every form of Japan's performing arts. Location: Watson Library Call Number: Z3308 .L5 J36 1981

    94. Mystery Science Theater #819: No Theater
    Tonight we present a traditional japanese kabuki play. Yes, but just rememberI like Noh theater better than I like kabuki theater.
    http://www.sacred-texts.com/shi/npj/mstknoh.htm
    Sacred-texts Japan
    NOH THEATER
    Mystery Science Theater 3000, sketch during Invasion of the Neptune Men (MSTK #819). MIKE NELSON CROW T. ROBOT, A 'BOT TOM SERVO, A 'BOT GYPSY, A 'BOT Location: Bridge of the Satellite of Love. CROW Hello and.... BOTS Konnichi wa! SERVO Tonight we present a traditional Japanese Kabuki play. Translated to English, this ancient work is entitled Neil Simon's The Sunshine Boys Now, how many of you are familiar with Japanese theater? (NELSON looks around. He's the only one in an audience of folding chairs Anybody field this one... Anyone at all...(NELSON tentatively raises his hand ) Ah yes, you sir; and you enjoy Kabuki theater? NELSON Uh, actually I prefer Noh theater. CROW Well, then, why did you raise your hand? NELSON Because I like Noh theater. Noh plays are my favorite. SERVO So you don't like any theater at all? NELSON No, let me explain. Noh theater is classic Japanese drama. Noh plays have been produced since the 13th century, and Noh actors are revered even today. CROW Why are you dissing Japanese theater? What's your deal, man? NELSON No, wait a minute! Noh theater started in Japan...

    95. Hyper Tokyo: A Look At The Closing Gap On Japanese Culture
    The older of generations needed to go out to a theater and see kabuki or No Movies came and replaced kabuki and other forms of traditional japanese
    http://www.asij.ac.jp/middle/ac/ss/8ah/hypertokyo/1999/p3c/alec-1a.html
    A Look at the Closing Gap of Japanese Culture Question and Answers of Entertainment How have the Japanese been affected by TV and how Western is Japanese TV? There are few Western TV shows on Japanese TV. If you have cable TV, you will get some Western material, such as CNN, MTV, and a movie channel, as well as several "oldie" American channels. While not wildly popular right now, American influence on TV is increasing at a slow pace. If you walk around the streets, you find many TV's some on intersections in Roppongi or Shibuya, some in small stores. The content on most of them seems to be fairly Western, and always modern. Popular street channels are ones like MTV or ESPN. In conclusion, TV is playing a large role in the lives of Japanese peoples lives, just like in America, and Western influence is increasing slowly, but I predict that it will become dominant in a few years or a decade.
    What entertainment do Japanese youth prefer to their elders?

    96. The Kabuki Theatre Of Japan:Scott, A. C.:0486406458:eCampus.com
    Buy The kabuki theatre of Japan by Scott, AC for $7.67 at eCampus.comISBN0486406458.Save 50 90% on new and used books.
    http://www.ecampus.com/category.asp?cat1=Performing Arts&cat2=Japan

    97. Introduction To Japan's Traditional Performing Arts
    After around 1652, therefore, kabuki developed as a theatrical art Seventh-century japanese enthusiastically studied the music of continental Asia.
    http://www.kanzaki.com/jinfo/jart-perform.html
    Help Status info Japan Music
    Traditional Performing Arts in Japan
    This page is based on Japan: A Pocket Guide, 1996 Edition (Foreign Press Center) Performing art Fine art Literature
    Classical Theater
    Noh
    Noh drama was perfected in the fourteenth and fifteenth centuries by Kan'ami and his son Zeami, who refined the rustic mimetic art known as sarugaku. Noh received a great impetus under the patronage of Shogun Ashikaga Yoshimitsu (shogun from 1368 to 1394). In the Edo period ( 1603-1868) the Tokugawa shogunate authorized five schools of noh for the entertainment of the samurai class. Noh is a highly stylized form of dance drama in which the main actor, who is usually masked, dances to the accompaniment of chanting and instrumental music. NOH MASK HOME PAGE is a collection of about 20 historical character masks
    Kyogen
    Kyogen, short comic plays developed at about the same time as noh and generally performed in conjunction with it, are characterized by realism and down-to-earth humor, in sharp contrast to the lofty and minimalist tone of noh. Senbon-enmado temple nenbutsu kyogen
    Kabuki
    Kabuki dates back to the early seventeenth century when Okuni, a maiden consecrated to lzumo Shrine in Shimane Prefecture, created and performed original dances and led a troupe of her own. But the government banned first women and then young boys from perform-ing kabuki. After around 1652, therefore, kabuki devel-oped as a theatrical art performed by adult males alone, giving rise to the institution of oyama or onnagata male actors who specialize in female roles.

    98. Books On Japan
    Half a Century of japanese Theater (1990s Part 1) / Japan Playwrights Association,ed. kabuki Program for July, 1991 / Japan Times, ed.
    http://www.smith.edu/fcceas/japan/jmusic-pa.html
    FIVE COLLEGE CENTER FOR EAST ASIAN STUDIES Japan Books: Music and the Performing Arts
    Back to Japan Menu

    Bunraku / National Bunraku Theatre Choshingura (The Treasury of Loyal Retainers) / Keene, Donald Contemporary Japanese Film / Schilling, Mark Corpse with Atmosphere / Betsuyaku, Minoru Five Modern No Plays / Mishima, Yukio The Golden Country: A Play about Martyrs in Japan / Endo, Shusaku Half a Century of Japanese Theater (1990s Part 1) / Japan Playwrights Association, ed. Japanese Folk-Plays / Sakanishi, Shio, tr. Japanese Theatre / Bowers, Faubion Jazz Journeys to Japan: The Heart Within / Minor, William Kabuki / Gunji, Masakatsu Kabuki / Toita, Yasuji and Chiaki Yoshida The Kabuki Handbook / Halford, Aubrey S. and Giovanna M. Halford Kabuki Program for July, 1991 / Japan Times, ed. Kyogen / Yoshikoshi, Tatsuo The Kyogen Book: An Anthology of Japanese Classical Comedies / Kenny, Don

    99. Biblio: Kabuki: The Resplendent Japanese Theater By Yoshida, Chiaka: Details
    kabuki The Resplendent japanese Theater by Yoshida, Chiaka Book Item Details.
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    Format : Hardcover Japan Times, Tokyo, 1977;. Near Fine, cloth, dj closed tear at top of spine, 143 pp, 8.5x12 ins. Add to cart Shipping rates
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    100. Facts JPN-kabuki
    kabuki is one of Japan s traditional theatrical arts. Until kabuki, the peopleof Japan had never seen theater of such color, glamour, excitement and
    http://asnic.utexas.edu/asnic/countries/japan/kabuki.html
    KABUKI: Traditional Theatrical Arts I. Background Kabuki is one of Japan's traditional theatrical arts. Its inception goes back to the latter part of the 16th century and, with extensive and continuous evolution, it has now been perfected into a state of classical refinement. Though not as flourishing as it once was, the kabuki theater retains a wide popularity among the people, and is in fact drawing quite large audiences even now. During the period generally referred to as the Edo Era, during which much of the development of kabuki took place, distinction between the warrior class and the commoners was more rigidly observed than at any other time in Japan's history. The art of kabuki was cultivated mainly by the merchants in those days. They had be come increasingly powerful economically, but had to remain socially inferior as they belonged to the commoner class. To them kabuki was perhaps most significant as the artistic means by which to express their emotions under such conditions. Thus, the fundamental themes of kabuki plays are conflicts between humanity and the feudalistic system. It is largely due to this humanistic quality of the art that it gained such an enduring popularity among the general public of those days and remains this way today. A unique feature of the kabuki art, and perhaps the most significant and in keeping with the kabuki spirit of unusualness, is the fact that it has no actresses whatsoever. All female parts are played by male impersonators known as

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