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         Japanese Theatre & Kabuki:     more detail
  1. Staging Japanese Theatre: Noh & Kabuki by John D. Mitchell, 1994-12
  2. KABUKI,the Resplendet Japanese Theatre
  3. Noh & Kabuki: Staging Japanese Theatre by John D. And Miyoko Watanabe Mitchell, 1994
  4. The Kabuki theatre of Japan by A. C Scott, 1966
  5. A Kabuki Reader: History and Performance (Japan in the Modern World)
  6. Kabuki Today by Donald Keene, Iwao Kamimura, 2001-09
  7. The Stars Who Created Kabuki: Their Lives, Loves and Legacy by Laurence R. Kominz, 1997-10
  8. Tranvestism And the Onnagata Traditions in Shakespeare And Kabuki
  9. Tamasaburo Bando
  10. JAPANESE NOH PLAYS How To See Them , Tourist Library 2 Explanation of a Very Ancient Form of Japanese Theater. Most People Today are Familiar with the Kabuki Theater But Quite Unfamiliar with the Ancient Noh.Includes Noh Theatre, Masks & Costumes ETC by Prof. Toyoichiro, Color Frontispiece and Two Color Plates. Numerous black/white Illustrations Throughout., Sticker Back Blank Endpaper Nogami, 1935

1. Japanese Theater
About various Japanese theater styles.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

2. Kabuki
Staging Japanese Theatre Noh Kabuki Book by John D. Mitchell and Miyoko Watanabe The Sounds Of Kabuki Traditional Music
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

3. ENGLISH NOH1
Noh is a classical Japanese performance form which combines elements of dance, drama, music and poetry into one highly aesthetic stage art.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

4. NOH MASKS Home Page
More than 80 Japanese traditional Noh Masks are available for purchase in very special price from Kyoto Japan!
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

5. Noh Plays
Noh Plays (Japanese texts and English Translations) Aoi no Uye. Aya no Tsuzumi. Hagoromo. Izutsu. Kagekiyo. Kumasaka. Matsukaze. Nonomiya.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

6. Kabuki Links
Currently this list is quite small and for good reason there just aren't many pages dealing with traditional Japanese theater.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

7. Kabuki A Brief History
The last quarter of the 17th century is referred to as the Genroku period and was a time of renaissance in the culture of Japanese townspeople.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

8. Theatre Museum Of Waseda University
Copyright 2002 The Tsubouchi Memorial Theatre Museum, all rights reserved. ENGLISH
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

9. Japanese Theatre Index
Index of documents relating to Japanese theatre.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

10. Guardian Unlimited Arts Features The Beggar's Theatre
The Japanese theatre is especially remote, its three great forms the puppet theatre (bunraku), the tragic drama (noh), and the melodrama
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

11. Absolute Japan
Handmade and tailored japanese kimekomi dolls representing characters from the kabuki Noh theatre samurai history geishas.
http://www.absolutejapan.com
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12. JapanCorner - The Benihana Guide To Japan
kabuki is a form of traditional japanese theatre which was developed and enjoyedby the middle and lower classes. The earliest evidence of kabuki dates back
http://www.japancorner.com/performing-arts.asp
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The most traditional forms of Japanese performing arts including kabuki noh (theater), bunraku and dance are still being performed in Japan in much the same way as they have been for hundreds of years.. Kabuki Kabuki is a form of traditional Japanese theatre which was developed and enjoyed by the middle and lower classes. The earliest evidence of kabuki dates back to 1603 when O-Kuni, a female servant at the Izumo Taisha Shrine in Kyoto arranged for a troupe of performers to put on a show in order to raise money for the repair of the shrine. Early kabuki featured both male and female performers who were often times geisha . During the Tokugawa period some of these performances became so immodest that female performers were banned from the stage and male actors took on the female roles (onna-gata). With the emergence of a strong merchant class in the Edo period, popular culture thrived and kabuki became more sophisticated and stylized. The

13. Development Of Research And Study Methodologies In Theatre | Traditional Japanes
Traditional japanese theatre Studies (kabuki and japanese Dance) japanese theatrearts, namely, Noh and Kyogen, NingyoJyoruri, kabuki and japanese
http://www.waseda.jp/prj-21coe-enpaku/en/course/course08_01.html
Home Introduction to Courses Introduction to Courses The Studies of Theater Archives ... Traditional Japanese Theatre Studies (Ningyo-Jyoruri and Bunraku) Traditional Japanese Theatre Studies (Kabuki and Japanese Dance) The Studies of Cultural Environment for Theatre
Course Overview This programme aims to establish groundbreaking academic disciplines in the study of traditional Japanese theatre arts, namely, Noh and Kyogen, Ningyo-Jyoruri, Kabuki and Japanese dancing (Nihon-buyo), combining studies on form, style and technique practiced for (actual) performance with those on the literary analysis of texts.
In this programme, we aim to undertake such research activities as the revival of historically famous masterpieces, the restoration of performance techniques that are no longer practiced, and the stage production of rarely performed works, in collaboration with artists possessing their own traditional expertise. To achieve this, analytical studies of texts and their variants will be conducted to create a coherent foundation for future research activities; performance media and techniques will also be analysed based on available film and sound source materials.
This research programme consists of the following nine projects:
Home
Introduction to Courses Introduction to Institute for Theatre Research
Special Research Students
... Download Application Forms Institute for Theatre Research Office

14. Development Of Research And Study Methodologies In Theatre | Annual Activity Rep
Traditional japanese theatre Studies (NingyoJyoruri and Bunraku). Traditionaljapanese theatre Studies (kabuki and japanese Dance)
http://www.waseda.jp/prj-21coe-enpaku/en/activity/2004/report_co08.html
Home Annual Activity Report Research Activities Introduction to Courses The Studies of Theater Archives The Studies of Film Archives Theoretical Studies of Theatre (Western/Comparative Theatre Studies) ... Traditional Japanese Theatre Studies (Ningyo-Jyoruri and Bunraku) Traditional Japanese Theatre Studies (Kabuki and Japanese Dance) The Studies of Cultural Environment for Theatre
Annual Activity Report
Home
Introduction to Courses Introduction to Institute for Theatre Research
Special Research Students
... Download Application Forms Institute for Theatre Research Office,
The Tsubouchi Memorial Theatre Museum, Waseda University
1-6-1 Nishi-waseda,Shinjuku-ku,Tokyo 169-8050
TEL.03-5286-1829

15. Kabuki Theater Books And Articles - Research Kabuki Theater At
THE kabuki theatre OF JAPAN An oiran of Yedo played by a kabuki actor THE japanese theatre was dominated by the kabuki playwright Tsuruya Nanboku IV,
http://www.questia.com/library/music-and-performing-arts/theater/kabuki-theater.

16. JAPANESE THEATRE IN THE 21ST CENTURY
Websites on kabuki actors japanese only. Each with a monthly message from theactor, kabukiza The National theatre of Japan for National theatre,
http://www.asianstudies.ed.ac.uk/pages/staff/Parker_Homepage/JapaneseTheatre.htm
Japanese Theatre in the 21st Century
A Japan 2001 project
Welcome to the Japanese Theatre in the 21st Century website.
About this Project
Japanese Theatre in the 21st Century began with an international symposium held at the University of Edinburgh and Royal Museum of Scotland from 2nd to 6th July, 2001 . This event brought together performers, scholars, and members of the local community concerned with Japanese theatre, with the following aims: to build on existing links between academics and performers in Japanese theatre to foster an international network in the field to disseminate knowledge about Japanese culture in the broader community Its programme combined workshops and performances by actors, dancers and musicians involved in or influenced by Japanese theatre with academic lectures and presentations by scholars from an international field. Presentations and performances focussed on traditional and modern genres and contemporary approaches to understanding them intellectually, expressing them on stage and appreciating them from the audience viewpoint. Following on from the symposium, and to further its original aims, this website is being maintained as a point of contact and source of information on Japanese theatre.

17. International Symposium Japanese Theatre In The 21st Century The
japanese theatre on the international scene its influence and effects (I) Samuel L LEITER, Brooklyn College, CUNY, kabuki Translation in the 21st
http://www.asianstudies.ed.ac.uk/pages/staff/Parker_Homepage/JTCsched.html
International Symposium: Japanese Theatre in the 21st Century
The University of Edinburgh and Royal Museum of Scotland, 2-6 July, 2001
Programme

Monday 2 July
11am. Opening ceremony (The University of Edinburgh: David Hume Tower: Faculty Room South)
2-3.30pm. Workshops
Contemporary Japanese Dance (SHAKTI and AKI) (Dance Studio, St Stephen's St.)
Chindon-ya :Traditional street theatre (U-Stage; Interpreter: Hiroko TOMIDA, University of Edinburgh) (University: The Auditorium, Chaplaincy Centre, Potter Row)
2-5pm. Presentations (University: DHT Faculty Room South)
Japanese theatre on the international scene: its influence and effects (I)
Panel 1: Alternative Bodies? Considering Contemporary Japanese Theatre and Performance in an Age of Globalisation
Discussant: UCHINO Tadashi, University of Tokyo Peter ECKERSALL, University of Melbourne, Becoming Con-fused: Interculturalism and Hybridity in Daisan Erotica's Hamletclone and Gekidan Kaitaisha/NYID's Journey to Con-fusion Project MORIYAMA Naoto, University of Tokyo, The Phantom of the Suburbia: Daisan Erotica's Hamletclone Katherine MEZUR, University of California at Santa Barbara

18. BIBLIOGRAPHY
japanese. kabuki Haiyû Meiseki Benran Collective work National Theater 1968 (I) 1998 The kabuki theatre of Japan AC Scott Allen Unwin 1955 English
http://www.kabuki21.com/sources.php
BIBLIOGRAPHY Latest update
  • Kabuki Jinmei Jiten
    Nojima Jusaburô
    Nichigai 1988
    Japanese New Kabuki Encyclopedia
    Samuel Leiter
    Greenwood Press 1997
    English Kabuki Jôruri Gedai Yomikata Jiten
    Nojima Jusaburô
    Nichigai Associates 1990
    Japanese Kabuki Jiten
    Hattori Yukio, Tomita Tetsunosuke, Hirosue Tamotsu Heibonsha 1983 (I) 2000 Japanese Kabuki Nenpyô Ihara Seiseien, Kawatake Shigetoshi, Yoshida Eiji Iwanami Shoten 1956 (I) 1973 (II) Japanese Kabuki Haiyû Meiseki Benran Collective work National Theater 1968 (I) 1998 (III) Japanese
  • KABUKI
  • Kabuki Masakatsu Gunji Kôdansha 1985 (I), 1988 (II) English Le Kabuki devant la modernité Jean-Jacques Tschudin L'âge d'homme 1995 French Kabuki: Baroque Fusion of the Arts Kawatake Toshio International House of Japan 2003 (I) English Kabuki Kanshô Gaidô Collective work Shôgakukan 1996 (I) 1998 (VIII) Japanese Kabuki Nyûmon Fukuchi Yoshihiko Fujingahôsha 1995 (I) 1998 (III) Japanese Kabuki: a pocket guide Ronald Cavaye Tuttle 1993 English Kabuki, the Popular Stage of Japan Zoë Kincaid Macmillan 1925 English The Kabuki Theatre Earle Ernst Oxford University Press 1956 English Kabuki ni miru Nihonshi Satô Kosuke Shôgakukan 1999 Japanese The Kabuki Theatre of Japan A. C. Scott
  • 19. Kabuki Theatre
    japanese kabuki Theater. kabuki performers are very famous in Japan and thistheatrical art is usually passed from one family generation to the next,
    http://www.asianartmall.com/kabukiarticle.htm
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    A wonderful combination of ancient traditions and cutting-edge modern life, Japan has it all. It is one of the world’s most fascinating places to visit as many wonders and revelation await you. You can try your hand at Origami, the popular art of paper folding, or take a walk down the serene paths of a temple or you may step into a theatre and take in a performance - the Kabuki Theatre is a must see in Japan as it is the most famous of the traditional Japanese theatres and depicts one of the various aspects of performing arts. Kabuki originated in the Edo period and was more popular with the lower social class as compared to the higher social classes. The word 'Kabuki' is composed of three Japanese characters: 'ka' meaning 'songs', 'bu' meaning 'dance' and 'ki' meaning 'skill'. Its more likely a Japanese version of Shakespeare’s plays being performed in an Opera. But Kabuki is more entertaining, energetic and awesome in the use of color, makeup, movements and often other spectacular effects. The passion for Kabuki Theatre began with first performance by the shrine dancer Okuni at Kyoto in 1603. This performance was a unique blend of folk dance and religious dance and soon became popular with the lower classes. In the early phase of the 17

    20. Japanese Theatre Music
    The two main forms of japanese theatre are kabuki and no. kabuki is traditionaltheatre that originated among the common people in the Edo period
    http://home.planet.nl/~d.v.ooijen/sashimisen/theatremusic.html
    Japanese Theatre Music kamishimo , a type of ceremonial clothing. Off stage is a second, invisible orchestra, consisting of mainly percussion instruments, playing so called geza music. The first kabuki music to develop was nagauta Print by Utagawa Kunisada (1786-1865) depicting a scene in kabuki. Collectively, the instruments are known as David van Ooijen
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