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         Irish Mythology:     more books (100)
  1. The Irish Wedding Book by Kim McGuire, 1997-12
  2. Irish Records: Sources for Family and Local History, Revised Edition by James G. Ryan, 1997-08-01
  3. Land of Milk and Honey: The Story of Traditional Irish Food and Drink by Brid Mahon, 1998-09-01
  4. A Short History of Irish Literature by Seamus Deane, 1994-07
  5. Fionn Mac Cumhail: Celtic Myth in English Literature (Irish Studies (Syracuse, N.Y.).) by James MacKillop, 1986-01
  6. Folktales of the Irish Countryside by Kevin Danaher, 1992-03-24
  7. Irish-American Funny Quotes
  8. Irish Tales and Sagas by Ulick O'Connor, 1996-10
  9. Irish Folk Ways by E. Estyn Evans, 2000-12-08
  10. Writings on Irish Folklore, Legend, and Myth (Penguin Twentieth-Century Classics) by William Butler Yeats, 2002-02-26
  11. Irish Scalawags and Scoundrels
  12. The Enchanted Lake: Classic Irish Fairy Stories by Sinead De Valera, 2005-11-30
  13. The Fairy Mythology by Thomas Keightley, 2008-02-17
  14. Irish Fairytales (Green and Golden Tales) by Michael Scott, 1989-11

101. Internet Book Of Shadows: Irish Myth Concordance (Mike Nichols)
Internet Book of Shadows, at sacredtexts.com. Collection copyright © 2003,Internet Sacred Text Archive.
http://www.sacred-texts.com/bos/bos106.htm

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102. Irish, Myths & Legends Home Page
Decline of Vikings The Norman Conquest The Gaelic Revival Battle of theBoyne The Famine Literary Giants MAP.
http://library.thinkquest.org/C005417/home.htm

103. DeDanaan » The Cycles Of Irish Myth
The Cycles of irish Myth. Mythological Cycle. The Mythological Cycle tells ofthe beginnings of the irish people and their culture.
http://www.dedanaan.com/the-cycles-of-irish-myth/2/
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DeDanaan
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18 May 2005
The Cycles of Irish Myth
Mythological Cycle The Metrical Dindshenchas is the great onomastic work of early Ireland, giving the naming legends of significant places in a sequence of poems. It includes a lot of important information on Mythological Cycle figures and stories, including the Battle of Tailltiu, in which the Tuatha D© Danaan were defeated by the Milesians. Some of the Dindshenchas can be found here It is important to note that by the middle ages the Tuatha D© Danaan were not widely viewed so much as gods as the shape-shifting magician population of an earlier Golden Age Ireland. Texts such as Lebor Gab¡la ‰renn and Cath Maige Tuireadh present them as kings and heroes of the distant past, complete with death-tales. However, there is considerable evidence, both in the texts and from the wider Celtic world, that they were once considered deities, gods and not-gods. Pages:
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104. Irish Myth Trivia, Quizzes, Quiz Questions, Fun Facts, Information
irish Myth Trivia, Quizzes, Quiz Questions, Fun Facts, Information.
http://www.funtrivia.com/quizzes/humanities/mythology__legends/irish_myth.html
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Create: Create a Irish Myth Quiz Read Me First
Quizzes Title Difficulty Played Online Author Irish Druids and Legends
This is a difficult quiz on Irish legend for those who truly love it and for anyone who knows much about Ireland. Tough May 29 00 socratessoul Irish Myth: Ulster Cycle
A quiz on the second-oldest cycle of Irish legend, the Ulster Cycle (meaning you can expect many questions to be about one particular hero ...). Enjoy - and let me know what you think. Very Hard Jan 18 02 xaosdog Irish Myth: Book of Invasions
A quiz on the oldest cycle of Irish legend, the Mythological Cycle or Book of Invasions. Enjoy. And let me know what you think. Difficult Dec 26 01 xaosdog Irish Myth: Historical Cycle
The fourth and final cycle of Irish legend (aka Cycle of the Kings). NB: this Cycle is obscure, so to do well requires more than general knowledge. However, the quiz is designed to be instructive, so should be worth taking in a spirit of inquiry. Very Hard Feb 28 02 xaosdog Irish Myth: Fenian Cycle
A quiz on the third cycle of Irish legend, the Fenian Cycle (also known as the Ossianic Cycle). Enjoy - and let me know what you think.

105. Irish Myth Dictionary: An Irish Myth Concordance
An irish Myth Concordance The following concordance is based on Gods and FightingMen by Lady Augusta Gregory, first published in 1904.
http://www.experiencefestival.com/a/Irish_Myth_Dictionary/id/51366
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Irish Myth Dictionary
Irish Myth Dictionary: An Irish Myth Concordance
An Irish Myth Concordance The following concordance is based on 'Gods and Fighting Men' by Lady Augusta Gregory, first published in 1904. Page number references are to the 1976 trade paperback edition published by the MacMillan Company of Canada Limited. Breif supplimentary material is taken from 'Dictionary of Irish Myth and Legend' by Ronan Coghlan, published in 1979 by Donard Publishing Comapany, and referenced as 'DIM' in the following text. Spiritual Spirituality Spiritual Practices Spiritual Traditions ... Ancient Irish Culture
Irish Myth Dictionary: An Irish Myth Concordance
By Mike Nichols
An Irish Myth Concordance 'Myth is what we call other people's religion Joseph Campbell The following concordance is based on 'Gods and Fighting Men' by Lady Augusta Gregory, first published in 1904. Page number references are to the 1976 trade paperback edition published by the MacMillan Company of Canada Limited. Breif supplimentary material is taken from 'Dictionary of Irish

106. Celtic Cycles
In irish myths, the fictional history of Ireland can be divided into three The earlier irish did not divided their myths and literature into cycles.
http://www.timelessmyths.com/celtic/cycles.html
In Irish myths, the fictional history of Ireland can be divided into three periods. The Mythological Cycle or the Book of Invasions The other two cycles were supposed to be set at a later time. The Ulaid Cycle Fenian Cycle (or the Ossianic Cycle), supposed to have set in a more peaceful time of the reign of Cormac the Airt, particularly the warriors of Fianna and its greatest hero, Finn Mac Cumhaill. Some scholars say that there was a fourth cycle, called Cycle of Kings (or Book of Kings). This was supposed to be the history of early reign of the Milesian kings. The earlier Irish did not divided their myths and literature into cycles. These cycles were intrepretations and usages of modern scholars. The uses of cycles in Irish literature were just a convenient mean of dividing into periods for the Irish myths. All the romances and sagas of the three (or four) cycles were added into each of main manuscript, without any logical orders. The main sources for the Irish cycles can be found in three books: the Book of the Dun Cow (1100), the

107. Powell's Books - Early Irish Myths And Sagas (Penguin Classics) By Jeffrey Gantz
irish tales, first written down in the 8th century, deal with the birth, childhood,courtship, premonitions and death of gods, goddesses and mortals
http://www.powells.com/biblio?isbn=0140443975

108. Oxford University Press: Irish Myths & Legends: Ita Daly
irish Myths Legends. Retold by Ita Daly Illustrated by Bea Willey Ita Daly,the popular irish novelist, collects myths and legends from his native
http://www.oup.com/us/catalog/general/subject/?view=usa&ci=0192745344

109. Irish Culture, Myths And Legends In Ireland - Nightcourses.com
Sure isn t is grand to be irish. But sometimes, nationality alone just isn tenough you have to put a bit of an effort in. Pat Kenny and a one-and-one
http://www.nightcourses.com/articles/little_green_men.html
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ARTICLES: Beyond Shamrocks and Shenanigans
We all vaguely remember Irish folklore, myths and legends from fourth-class history, but over the years they may have gotten irrevocably mixed up with stories of Padraig Pearse and his band of merry men. So if you have a vague recollection of Eamonn De Valera turning children into swans and Cuchulainn occupying the GPO, then maybe its time to consider a refresher course... A course in Irish mythology will delve more deeply into heroic society and the spiritual and legal codes of the time. But you will also get the gossip - find out about who cheated on who, where they got their money, who was turned into some class of a hound. As well as this, your course should de-mystify the little people - they are not always as cheeky and hilarious as they are depicted in cheap Hollywood childrens' films.
The Charlie Haughey of the little people is the leprechaun. Leprechauns are about two-feet tall and by nature solitary creatures. They pass their time making shoes and possess a hidden pot of gold. The leprechaun must give up his treasure if caught, but his captor must keep a close watch on him. If the captor's eyes leave the leprechaun, he vanishes and all hope of finding the treasure is gone. (A tribunal may take place to try and discover its whereabouts, but it will inevitably come to nothing.)

110. RealMagick Article: Irish Myth Cycles By Lady Phoxxe
The myths and legends of a people are central to it s religion. It is from thesestories that we derive our attitudes towards people and nature,
http://realmagick.com/articles/58/58.html
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Irish Myth Cycles [credits]
by Lady Phoxxe
The myths and legends of a people are central to it's religion. It is from these stories that we derive our attitudes towards people and nature, and understand our deities. The famous and infamous deeds of a people's past, human and divine, provide a sense of continuity and oneness within a culture, and teach us that which we need to learn. Irish mythology contains five major myth cycles. Within each major cycle are more cycles, and each of the four ancient provinces of Ireland has some indigenous mythology. This opulent lore provides the main source for the goddesses, gods, and celebrations integral to the Wittan religion. The ordinary human invaders of Ireland also impacted the lives of the Irish people. The Celts, the Norse, the early Roman Church, and refugees from the Spanish Inquisition each contributed their beliefs and practices to the native religion. Most Irish myths were recorded between 500 and 800 c.e., though they were many centuries older. Surprisingly, many were recorded by Christian monks seeking to preserve Irish history. Others were written down by native pagans. Many of the stories have been by the patriarchy who recorded the them, and it is apparent in the style and content of the lore. Other legends survived through oral tradition and were not recorded until centuries later. In modern Ireland, the role of the minstrel is still a part of rural life. Many of the native myths and legends, like society itself, been changed by the dominant cultures who had much to gain by the alterations. Wherever a god is dominant over a goddess, or a hero has power independent of a heroine, it is generally indicative of a later tale or an alteration in the original story. Wittans saw a balance between the male female aspects, and the stories that do not reflect this are suspect.

111. Letter: Irish Myth, Illini Reality - The Daily Illini - Opinions
Letter irish myth, Illini reality, , The Daily Illini, a newspaper of Universityof Illinois.
http://www.dailyillini.com/news/2005/03/14/Opinions/Letter.Irish.Myth.Illini.Rea
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Letter: Irish myth, Illini reality
By The Daily Illini Published: Monday, March 14, 2005 In response to Jonathan Driscoll's question "Why don't they (anti-chief people) take trips across I-74 to Notre Dame to dispute their little fighting leprechaun mascot?" I would like to respond that Jonathan does not understand the entire debate surrounding the Chief. There is considerable difference between Chief Illiniwek and the "little fighting leprechaun mascot" that must be considered. Chief Illiniwek is not a typical mascot; instead, he is an attempt to represent Native Americans, particularly with a Native American war dance. However, the leprechaun comes from Irish mythology. When using a leprechaun, there is no attempt to stereotype or characterize the Irish. While it stems from Irish history, it does not attempt to portray the Irish because a leprechaun is simply a mythological fairy. Overall, I fail to see the comparison that Jonathan attempts to draw. The Chief is an attempt to represent Native Americans and most importantly offends many people. The leprechaun attempts to represent nothing more than a mythological role of a fairy. Obviously, when looking at such a controversial debate, it is important to understand what drives different sides. Hopefully, those who do not agree with this opinion can at the very least understand what drives the debate of the Chief.

112. CELT S-110 - Introduction To Irish Myth And Folklore - Professor
Webliography for Professor Elizabeth Gray s CELT S110 Introduction to IrishMyth and Folklore.
http://hcl.harvard.edu/research/guides/classes/2005summer/celts110home.html

113. West Mayo - Irish Myths And Legends - Grainne O'Malley Pirate Queen
Newport House is set in West Mayo, a land rich in irish Myths and Legends butperhaps one of the most famous is Grainne O Malley, legendary Pirate Queen who
http://www.newporthouse.ie/local-history.html
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Grainne O'Malley - Pirate Queen
The area around Newport has impressive scenery and a countryside which, for all its barrenness and sad history, has an exciting splendour. Here the light changes quickly and whole landscapes seem to move as mist rises from the mountain face or a sword-ray of sunshine slashes its way across the heather to rest on a greenish-golden hill. And always at the feet of dramatic cliffs is the sea - turbulent, calm or restive, carving its way inland through tortuous deep harbours. The mythology of the region is reflected in its bleak natural beauty and its pockets of soft prettiness. Its history and prehistory, from early days until quite recent times, are recalled by a wealth of man-made features. Traces of ringforts, souterrains, blessed wells, primitive inscribed crosses, from later times ruined abbeys and castles, and the Mass rocks of penal days may all be discovered in the countryside surrounding Newport. The outstanding figure of local history and legend is that of Granuaile, Grainne O'Malley, the "most famous feminine sea captain" who defied the English commanders in the struggle to subdue Connaught under Queen Elizabeth I. Around the shores of Clew Bay there still stand several castles associated with her name, notably Rockfleets and Kildonnet, the ruins of Castleaffy and the castle on Clare Island.

114. Celtic Myths
In the earliest irish myths he is clearly a deity. As such, he offers himself as the An irish myth, ‘The Harp of the Dagda’ is given below. Cover image
http://www.livingmyths.com/Celticmyth.htm
L I V I N G M Y T H S Celtic Myths
Prior to Roman or Christian influence the Celts preferred to pass on their sacred teachings and myths orally. After the coming of Christianity in the fifth century onwards, the monks recorded the myths, and it is thanks to them that so many survive today. One might expect Christian monks to have qualms about recording pagan tales, but this does not seem to have been the case. St Patrick, who brought Christianity to Ireland in 432, had his doubts about the old stories until he received a vision in which he was told to respect and record them.
Above: the Battersea shield, found in the Thames
Deities
Some of the myths have been Christianized, especially those recorded in Wales. However, a particular feature of Celtic myths may have prevented this from happening more often: namely, the way in which deities have been euhemerized (given human form), so that, unlike the Greek myths, they are not obviously of a religious nature.
The god Lugh
In the Mabinogion , the main source of British myths, Lugh has become the much more human Lleu Llaw Gyfes, nephew (and possibly son) of the magician Gwydion. He is skilled, and protected by charms, but he is not obviously a god: in fact at one point he appears to be mortal.

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