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21. Indigenous Fine Arts Vintage Arts,Regional Art,African Directory
African Sculpture Pre 1960 item 353257 (stock L152). indigenous Fine Arts941224-0440 $1400. An excellent ceremonial rattle from the Luba-hemba peoples.
http://www.indigenousfinearts.com/catalog/Vintage_Arts:Regional_Art:African10.ht
Home Catalogue Vintage Arts Regional Art : African
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Artifacts

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Guest Book
... African Pre 1940 item# 410920
(stock# Y15)
click for details

Indigenous Fine Arts

The uniquely shaped tray with image of the ever-observant 'Esu'. This deity is the guardian of the ritual process, performed by a diviner using an ivory tapper who invokes the presence of ancient Ifa priests. Beautiful, old patina and wear from use. 9.50"H x 12"L. From Nigeria, circa 1930.
Kuba Wooden Lidded Cosmetic Box

Catalogue
Vintage Arts Regional Art ... Artifacts Pre 1950 item# 410916 (stock# K55)
click for details
Indigenous Fine Arts Very fine, old container used for the storage of a cosmetic or for red camwood powder. With ancestral(?) face crowning top of lid, surrounded by knot designs. All enclosed by spiked, corner ends, reminiscent of thorns. Most unusual and with excellent, dark, shiny, aged patina overall. From D.R. Congo, circa 1940. 5.75"H x 4.75"diam. Rotse Wooden Bird Effigy Container Catalogue Vintage Arts Regional Art ... Artifacts Pre 1930 item# 410905 (stock# R3) click for details Indigenous Fine Arts The well-patinated, two part storage container in the form of a bird with proudly held head, and taut wings. The lid and vessel incised with a repeat, diamond motif. From Zambia, early 20th century. Approx.11"L.

22. Remnants Of Ritual - The David Gelbard Collection Of African Art And Culture
savannah of Central africa and initiation among the Dan and related peoples of There are ancestor images such as the hemba figure (fig 102) and the
http://www.remnantsofritual.com/dialog.html

Understanding Narrative
The Praise Song Cultural Borrowing Objects of Power ... In and Out of Context The second part of this introductory essay consists of conversations between the authors. Bourgeois and Rodolitz have team-taught a web-based course on this subject for more than five years utilizing a dialogue medium that lends itself to immediacy and informality. Essays in the usual sense speak TO the reader; dialogue, however, allows the reader to participate, if only in an imaginary sense. Additionally, in the medium of dialogue, the evolution of thought is more apparent than in an edited essay. Often, the journey to a conclusion is as important as the conclusion itself. The reader is encouraged to join in this ongoing exploration. AB: Why don't we begin by considering a group of related objects, not necessarily related by culture but by function?

23. African Art On The Internet
Baule, Bwa, Dogon, Fang, hemba, Ibibio, Kongo twostory architecture, Islam andindigenous African cultures, Shawabtis displays from 20 major peoples from West
http://www.artisandesigngroup.ws/museums/africa/africa.htm

24. WMI Catalouge
LubaKasai, Luluwa, Songye, Luba-Katanga, hemba This album music by the people forthe people, for their medicine are combined in the indigenous practice of
http://heartheworld.org/ShoppingCart/Catalogue.asp?Action=Sort&View=Sorted&Sort=

25. The Metropolitan Museum Of Art - The Met Store
Buli Master, an artist of possibly hemba ethnic origin inhabited by Tabwa and relatedpeoples, the White Large numbers of indigenous religious sculpture as well
http://www.metmuseumstore.com/toah/ht/10/sfc/ht10sfc.htm

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26. Black History
Similar to the Yaka tudansi mask is the hemba mask of the nearby Suku, Most peoples of subSaharan africa use pottery, many making it themselves.
http://search.eb.com/Blackhistory/article.do?nKeyValue=384738

27. Afribilia - African Art, Collectables, Ephemera And More
possibly from their neighbours the hemba people, who share Calabash bowl, Wodabepeople, Mali Carved from a South africa s most valuable indigenous timber tree
http://www.afribilia.com/cgi-bin/perlshop.pl?ACTION=thispage&thispage=archivecat

28. IIM - Advanced Search
Rural, Urban, indigenous peoples, Women, Theories and Critiques of Development Sri Lanka, SubSaharan africa, SUB-SAHARAN africa AND INDIAN OCEAN
http://www.iim.qc.ca/cgi-bin/formEN2.cgi
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29. IIM - Advanced Search
HEALTH AND MEDICAL CULTURES, Human Development, indigenous peoples, Industry Sri Lanka, SubSaharan africa, SUB-SAHARAN africa AND INDIAN OCEAN
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30. Vintage Arts, Regional Art, African, Sculpture On Trocadero
click for details, indigenous Fine Arts 941224-0440 $975. nice example of a gelede mask from the Yoruba peoples of Nigeria. Luba-hemba Female Calabash Figure.
http://trocadero.com/directory/Vintage_Arts:Regional_Art:African:Sculpture10.htm
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Heddle Pulley
Vintage Arts Regional Art African ... Sculpture Pre 1980: item #424732
click for details
Dailey Gallery

Nice Heddle Pulley. Probably Senufo. Bird form pulley in very good condition with good dark patina. Older piece. Very attractive. H 6"
Vintage 1950 African Mbole Hanging Man Wood Carving
Vintage Arts Regional Art African ... Sculpture Pre 1960: item #414650
po
click for details Daniel Bennett Shutt Antiques This is literally a carved wooden and natural pigment painted image of a man who was hung until dead. As I understand it, this type of image was used by the Mbole (Zaire) as a teaching tool for youngsters ie to show them graphically what can happen when you break the rules. It came to me from a collection in Maryland. It is in excellent vintage condition without any breaks or restoration. There is wear to the pigments that is to be expected. It measures 28" in height. Respectfully, Daniel Nupe Wooden Figurative Shrine Post Vintage Arts Regional Art African ... Sculpture Pre 1960: item #410972 click for details Indigenous Fine Arts The dramatic, abstracted form surmounted by a rarely seen, human, janiform face image. The Nupe have had strong Muslim influence from their neighbors, the Fulani. Muslim belief forbids figurative elements. Perhaps this post was protected from public view and consequently had powerful meaning to its owner. From the Niger River Region, Nigeria. Circa 1950's. Very fine, blackened, oily patina. 39"H

31. Ethnographic Art Books/De Verre Volken At Antiqbook.nl
ART FROM EAST africa 197489. 1812 AGHTE, JOHANNA. - LUBA hemba, WERKE UNBEKANNTER THE peoples OF THE GREAT NORTH. ART AND CIVILIZATION OF SIBERIA.
http://www.antiqbook.nl/boox/eab/index.shtml

32. APS - Vol. 7 - "Magic And Modernity": A Conversation With A Herbalist And Practi
K We say here follows a passage in hemba, see the Swahili text for my attempt to people indigenous to africa ; it can include Asians and Americans,
http://www2.fmg.uva.nl/lpca/aps/vol7/kahengatext.html
ISSN: 1570-0178
Volume 7 (8 July 2005)
"Magic and modernity": A conversation with a herbalist and practitioner of magic
Transcribed and translated by
Johannes Fabian
University of Amsterdam
address
Amsterdam School for Social Science Research (ASSR)
University of Amsterdam
Kloveniersburgwal 48
1012 CX Amsterdam
The Netherlands
Introduction
Swahili text and English translation
Introduction The document that follows was recorded in Lubumbashi on September 30, 1974 (at about the same time as the conversations with Tshibumba Kanda Matulu ). Because the text will be part of a book-project planned for 2005-6, it is deposited in Archives without a commentary.
Kahenga Mukonkwa Michel, a native speaker of Hemba but also fluent in Katanga Swahili and French, gave is profession as muganga ya miti . He had been consulted for problems of health and security and our exchange turned around the work he had performed. Kahenga also offered general remarks and explanations regarding herbal medicine and sorcery, identification of diseases and medicines, on his clients and patients, and on his life history.
For reasons that will be discussed in detail in the book the recording posed more problems of transcription and translation than other texts. The standards adopted for the presentation of this document are generally the same as those used elsewhere in Archives of Popular Swahili (see the remarks formulated in the

33. FREE TRANSLATORS, Online Dictionaries, FREE TRANSLATOR, Online Dictionary
enable odd school circzssian mercury peoples defining ordeal sexual frisiaqn balineseutility indigenous poll spaans bas9c nicky develop hemba viable permanent
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34. »»Reviews For Africa««
Embu, Ganda, Gisu, Gombe, hemba, Hutu, Iteso Fractals Modern Computing and IndigenousDesign. Published in Almanac of African peoples Nations. Published in
http://www.booksunderreview.com/Recreation/Trains_and_Railroads/Organizations/St
Africa Reviews
Related Subjects:
More Pages: Africa Page 1 Book reviews for "Africa" sorted by average review score: The African Cookbook Published in Paperback by Citadel Trade (February, 1993) Authors: Bea Sandler, Diane Dillon, and Leo Dillon Amazon base price:
List price:
that's off!
Used price:
Collectible price:
Buy one from zShops for: Average review score:
Absolutely brilliiant! Simple recipes that include chicken stews, fried cheese, coffee desserts, and entire buffet menus. As a teacher of African American Studies, I use this book to teach to my students. It's very helpful, resourceful, easy, and fun. a good book for a first foray into african cuisine this was the first book on african cooking that I owned (20 yrs ago as a college student),and believeit or not it still gets use in my house. The recipes are all adapted to the american palate-meaning the heat is toned down.Great recipes and info on how to serve the food. African Ethnics and Personal Names Published in Paperback by Ariko Publications (01 June, 2000) Authors: Jonathan Musere and Christopher Odhiambo Amazon base price:
Used price:
Buy one from zShops for: Average review score:
A Major Book on African Names, Groups, Culture, and Proverbs

35. African Art, Trade Beads, Masks, Carvings, Artifacts, Textiles
There is an indigenous repair to . . Ibibio, Anang, Ogoni $522.00. Mask Ibibio, Anang,Ogoni people. Janus Figures (Kabejas)hemba-Congo-old collection $478.00.
http://www.africadirect.com/ccproducts2.php?category=11&pagenum=8&start=210&affi

36. African Art On The Internet
africa Talks.org an online and faceto-face community of people interested indevelopment Islam and indigenous african cultures, Shawabtis and Nubia,
http://www-sul.stanford.edu/depts/ssrg/africa/art.html
Countries Topics Search the Africa Pages Suggest a Site ... Topics: African Art on the Internet See also: South African Art Photographs
Addis Art - Ethiopian Art and Artists Page
Contemporary Ethiopian art and artists - paintings, sculptures and digital art work by students and professionals from Addis Ababa, Ethiopia. University instructor, Getahun Assefa 's paintings , drawings, sculpture, digital art. Also work by his brother, Tesfaye Assefa. Based in Addis Ababa, Ethiopia. [KF] http://www.addisart.com/
Addis Art - Nouveau Art from Ethiopia
Artists include Shiferaw Girma and Lulseged Retta. Photographs of each artist's work, a biography, and video. Founded by Mesai Haileleul. [KF] http://www.addis-art.com/
Adire African Textiles - Duncan Clarke
History, background, and photographs of adire, adinkra, kente, bogolan, Yoruba aso-oke, akwete, ewe, kuba, and nupe textiles. The symbolism of images is often provided. One can purchase textiles as well. Clarke's Ph.D. dissertation (School of Oriental and African Studies) is on Yoruba men's weaving. Based in London. http://www.adire.clara.net
Afewerk Tekle
"Ethiopia’s leading artist." Biography, his paintings, sculptures, mosaics, murals, art in the artist's home. Afewerk created the stained-glass windows at the entrance of Africa Hall, headquarters of the United Nations Economic Commission for Africa. "In 1964, he became the first winner of the Haile Selassie I prize for Fine Arts." "In 2000, he was one of the few chosen World Laureates by the council of the ABI on the occasion of the 27th International Millennium Congress on the Arts and Communication in Washington DC." He painted Kwame Nkrumah's portrait and was awarded the American Golden Academy Award and the Cambridge Order of Excellence England. Prints of his work may be purchased online. http://www.afewerktekle.org

37. African Masks
African peoples often symbolize death by the colour white rather than Having conquered the indigenous peoples, the Lunda gradually assimilated with them
http://www.vub.ac.be/BIBLIO/nieuwenhuysen/african-art/african-art-collection-mas
Pictures / photos / images of some MASKS and headdresses
in the African tribal, antique, ritual, ethnographic, classical, "primitive" art collection
(of variable age, artistic quality, and degree of authenticity)
Many African societies see masks as mediators between the living world and the supernatural world of the dead, ancestors and other entities. Masks became and still become the attribute of a dressed up dancer who gave it life and word at the time of ceremonies.
In producing a mask, a sculptor's aim is to depict a person's psychological and moral characteristics, rather than provide a portrait.
The sculptor begins by cutting a piece of wood and leaving it to dry in the sun; if it cracks, it cannot be used for a mask. African sculptors see wood as a complex living material and believe each piece can add its own feature to their work. Having made certain the wood is suitable, the sculptor begins, using an azde to carve the main features, a chisel to work on details and a rough leaf to sand the piece.
He then paints the mask with pigments such as charcoal (to give a black colour), powders made from vegetable matter or trees (for ochre/earth tones) or mineral powders like clay (to give a white colour).

38. African Statues, Sculptures, Figures, Fetishes
Baule people/tribe from Ivory Coast in Westafrica The hemba are only oneof several people who live in southeastern Congo near Lake Tanganyika whose
http://www.vub.ac.be/BIBLIO/nieuwenhuysen/african-art/african-art-collection-sta
Pictures / photos / images of some STATUES, figures, fetishes, sculptures, puppets, dolls, door locks, carvings, statuary,
in the African tribal, ritual, antique, ethnographic, classical, "primitive" art collection
(of variable age, artistic quality, and degree of authenticity)
Clicking on a small photo brings you a bigger photo. Some of the pieces are available (for exchange for instance). The attributions of the origin of the objects is based on their stylistic characteristics and/or on the data provided by the seller and/or experts, but of course certainty cannot be reached.
1. Bamana / Bambara / (Baumana) / (Banbara) people/tribe from Mali, West-Africa
1.1. Female janiform figure in the style
of the Bamana / Bambara / (Baumana) or the neighbouring Marka/Warka and Bozo tribes/people Information about Mali and the art from that country can be found on the WWW: http://www.vmfa.state.va.us/mali_geo_hist.html Information about Bamana/Bambara ceremonies and art can be found for instance in the following sources:
  • Jacques Kerchache, Jean-Louis Paudrat, Lucien Stephan, L'art et les grandes civililitations: L'art africain. Paris : Editions Mazenod, 1988, 620 pp.

39. Ninemsn Encarta - Search View - African Art And Architecture
African Art and Architecture, the art and architecture of the peoples of the African It is now understood to be the capital of a large indigenous state
http://au.encarta.msn.com/text_761574805__1/African_Art_and_Architecture.html
Search View African Art and Architecture Article View To find a specific word, name, or topic in this article, select the option in your Web browser for finding within the page. In Internet Explorer, this option is under the Edit menu.
The search seeks the exact word or phrase that you type, so if you don’t find your choice, try searching for a keyword in your topic or recheck the spelling of a word or name. African Art and Architecture I. Introduction African Art and Architecture , the art and architecture of the peoples of the African continent, from prehistoric times to the 21st century. II. Origins and Sources Art in Africa has found expression in a range of media from architecture, sculpture, and pottery, to music, dance, textiles, body adornment, and epic poetry. Each of these has its own complex and in many cases unresearched local history of stylistic development. griots, or bards. The combination of these various sources, together with inferences drawn from late 19th- and 20th-century data, has allowed scholars to identify what appear to be some of the major building blocks of a history of art in each of the regions of sub-Saharan Africa, but it is clear that many questions remain to be answered. An African response to the earliest European presence in West Africa is apparent in the depiction of European merchants and soldiers in the cast brass plaques made in the 16th century in Benin, as well as the finely carved ivory salt cellars and hunting horns brought back by sailors from Kongo, Benin, and the coast of Sierra Leone. Increasing European involvement on the African continent over the following centuries has had a far-reaching impact that continues to be felt today. It would, however, be a denial of the creative agency of African artistic responses to changing circumstances to see this impact as wholly negative.

40. AllRefer.com - Zaire - Peoples Of The Southern Uplands: Kasai-Shaba | Zaire Info
All of these peoples appear to have shared a tradition of chieftainship, but itwas among Officially Recognized Languages Other indigenous Languages
http://reference.allrefer.com/country-guide-study/zaire/zaire65.html
You are here allRefer Reference Zaire
History
...
Zaire
Zaire
Peoples of the Southern Uplands: Kasai-Shaba
Zebra, common in the savanna regions of central and southern Zaire
Courtesy Zaire National Tourism Office A square-shaped thatched roof hut, typical of the Kasai-Oriental Region, provides shelter against the heavy rains. Extending across much of the southern savanna east of the middle reaches of the Kasai River are the Tshiluba- and Kilubaspeaking peoples. (Kiluba is the language of the Luba-Katanga as distinct from Tshiluba, the language spoken by the Luba-Kasai.) Vansina distinguishes three clusters: the Luba-Katangacomprising the Luba-Katanga proper, the Kaniok, the Kalundwe, and the Lomotwa; the Luba-Kasaicomprising the Luba-Kasai proper, the Lulua, the Luntu, the Binji, the Mputu, and the North Kete; and the Songye comprising the Songye proper and the Bangu-Bangu. losely related to the Luba-Katanga and living to their east are the Hemba, separately distinguished chiefly because, unlike the others, they are matrilineal. All of these peoples appear to have shared a tradition of chieftainship, but it was among the Luba-Katanga that more complex centralized states emerged as early as the fifteenth and sixteenth centuries. Elsewhere, the people and territory over which a chief ruled were much more restricted, and even among the Luba-Katanga local chiefs had a substantial degree of autonomy.

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