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         Harlem Renaissance Art:     more books (76)
  1. The Harlem Renaissance: An essay by Sam Cornish, 1981
  2. When Harlem Was in Vogue by DavidLevering Lewis, 1997-06-01
  3. Portraying African-Americans in the Black Renaissance - A Stronger Soul Within a Finer Frame (Art Exhibition Catalogue) by John S. Wright, University of Minnesota Staff, 1990
  4. Harlem Summer by Walter Dean Myers, 2007-03-01
  5. Harlem on My Mind: Cultural Capital of Black America, 1900-1968
  6. Dave at Night by Gail Carson Levine, 1999-09-30

101. Ralph Ellison's King Of The Bingo Game
American Storytellers program based on Ralph Ellison's story. Web site includes information about Ellison, the harlem renaissance, and the production, as well as a teacher's guide and related resources.
http://www.itvs.org/kingofthebingogame/

102. James Weldon Johnson
Etext at Jil Diesman's harlem renaissance page.
http://www.nku.edu/~diesmanj/johnson.html
James Weldon Johnson
O Black and Unknown Bards
Fifty Years, 1863-1913

The Creation
The Glory of the Day Was in Her Face ... Lift Every Voice and Sing
O Black and Unknown Bards O black and unknown bards of long ago,
How came your lips to touch the sacred fire?
How, in your darkness, did you come to know
The power and beauty of the minstrels' lyre?
Who first from midst his bonds lifted his eyes?
Who first from out the still watch, lone and long,
Feeling the ancient faith of prophets rise Within his dark-kept soul, burst into song? Heart of what slave poured out such melody As "Steal away to Jesus"? On its strains His spirit must have nightly floated free Though still about his hands he felt his chains. Who heard great "Jordan roll"? Whose starward eye Saw chariot "swing low"? And who was he That breathed that comforting, melodic sigh, "Nobody knows de trouble I see"? What merely living clod, what captive thing, Could up toward God through all its darkness grope, And find within its deadened heart to sing These songs of sorrow, love and faith, and hope?

103. African American World | PBS
Presents the broad range of the black experience in the United States, from the harlem renaissance to the ongoing debate over affirmative action.
http://www.pbs.org/wnet/aaworld/
"Am I not a man and a brother?"
Abolitionist motto

Mary Church Terrell,
educator, civil rights activist, and the first president of the National Assoc. of Colored Women was born in 1863. The first were bought in 1619. The last freed in 1865. In the intervening 250 years, slaves labored to make America what it is today. Visit Slavery and the Making of America online. Make an e-card or download a screensaver and wallpaper! Check it out! Get a sneak preview of related PBS and NPR programs. Subscribe here.

104. The Book Of American Negro Poetry - James Weldon Johnson
James Weldon Johnson's 1922 anthology of poems from the start of the harlem renaissance.
http://www.boondocksnet.com/editions/anp/index.html
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The Book of American Negro Poetry
Chosen and Edited with an Essay on The Negro's Creative Genius
By James Weldon Johnson
Author of "Fifty Years and Other Poems" New York: Harcourt, Brace and Company, 1922
BoondocksNet Edition, 2001
Contents
Preface: The Negro's Creative Genius
Paul Laurence Dunbar
A Negro Love Song
Little Brown Baby
Ships That Pass in the Night
Lover's Lane ...
A Death Song
James Edwin Campbell
Negro Serenade
De Cunjah Man
Uncle Eph's Banjo Song
Ol' Doc' Hyar ...
Compensation
James D. Corrothers
At the Closed Gate of Justice
Paul Laurence Dunbar
The Negro Singer
The Road to the Bow ...
Dream and the Song
Daniel Webster Davis
'Weh Down Souf
Hog Meat
William H. A. Moore
Dusk Song
It Was Not Fate
W. E. Burghardt Du Bois
A Litany of Atlanta
George Marion McClellan
Dogwood Blossoms
A Butterfly in Church
The Hills of Sewanee
The Feet of Judas
William Stanley Braithwaite
Sandy Star and Willie Gee
I. Sculptured Worship
II. Laughing It Out
III. The Exit

105. James Weldon Johnson: Sence You Went Away
Biography of the harlem renaissance poet, explication of Sence You Went Away , bibliographies, and links to other Johnson, harlem renaissance, and poetry sites.
http://bohbah_singaya.tripod.com/
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Search: Lycos Tripod Star Wars Share This Page Report Abuse Edit your Site ... Next James Weldon Johnson: Sence You Went Away Biography Explication Groovy Links Other Works ... Feedback Seems lak to me de stars don't shine so bright, Seems lak to me de sun done loss his light, Seems lak to me der's nothin' goin' right, Sence you went away. Seems lak to me de sky ain't half so blue, Seems lak to me dat ev'ything wants you, Seems lak to me I don't know what to do, Sence you went away. Seems lak to me dat ev'ything is wrong, Seems lak to me de day's jes twice es long, Seems lak to me de bird's forgot his song, Sence you went away. Seems lak to me I jes can't he'p but sigh, Seems lak to me ma th'oat keeps gittin' dry, Seems lak to me a tear stays in ma eye, Sence you went away.

106. Harlem Renaissance Play Late Debut
CNN
http://cnn.com/2002/SHOWBIZ/News/04/01/rediscovered.play.ap/index.html

107. Jean Toomer
A short introduction to the writer, and study questions about Blood Burning Moon.
http://www.rlc.dcccd.edu/annex/COMM/english/mah8420/JeanToomer.html
Jean Toomer (1894-1967) American writer Jean Toomer inspired many later Harlem Renaissance writers with his passionate and realistic portrayal of black life in the novel Cane (1923). Noted for its poetic and sensitive descriptions, Cane describes people frustrated by their conflicts with social customs and by psychological conflicts within themselves. Cane was published in 1923. A few "important" white people thought it was an extraordinary work. At a time when the best (or popular) novelists, poets, and publishers had fame not unlike the movie and rock stars of today. Toomer was himself of mixed ancestry, claiming a variety of European, African, and even Native American bloodlines. As a result, Toomer long struggled with the issue of race, both personally and professionally. As a man who could successfully "pass" for white, Toomer was a reluctant spokesperson for race conscious artists who were interested in celebrating "blackness." Instead, Toomer envisioned an American identity that would transcend race. Nevertheless, concerns with racial division inform his writing, often in a very specific manner. Questions on "Blood Burning Moon"

108. Sterling A. Brown
A collection of poems and poem analysis of harlem renaissance poet Sterling Allen Brown (19011989). A biography of Sterling A. Brown is also included.
http://www.geocities.com/sterlingabrown/
Sterling A. Brown Table Of Contents And the Harlem Renaissance Visitors since Tuesday, May 7 2002
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109. Harlem Renaissance Women
Links to biographical material on women who were part of the movement, from the About.com Guide to Women's History.
http://womenshistory.about.com/library/bio/blbio_list_harlem.htm
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Search Women's History Women of the Harlem Renaissance An ever-expanding list of biographies of notable women in the Harlem Renaissance, both those who are well-known and those who should be better-known: Related pages on About include: You'll find information throughout this site on hundreds of other notable women. If you can't find someone by checking the categories on the

110. PAL: Jean Toomer (1894-1967)
Study guide leads off a chapter on the harlem renaissance.
http://www.csustan.edu/english/reuben/pal/chap9/toomer.html
PAL: Perspectives in American Literature - A Research and Reference Guide - An Ongoing Project Paul P. Reuben Chapter 9: Harlem Renaissance - Jean Toomer (1894-1967) Primary Works Selected Bibliography: Books Selected Bibliography: Articles Study Questions ... Home Page
Source: Modern American Poetry For many, the literary renaissance in Harlem began in 1923 with the publication of Toomer's Cane . It was hailed as a masterpiece, as a fresh voice from a very promising young writer. This publication also brought Toomer in contact with other black intellectuals. However, his spiritual quest took him away from race issues; he studied and converted to the spiritual thought of the Russian mystic Georgi Gurdjieff and spent his time lecturing on mystical doctrines. His racial ambivalence and involvement with mysticism could explain his inability to recapture the promise of Cane Primary Works Cane Essentials An Interpretation of Friends Worship The Flavor of Man The Wayward and the Seeking (collection), 1980.

111. Harlem Renaissance
Discussion of literature, poetry, and book reviews, in addition providing articles dedicated to the enormous contributions of African Americans during the harlem renaissance era.
http://www.suite101.com/welcome.cfm/harlem_renaissance
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112. THE HARLEM RENAISSANCE
A brief overview of the literary movement, with a list of major book sources and hints on using other resources (many online) available through some university and other libraries.
http://www.usc.edu/isd/archives/ethnicstudies/harlem.html
The Harlem Renaissance
The Harlem Renaissance, a flowering of literature (and to a lesser extent other arts) in New York City during the 1920s and 1930s, has long been considered by many to be the high point in African American writing. It probably had its foundation in the works of W.E. B. Du Bois, influential editor of The Crisis from 1910 to 1934; DuBois believed that an educated Black elite should lead Blacks to liberation. He further believed that his people could not achieve social equality by emulating white ideals; that equality could be achieved only by teaching Black racial pride with an emphasis on an African cultural heritage. Although the Renaissance was not a school, nor did the writers associated with it share a common purpose, nevertheless they had a common bond: they dealt with Black life from a Black perspective. Among the major writers who are usually viewed as part of the Harlem Renaissance are Claude McKay, Countee Cullen, Langston Hughes, Zora Neale Hurston, Rudolph Fisher, James Weldon Johnson, and Jean Toomer. While the Renaissance is often thought of as solely a literary movement, some historians of the period also include

113. PAL: Chap. 9: Harlem Renaissance - Index
A research guide and reference, with background, list of individuals (many with links to further information), timeline, assessment of the importance of the movement.
http://www.csustan.edu/english/reuben/pal/chap9/chap9.html
PAL: Perspectives in American Literature - A Research and Reference Guide - An Ongoing Project Paul P. Reuben Chapter 9: Harlem Renaissance, 1919-1937 (Also known as the "New Negro Movement") Selected Bibliography Introduction Research and Study Topics Gwendolyn Bennett ... Home Page

114. African-American Theory And Criticism: 1. Harlem Renaissance To The Black Arts M
harlem renaissance to the Black Arts Movement. Perhaps the informing question inAfricanAmerican literary criticism prior to the 1970s is the relation
http://www.press.jhu.edu/books/hopkins_guide_to_literary_theory/free/african-ame
African-American Theory and Criticism
1. Harlem Renaissance to the Black Arts Movement
Perhaps the informing question in African-American literary criticism prior to the 1970s is the relation between the literary arts and developing conceptions of the nature of African-American culture. Many of the major critical texts from the first six decades of the twentieth century certainly advance our understanding of the nature of African-American literary production. Among these may be included Sterling Brown's The Negro in American Fiction (1937), Hugh Gloster's Negro Voices in American Fiction (1948), and Robert Bone's The Negro Novel in America (1958). For all the considerable value of their local insights, these works appear now to be methodologically outdated, relying too heavily on unreflective sociological or formalist perspectives. The best introduction to early African-American literary criticism is the pronouncements of writers themselves, rather than the critical surveys that sought to "interpret" African-American literature.
Grounded in a representationalist and moralistic "reading" of literature dependent on a Christian humanist ideology, African-American literary criticism early in the twentieth century found its accents in a vision of cultural formation not significantly different from that of major Victorian literary critics (see

115. Reader's Companion To American History - -HARLEM RENAISSANCE
Spanning the 1920s to the mid1930s, the harlem renaissance was a literary Chiefly literary, the renaissance included the visual arts but excluded jazz,
http://college.hmco.com/history/readerscomp/rcah/html/ah_040300_harlemrenais.htm
Entries Publication Data Advisory Board Contributors ... World Civilizations The Reader's Companion to American History
HARLEM RENAISSANCE
Spanning the 1920s to the mid-1930s, the Harlem Renaissance was a literary, artistic, and intellectual movement that kindled a new black cultural identity. Its essence was summed up by critic and teacher Alain Locke in 1926 when he declared that through art, "Negro life is seizing its first chances for group expression and self determination." Harlem became the center of a "spiritual coming of age" in which Locke's "New Negro" transformed "social disillusionment to race pride." Chiefly literary, the Renaissance included the visual arts but excluded jazz, despite its parallel emergence as a black art form. The nucleus of the movement included Jean Toomer, Langston Hughes, Rudolf Fisher, Wallace Thurman, Jessie Redmon Fauset, Nella Larsen, Arna Bontemps, Countee Cullen, and Zora Neale Hurston. An older generation of writers and intellectuals—James Weldon Johnson, Claude McKay, Alain Locke, and Charles S. Johnson—served as mentors. The publishing industry, fueled by whites' fascination with the exotic world of Harlem, sought out and published black writers. With much of the literature focusing on a realistic portrayal of black life, conservative black critics feared that the depiction of ghetto realism would impede the cause of racial equality. The intent of the movement, however, was not political but aesthetic. Any benefit a burgeoning black contribution to literature might have in defraying racial prejudice was secondary to, as Langston Hughes put it, the "expression of our individual dark-skinned selves."

116. MSN Encarta - Harlem Renaissance
harlem renaissance, an African American cultural movement of the 1920s and The harlem renaissance changed forever the dynamics of African American arts
http://encarta.msn.com/encyclopedia_761566483/Harlem_Renaissance.html
Web Search: Encarta Home ... Upgrade your Encarta Experience Search Encarta Upgrade your Encarta Experience Spend less time searching and more time learning. Learn more Tasks Related Items more... Further Reading Editors' picks for Harlem Renaissance
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Encyclopedia Article Multimedia 14 items Article Outline Introduction Beginnings Characteristics Ending and Influence I
Introduction
Print Preview of Section Harlem Renaissance , an African American cultural movement of the 1920s and early 1930s that was centered in the Harlem neighborhood of New York City. Variously known as the New Negro movement, the New Negro Renaissance, and the Negro Renaissance, the movement emerged toward the end of World War I in 1918, blossomed in the mid- to late 1920s, and then faded in the mid-1930s. The Harlem Renaissance marked the first time that mainstream publishers and critics took African American literature seriously and that African American literature and arts attracted significant attention from the nation at large. Although it was primarily a literary movement, it was closely related to developments in African American music, theater, art, and politics.

117. Jacob Lawrence
Why is the word renaissance a good choice for this art movement? Visit thisHarlem renaissance site. What did Lawrence think about the way American
http://www.princetonol.com/groups/iad/lessons/middle/lawrenc.htm
Home Art Lessons Resources Listgroup ... Awards African American Art: Jacob Lawrence Art Home Program Goals Year Plan Resources ... To top of page Jacob Lawrence: 1917-2000 Read the questions. Click on the underlined words to go to the web sites. You do not need to answer the questions in any particular order. Click here for William Johnson Lesson. My belief is that it is most important for an artist to develop an approach and philosophy about life—if he has developed this philosophy, he does not put paint on canvas, he puts himself on canvas ~ Jacob Lawrence, 1946
  • What is meant by " Harlem Renaissance "? Why is the word renaissance a good choice for this art movement? What is the time period of the Harlem Renaissance?
    http://www.nku.edu/~diesmanj/harlem.html

    Most of my work depicts events from the many Harlems which exist throughout the United States. This is my genre... the happiness, tragedies, and the sorrows of mankind as realized in the teeming black ghetto.
    —Jacob Lawrence See a variety of works by Jacob Lawrence Phillips Collection- Over the Line Find that works that fit the quote by Lawrence (above). Explain your choices.
  • 118. African American Review: The Harlem Renaissance: Hub Of African-American Culture
    Full text of the article, The harlem renaissance Hub of AfricanAmerican Culture,1920-1930. - book reviews from African American Review, a publication
    http://www.findarticles.com/p/articles/mi_m2838/is_n2_v31/ai_20051228
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    IN free articles only all articles this publication Automotive Sports FindArticles African American Review Summer 1997
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    ASEE Prism Academe African American Review ... View all titles in this topic Hot New Articles by Topic Automotive Sports Top Articles Ever by Topic Automotive Sports The Harlem Renaissance: Hub of African-American Culture, 1920-1930. - book reviews African American Review Summer, 1997 by John McCluskey, Jr.
    Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. Steven Watson. The Harlem Renaissance: Hub of African-American Culture, 1920-1930. New York: Pantheon, 1995. 235 pp. $22.00. Continue article Advertisement
    Less important to the study is the idea of the Harlem Renaissanceart as cultural arbiter, the city as refuge and site of hope and renewal, the tension between reverence toward old forms and the "play" of the new, the optimism of the here and now. The movement would end, according to the author and as it is so often characterized, with the onset of the Depression. This book ends, as does Hughes's chapter "Negro Renaissance" in The Big Sea or F. Scott Fitzgerald's "Echoes of a Jazz Age," with nostalgia for a long and glorious party. We know now that the movement did not die so suddenly; some of its energy lingered on in the works of Langston Hughes, Zora Neale Hurston, and Ama Bontemps. Also it would have been useful to suggest, even if briefly, the international dimensions of the Harlem Renaissance as an artistic movement.

    119. Harlemtchr
    This supplemental unit for the harlem renaissance provides activities and webresources developed as part Language Arts Content Standards (Grade 11/12)
    http://www.sdcoe.k12.ca.us/score/harlem/harlemtg.html
    Teacher CyberGuide
    Reflections of the Harlem Renaissance
    http://www.sdcoe.k12.ca.us/score/harlemtchr.html Cyberguide originally written by Holly L. Giles
    Revised by Mary Jewell
    Introduction
    This supplemental unit for the Harlem Renaissance provides activities and web resources developed as part of the Schools of California Online Resources for Educators (SCORE) Project , funded by the California Technology Assistance Program (CTAP). The links here have been scrutinized for their grade and age appropriateness; however, contents of links on the World Wide Web change continuously. It is advisable that teachers review all links before introducing CyberGuides to students. This cyberguide is set up to explore the influences from and the different creative and artistic perspectives of the Harlem Renaissance. Within this unit students are encouraged to reflect their interpretation of the poetry, art, and music of that period by imitating writing styles, studying and impersonating personalities, and by viewing and interpreting images. The products produced from these activities are based within the California Language Arts Content Standards and require basic technology skills. As the students do these activities, they will explore the following questions:

    120. VISUAL ARTS IN THE HARLEM RENAISSANCE.
    VISUAL ARTS IN THE harlem renaissance. In the 1920 s harlem renaissance, therewas a controversy over how the New Negro (with growing demands for equality
    http://www.academictermpapers.com/abstracts/15000/15770.html
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    VISUAL ARTS IN THE HARLEM RENAISSANCE.
    15770. VISUAL ARTS IN THE HARLEM RENAISSANCE. In the 1920's Harlem Renaissance, there was a controversy over how the "New Negro" (with growing demands for equality and civil rights) should be represented in contrast to the stereotype of the "Old Negro." In the arts, this controversy was reflected in an effort to show the non-idealized "truth" of the African-American urban experience. This paper includes a discussion of the works of various visual artists such as Archibald Motley, Aaron Douglas, and Palmer Hayden, among others. Written 2002. 6 pages, 19 footnotes, 5 bibliographic sources.

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