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         Harlem Renaissance Art:     more books (76)
  1. A Stronger Soul Within a Finer Frame: Portraying Afro-Americans in the Black Renaissance by John S. Wright, Tracy E. Smith, 1990-02
  2. The Harlem Renaissance (We the People) by Dana Meachen Rau, 2005-08
  3. Encyclopedia of the Harlem Literary Renaissance (Literary Movements) by Lois Brown, 2005-10-30
  4. Portraiture and the Harlem Renaissance: Photographs of James L. Allen
  5. Temples for Tomorrow: Looking Back at the Harlem Renaissance
  6. African-American Concert Dance: THE HARLEM RENAISSANCE AND BEYOND by John Perpener, 2005-04-04
  7. Langston Hughes: The Man, His Art, and His Continuing Influence (Garland Reference Library of the Humanities) by C. Trotman, 1995-09-01
  8. From Harlem to Hollywood: The Struggle for Racial & Cultural Democracy, 1920SH1943 (Critical Studies on Black Life and Culture) by Bruce M. Tyler, 1992-10-01
  9. Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent by Richard Bruce Nugent, 2002-05
  10. The Harlem Renaissance (TextWorks Group) by Abigail Silver, 1996
  11. Harlem Renaissance (Jackdaw) by Christine Brendel Scriabine, 2001
  12. Encyclopedia of the Harlem Renaissance / Cary D. Wintz, Paul Finkelman, Editors
  13. The Harlem Renaissance: Profiles in Creativity (Newbridge Discovery Links) by Cheryl Willis Hudson, 2002-01
  14. An American renaissance: Harlem, New York, 1912-1930 by Cary B Copal, 1988

81. Rhapsodies In Black -- Art Of The Harlem Renaissance -- Paul Gilroy
Rhapsodies in Black takes a fresh look at the harlem renaissance, the artistsof the harlem renaissance era traveled and interacted, and their art was
http://www.frontlist.com/detail/0520212681
Search for Author/Title Keyword Title Author Publisher ISBN Featured Books in All Scholarly Subjects African American Studies African Studies American Studies Anthologies Anthropology Architecture Asian Studies Books on Books Chicago Cinema studies Media Studies Classical studies Critical Theory/Marxism Cultural Studies Geography Performance Studies Science studies Drama Economics Education Environmental studies Feminist theory/Women's study Fiction Folktales French Stuff General Interest Highlights History African African American American East Asia Eastern European European Latin American Medieval Middle East Russian South asian Southeast Asian Historiography Misc. History Humor International relations Journals Just for Fun Latin American/Caribbean St. Law Linguistics Literary Studies Literary Criticism Referenc Literary MOSTLY Theory Literary NOT Theory Mathematics Medicine/Health/AIDS Native American Studies Philosophy Photography Poetry Political Science/Sociology (Post)colonial studies Psychology Reference Foreign language reference General Reference Religious studies Black Theology Buddhist studies Islamic studies Biblical studies - New Test Biblical studies Old Test.

82. Oxford University Press: Voices From The Harlem Renaissance: Nathan Irvin Huggin
establishes the context in which the art of harlem renaissance occurred. and art a link to this glorious time, Voices from the harlem renaissance
http://www.us.oup.com/us/catalog/general/subject/HistoryAmerican/AfricanAmerican

83. Research Resources For The Harlem Renaissance - Santa Ana HS/SPIRIT
harlem renaissance Sites General, art, Music, Literature Poetry, People,History AfricanAmerican Museums. Research Tools for Class
http://course.lib.uci.edu/ed/spirit/supp/harlemrenaissance.html
Research Resources for the Harlem Renaissance art literature poetry music song dance history culture society
Research Tools for Class

Harlem Renaissance Sites: General Art Music People ...
African-American Museums
Research Tools for Class
Encyclopedia Smithsonian
http://www.si.edu/resource/faq/start.htm
Librarian's Index to the Internet
http://lii.org/
INFOMINE
http://infomine.ucr.edu/
Grove Dictionary of Art
http://www.groveart.com/
New Grove Dictionary of Music and Musicians
http://www.grovemusic.com/index.html
Literature Resource Center
http://www.cdlib.org/hlp/directory/litrc.html
Harlem Renaissance Sites General Sites Harlem Renaissance
http://www.nku.edu/~diesmanj/harlem.html
Harlem: 1910-1940, An African American Community http://www.si.umich.edu/CHICO/Harlem/ The Survey Graphic Harlem Number http://etext.lib.virginia.edu/harlem/contents.html African American Odyssey (Library of Congress exhibit) http://lcweb2.loc.gov/ammem/aaohtml/exhibit/aopart7b.html Art Rhapsodies in Black (online art exhibit) http://www.iniva.org/harlem/home.html HARLEM RENAISSANCE (online art exhibit) http://www.pbs.org/newshour/forum/february98/harlem_2-20.html

84. African American Studies: Culture : Harlem Renaissance - Subject Guides - Enoch
Rhapsodies in Black art of the harlem renaissance. Berkeley University ofCalifornia Press, 1997. (N6538.N5R56) Check Catalog A photographic resource
http://www.epfl.net/subjects/subjectguide.cfm?cid=378&sid=1&pid=525

85. The Harlem Renaissance: Videotapes And Audiocassettes In The Media Resources Cen
Explores the forgotten role of women in the harlem renaissance. art andliterature of the new negro of the harlem renaissance featuring digitally
http://www.lib.berkeley.edu/MRC/harlemrenaissance.html
The Harlem Renaissance
  • African American Studies
  • Literature and Theater History, Criticism, and Biography
  • Literature and Drama Readings and Adaptations
  • Musical Traditions of the World
    Biography of the African American labor leader, journalist, and civil rights activist, A. Philip Randolph. Randolph won the first national labor agreement for a black union, The Sleeping Car porters. His threat of a protest march on Washington forced President Roosevelt to ban segregation in the federal government and defense industries at the onset of WWII and again he forced Truman to integrate the military. Finally with the 1963 March on Washington, Randolph succeeded in placing civil rights at the forefront of the nation's legislative agenda as he passed the torch to Martin Luther King, Jr. Includes music of the labor and civil rights movements. 86 min. Video/C 4127
  • Description from California Newsreel catalog
  • A. Philip Randolph web site (via WETA/PBS)
  • Chenoweth, Karin. "The Man Who Pulled." (TV documentary on A. Philip Randolph, labor leader and Civil Rights activist) (includes related article) Black Issues in Higher Education v12, n24 (Jan 25, 1996):14 (4 pages).
  • 86. Against The Odds: The Artists Of The Harlem Renaissance
    More than just an art history lesson, the video tells the struggle of the The harlem renaissance was both a complex political awakening to change and an
    http://www.lib.berkeley.edu/MRC/AgainsttheOdds.html
    ABC-CLIO Video Rating Guide for Libraries on CD-ROM, a 5-year compilation of over 8900 video titles and reviews, 1990-1994. For information regarding order VRGL CD-ROM, contact: ABC-CLIO, P.O. Box 1911, Santa Barbara, CA 93116-1911; 805-968-1911 This following text has been included in the UCB Media Resources Center Web site with the kind permission of the publishers.
    Against the Odds: The Artists of the Harlem Renaissance
  • Rating: ****
  • Audience: Jr. High to Adult
  • Price: Public performance: $69.95
  • Production Company: New Jersey Network 1573 Parkside Ave. Trenton, NJ 08638 (609)530-5252
  • Available from: PBS Video 1320 Braddock Pl. Alexandria, VA 22314-1698 (703)739-5380
  • Print Entry #: 5:1381
  • Reviewer: Richard A. Hutton
  • Against the Odds: The Artists of the Harlem Renaissance tells the little-known story of African-American artists working during the 1920s and 1930s. More than just an art history lesson, the video tells the struggle of the American black population trying to redefine itself. After the 1919 race riots, the then-newly formed National Association for the Advancement of Colored People (NAACP) wanted to show American blacks as a creative, intelligent group willing and able to make a positive contribution to society. To counter the racial stereotype of black Americans in the 1920s, the NAACP and the Urban League set about the task of training blacks in the visual and performing arts. One person offering assistance in this endeavor was William E. Harmon, who in 1922 established a foundation that exhibited artists and provided opportunities for performers to hold plays and concerts.

    87. Harlem 1900-1940: Schomburg Exhibit Bibliography
    Studio Museum in harlem, The harlem renaissance, art of Black America. New YorkHarry N. Abrams, Inc., 1987. Survey Graphic, Vol. 6, No.
    http://www.si.umich.edu/CHICO/Harlem/text/bibliography.html
    Home Timeline Exhibition For Teachers Resources
    Bibliography
    A-F G-H I-O R-Y
    Anderson, Jervis. This was Harlem . New York: Farrar, Straus and Giroux, 1982. Barbeau, Arthur E. The Unknown Soldiers: Black American Troops in World War I . Philadelphia: Temple University Press, 1974. Bontemps, Arna, ed. The Harlem Renaissance Remembered Burrill, Bob. Who's Who in Boxing . New Rochelle, NY: Arlington House, 1974. Charters, Ann. Nobody: The Story of Bert Williams . New York: Macmillan Company, 1970. The Crisis; a record of the darker races [periodical], New York: Crisis Pub. Co, 1910 - present. Cullen, Countee. Colo . New York: Harper and Brothers, 1925. Dover, Cedric. American Negro Art . New York: the New York Graphic Society Art Library, 1960, 1969. Driskell, David C. Two Centuries of Black American Art . New York: Alfred A. Knopf, 1976. Driskell, David C. Hidden Heritage, Afro-American Art, 1800-1950 . San Francisco: The Museum Association of America, 1985. Ellington, Duke.

    88. A Renewed Harlem. But A Renaissance? | Csmonitor.com
    It is being dubbed a second harlem renaissance a return to the harlem of the Christian Haye, who has owned The Project art gallery in harlem for five
    http://www.csmonitor.com/2003/0530/p13s02-almp.html
    WORLD USA COMMENTARY LEARNING ... Text Edition Search:
    Art

    Movies

    Music / Performing Arts

    Sports
    ... Monitor Movie Guide Nearly two years of Monitor movie reviews. Pop culture made easy. By Jeremy Dauber
    Most-viewed stories:
    (for 09/20/05)
    Before the oil runs out: How will this era end?

    Why the lights mostly stayed on in the US this summer

    A retro look to next US spacecraft

    Cost of Katrina relief splits Republican ranks
    ... Music / Performing Arts from the May 30, 2003 edition ARTS REVIVAL: In addition to Harlem's renovated Apollo Theatre, there are signs of new life in the neighborhood's art world, from jazz lounges and theaters to museums and concert halls. ADAM NADEL/SPECIAL TO THE CHRISTIAN SCIENCE MONITOR A renewed Harlem. But a Renaissance? By Stacey Vanek Smith NEW YORK In a fiery speech at the A.M.E Zion Church in Harlem, Frederick Douglass grapples with the country's transition from slavery and with his own transition from illiterate servant to intellectual trailblazer. Dressed in a black tailored suit, the actor portraying Douglass grips the edge of a pew, looks out at the audience, and says, "If there is no struggle, there is no progress." In the Monitor Thursday, 09/22/05

    89. LitKicks The Harlem Renaissance
    DuBois also called for literature and art that spoke out against racial oppressionand racism. The response came to be known as the harlem renaissance.
    http://www.litkicks.com/BeatPages/page.jsp?what=HarlemRenaissance

    90. The OSU Black Studies Library
    Rhapsodies in Black art of the harlem renaissance Literary Garveyism Garvey,Black arts, and the harlem renaissance Tony Martin BSL PS153 N5 M33 1983
    http://library.osu.edu/sites/blackstudies/harlrenbib.html
    University Libraries Home Find Borrow About Us ... Help
    Black Studies Library
    The Ohio State University
    Skip BSL Site Menu
    Welcome Page
    BSL Collection Information What's New? ...
    The Ohio State University
    Harlem Renaissance
    The "New Negro Arts Movement" 1917 to 1935
    A Bibliography of Resources
    Compiled by Cheryl J. Mason-Middleton, B.F.A.
    Library Associate
    Black Studies Library, The Ohio State University Libraries
    General Information
    African Fundamentalism: A Literary and Cultural Anthology of Garvey's Harlem Renaissance
    Tony Martin, ed.
    BSL PS508.N3 A32 1991
    Black Culture and the Harlem Renaissance
    Cary D. Wintz BSL PS153 N5 W566 1988 The Emergence of the Harlem Renaissance Cary D. Wintz, ed. MAI PS153N5 E47 1996 The Harlem Renaissance, 1920-1940 Cary D. Wintz, ed. BSL Reference PS153.N5 H24 1996 v.1 -v.7 The Harlem Renaissance in Black and White George Hutchinson MAI PS153.N5 H86 1995 The Harlem Renaissance Re-examined Victor A. Kramer, ed. MAI PS153 N5 H25 1987 The Harlem Renaissance Remembered, Essays Edited With a Memoir

    91. The Black Renaissance In Washington, DC
    Biographies of notable black writers, intellectuals, artists and musicians who were active in Washington during the period known as the harlem renaissance. Includes bibliography and timeline. From the DC Public Library Web site.
    http://www.dclibrary.org/blkren/
    NEW! Updated June 2003 with a new biography, of poet and theater artist Lewis Grandison Alexander. The Harlem Renaissance of the 1920s and 1930s was a period characterized by an outpouring of literature by African Americans. Although it was primarily a literary and intellectual movement, it is our hope to also explore the role of the visual arts, music and performing arts. This cultural renaissance was not limited to Harlem, but was evident in other cities across the country. According to Kellner in his Historical Dictionary of the Era biographies harlem renaissance books links timeline ... about this site The Black Renaissance in Washington, DC is funded by the Carnegie Corporation of New York . It is supported by the Art Division of the D.C. Public Library

    92. Untitled Document
    A biannual online publication which includes extensive bibliographies and content on many harlem renaissance authors, including a special focus on news and information about Rudolph Fisher (18971934), a harlem renaissance author.
    http://www.fishernews.org/
    We reget to announce that The Rudolph Fisher Newsletter website has been permanently closed down

    93. Jean Toomer
    Full text of four poems.
    http://www.nku.edu/~diesmanj/toomer.html
    Jean Toomer
    Cotton Song
    Evening Song

    Georgia Dusk

    Reapers
    Cotton Song Come, brother, come. Lets lift it;
    come now, hewit! roll away!
    Shackles fall upon the Judgment Day
    But lets not wait for it. God's body's got a soul,
    Bodies like to roll the soul,
    Cant blame God if we dont roll,
    Come, brother, roll, roll! Cotton bales are the fleecy way, Weary sinner's bare feet trod, Softly, softly to the throne of God, "We aint agwine t wait until th Judgment Day! Nassur; nassur, Hump. Eoho, eoho, roll away! We aint agwine to wait until th Judgment Day!" God's body's got a soul, Bodies like to roll the soul, Cant blame God if we dont roll, Come, brother, roll, roll! Evening Song Full moon rising on the waters of my heart, Lakes and moon and fires, Cloine tires, Holding her lips apart. Promises of slumber leaving shore to charm the moon, Miracle made vesper-keeps, Cloine sleeps, And I'll be sleeping soon. Cloine, curled like the sleepy waters whtere the moonwaves start, Radiant, resplendently she gleams

    94. Poetry And Prose Of The Harlem Renaissance
    Manuscript archive of poetry and prose by various authors.
    http://www.nku.edu/~diesmanj/poetryindex.html
    Poetry and Prose of the Harlem Renaissance
    (Full Text)
    Get a sneek peek of my resource guide , which currently contains primary and secondary works of 10 women of the Harlem Renaissance. The guide's format will be changing this summer and more authors will be included. To view the authors currently available, use the pull-down menu to choose a name, then click the Go button. Gwendolyn B. Bennett Arna Bontemps Countee Cullen Marion Vera Cuthbert Alice Dunbar-Nelson Jessie Redmon Fauset Angelina W. Grimke Langston Hughes Zora Neale Hurston James Weldon Johnson Nella Larsen Claude McKay Esther Popel Anne Spencer Jean Toomer Ida B. Wells-Barnett
    Gwendolyn B. Bennett
    Arna Bontemps Countee Cullen Marion Vera Cuthbert ... Langston Hughes As I knew would happen eventually, the literary representatives of the Estate of Langston Hughes have informed me that I must take down the majority of Hughes poetry currently on my website. What I intend to do is to provide five poems (the number I have been given permission to display), which will change periodically. Zora Neale Hurston James Weldon Johnson Nella Larsen Claude McKay ... Ida B. Wells-Barnett

    95. The Smithsonian Associates, The Membership & Educational Unit Of The Smithsonian
    A Smithsonian page dealing mainly with Hughes' connection to harlem.
    http://www.si.edu/tsa/disctheater/sweet/ss03.htm
    The Smithsonian Associates (TSA) offers a stunning variety of educational programs and study tours that open the doors to the Smithsonian's world of opportunity. Established 40 years ago as the membership, cultural, and educational arm of the Smithsonian Institution, The Smithsonian Associates is recognized as the world's largest and most esteemed museum-based continuing education program.
    All Roads Lead to Rome

    Jjoin us for a cluster of programs during September and October that offer new insights into the world of ancient Rome. Norway - A Centennial Celebration
    Enjoy cultural activities and educational programs with a special focus on Norway. Fall Frolic Latin Fiesta and Exhibition Tour
    Join the YB's for a Fall Frolic Latin Fiesta that will be the talk of the town! 2005 Chihuly Studio Edition glass art
    Each year Dale Chihuly interprets one or more of his series and offers this collectible glass for sale.

    96. CC: The Harlem Renaissance

    http://www.coloradocollege.edu/Dept/EN/Courses/EN370/EN3707117Garcia/

    97. Collaborative Bibliographies: Description
    Guide to online resources in The Canon and Modern Fiction, Dialect and Vernacular, Constructions of Race, Interracial Interactions, and The harlem renaissance.
    http://www.georgetown.edu/tamlit/collab_bib/collab_bib.html
    Collaborative Bibliographies
    in American Literature
    and Culture Studies
    Rationale The Collaborative Bibliographies were generated from discussion and query threads on T-AMLIT (the "Teaching the American Literatures" discussion list). All of the bibliographies are comprised of the initial query by a member of the discussion list, and subsequent responses to those queries. The responses come in all sizes, ranging from a single line with an author and title suggestion to several paragraphs. The Collaborative Bibliographies make no claim to comprehensiveness. The great advantage of these bibliographies is their origin from a community of teachers whose collective wisdom puts most of the text, author and title information into some kind of practical and personal context. Directions The Collaborative Bibliographies can be read in two ways: they can be read from the Bibliography (a straightforward listing of titles with links to the original postings), or as Threads (the sequential files of the entire thread, including the initial query and all the responses). Bibliographic information contained in the T-AMLIT threads has been enhanced and filled out by interns in Georgetown's Center for Electronic Projects in American Culture Studies If you would like to contribute to one of the Collaborative Bibliographies, make inquiry to Randy Bass, (Georgetown University): rbass@guvax.georgetown.edu.

    98. Alain Locke - The Black Renaissance In Washington, DC
    Article, with bibliography, on this thinker's influence on the New Negro movement and the harlem renaissance.
    http://www.dclibrary.org/blkren/bios/lockea.html
    Alain LeRoy Locke
    Alain Locke played an influential role in identifying, nurturing, and publishing the works of young black artists during the New Negro Movement. His philosophy served as a strong motivating force in keeping the energy and passion of the Movement at the forefront. Ernest Mason explains that Dictionary of Literary Biography p.313) Locke was one of the guiding forces of this new cultural and aesthetic vision. Alain LeRoy Locke was born in Philadelphia, Pennsylvania, as the only child of Pliny Ishmael Locke and Mary Hawkins Locke. He grew up in Philadelphia and attended Central High School and the Philadelphia School of Pedagogy. Locke entered Harvard in 1904 and graduated in 1907 with a distinguished academic record (magna cum laude), and became a member of Phi Beta Kappa. After graduating from Harvard, he studied for three years (1907- ) at Oxford University in England as the first black Rhodes Scholar. Upon his graduation from Oxford, he spent one year pursing advanced work in philosophy at the University of Berlin. Alain Locke began his career at Howard University in 1912 as an Assistant Professor of English and Philosophy. His tenure was briefly broken in

    99. ArtLex On The Harlem Renaissance
    The harlem renaissance defined with images of example artwrks from this Americanart movement, and links to other resources.
    http://www.artlex.com/ArtLex/h/harlemrenaissance.html
    H arlem Renaissance - An African American literary and art movement in the uptown Manhattan neighborhood of Harlem in the mid- and late-1920s. The community developed greatly from post-World War I emigration from the South, to become the economic, political, and cultural center of black America. The writers, painters, and sculptors of the Harlem Renaissance celebrated the cultural traditions of African -Americans. The Harlem Renaissance has also been called the "New Negro Movement" after the title of art historian Alain Locke’s book The New Negro , which urged black artists to reclaim their ancestral heritage as a means of strengthening their own expression Examples of their visual works: Henry Ossawa Tanner (American, 1859-1937), The Banjo Lesson , 1893, 49 x 35 1/2 inches, oil on canvas , Hampton University Museum, Hampton, Virginia. Henry Ossawa Tanner, The Seine , c. 1902, oil on canvas , .228 x .330 m (9 x 13 inches), National Gallery of Art, Washington, DC. Meta Vaux Warrick Fuller (American, 1877-1968), Ethiopia Awakening bronze James Van Der Zee (American, 1886-1983). See

    100. "Breaking Racial Barriers:African Americans In The Harmon Foundation Collection"
    One of the many white Americans who expressed interest in the achievements of black Americans during the harlem renaissance was real estate developer William E. Harmon. This collection of portraits and biographies is based on the works he amassed in the early part of the 20th century.
    http://www.npg.si.edu/exh/harmon/
    One of the many white Americans who expressed his interest in the artistic achievements of black Americans during the Harlem Renaissance of the 1920's, was Caucasion real estate developer, William E. Harmon (1862-1928). In 1922 he established the Harmon Foundation in New York City to recognize African American achievements, not only in the fine arts but also in business, education, farming, literature, music, race relations, religious service and science. In 1944 the Harmon Foundation, then under the direction of Mary Beattie Brady, organized an exhibition "Portraits of Outstanding Americans of Negro Origin," with the express goal of reversing racial intolerance, ignorance and bigotry by illustrating the accomplishments of contemporary African Americans. Including twenty-three portraits created by both a black and a white artistLaura Wheeler Waring (1887-1948) and Betsy Graves Reyneau (1888-1964)the exhibition premiered at the Smithsonian Institution on May 2 and then travelled around the United States for the next ten years. Other portraits were added to the tour during that time. Following the Supreme Court's 1954 ruling abolishing legal segregation, the tour was discontinued on the Harmon Foundation's assumption that racial tolerance and understanding had been successfully attained. Although it is evident today that the foundation's exhibition did not eradicate racial fears and tension in America, it did successfully expose and improve the perception and recognition of African Americans' contribution to this nation.

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