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         Harlem Renaissance Art:     more books (76)
  1. Selected essays: Art and artists from the Harlem renaissance to the 1980's
  2. Since the Harlem Renaissance: 50 years of Afro-American art
  3. A blossoming of new promises: Art in the spirit of the Harlem Renaissance by Gail Gelburd, 1984
  4. A blossoming of new promises: Art in the spirit of the Harlem Renaissance, February 5-March 18, 1984, Hofstra University, Emily Lowe Gallery, Hempstead, New York by Gail Gelburd, 1984
  5. Rebirth of a People: Harlem Renaissance (American History Through Primary Sources) by Sean Price, 2006-10
  6. Celeste's Harlem Renaissance by Eleanora E. Tate, 2007-04-01
  7. Black Stars of the Harlem Renaissance by Jim Haskins, Eleanora E. Tate, et all 2002-08-30
  8. The Harlem Renaissance: Hub of African-American Culture, 1920-1930 (Circles of the Twentieth Century Series , No 1) by Steven Watson, 1996-08-13
  9. The Harlem Renaissance: An Annotated Reference Guide for Student Research by Marie E. Rodgers, 1998-04-15
  10. Harlem Renaissance by Nathan Irvin Huggins, 2007-05-02
  11. The Power of Pride: Stylemakers and Rulebreakers of the Harlem Renaissance by Diana Edkins, Carole Marks, 1999-10-12
  12. Harlem Stomp! A Cultural History of the Harlem Renaissance by Laban Carrick Hill, 2004-01
  13. Harlem Renaissance Artists (Artists in Profile) by Denise Jordan, 2003-03
  14. Double-Take: A Revisionist Harlem Renaissance Anthology

21. African Americans In The Visual Arts A Historical Perspective
harlem renaissance art of Black America A Studio Museum in Harlem Exhibitionsponsored book. Rhapsodies in black art of the Harlem Renaissance.
http://www.liunet.edu/cwis/cwp/library/aavaahp.htm

22. Core Collection - The Black Renaissance In Washington, DC
harlem renaissance art of Black America . New York Abrams, Inc., 1994. (704.0396H284) Rhapsodies in Black Art of the Harlem Renaissance .
http://www.dclibrary.org/blkren/corecoll.html
The Harlem Renaissance
A Core Collection of Books
These titles are available in the Black Studies Division of the Martin Luther King Memorial Library Harlem Renaissance, 1920-1940: Interpretation of an African American Literary Movement . This set was purchased for the following branches only: Anacostia Benning Georgetown Petworth ... Washington-Highlands , and Watha T. Daniel . Also, ten circulating titles of the following five books have been made available for the Popular Division of the Martin Luther King Memorial Library: There is Confusion The Conjure Man Dies: A Mystery of Dark Harlem The City of Refuge: The Collected Stories of Rudolph Fisher Black No More , and Cane
HOW TO ACCESS THESE TITLES
Books are in the reference section of the Black Studies Division and each of the branch or community libraries and the kiosk, whereby they are available for your use on demand. Circulating copies of many of these titles may be available, please contact your local librarian or the subject division in which the title(s) should be located.
HOW TO USE THIS BIBLIOGRAPHY
Annotations will give you a fairly clear understanding of the content of each book.

23. Harlem Renaissance: Context
Essay on jazz and blues themes in harlem renaissance art and in American culture . Essay on the role of nostalgia in the arts of the Harlem Renaissance.
http://womenshistory.about.com/od/harlemren/
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Harlem Renaissance: Context
More resources on the Harlem Renaissance, background and context for understanding the women who were part of this artistic and literary movement.
Alphabetical
Recent Up a category African American Odyssey This page includes material on Zora Neale Hurston, Nella Larsen, Marian Anderson and other Harlem Renaissance topics. Black Creativity and Intellect Invent The Harlem Renaissance Donald Jackson's article on the explosion of creativity. Blues Aesthetic Essay on jazz and blues themes in Harlem Renaissance art and in American culture. Du Bois, W. E. B. 1903. The Souls of Black Folk.

24. THE HARLEM RENAISSANCE
Art of the Harlem Renaissance combines images and text to elaborate on some keythemes. Harlem Mecca of the New Negro is a University of Virginia Library s
http://www.manteno.k12.il.us/webquest/high/LanguageArts/HarlemRenaissance/Harlem
THE HARLEM RENAISSANCE
by Kimberly S. Frame
[INTRODUCTION [THE TASK] [RESOURCES] [THE PROCESS] ... [CONCLUSION]
INTRODUCTION
A county-wide group of English educators is planning a showcase event at the local mall. Area high schools have been invited to participate by having classes set up booths featuring various aspects of our nation's literary history. Our school has volunteered to present the Harlem Renaissance since it is a part of our current unit. TOP OF PAGE
THE TASK
Our booth will feature the following:
  • Public readings of poems by a variety of Harlem Renaissance poets that illustrate the following themes: the African American's search for identity; feelings of anger and frustration about white America; an emphasis on Harlem life and culture. Brochures which include a brief history of the Harlem Renaissance and biographies and career highlights of various Harlem Renaissance poets. A multi-media (PowerPoint) presentation showcasing the art and music of the Harlem Renaissance.
TOP OF PAGE
RESOURCES

25. Writing Company Harlem Renaissance Items
A book that covers similar territory, harlem renaissance art of Black America,is a detailed look at how and why, in the 1920s, Harlem s painters and
http://www.writingco.com/c/@NcQvTr_.su0LM/Pages/harlemitems.html
September 22, 2005
Items in cart: Total: Writing
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Shakespeare
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Austen

The Brontes

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Poe
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Email Address:
The Harlem Renaissance
What Was the Harlem Renaissance?
In the early years of the 20th century, a great outburst of creativity changed the way African Americans were seen by their fellow Americans, and even changed the way African Americans saw themselves. Writers, musicians, painters, sculptors, dancers, and political activists in urban centers all over the countrybut especially in the Manhattan neighborhood of Harlemwere struggling to gain new political and social freedom, and were expressing themselvestheir rich cultural roots, their poor social conditions, their passion for libertywith a newly won artistic freedom.
Background and Beginnings
The roots of the Harlem Renaissance reach back into Reconstruction, when Southern blacks tried, through the Freedman's Bureau and innumerable local efforts, to claim the education, economic opportunity, and political enfranchisement that slavery had so long denied. Their extraordinary initial success, however, called forth harsh reprisals from Southern white reactionaries, who used local and state laws to strip away the rights of their black neighbors, and resorted to violence to squash resistance. The result was a long, slow exodus of many young, creative, ambitious African Americans to the cities of the North.

26. Harlem Renaissance
Literary Garveyism Garvey, Black Arts, and the Harlem Renaissance. harlem renaissance art of Black Americans. New York Abrams, 1987.
http://www.founders.howard.edu/moorland-spingarn/harlem.html
The Black Renaissance: A Bibliography of Selected Sources at
Howard University
Bibliography compiled by Jean Currie Church and Karen L. Jefferson.
Moorland-Spingarn Research Center
Howard University, Washington, DC
SELECTED MATERIALS ON THE HARLEM RENAISSANCE AT HOWARD UNIVERSITY
The materials in this section are available in the Howard University libraries (DHUUIF/R/L/W/E), in the Channing Pollock Theater Collection (DHUP), in the Moorland-Spingarn Research Center (MSRC), and/or in the Afro-American Studies Resource Center at Howard University. Call numbers and location symbols for the materials have been included to facilitate access. Additional materials and more information about the items which follow are available at the individual library locations.
I Historical Studies and Reference Works
Historical Studies Anderson, Jervis. This Was Harlem. New York: Farrar, Straus, Giroux, 1982. F128.68 H3A65 1982 (DHUP) Aptheker, Herbert. A Documentary History of the Negro People in the United States, 1910-1932. Secaucus, NJ: Citadel, 1973. E185 A58 (DHUU) Bontemps, Arna, ed.

27. HONR 248T Fall '05
Mary Schmidt Campbell, the harlem renaissance art of Black America GeorgeHutchinson, The Harlem Renaissance in Black and White David Levering Lewis, ed.,
http://www.honors.umd.edu/COURSES/0508/248T0508.htm
Fall 2005 HONR Course Descriptions - HONR 248T
HONR 248T Re-examining the Harlem Renaissance
Thursday, 3:30-6:00 p.m.
Dr. Renee Ater, Department of Art History and Archaeology Tentative Reading List:
Alain Locke, ed., The New Negro: An Interpretation
David Levering Lewis, When Harlem Was In Vogue
Mary Schmidt Campbell, the Harlem Renaissance: Art of Black America
George Hutchinson, The Harlem Renaissance in Black and White
David Levering Lewis, ed., The Portable Harlem Renaissance Reader
Venetria K. Patton and Maureen Honey, eds., Double-Take: A Revisionist Harlem Renaissance Anthology
Course Packet CORE: History or Theory of the Arts [HA] AND Diversity [D]
The Honors Mascot will take you back to the Home Page. About Honors Honors Courses Honors FAQ Honors Staff Comments and questions may be directed to Dean Hebert

28. 'Harlem Renaissance Artists' Description
Who were the harlem renaissance artists? What was the Federal Art Project?Do you know when the harlem renaissance artists lived? Which artists were active
http://www.heinemannlibrary.com/products/title.asp?id=1588106497

29. Harlem Renaissance: Art Of Black America - Campbell, Mary Schmidt, Introduction
harlem renaissance art of Black America Campbell, Mary Schmidt, introduction byThe Studio Museum in Harlem, New York / Abrams (1987)
http://www.applebybooks.net/si/004737.html
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Author: Campbell, Mary Schmidt, introduction by Title: Harlem Renaissance: Art of Black America
Publisher: New York The Studio Museum in Harlem, New York / Abrams (1987) ISBN: Our Book #: 9''x11.75'' Brown decorated cloth. 200pp. With 140 illustrations, many of which are published here for the first time, including 55 plates in full color. Near Fine in dustjacket. The art of Meta Warrick Fuller, Aaron Douglas, Palmer Hayden and William H. Johnson is complemented by the photographs of James Van Der Zee and Carl Van Vechten. Price = 24.95 USD Add to Shopping Cart < Prev Next >> Skip 100 >> ... Links Questions, comments, or suggestions Please write to info@applebybooks.net

30. High Museum - Product Info
harlem renaissance art OF BLACK AMERICA BK Harlem Renaissance $17.98.Quantity. Availability, InStock. Check Shipping Price
http://museumshop.high.org/Shopping/ProductInfo.aspx?ProductID=6577

31. Bibliography
Rhapsodies in Black Art of the Harlem Renaissance. Studio Museum in Harlem.harlem renaissance art of Black America. New York Harry N. Abrams, 1994.
http://xroads.virginia.edu/~MA03/staples/douglas/biblio.html
American Artists' Congress. Artists Against War and Fascism . New Brunswick, N.J.: Rutgers University Press, 1986. Berman, Greta. The Lost Years: Mural Painting in New York City under the WPA Federal Art Project, 1935-1943 . New York: Garland Pub., 1978. Berman, Greta. "The Walls of Harlem." Arts 52 (Oct. 1977): 122-26. Contreras, Belisario. Tradition and Innovation in New Deal Art . Cranbury, N.J.: Associated University Presses, Inc., 1983. Dallas Museum of Art. Black Art Ancestral Legacy: The African Impulse in African-American Art . New York: Harry N. Abrams, Inc., 1989. Douglas, Andrea Noelle. Reclaiming the Fetish: Cultural Nationalism and the Black Aesthetic 1920-1940 . Dissertation UVA May 2001. Gates, Henry Louis, Jr. "Harlem on Our Minds," in Hayward Gallery. Rhapsodies in Black: Art of the Harlem Renaissance . Berkeley: University of California Press, 1997. Pp. 160-167. Grove Dictionary of Art . Online edition. Hayward Gallery. Rhapsodies in Black: Art of the Harlem Renaissance . Berkeley: University of California Press, 1997.

32. Harlem Renaissance: Art Of Black America. Carlagirl Photo.
Harlem Renaissance Art of Black America, Deborah WillisRyan, et al. HarlemRenaissance Art of Black America New York Harry N. Abrams, Inc., 1987.
http://www.carlagirl.net/research/library/harrenn.html
Deborah Willis-Ryan, et al.
Harlem Renaissance: Art of Black America

New York: Harry N. Abrams, Inc. The Studio Museum in Harlem
Description:
"A fine introduction to the visual artists who participated in the black cultural explosion of the 1920s." San Francisco Examiner-Chronicle "The artists spotlighted here powerfully convey a black American identity through visual images hewn from memory, history, experience." Publishers Weekly
Go Back.

33. ARTKids - ARTAges Oriental Art In Summary
from harlem renaissance art of Black America . The Studio Museum in Harlem.Abradale Press, Harry N. Abrams, Inc. Publishers. William H. Johnson
http://www.artfaces.com/artkids/african.htm
ART Ages- African Art in Summary "The African continent has produced a great diversity of art from prehistoric times to the present day. In many instances, art production has been related to ritual or tribal ceremonies, as well as serving more secular decorative functions, but it is not always easy to determine the function of a particular work.
Zaire, Luama River, Zimba, Bango Bango,
or Hemba people
Mask
Late 19th-early 20th century
Ivory
8 7/8 x 4 1/8 x 2 7/8 in.
Museum of Fine Arts, Houston, Texas
It is also problematic to label as 'art' the productions of African craftspeople who frequently considered their work as an essential part of secular or religious life. In many tribes, the artist had a high status, but the artist would not necessarily have been the equivalent of the western fine artist who relied on patronage or the marketplace to regulate his or her production. With these strictures in mind, it is possible to isolate different areas and different practices of African art. From c 7000 BC rock drawings include representations of animals and hunters. From the beginning of tribal differentiation, tribal art has become a way of isolating one tribe from another, and tribal art can take the form of scarification, body painting or sculptural masks used in religious ceremonies.
FANG
Mask Gabon Painted wood 18 7/8 in. (48 cm) high

34. Harlem Renaissance
A guide to the life, creativity and revolution inspired by the harlem renaissance. Featuring the history, general information, and collections of art, poetry, and prose.
http://www.nku.edu/~diesmanj/harlem.html
Johnson
McKay
Jones
Hurston Yet do I marvel at this curious thing:
To make a poet black, and bid him sing!
- from "Yet Do I Marvel" by Countee Cullen [enter here]

35. Aaron Douglas Web Art Lesson Home Page
Offers art lessons for school children, based on the work of AfricanAmerican artist Aaron Douglas, focusing on the harlem renaissance during the 1920's.
http://www.ops.org/wal/douglasweb/
Aaron Douglas, Painter Art Lessons on the Web
For Primary Students [home] [ artwork artist questions activity ... OPS Art Back to the Web Art Lessons Directory Please respect our
Comments to Webmaster
URL: http://www.ops.org/wal/douglasweb/home.html
Last update: May, 1998

36. African American Art: Harlem Renaissance
African American art, its story told by reknowned art historian Richard Powell,with images of examples, great quotations, and links to other resources.
http://www.artlex.com/ArtLex/a/african_american_4.html
A frican American art This article was excerpted from Africana: The Encyclopedia of the African and African American Experience , Second Edition. Edited by Henry Louis Gates Jr. and Kwame Anthony Appiah. Oxford University Press, April 2005. By Richard J. Powell The Harlem Renaissance The social and political anxieties that many African Americans felt just after World War I (1914-1918) were alleviated, in part, by mass migrations to the urban North. Northern cities offered a respite from the repressive attitudes and mandates of the old Southern order. The new racial compositions of cities like Washington, D.C., Philadelphia, New York, Pittsburgh, Detroit, Chicago, and Saint Louis, in combination with a heightened social consciousness and a seemingly unbound desire for leisure and escapism, conspired to help create the cultural phenomenon known as the New Negro movement. Part social engineering and part spontaneous expression, this Harlem Renaissance (as the cultural movement later became known) was realized by a mix of American movers and shakers: social reformers, political activists, cultural elites, progressives in public policy and education, and, of course, artists. Although each of these constituencies had its own reasons for promoting African American achievements in the literary

37. Online NewsHour Forum: Harlem Renaissance -- February 20, 1998
In this exhibit, the harlem renaissance is more than a phenomenon confined the harlem renaissance and Richard Powell, associate professor of art and art
http://www.pbs.org/newshour/forum/february98/harlem_2-20.html
HARLEM RENAISSANCE
February 20, 1998
An exhibit in San Francisco explores the artistic
and cultural legacies of the 1920s and 30s. "(Harlem) is romantic in its own right. And it is hard and strong, its noise, heat, cold, cries and colours are so. And the nostalgia is violent too; the eternal radio seeping through everything day and night, indoors and out, becomes somehow the personification of restlessness, desire, brooding." Nancy Cunard, Harlem Review Questions asked
in this forum:
Why did the Harlem Renaissance use exotic, sensual images to celebrate African-American culture? How did the Harlem Renaissance affect the politics leading up to the Civil Rights Movement? With so many economic and cultural hurdles, why was Harlem Renaissance art so optimistic in tone? What was it about Paris that allowed African-American artists to achieve recognition there? ... Why did the Harlem Renaissance end? NewsHour Backgrounders
Jan. 6, 1998:
The life and art of Gordon Parks , Life photographer, film director, composer and digital art pioneer. Sept. 8, 1997:

38. Online NewsHour Forum: Harlem Renaissance -- February 20, 1998
Why did the artists of the harlem renaissance use primitive, One of thebiggest misconceptions surrounding the art and culture of the harlem renaissance
http://www.pbs.org/newshour/forum/february98/harlem1.html
HARLEM RENAISSANCE
February 20, 1998
An exhibit in San Francisco explores the artistic
and cultural legacies of the 1920s and 30s. Questions asked
in this forum:
Why did the Harlem Renaissance use exotic, sensual images to celebrate African-American culture? How did the Harlem Renaissance affect the politics leading up to the Civil Rights Movement? With so many economic and cultural hurdles, why was Harlem Renaissance art so optimistic in tone? What was it about Paris that allowed African-American artists to achieve recognition there? Why did the Harlem Renaissance end? The Online NewsHour asks: Why did the artists of the Harlem Renaissance use primitive, sensual images and music to celebrate black culture when African-Americans have often been stereotyped with images of the primitive and the exotic? Was this ever addressed or challenged by the African-American community? Professor Richard Powell responds: One of the biggest misconceptions surrounding the art and culture of the Harlem Renaissance is that the African American artist was somehow above and beyond the primitivist mindset: that the exoticizing of Africa, the exploring of sexual themes, and the interrogation of the black demimonde was primarily something that white artists and intellectuals were engaged in. Yet if one studies the historical record and the cultural artifacts from the period, we see many African American artists delving into these problematic themes and subjects. Why? Because (among many other reasons) many of these artists saw this approach as underscoring their modernist credentials.

39. The Harlem Renaissance
An evergrowing collection of art, poetry, and prose from the harlem renaissance . arts art History Periods and Movements harlem renaissance
http://www.nku.edu/~diesmanj/harlem_intro.html
Yet do I marvel at this curious thing:
To make a poet black, and bid him sing!
- from "Yet Do I Marvel" by Countee Cullen Get a sneek peek of my resource guide , which currently contains primary and secondary works of 10 women of the Harlem Renaissance. The guide's format will be changing this summer and more authors will be included. Beginning May 2000, you will begin to see many changes on this site. Please stop back to see the new design and materials. W hat was the Harlem Renaissance? "From 1920 until about 1930 an unprecedented outburst of creative activity among African-Americans occurred in all fields of art. Beginning as a series of literary discussions in the lower Manhattan (Greenwich Village) and upper Manhattan (Harlem) sections of New York City, this African-American cultural movement became known as "The New Negro Movement" and later as the Harlem Renaissance. More than a literary movement and more than a social revolt against racism, the Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. African-Americans were encouraged to celebrate their heritage and to become "The New Negro," a term coined in 1925 by sociologist and critic Alain LeRoy Locke. One of the factors contributing to the rise of the Harlem Renaissance was the great migration of African-Americans to northern cities (such as New York City, Chicago, and Washington, D.C.) between 1919 and 1926. In his influential book

40. Harlem Renaissance
Architect of the New Negro Movement and the harlem renaissance. This sitewill give you information on musicians and art of the harlem renaissance.
http://www.uncp.edu/home/canada/work/markport/lit/introlit/harlem2.htm
HARLEM RENAISSANCE
LOCATION
Harlem is a subdivision of New York City located in northern Manhattan bordering on the Harlem and the East river. It was Dutch settlement of Nieuw Harlem established by Peter Stuyvesant in 1658.
History Of This Period
With the dream of making a better life for themselves, African Americans during 1914-1918 migrated North from the rural South. Harlem was a popular place to settle. As a result of this, Harlem became an sophisticated artistic and literary center. "In his magazine Crisis , W.E.B. Dubois urged racial pride among African Americans, and writers, many living in Harlem, began producing fine original works about African American life. Their work constituted a fresh, new subject that attracted white readers and publishers."
Time Span 1919-1940s /AChronology Of Important Events
This site dipicts the sequence of events during this period.
AFRICAN AMERICAN WRITERS AND POETS:
James Langston Hughes 1902-1967 (Writer) HLB Homes
  • reared by his grandmother in Lawrance, Kansas inspired by grandmother to have a devotion to the cause of social justice father migrated to Mexico mother often away bought a home in Harlem in 1947
Hobbies
  • read and wrote a lot because of loneliness published his first poem while in high school
Education
  • 1921 Columbia University (one year)
Career
  • his verse appeared regularly in Crisis (NAACP) and Opportunity (National Urban League) deliveryman/messman on ships to Africa and Europe busboy/dishwasher poet/playwright/novelist/journalist

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