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  1. Geometry of Design: Studies in Proportion and Composition by Kimberly Elam, 2001-08-01

61. Golden Ratio -- Facts, Info, And Encyclopedia Article
The golden ratio is also referred to as the golden mean, golden section, (Click link for more info and facts about Sacred geometry) Sacred geometry
http://www.absoluteastronomy.com/encyclopedia/g/go/golden_ratio.htm
Golden ratio
[Categories: Mathematical constants, Irrational numbers, Algebraic numbers]
This article is about the mathematical ratio. For the (A follower of Aristotle or an adherent of Aristotelianism) Aristotelian concept of "golden mean" see (Click link for more info and facts about Nicomachean Ethics) Nicomachean Ethics

The golden ratio is an (A real number that cannot be expressed as a rational number) irrational number , approximately 1.618, that possesses many interesting properties. Shapes defined by the golden ratio have long been considered (Click link for more info and facts about aesthetically) aesthetically pleasing in western cultures, reflecting nature's balance between symmetry and asymmetry and the ancient Pythagorean belief that reality is a numerical reality, except that numbers were not units as we define them today, but were expressions of ratios. The golden ratio is still used frequently in art and design. The golden ratio is also referred to as the golden mean golden section golden number or divine proportion
The golden ratio was first studied by ancient mathematicians due to its frequent appearance in (The pure mathematics of points and lines and curves and surfaces) geometry . The golden ratio seems to have been understood and used by the Egyptians. The discovery of irrational numbers, numbers that cannot be represented as an exact ratio of two

62. Art History Glossary - G - Golden Ratio
This ratio is a common theme in sacred geometry worldwide. Also Known Asgolden section, golden proportion, golden mean, phi ratio, sacred cut,
http://arthistory.about.com/cs/glossaries/g/g_golden_ratio.htm
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Your Guide to Art History
FREE Newsletter. Sign Up Now! Definition: noun Golden Ratio is a term (with an astounding number of aliases) used to describe aesthetically pleasing proportioning within a piece. (There is, in fact, a mathematical formula with which one can calculate Golden Ratio. Please see the links at right for information on such, from those who are less right-brained than your Guide.) All math aside, some unknown genius figured out (millenia ago) that, in a work of art or architecture, if one maintained a ratio of small elements to larger elements that was the same as the ratio of larger elements to the whole, the end result was extraordinarily pleasing to the eye. This ratio is a common theme in sacred geometry world-wide.

63. Bibliography: L
natural proportion, patterns, ratio, golden section,polygons, geometry in The golden mean Mathematics and the Fine Arts Doubleday, 1974
http://www.luckymojo.com/bibliol.html
Bibliography: L
Lawlor, Anthony
The Temple in the House: Finding the Sacred in Everyday Architecture

G.P. Putnam's Sons, 1994
ISBN 0-87477-777-1 Keywords:
natural proportion, patterns, ratio, golden section, spirals, polygons, polyhedra, Pythagoras, Fibonacci, geometry in art-music-architecture, megaliths, mounds, petroglyphs, houses of worship, funerary-cemetery-burial sites, vernacular architecture, archaeoastronomical observatories, astro-calendrical devices, labyrinths, symbolic landscaping, ley lines, feng shui, religion, myth, folklore, cosmology, religious iconography, freemasonic symbolism, number symbolism, prehistoric, ancient, medieval, renaissance, modern, Africa, Asia, Australia, Crete, Egypt, Europe, Greece, Meso-America, Middle East, North America, Pacific Islands, Rome, South America, world survey Comment:
Perhaps the best recent book on the subject of vernacular sacred architecture; written by an architect. Highly recommended. CY Lawlor, Robert
Sacred Geometry: Philosophy and Practice

Thames and Hudson Ltd., 1982, 1990

64. Sacred Geometry -- What Is It?
Bragdon seems so normal as he writes about the golden mean and creates a newdesign style based on projective geometry, that it comes as quite a shock
http://www.luckymojo.com/sacreddefined.html
SACRED GEOMETRY WHAT IS IT?
The term "sacred geometry" is used by archaeologists, anthropologists, and geometricians to encompass the religious, philosohical, and spiritual beliefs that have sprung up around geometry in various cultures during the course of human history. It is a catch-all term covering Pythagorean geometry and neo-Platonic gometry, as well as the perceived relationships between organic curves and logarithmic curves. Here are a few examples of how the "sacred" has entered into geometry in different eras and cultures: 1) The ancient Greeks assigned various attributes to the Platonic solids and to certain geometrically-derived ratios, investing them with "meaning." For example, the cube symbolized kingship and earthly foundations, while the Golden Section was seen as a dynamic principle embodying philosphy and wisdom. Thus a building dedicated to a god-king might bear traces of cubic geometry, while one dedicated to a heavenly god might have been constructed using Golden Section proportions. 2) When Hindus (ancient and modern) plan to erect any ediface for religious purposes, from a small wayside shrine to an elaborate temple, they first perform a simple geometric construction on the ground, establishing due East and West and constructing a square therefrom. (It's a simple, elegant piece of work, at about the level of high school geometry). Upon this dioagram they lay out the entire building. The making of this geometric construction is accomanied by prayers and other religious observances.

65. On Geometry And Advanced Energy Conversion
The number Phi is usually represented as a golden mean Spiral , consisting of However, this spiral does look a lot like the one in the geometry of
http://www.padrak.com/ine/ONGEOMETRY.html
Return to the INE Main Page On Geometry and Advanced Energy Conversion
Patrick Bailey, INE President
March 1996 There are quite a few areas in which the idea of the use of a particular geometry has overlapped with the advanced energy areas. Here is a summary of what I can remember off of the top of my head: 1. The Great Pyramid of Giza, Egypt, was built about the same time as the Sphinx, and I think it was definitely built way, way before the other structures there. It has a full base to height ratio of 2 to SQRT(Phi), where Phi is the Golden Ratio and is equal to (1+SQRT(5))/2. That gives an internal triangle with sides of 1-to-SQRT(Phi)-to-Phi. Several experimenters have noticed that four-sided pyramids build with this ratio exhibit strange properties when a base is aligned perpendicular to local magnetic north. I have not seen many papers on exact EM experimental results of the effects of this geometry, and perhaps we should! This would be a great idea for elementary and high school science projects! I also note that when a pyramid of this exact shape is cut along the base and along the edges and unfolded, one gets the Templar Cross. Coincidence?

66. The Sacred Geometry Of Sound
So the golden mean proportions of the cosmos and our body temples are closelyaligned with And it is we ourselves who embody the geometry of the cosmos!
http://www.spiritofmaat.com/archive/jan4/prns/williams.htm
Spirit of Ma'at:
The Sacred Geometry of Sound
by Healer/Musician
Ani Williams
Sacred Geometry and the Structure of Music Legend recounts how Orpheus was given a lyre by Apollo. By playing his lyre, Orpheus produced harmonies that joined all of Nature together in peace and joy.
Inspired by this Orphic tradition of music and science, Pythagoras of Samos conducted perhaps the world's first physics experiment. By plucking strings of different lengths, Pythagoras discovered that sound vibrations naturally occurred in a sequence of whole tones or notes that repeat in a pattern of seven.
This correlation of sound, matter, and consciousness is important. For as Stanford physicist William Tiller has proved, human consciousness imprints the space and matter of the universe. It is our intent that gives the direction and quality to Creation.
The Music of Atomic Shapes
The Platonic solids, basic shapes of Sacred Geometry, are five three-dimensional geometric forms of which all faces are alike. And each platonic solid represent one of the five elements of creation, as follows:
These five Platonic solids comprise the alchemical dance of the elements and of Creation itself. My introduction to the spiritual power of sound began with an experience of this truth.

67. Human Form From Sacred Geometry
Sacred geometry studies such primal systems which reveal the unity of the The golden mean is expressed in the 52 degree angle pyramid structure and Pi
http://www.people.vcu.edu/~chenry/
SACRED GEOMETRY
New Discoveries Linking The Great Pyramid to the Human Form Professor, Department of Sculpture
Virginia Commonwealth University
Richmond, Virginia This site is best viewed on Microsoft Internet Explorer 4.0 or higher with screen set to 1024 X 768 pixels, 24 bit ...16 million colors. Set ... View/Text Size ... to Meduim Click on thumbnails to view larger images. For more than twenty years, I have been studying the image generating properties of reflective spheres stacked in 52 degree angle pyramids. The 52 (51.827) degree angle slope of the sides of The Great Pyramid in Cairo, Egypt embodies the Golden Mean which is the ratio that is used in Nature to generate growth patterns in space. Sacred Geometry studies such primal systems which reveal the unity of the cosmos by representing the relationships between numbers geometrically. The Vesica Piscis is one of the most fundamental geometrical forms of this ancient discipline and it reveals the relationship between the The Great Pyramid and the 2 dimensional expansion of a circle of one unit radius R as shown in Figure 1. This relationship is more completely described in The New View Over Atlantis by John Michell published by Thames and Hudson. Figure 1 Vesica Piscis in 2 Dimensions In the early 1970s, I became very interested in the three dimensional representation of this geometry and I visualized this as a three dimensional pyramid inside two intersecting spheres shown in Figure 2.

68. Introduction To Phi And The Golden Mean
The golden Section is a unique Ratio (or relationship between parts) (Histheory is that the PHI geometry of DNA implies a waveform preference for
http://www.miqel.com/pure-math-patterns/visual-math-phi-golden.html
Home math patterns frontpage Introduction to the fascinating patterns of Visual Math
Platonic / Vectoral Geometry
Simple Iterative Fractals Natural fractals Minimal Surfaces ... Multi Dimensional Forms
PHI: The Golden Ratio or Golden Section
In Nature, Art, Science and Religion)
The Golden Section is a unique Ratio

(or relationship between parts)
that seems to be preferred by Nature
as the best geometry for growth, energy conservation, elegance and has some
fundamental relationships to the platonic solids and the Mandelbrot set.
It was formally discovered by the Greeks and incorporated into their art and architecture, but it has been shown to occur even in prehistoric art, possibly as a function of Man's natural affinity for it's beauty.

The rectangle at left has a vertical edge length of 1 the horizontal or width of the rectangle is 1.618

69. The 'Golden Mean' In Number Theory
The choice of the golden mean is dictated by number theory the golden mean is the of the same universal golden scale, based on a geometry of intervals
http://www.maths.ex.ac.uk/~mwatkins/zeta/goldenmean.htm
The ' Golden Mean ' in number theory
Planat, et. al. have subjected certain arithmetic functions to a type of analysis appropriate to signal processing and discovered a type of power law in the frequency spectrum possibly involving the Golden mean
C. Castro, "Fractal strings as the basis of Cantorian-Fractal spacetime and the fine structure constant" [abstract:] "Beginning with the most general fractal strings/sprays construction recently expounded in the book by Lapidus and Frankenhuysen, it is shown how the complexified extension of El Naschie's Cantorian-Fractal spacetime model belongs to a very special class of families of fractal strings/sprays whose scaling ratios are given by suitable p inary ( p inary, p prime) powers of the Golden Mean. We then proceed to show why the logarithmic periodicity laws in Nature are direct physical consequences of the complex dimensions associated with these fractal strings/sprays. We proceed with a discussion on quasi-crystals with p -adic internal symmetries, von Neumann's Continuous Geometry, the role of wild topology in fractal strings/sprays, the Banach-Tarski paradox, tesselations of the hyperbolic plane, quark confinement and the Mersenne-prime hierarchy of bit-string physics in determining the fundamental physical constants in Nature." Castro's observation possibly linking the 'Golden String' to a function central to the behaviour of certain eigenvalues in random matrix theory (which in turn appears to be deeply linked to the behaviour of the nontrivial zeros of the Riemann zeta function).

70. Geometry
The golden mean (or golden Section), represented by the Greek letter phi, A really good book on this subject is Sacred geometry Philosophy and
http://www.dial-a-teacher.com/geometry/page11.html
Phi
The Golden Mean The Golden Mean (or Golden Section), represented by the Greek letter phi, is one of those mysterious natural numbers, like e or pi, that seem to arise out of the basic structure of our cosmos. Unlike those abstract numbers, however, phi appears clearly and regularly in the realm of things that grow and unfold in steps, and that includes living things.
The decimal representation of phi is 1.6180339887499... . Pure Math
Proportion is the relationship of the size of two things.
Arithmetic proportion exists when a quantity is changed by adding some amount. Geometric proportion exists when a quantity is changed by multiplying by some amount. Phi possesses both qualities.
If you study the Fibonacci series and the Golden Rectangle carefully, you will eventually realize that phi + 1 = phi * phi.
The resulting proportion is both arithmetic and geometric. It is thus perfect proportion; you could think of it as the place on some imaginary graph where the curved line of multiplication crosses the straight line of addition.
Nature
In pure mathematics, an increase in size can be any imaginable number, even one like

71. Geometry Of Human Anatomy - MedHunters
geometry of Human Anatomy. By Cynthia M Piccolo properties of the divineproportion, also known as the golden ratio, golden mean, and golden section.
http://www.medhunters.com/articles/geometryOfHumanAnatomy.html
Home Magazine For Employers About Us ... EMPLOYERS
Geometry of Human Anatomy
By Cynthia M Piccolo In the days before plastic surgery gave us "perfection," one could argue that artists, mathematicians, engineers, and architects were the experts in the "perfect" human form. As far back as ancient Egypt, individuals had discovered the mystical properties of the divine proportion, also known as the golden ratio, golden mean, and golden section. Why "divine"? It is considered to be the proportions that constitute anything that is aesthetically pleasing. An example of a building designed using this ratio is the Parthenon atop the Acropolis in Athens. In art, the divine proportion can frequently be found, perhaps most famously in the proportions and placement of the participants in da Vinci's The Last Supper. But what about the body? The index finger is said to show the ratio: each section of the index finger, moving from the tip to the base of the hand, is larger by approximately 1.618. (1.618 is not a whole number, so the proportions don't have to be 100% exact, but the closer, the more "perfect.") Similarly, the ratio of the hand to the forearm is also 1.618. Who cares about perfection in hands, you say? Well, what about the perfect smile? According to phi-philes, in an aesthetically pleasing mouth, the front two teeth form a golden rectangle (which is said to be one of the most visually satisfying of forms, as it is formed with sides of 1 and 1.618). There is also a phi ratio in the height to width of the center two teeth. And the ratio of the width of the two center teeth to those next to them is also phi. And, the ratio of the width of the smile to the third tooth from the center is also phi.

72. Sacred Geometry
Like the golden mean Spiral, this geometric progression has no beginning and noend. It is from the Harmonics of Music that all the laws of physics can be
http://www.spiraloflight.com/sacred_geometry.htm
lightSource
A Sacred Geometry Experience
Sacred Geometry is the blueprint of Creation and the genesis of all form. It is an ancient science that explores and explains the energy patterns that create and unify all things and reveals the precise way that the energy of Creation organizes itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more geometric shapes. As you enter the world of Sacred Geometry you begin to see as never before the wonderfully patterned beauty of Creation. The molecules of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, a nautilus shell, the star we spin around, the galaxy we spiral within, the air we breathe, and all life forms as we know them emerge out of timeless geometric codes. Viewing and contemplating these codes allow us to gaze directly at the lines on the face of deep wisdom and offers up a glimpse into the inner workings of the Universal Mind and the Universe itself. The ancients believed that the experience of Sacred Geometry was essential to the education of the soul. They knew that these patterns and codes were symbolic of our own inner realm and the subtle structure of awareness. To them the “sacred” had particular significance involving consciousness and the profound mystery of awareness … the ultimate sacred wonder. Sacred Geometry takes on another whole level of significance when grounded in the experience of

73. Geoman Text
The pentagram expresses the golden mean in all its proportions. Thus, byarranging the four most fundamental shapes in plane geometry using the most
http://www.geoman.com/geomantext.html
G E O M A N A T O M Y James L. Fournier
The new Vitruvian Man I discovered, which I have called Geoman, adds two of the three fundamental polygonal shapes in plane geometry, the equilateral triangle, and the pentagram, both in the golden mean relationship to the same circle represented with the square in Leonardo daVinci's Vitruvian Man.
In Leonardo's drawing there are two of the four simplest shapes in plane geometry. These are the circle representing unity, or one, and the square representing four. I had noticed that the relationship between the circle and the square in Leonardo's drawing is the golden mean ratio. Thus the length of one side of the square is 1.618 times the radius of the circle. I found this by measuring Leonardo's drawing, but D'Arcy Thompson had also demonstrated by statistical analysis that on average the distance from the ground to a person's navel is the golden mean of their overall height. I also knew that the navel, our center, the center that we grow from, is also our center of mass, the point which we would spin about weightless in space, which is also the center that we find when we meditate and find our "center" (yellow in the diagram).
Each of the three shapes shares the same edge length as the square, and thus each is in the golden mean relationship to the radius of the circle. The key to the success of the diagram is that the tip of the equilateral triangle protrudes through the base of the square, counter to the medieval teaching that the arm span is equal to the diagonal to the feet. Instead, the two points where the triangle meets the ground represent the centers of the feet, and the tip of the triangle represents the pointed toes as if in a pirouette.

74. Golden Triangle And Spiral
The golden mean Spiral, the seven toroid cascade from the heart s and theK mer s of Cambodia, one universal geometry and number system unites them,
http://www.akasha.de/~aton/GoldenTriSpiral.html
Golden Mean Triangle's The Golden Mean Spiral, the seven toroid cascade from the heart's cardio-rythm at coherent moments, known as Compassionate Love, which establishes the recursive fractal or mirror-into-mirror cascade, that we call the Pyramid Vortex of the Phoenix and Dove, can be made by the simplest Universal Keys of Trinity, that comprises this Universe's university for co-creatorship. The angles are exceptionally significant, for 72 years is 1 degree in the zodiac for our planets recursion through the 12 houses of HOR (Horus). Multiples and divisions of this harmonic number, are used by ALL the major indegenous cultures, from the Myth's of the Egyptians, Vedic Philosophers, to the Edda Runic Bards of Scandinavia, to the Mayan's, the Greeks, and the K'mer's of Cambodia, one universal geometry and number system unites them, as we will show in articles to be. But this sequence also enables us to make the Unified Field Cartography system, for navigation in Earths magnetic field Icosahedron, as you will find at the Geodyseum of Earths Biosphere (GEB) site, and to turn time into a Dodecahedron. This establihses an extraterrestrial Unified Field Universal Navigation system.

75. Geometry - A To Z Home's Cool Homeschooling Math
geometry for kids through real life lessons build a bookcase, play games, The golden mean is a ratio that is present in the growth patterns of many
http://homeschooling.gomilpitas.com/explore/geometry.htm
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76. SAPAAN Vol. 1 Spring 2003 - Hidden Geometry In Music Of Bach And
Pitch Bb3 at time point 24 of section A is at the golden mean of local apexes Pitch C2 at the nadir of section B is at the geometric mean at time point
http://www.sapaan.com/vol1/saggau.htm

77. Guillaume Morel :: The Golden Number
The golden mean, or golden Ratio, or golden Number is one of these In bothArithmetics geometry, has many properties that we cannot develop here.
http://www.guillaumemorel.com/en-gold.htm
Agent Author Consultant Manager ... Webmaster Golden Mean
Keys: golden mean, 1.618, divine, proportion, ratio, mathematics, paintings, aesthetics, harmony
Presentation:
The Golden Mean, or Golden Ratio, or Golden Number is one of these mysterious irrational numbers, like e or (Pi). It is often called or (Phi).
My research:
The value of
The positive result of the equation "X²=X+1" gives value:
NB: you can find the value of the Golden Number with 2000 places here
is also the limit of the ratio of Fibonacci series numbers:
Lim [n ] ( U[n+1]/U[n]) =
where U is defined as follow: Fibonacci serie U[n+2]=U[n+1]+U[n] U[0] = 0, U[n]=1 U[n] values are: 0, 1 , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, etc. Mathematical properties of has many properties that we cannot develop here. The basic knowledge to keep in mind with the Golden Number is: and ' are very close as far as their decimal part is identical and they have the following properties: '=-1 and Geometrically, is defined as follow: Euclide (~300BC) called this geometrical drawing "to divide a line in mean & extreme ratio"

78. Zausner Golden Mean - 1/18/97
Excerpt on properties of numbers and dynamical geometry of aesthetics from The groups of eight and five stairs also exhibit the golden mean in the
http://www.blueberry-brain.org/goldmean/zausner.htm
The citation for the dissertation is:
Zausner, T. (1993). Transformation of Personality and Emergence of Self in Titian’s “Presentation of the Virgin to the Temple.
Excerpt on properties of numbers and dynamical geometry of aesthetics from
CHAPTER XVI: ASCENSION
The Stairs
Eliade remarks that ascension is often seen as a climbing of stairs, and cites the ceremonial staircase in the Orphic and in the Mithraic initiations. He says that stair symbolism is culturally universal and part of the archaic content of the human mind. According to Jung, stairs symbolize the process of psychic transformation in which the contents of the unconscious are brought into conscious awareness. My research suggests that in the humanist symbolism of the painting, Mary's ascension is emphasized by the upper bank of five stairs and by the number of stairs in the staircase. (Fig. 11) Schneider discovered that the angle of the upper five stairs is different from the angle of the lower eight stairs. He believes Titian did this deliberately because the lower stairs are formed of shorter stone rectangles, while the upper stairs are formed of slightly longer ones. (Fig. 11, 34)

79. Sacred Geometry
It is this principle of oneness underlying all geometry that permeates the The golden ratio (aka phi ratio aka sacred cut aka golden mean aka divine
http://www.meta-religion.com/Mathematics/Articles/sacred_geometry.htm
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Sacred Geometry
by Bruce Rawles Courtesy of http://www.intent.com/sg/ In nature, we find patterns, designs and structures from the most minuscule particles, to expressions of life discernible by human eyes, to the greater cosmos. These inevitably follow geometrical archetypes, which reveal to us the nature of each form and its vibrational resonances. They are also symbolic of the underlying metaphysical principle of the inseparable relationship of the part to the whole. It is this principle of oneness underlying all geometry that permeates the architecture of all form in its myriad diversity. This principle of interconnectedness, inseparability and union provides us with a continuous reminder of our relationship to the whole, a blueprint for the mind to the sacred foundation of all things created.

80. Golden Ratio
The golden ratio is also referred to as the golden mean, golden section, The number φ turns up frequently in geometry, in particular in figures
http://www.algebra.com/algebra/about/history/Golden-ratio.wikipedia
Golden ratio
Regular View Dictionary View (all words explained) Algebra Help my dictionary with pronunciation , wikipedia etc
Golden ratio
It has been suggested that this article or section be merged with Golden Mean Discuss
This article is about the mathematical ratio. For the Aristotelian concept of "golden mean" see Nicomachean Ethics
The golden ratio is an irrational number , approximately 1.61803..., that possesses many interesting properties. Shapes defined by the golden ratio have long been considered aesthetically pleasing in Western cultures, reflecting nature's balance between symmetry and asymmetry and the ancient Pythagorean belief that reality is a numerical reality, except that numbers were not units as we define them today, but were expressions of ratios. The golden ratio is still used frequently in art and design. The golden ratio is also referred to as the golden mean golden section golden number divine proportion or sectio divina
Contents
History
The golden ratio was first studied by ancient mathematicians due to its frequent appearance in geometry . The golden ratio may have been understood and used by the Egyptians. The discovery of irrational numbers, numbers that cannot be represented as an exact ratio of two

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