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         Expressionism Dance:     more detail
  1. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (Cambridge Studies in American Theatre and Drama) by Julia A. Walker, 2005-07-25
  2. Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre (Modern Drama in Theory & Practice) by J. L. Styan, 1983-07-29
  3. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt by Lotte Eisner, 1974-01-07
  4. Mary Heilmann: Save the Last Dance for Me (One Work) by Terry R. Myers, 2007-06-01
  5. The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror (Cambridge Studies in Film) by Paul Coates, 1991-04-26
  6. Theateraufsatze (Schreyer, Lothar, Works. No. 3.) by Lothar Schreyer, 2000-04
  7. German Expressionist Films (Pocket Essentials (Trafalgar)) by Paul Cooke, 2002-07

61. Eye - Dance - 10.07.99
As my introduction to European expressionism, it was a revelation. The dance wasset in a giant dollhouse and performed in masks.
http://www.eye.net/eye/issue/issue_10.07.99/arts/dance.html
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DANCE
Expressionist dance troupe updates Carmen
CARMEN + SOLO FOR TWO
Featuring the Lyon Opera Ballet. Choreographyby Mats Ek. Oct 13-14. Hummingbird Centre,1 Front E. $28-$70. 872-2262.
BY REBECCA TODD
The first time I ever saw European dance theatre was in 1987 in L.A., in the Lyon Opera Ballet's performance of French choreographer Maguy Marin's Cendrillon, a remake of Cinderella . As my introduction to European expressionism, it was a revelation. The dance was set in a giant dollhouse and performed in masks. The dancers used their bodies in a way that was more affecting than anything I'd seen in dance all naked emotion, with the subtext writ large. This week, the Lyon Opera Ballet visits Toronto with an evening of choreography by another European expressionist Swedish choreographer Mats Ek. The Lyon Opera Ballet is unusual in that it's a classically trained company devoted entirely to performing the work of contemporary choreographers. "You could say we're classical dancers who don't want to do classical stuff any more, and are open to learning new techniques," says artistic director Yorgos Loukos interviewed by phone from France.

62. Korea Foundation
form that incorporates elements of Japanese dance and theater traditions aswell as expressionism, Modernism and Dadaism and contemporary dance pieces
http://www.kf.or.kr:8080/eng/notice/mediaView.jsp?boardIdx=445

63. Germany Expressionism Art - Books, Journals, Articles @ The Questia Online Libra
We searched for germany AND expressionism AND art and found 1930 total results . In the Shadow of the Reich Modern dance in Hitler s Germany
http://www.questia.com/search/germany-expressionism-art
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books on: germany expressionism art - 1744 results More book Results: German and Austrian Expressionism in the United States, 1900-1939: Chronology and Bibliography Book by E. R. Hagemann ; Greenwood Press, 1985 Subjects: Arts, Modern20th CenturyAustria Arts, Modern20th CenturyGermany Arts, Modern20th CenturyUnited States Expressionism (Art)Austria ... Expressionism (Art)United StatesChronology Expressionism Art United StatesBibliography. 3. Expressionism Art Germany . 4. Arts, Modern 20th centuryUnited States. 5. Arts, Modern20th century Germany Expressionism Art Austria. 7. Arts, Modern20th century...

64. CNN - Martha Clarke: Art Near 'la Flamme' - June 17, 1999
And in a way, Clarke s background reflects the American dance Festival s own ( expressionism in Modern dance, 1130 am in the East Duke Building),
http://archives.cnn.com/SHOWBIZ/Arts/9906/17/dance.fest/

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1999 American Dance Festival
Martha Clarke: Art near 'la flamme'
Martha Clarke's 'Vers la flamme' has its premiere Thursday night at the American Dance Festival in Durham, North Carolina June 17, 1999
Web posted at: 1:19 p.m. EDT (1719 GMT) By Porter Anderson
CNN Interactive Arts Writer
In this story: The modern Martha The contemporary Clarke Also at the festival RELATED STORIES, SITES (CNN) Martha Clarke is an American theater artist who once posed humankind as just one of several "Endangered Species"; made Broadway a home for a writhing "Hunger Artist"; and laid naked some of every lover's most sensual terrors in "Miracolo d'Amore." Thursday night, she maps out a new intersection of aesthetic terrain this time between Russian playwright Anton Chekhov and composers Alexander Scriabin and Sergei Rachmaninoff. Clarke's "Vers la flamme" is the key world-premiere offering at the 1999 American Dance Festival, a performance-and-training program that runs through July 23 on the campus of Duke University in Durham, North Carolina. The piece seen at 8 p.m. nightly through Saturday in Page Auditorium on Duke's west campus is New York-bound, scheduled for a debut there at Lincoln Center in the fall.

65. Village Voice > Dance > By Christopher Reardon
A sign out front reads The Martha Graham Center of Contemporary dance, but devotees Graham s barefoot expressionism and stomachsnapping contractions
http://www.villagevoice.com/dance/9905,reardon,3770,14.html
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voice columns: select Bites Bush Beat Club Crawl Counter Culture Consumer Guide Eddytor's Dozen Elements of Style The Essay Fashion Forward Fiore Fly Life Free Will Astrology Generation Debt Hello. I'm Eugene. The Interview La Dolce Musto Liberty Beat Liquid City Lusty Lady Mondo Washington Neighborhoods Power Plays Press Clips Pucker Up Riff Raff Rockie Horoscope Savage Love Shelter Site Specific Sutton Impact Tom Tomorrow TV more in The Bessies Come of Age With a Transnational Roster
Ongoing

Glen Rumsey Dance Project
Appealing Choreography Seeks Firmer Skeleton

Evoking Agoraphilia and Isadora Duncan
Agora; Beverly Blossom Orishas Produce Drama Without Much Dance Sango Reality Check: A Meditation About Time Dario Vaccaro Dance Project September Songs: A Smorgasbord of Young Talent DancenOw/NYC's Base Camp at Dance Theater Workshop Upcoming Breaking Ground Mature Choreographers Prove Youth Ain’t Everything DancenOw/NYC’s 40Up Toast at Dance Theater Workshop Another Chance to Gamble on Dance Fall for Dance podcasts rss feeds most popular most recent ... letters / corrections VOICE Giveaways Fashion Win a trip for two to Los Angeles for LA Fashion Week!

66. Village Voice > Dance > By Chris Dohse
forms needs its cheerleaders to encourage and educate a confused audience (JohnMartin for modern dance, Clement Greenberg for abstract expressionism).
http://www.villagevoice.com/dance/9836,dohse,3446,14.html
National Local Features Hentoff ... All classifieds In Focus Katrina
Supreme Court

Mayoral Race

CIA
... Fort Greene Couple's Pig Yells and Yells at Them by Toni Schlesinger The Very Best of the Fall Arts Season eats
drinks

shopping
...
home
voice columns: select Bites Bush Beat Club Crawl Counter Culture Consumer Guide Eddytor's Dozen Elements of Style The Essay Fashion Forward Fiore Fly Life Free Will Astrology Generation Debt Hello. I'm Eugene. The Interview La Dolce Musto Liberty Beat Liquid City Lusty Lady Mondo Washington Neighborhoods Power Plays Press Clips Pucker Up Riff Raff Rockie Horoscope Savage Love Shelter Site Specific Sutton Impact Tom Tomorrow TV more in The Bessies Come of Age With a Transnational Roster
Ongoing

Glen Rumsey Dance Project
Appealing Choreography Seeks Firmer Skeleton

Evoking Agoraphilia and Isadora Duncan
Agora; Beverly Blossom Orishas Produce Drama Without Much Dance Sango Reality Check: A Meditation About Time Dario Vaccaro Dance Project September Songs: A Smorgasbord of Young Talent DancenOw/NYC's Base Camp at Dance Theater Workshop Upcoming Breaking Ground Mature Choreographers Prove Youth Ain’t Everything DancenOw/NYC’s 40Up Toast at Dance Theater Workshop Another Chance to Gamble on Dance Fall for Dance podcasts rss feeds most popular most recent ... letters / corrections VOICE Giveaways Fashion Win a trip for two to Los Angeles for LA Fashion Week!

67. Expressionism
You can find expressionism also in literature, in drama, in set and dance, infilm and in architecture. A unified expressionist style, formed by typical
http://www.museumonline.at/1997/schulen/weiz/expr_e.htm
Typical characteristics of expressionism
Expressionism seems to be the expression of lifestyle of a new generation, which only agreed with disapproval of the social and politic structures.
  • The point is not only the sensual or decorative style of the appearance, but also the psychical, mental and social analysis.
    Expressionism aims at the emotional aspect. It wants to convey the inner expression, and it does not matter if it deals with landscapes, daily objects or persons.
    The big contrast to expressionism are the bright, friendly colours of impressionism.
    All the problems of the new age of industry on the one hand the expansion of the city on the other hand, the loneliness of the people are topics in which art is very engaged .
      "The mask" (painted by Ensor , a painter from Belgium) is a symbol of alteration, laughing is the expression of absurdity, the coloured costumes are symbols of the vanity of the figures: creatures without faces, which are not able to see or to recognize, only strong in groups.
    James Ensor (1860-1944), "The Mask".

68. Voice Of Dance - Insights - Features
The extraordinary Japanese troupe, Dairakudakan, the pioneer exponent of anokokubutoh (dance of darkness the apocalyptic offshoot of German expressionism
http://www.voiceofdance.com/Insights/features.test.cfm?LinkID=31500000000000141

69. Ken Green's Artwork List
Style, Abstract expressionism. Media, Mixed Media on MDF Board. Dimensions,44 x 23 x .05 . Subject, Horses Subject, Tango dance
http://www.doubletakeart.com/cgi-bin/dtg/ea.awl?artist.code=green001

70. Artifact: Full Record For Butoh Net : The World Of Butoh Dance
Other Butoh dance; contemporary dance; German expressionism. Subject HeadingsContemporary dance. Language(s) available on Website English
http://www.artifact.ac.uk/displayoai.php?id=5870

71. Seattle 1
big showy effects, bold images and a hypertheatrical expressionism.dance review A Russian Hamlet The Son of Catherine the Great, 8 o clock tonight,
http://www.ardani.com/seattletimes1.htm
SeattleTimes Russian Dance Star Stayed True to Vision by Mary Murfin Bayley , March 22, 2001 Boris Eifman's dances have sometimes gotten him into trouble. They've been censored and picketed in the Soviet Union and they've shocked those purists wedded to a more abstract concept of ballet. But the choreographer kept true to his own bold, breakthrough vision of dance as a vehicle of passionate theatricality. Now Eifman and his 25-year old company, the Eifman Ballet of St. Petersburg, have an international following and win critical praise from New York to Tokyo. Because his work is dramatic and visceral but still built on classical technique, it draws both those who love ballet and those who think they hate it. "A Russian Hamlet: Son of Catherine the Great" which opens at Meany Theater tonight, is the culmination of Eifman's style and has all the hallmarks of his work: dance as high drama, big showy effects, bold images and a hyper-theatrical expressionism. Dance review "A Russian Hamlet: The Son of Catherine the Great," 8 o'clock tonight, tomorrow and Saturday, Meany Theater, University of Washington. Tickets: $52. 206-543-4880. Since he first began choreographing in Siberia at the age of 13, Eifman, now 57, has never wavered from his vision of dance as spectacle and drama. At one point the government tried to close down his company and the KGB asked him to leave the country.

72. Art/Museums: Arcadia And Metropolis, Masterworks Of German Expressionism From Th
Dorftanz (Dangast)/Village dance (Dangast), for example, is a dance hall He slowly turned away from expressionism, and his artistic expression moved
http://www.thecityreview.com/arcadia.html
Arcadia and Metropolis
Masterworks of German Expressionism
From the Nationalgallerie Berlin
Neue Gallerie Museum of German and Austrian Art
1048 Fifth Avenue March 12 to June 8, 2004 Rough, Raw and Riotous "Potsdamer Platz," by Ernst Ludwig Kirchner, oil on canvas, 78 ¾ by 59 inches, 1914 By Carter B. Horsley This superb exhibition of German Expressionist art from the Nationalgallerie Berlin includes many very memorable masterworks by such artists as Ernst Ludwig Kirchner (1880-1938), Karl Schmidt-Rottluff (1884-1976), Erich Heckel (1883-1970), Max Beckman (1884-1950), Otto Dix (1891-1969) and George Grosz (1893-1959). Ernst Ludwig Kirchner is the best of German Expressionists. His compositions brim with frenzied energy and cool palettes. "Potsdamer Platz" is one of his masterpieces. An oil on canvas that measures 78 ¾ by 59 inches, it was executed in 1914. "Zwei Badende (Fehmarn)/Two Bathers (Fehmarn)," by Ernst Ludwig Kirchner, oil on canvas, 24 by 19 7/8 inches, 1912 The painting depicts one of the sisters throwing stones into the water while the other one bends down toward the water. It is reminiscent to some degree of Picasso's "Demoiselles" and some of Cézanne's "bathers" but is more painterly and much more vibrant in is almost Fauve intensity.

73. The Drama Syllabus
Forms; expressionism, epic theater, theater of the absurd, other experimentsfolk theater, expressionism, dance theater, and other forms.
http://www.msuiit.edu.ph/ipag/studies/drama/engl95.html
ENGLISH 95
SYLLABUS
THE DRAMA
syllabus topics references assignments links grading professor
course description This course introduces the drama. It traces the development of Western drama in ancient Greece and Rome from drama’s origins in religious rituals, to those produced in Medieval times, to drama’s flourishing in the Renaissance, its later developments in realistic/representational theater, and to its eclectic forms in the modern and post-modern periods. A diachronic-synchronic study provides the student with the tools for analyzing drama both formally and within an historical and socio-cultural milieu. The class will discuss representative plays from each period and country. The course will also present an overview of Philippine and Asian drama to allow the student a comparative basis to distinguish among Asian, Western, and Philippine drama.
credits:
3 units
semester offered:
prerequisites:
English 1, 2, 3, 4
objectives
course outline
At the end of the course, the students are expected to:
GENERAL OBJECTIVES Understand the drama and its elements and qualities;

74. ArtsWork
In small groups students then create a Circle dance reflecting proscenium/formal performance stages, narrative dances/expressionism, and spectacle.
http://artswork.asu.edu/ig2/cur/01_les.html
Lesson 1. Jump if you feel like it
Unit of Study: Interactive Gateway
Theme: Creating A Community
Sub theme: Circle Dances by Deborah Hay
Grades: 9-12th grade
Materials: CD player and music
print lesson
About Project
Behind the Scenes Student Experience 1960s History ...
Planet Dance

Brief Description of the Lesson:
Learning Outcomes: Upon the completion of the lesson, the students will be able to:
  • demonstrate an awareness of Postmodern dance and how Circle Dances were used as a creative structure by Deborah Hay, Anna Halprin, and others perform 3 authentic Circle Dances to music build friendships and trust between dancers create their own Circle Dances share their Circle Dances and observe and assess their peers in discussion
The Lesson: Introduction: a.) Discussion: Sitting in a circle, the students respond to the following question, “What ideas and events do you associate with the 1960’s?" Once the students have shared their ideas the teacher may need to fill in missing information. Key ideas:
  • Vietnam War Civil Rights Movement Space Walk Peace movement demonstrations Assassinations of John F. Kennedy, Martin Luther King, Robert Kennedy

75. Dance Research
An experienced dance writer, critic and researcher of international standing, She is currently working on research entitled expressionism in the Work of
http://www.ucc.ac.uk/arts/dance/research/staff_profiles.html
Search UCC's Website Virtual Campus Tour Contact UCC
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Contact: Fiona Bunn
Dance Research Administrator
e-mail: F.Bunn@ucc.ac.uk
Dance
University College Chichester
Bishop Otter Campus
College Lane
Chichester
West Sussex
Academic Research Staff
UCC staff supervise a number of research students at UCC and elsewhere, as well as teach on the MA course. Staff research appropriately ranges from traditional written publications in books, and in learned academic journals, conference proceedings and arts magazines, to publication of artworks in exhibitions, installations and on websites, and in music and dance performances. Most have produced work in national and international contexts and several staff receive external funding for their research. Professor Valerie Briginshaw Co-ordinator of the MA/Dance pathway Tel: 01243 816174 e-mail: v.briginshaw@ucc.ac.uk

76. Straight.com Vancouver | Arts
That was hard work, Charnock says of his three years teaching dance to four yoga, and expressionism It s for people who might have been frightened
http://www.straight.com/content.cfm?id=7689

77. Artists In Australia - Free Music Downloads - MP3 Downloads - Download.com Music
The Beach Goes are a selection of contemporary electro dance traxs that can be a bit Filed Under Electronic dance » Experimental, expressionism,
http://msn-cnet.com.com/3605-7983_32-0.html?country=Australia

78. Read About 20th Century Concert Dance At WorldVillage Encyclopedia. Research 20t
20th century concert dance. Everything you wanted to know about 20th century concert expressionism Free dance Modern dance Expressionist dance
http://encyclopedia.worldvillage.com/s/b/20th_century_concert_dance

Culture
Geography History Life ... WorldVillage
20th century concert dance
From Wikipedia, the free encyclopedia.
20th century concert dance is the name given to a category of dance forms that include:
Although technically 20th century concert dance, the following dance forms are considered under the separate category of Ballet or 20th century ballet
Contents 1 lineage of dance forms
2 Relationship to art movements

3 Related articles

4 Further reading
...
edit
lineage of dance forms
sketch showing lineage of 20th century concert dance ©-cc-by Ohka- edit
Relationship to art movements
Although sharing the name of art movements the dance forms may not relate to them directly. From an ideological and conceptual point of view the connections are shown below:

79. Shen Wei Dance Arts
Shen Wei dance Arts, one of today s more original voices, in Folding at the introduced American audiences to a new brand of expressionism whose highly
http://www.shenweidancearts.org/article82.html
January 6, 2005 CRITIC'S NOTEBOOK
Thoughts on the Once and Future Dance Boom
By ANNA KISSELGOFF Stephanie Berger for The New York Times Shen Wei Dance Arts, one of today's more original voices, in "Folding" at the 2003 Lincoln Center Festival. T he easy temptation is to say that dance is not what it used to be. Gone are the days when a choreographer saved the critic a trip to the theater by sending a telegram with the words "Flat Event." Receipt of the telegram constituted the dance performance. This was conceptualism at its most serious and playful, embodied also by the wonderful works that had Trisha Brown's dancers walking on walls or transmitting semaphore signals across SoHo rooftops. Gone also are Martha Graham and George Balanchine - titans of 20th-century art by any definition - along with giants and near-giants of 20th-century ballet and modern dance who died in the 1980's and 90's: Jerome Robbins, Antony Tudor, Frederick Ashton, Erick Hawkins, Alvin Ailey, Alwin Nikolais, Robert Joffrey and Kenneth MacMillan. Not to speak of some of the greatest dancers in ballet history - Erik Bruhn and Rudolf Nureyev, and don't forget Margot Fonteyn. Yet nothing would be riskier than to declare the party over. The dance boom that exploded at the end of the 60's and lasted until the 90's has shrunk into a holding pattern of recycled aesthetics. But even this consolidation of the familiar hints at potential fresh directions.

80. This Month On Greater Boston Arts
For more on Boston expressionism, visit the highlight. Painting in Boston 19502000 MIT dance Theatre Ensemble performs Gus Solomons, Jr. s CROWD
http://www.wgbh.org/wgbh/pages/bostonarts/2002/novstories.html
Boston Expressionism
Greater Boston Arts takes in the DeCordova Museum's landmark retrospective, "Painting in Boston: 1950-2000," the first show of its kind to comprehensively survey this era in Boston's history. Curator Nick Capasso explains the history and relevance of expressionism, the city's most influential painting style in the second half of the twentieth century. The exploration begins with the work of Karl Zerbe, whose teaching at the Musuem School in the 1940s and 1950s established the technical virtuosity and humanistic themes still practiced by artists today. In studio visits with three generations of painters Arthur Polonsky, Gerry Bergstein, and Colleen Kiely Greater Boston Arts chronicles the evolution of expressionism over time. For more on Boston Expressionism, visit the highlight Painting in Boston: 1950-2000
DeCordova Museum and Sculpture Park
51 Sandy Pond Road, Lincoln
Through February 23, 2003
For more information call (781) 259-8355 or visit www.decordova.org
Dance Architect
In October, 2002, acclaimed choreographer Gus Solomons was invited to return to alma mater MIT to choreograph a new work with students in the stacks and carrels of a school library. A former MIT architecture student, Solomons' postmodern approach to dance making combines a fascination with puzzles and architectural design with an attention to everyday movement. In partnership with WGBH's experimental New Television Workshop program in the late 1960's, Solomons created "City/Motion/Space/Game," an innovative, two-channel video work in which Solomons dances at the Prudential Center Plaza, the Public Garden, and in public spaces throughout the city. Greater Boston Arts meets Solomon on his return to MIT more than 30 years later as he continues to put his abstract dance philosophy into practice in ordinary places.

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