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         Expressionism Dance:     more detail
  1. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (Cambridge Studies in American Theatre and Drama) by Julia A. Walker, 2005-07-25
  2. Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre (Modern Drama in Theory & Practice) by J. L. Styan, 1983-07-29
  3. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt by Lotte Eisner, 1974-01-07
  4. Mary Heilmann: Save the Last Dance for Me (One Work) by Terry R. Myers, 2007-06-01
  5. The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror (Cambridge Studies in Film) by Paul Coates, 1991-04-26
  6. Theateraufsatze (Schreyer, Lothar, Works. No. 3.) by Lothar Schreyer, 2000-04
  7. German Expressionist Films (Pocket Essentials (Trafalgar)) by Paul Cooke, 2002-07

21. Comparative History Of Ideas: CHID PUBLICATIONS
Modern dance is not generally considered in discussions of expressionism, but acomparison Not only did modern dance share the goals of expressionism,
http://depts.washington.edu/chid/intersections.php?article=1994b

22. MSN Encarta - Related Items - Expressionism
Related Items from Encarta. expressionism. Abstract expressionism Art Fauvism aesthetics architecture dance Buto dance Fokine, Michel
http://encarta.msn.com/related_761552391_5/dance.html
var fSendSelectEvents = true; var fSendExpandCollapseEvents = true; var fCallDisplayUAText = false; Web Search: Encarta Home ... Upgrade your Encarta Experience Search Encarta Related Items from Encarta Expressionism Abstract Expressionism Art Fauvism aesthetics ... theater

23. Expressionism
The dance of Life focuses on the changing nature of woman as she matures from The beginning of expressionism took place in Germany, around the time of
http://www.eyeconart.net/history/expressionism.htm

Expressionism
Edvard Munch

(Norwegian, 1863-1944) The Scream (African, 1800s) Puberty
Munch (pronounced Muenk) was a Norwegian painter and printmaker whose intensely psychological and emotional themes was a major influence on the development of German Expressionism in the early 20th century. His painting The Scream is regarded as an icon of the existential anguish of the post-industrial modern age. It may have been partly inspired by the raw quality of African tribal art (the early 20th century was the first time the public saw such works in art museums). Munch tended to focus on intense emotions, such as those expressed in Puberty , which presents the fearful period of a girl's life as she faces the uncomfortable transition of becoming a woman.
Death in the Sickroom The Dance of Life
The troubling nature of many of Munch's works can be partly explained by events of his early childhood, as well as the overly religious (and repressive) society in which he lived. Raised in Norway (which is dark and cold throughout much of the year), his mother died of tuberculosis when he was only five. Later, after developing a close attachment to his sister, she suffered the same fate. Art was, for Munch, a way to express his emotions of grief. Throughout his life he was also known to be obsessed with women, though he was never to marry. The Dance of Life focuses on the changing nature of woman as she matures from innocence into full sexuality, and then to old age - where she is again regarded as non-sexual.

24. NUS Extension
An introduction to contemporary dance. Week 9 expressionism the developmentof the dance theatre genre. Rudolf Laban, Mary Wigman, Pina Bausch.
http://www.nus.edu.sg/nex/lllwla00166.htm
dqmcodebase = "script/" //script folder location
Legal
Introduction to Dance History, Criticism and Aesthetics
Singapore hosts an annual arts festival showcasing the cutting edge of new dance in the world. Throughout the year there are numerous performances by international and local companies offering thought provoking and innovative performances. How can we view these? What background, if any, in dance do we need? How can we approach a performance, enjoy a deeper understanding and make an aesthetic judgment? As a promoter, manager, sponsor, advertiser, broadcaster, artist or audience member how can we define a quality arts product?
The module will develop skills in critical evaluation, analysis and research in both written and oral forms. A broad overview of the developments of dance through the study of key pioneers underpinned by an understanding of prevailing historical, social and philosophical contexts will be presented.
Cross-art form analyses, cultural meeting points, globalization of culture, sexuality and gender will be explored.

25. Expressionism: Definition And Much More From Answers.com
expressionism, term used to describe works of art and literature in which therepresentation expressionism Cubism - Modern architecture - Modern dance
http://www.answers.com/topic/expressionism
showHide_TellMeAbout2('false'); Arts Business Entertainment Games ... More... On this page: Dictionary Encyclopedia Fine Arts Music WordNet Wikipedia Translations Mentioned In Or search: - The Web - Images - News - Blogs - Shopping expressionism Dictionary ex·pres·sion·ism ĭk-sprĕsh ə-nĭz əm
n. A movement in the arts during the early part of the 20th century that emphasized subjective expression of the artist's inner experiences. ex·pres sion·ist n.
ex·pres sion·is tic adj.
ex·pres sion·is ti·cal·ly adv.
var tcdacmd="cc=art;dt"; Encyclopedia expressionism, term used to describe works of art and literature in which the representation of reality is distorted to communicate an inner vision. The expressionist transforms nature rather than imitates it. In Art In painting and the graphic arts, certain movements such as the Br¼cke Blaue Reiter (1911), and new objectivity (1920s) are described as expressionist. In a broader sense the term also applies to certain artists who worked independent of recognized schools or movements, e.g., Rouault, Soutine, and Vlaminck in France and Kokoschka and Schiele in Austria—all of whom made aggressively executed, personal, and often visionary paintings. Gauguin, Ensor, Van Gogh, and Munch were the spiritual fathers of the 20th-century expressionist movements, and certain earlier artists, notably El Greco, Gr¼newald, and Goya exhibit striking parallels to modern expressionistic sensibility. See articles on individuals, e.g., Ensor In Literature In literature, expressionism is often considered a revolt against realism and naturalism, seeking to achieve a psychological or spiritual reality rather than record external events in logical sequence. In the novel, the term is closely allied to the writing of Franz Kafka and James Joyce (see

26. Expressionist Dance: Information From Answers.com
Expressionist dance Expressionist dance is a European dance form related to the expressionism modern dance contemporary dance 20th century concert
http://www.answers.com/topic/expressionist-dance
showHide_TellMeAbout2('false'); Business Entertainment Games Health ... More... On this page: Wikipedia Mentioned In Or search: - The Web - Images - News - Blogs - Shopping Expressionist dance Wikipedia Expressionist dance Expressionist dance is a European dance form related to the German expressionist movement. Although considered as a part of the greater modern dance movement it is separate from Modern dance per se Dance artists associated with expressionist dance include: German Expressionist dance is know as Ausdruckstanz and is realated to Tanztheater
Related articles
Further reading
  • Bergsohn, H. and Partsch-Bergsohn, I. (2003) The Makers of Modern Dance in Germany: Rudolf Laban, Mary Wigman, Kurt Jooss . Independent Publishers Group. ISBN 0871272504 Robinson, J. (1998) Modern Dance in France, 1920-1970: An Adventure . Routledge .ISBN 9057020157 Vernon-Warren, B. and Warren, C. (Eds)(1999) Gertrud Bodenwieser and Vienna's Contribution to Ausdruckstanz . Routledge. ISBN 9057550350

This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see

27. Danse Danse
Along the way, she developed a genuine passion for German expressionism, especiallythat of dance artists such as Mary Wigman and Kurt Joos.
http://www.dansedanse.net/lola_en.html
LOMA Previous seasons To contact us Mailing list ... Akram Khan Company The Gateway Canada ac The Ottawa Citizen Canada Danse Danse, in collaboration with Agora de la danse, presents Lola MacLaughlin ac Canada The Company
A company established in Vancouver in 1989, Lola Dance was first seen locally when it performed Four Solos/Four Cities Four Solos/Four Cities The Globe and Mail ). Lola Dance returned to the Festival international de nouvelle danse to present fuse Volio Volio continues exploring the human nature depicted in fuse and Four Solos Le Devoir Canada Lola MacLaughlin
Hour , Canada) Before launching her company in 1989, the choreographer performed her work at EDAM (Experimental Dance and Music), the Vancouver collective she co-founded. April 2005 www.loladance.org Volio

28. COLLEGE OF CHARLESTON
Provide students an opportunity to explore the art of African dance and relateits technique, origin, and expressionism to any medium of dance.
http://www.cofc.edu/~pehd/adjuncts/139.html
COLLEGE OF CHARLESTON PEHD 139 AFRICAN DANCE FALL, 2005 2 SEMESTER CREDIT HOURS TIME: M W 3 p.m. to 4:15 p.m. PLACE: PCTR Rm. INSTRUCTOR: Ms. Linda Jean Harvey OFFICE: PCTR OFFICE HOURS: W 4:15 p.m. to 4:45 p.m. by appointment OFFICE PHONE: PREREQUISITES: None GRADING: A, B+, B, C+, C, D, F COURSE PEHD is a course that broadens and enhances the cultural scope of DESCRIPTION: African Dance as far as origin, performing arts techniques, suggested realism and expressionism of the art form are concerned. REQUIRED TEXT: N/A REQUIRED Course handouts MATERIALS: COURSE Exhibit a picturesque image of African Dance as it depicts authenticity, OBJECTIVES: originality, and diversity through its art form. 2. Provide students an opportunity to explore the art of African Dance and relate its technique, origin, and expressionism to any medium of dance. 3. Engage the students through improvisational choreography, study groups and lecture demonstrations to create a culminating experience that will result in a performance involving all class participants. COURSE Skill objectives recorded, performed and documented

29. Jhankar - Explorations In Kathak And Dance Music
Jhankar is a dance and music duo that combines Indian classical dance and Kathak is known for both its complex footwork and exquisite expressionism.
http://www.jhankardance.com/
Upcoming Performance: May 29 (Sun.) 2005: Creative Art Workshop, New Haven, Connecticut (details TBA). Jhankar Dance: Meena Negishi. She learned Kathak in India for eight years. After completing Kathak Visharad (graduation), she continued learning and performance. Music: Michiro Negishi. A believer in the electronic beat music as a subculture, he had played in clubs and a local radio station in Boston. Contact: michiron5@hotmail.com Past Performances: October New Haven City Wide Open Studios, Connecticut. December 20, 2003: Coffeehouse, Bridgeport Innovation Center, Connecticut. May 12, 2004: SoundWorks at ArtSpace, New Haven, Connecticut. May 25, 2004: Ongaku-Shitsu, Akasaka, Tokyo, Japan (Music Only, with Jazz Saxophonist Satoshi Sugiyama). Click here to play "Tatkar" We will add more soundbites and video clips. Keep posted!

30. PALATINE Directory: Expressionism
expressionism. Suggest a Link for expressionism Home dance Genres, Styles Forms expressionism Butoh.Net. The World of Butoh dance
http://www.palatine.org.uk/directory/index.php/Dance/GenresStylesAndForm/expres/
Expressionism
Suggest a Link for Expressionism Home Dance Expressionism ...
Butoh.Net
The World of Butoh Dance Rate link
Infoplease.com
Mary Wigman. Rate link
Mary Wigman
REVIEW: Translated through Google this page provides a biography of Mary Wigman, identifying her as being in the top 100 Dresdeners of the Century (the article is from Dresdner Neueste Nachrichten). Although it begins by discussing her great significance, it does not really engage with the importance of Wigman's avant garde approach. The translation is difficult to read, although this being only a biography, it suffices for general information. The page is perhaps worth perusing if only to discover that the author's name, Gabriele Gorgas has also suffered in translation, and she appears, somewhat unfortunately, as Gabriele fermenting gas.
Reviewed July 2001, Stuart Andrews. Rate link Directory Map Search Directory Login ... Incutio Limited

31. PALATINE Directory: Neo-Expressionism
Neoexpressionism. Suggest a Link for Neo-expressionism Home dance Genres,Styles Forms Neo-expressionism
http://www.palatine.org.uk/directory/index.php/Dance/GenresStylesAndForm/neo/neo
Neo-Expressionism
Suggest a Link for Neo-Expressionism Home Dance Neo-Expressionism ...
Grounded In Europe
Tanztheater and its Legacy 30 November - 2 December 2001 - symposium. Rate link Directory Map Search Directory Login ... Incutio Limited

32. Assessments Of Voaden
called Symphonic expressionism, combining music, art, dance, lighting, colour, The antecedents to Symphonic expressionism were a combination of many
http://www.lib.unb.ca/Texts/Theatre/voaden/anthony_preface.htm
“Preface” to “Herman Voaden”
In Geraldine Anthony , ed.,
Stage Voices: Twelve Canadian Playwrights Talk About Their Lives and Work
Toronto: Doubleday Canada, 1978. Like John Coulter, Herman Voaden's contribution to Canadian theatre lies in the two distinct areas of political administration and drama experimentation. Both men are of the same generation; both participated in programs to forward the production of Canadian plays; both used the mass media to make public their ideas for government assistance to the arts; both were leaders in their support of theatre in Canada; both experimented with and provided Canadian drama with new forms.
Look Both Ways , Macmillan, 1975).
Six Canadian Plays , traces these movements that led up to his new genre. In particular he points to Ernst Toller's play, Masses and Men , and comments on the ballet movements of the characters; the choruses of workers, bankers, jailers; the use of lighting techniques and colour. Gordon Craig and Adolphe Appia influenced Voaden, as did the new techniques of Eugene O'Neill. Poetic, romantic and symbolic innovations in drama as well as new approaches in dance and music – all contributed to the crystallization of Symphonic Expressionism.
Voaden’s experimentation had, sadly enough, no followers either in Canada or elsewhere. The reasons he gives in a letter to this editor, dated March 21, 1977 as follows:

33. Assessments Of Voaden
Wagner, Anton, Herman Voaden s Symphonic expressionism A Thesis submitted inconformity with Toronto dance Collection Danse Press, 2004. pp. 10730
http://www.lib.unb.ca/Texts/Theatre/voaden/scholarlyassessments.htm
Wagner, Anton, Herman Voaden's Symphonic Expressionism: A Thesis submitted in conformity with the requirements for the Degree of Doctor of Philosophy in the University of Toronto, 1984 Wagner, Anton, " A Herman Voaden Bibliography " Piitulainen H The Annual School Concert " Central High School of Commerce The Torpedo , 1932. p. 21. Bridle, Augustus, " Drama Is Presented in Lights and Colors: 'Rocks' Written and Produced by Member of School of Commerce Staff " Toronto Star , April 23, 1932 Mason Lawrence , " Symphonic Expressionism': Notable Recent Example in Toronto of Ultra-Modern Producing Methods Plea for Less Persistent Use of Realism by Canadian Directors " Toronto Globe , April 30, 1932, p. 6 Wodson, Edward W. , " Not an Accent Raised, Telling Tragic Stories: Students at the Central High Stage Remarkable North Ontario Play Symphony of Light " Toronto Telegram , September 24, 1932
Charlesworth Hector , "

34. LII - Results For "abstract Expressionism"
and Piet Mondrian were pioneers in the art movement known as Abstract expressionism.Here their impact on art, photography, music, theater, dance,
http://www.lii.org/search?searchtype=subject;query=Abstract expressionism;subsea

35. Eiko & Koma: Biographies
There they studied with Manja Chmiel, a disciple of Mary Wigman, a pioneer ofGerman expressionism in dance. In 1973, they moved to Amsterdam,
http://www.eikoandkoma.org/ekbiographies.html
Biographies Eiko (female) and Koma (male) were law and political science students in Japan when, in 1971, they each joined the Tatsumi Hijikata company in Tokyo. Their initially experimental collaboration soon developed into an exclusive partnership. The following year, Eiko and Koma started working as independent artists in Tokyo. At the same time, they began to study with Kazuo Ohno, who along with Hijikata was the central figure in the Japanese avant-garde theatrical movement of the 1960s. Neither Eiko nor Koma have studied traditional Japanese dance or theater forms; they have preferred to choreograph and perform only their own works. Their interest in Neue Tanz, the German modern dance movement which flourished alongside the Bauhaus movement in art and architecture, and their desire to explore nonverbal theater took them to Hanover, Germany in 1972. There they studied with Manja Chmiel, a disciple of Mary Wigman, a pioneer of German Expressionism in dance. In 1973, they moved to Amsterdam, and for the next two years toured extensively in Germany, the Netherlands, Switzerland and Tunisia. It was the late Lucas Hoving, a wonderful dancer who had toured with the early Jose Limon Dance Company, who suggested that they go to America. Their first American performance

36. APOPTOSIS - Download.com Music
Music » Electronic dance » Electronic » Experimental Filed UnderElectronic dance » Experimental, expressionism, ProgRock/Art Rock, Electro
http://download.com/apoptosis
This page has moved here

37. Tanztheater Defined
The most universal definition that the term Tanztheater ( dance theater ) It has been described as a new twist on an old form German expressionism.
http://prelectur.stanford.edu/lecturers/bausch/tanzdef.html
Tanztheater: The most universal definition that the term Tanztheater ("dance theater") brings to mind is: the union of genuine dance and theatrical methods of stage performance, creating a new, unique dance form (especially in Germany), which, in contrast to classical ballet, distinguishes itself through an intended reference to reality. The term had already been used by members of the German expressive dance movement of the 1910s and 1920s who wished to distance themselves from the traditions of classical ballet. Rudolf von Laban, the most important theorist of expressive dance, used the term for the dance culture he was to create. Through dance, he hoped to unite all art media and achieve an all-embracing, radical change in humankind. According to Laban, dance theater, which he understood to be an interdisciplinary total art form, should allow one to be drawn into an inherent eurythmic harmony which is then expressed on stage. Norbert Servos, "Tanztheater" in International Dictionary of Modern Dance, Detroit: St. James Press: c1998

38. Presidential Lectures: Pina Bausch - Bibliography
From Free dance to dance Theatre German expressionism. Directed by SoniaSchoonejans and produced by Nicole Philibert. 53 min. Amaya, c1992.
http://prelectur.stanford.edu/lecturers/bausch/biblio.html
Bibiliography
About Pina Bausch: Books on Reserve in Green Library's Lane Reading Room Abeele, Maarten Vanden. Pina Bausch . Paris: Editions Plume, c1996. GV1786.T33 V36 1996 f Collection of black and white photographs by Abeele of performances by the Wuppertal Tanztheater, with an introduction by Federico Fellini and an essay by Akira Asada. Includes a chronological list of Bausch's works. Climenga, Royd. What Moves Them: Pina Bausch and the Aesthetics of Tanztheater. Ph.D. diss., Northwestern University, 1995. Strives to provide an in-depth analysis of the performance work of Pina Bausch and in so doing, arrive at a distinct aesthetic consideration for the field of tanztheater. Erler, Detlef. Pina Bausch . Zurich: Edition Stemmle, c1994. GV1785. B349 E74 1994 f Kaufmann, Ursula. Pina Bausch und das Tanztheater Wuppertal: Nur Du GV1786.T33 K38 1998 f

39. Dance
in 93 to pursue solo work) and recently retired professor at Temple, Gottschildcarries the flame here for dance inspired by German expressionism.
http://citypaper.net/articles/091296/article007.shtml
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Dance
By Deni Kasrel
There's a slate of shows in store by local movement artists who defy neat categorization. Grace Mi-He Lee, Asimina Chremos and Paule Turner, Duchess, all merge well-studied dance technique with theater and performance art. Temple educator Louise Gillette presents a fresh perspective on modern choreography via creative use of the trapeze. All this eclecticism promises to yield some wild and idiosyncratic work. Spellbinding describes the art and craft of Sankai Juku, a top pick from the crop of visiting acts. Their November appearance at the Annenberg Center is already sparking a buzz in the dance community. Modern Dance Ensembles Oct. 11-12: Eleone. Eighffanbutlah , celebrates cultures crossing paths at Philly's notorious corner of Eighth and Butler Streets. Accompanying music includes tunes by Simon and Garfunkel plus Bone Thugs N Harmony. How's that for diversity? Oct. 24-26: Trinity Irish Dance Company. Annenberg Center, 3680 Walnut St., 898-6791.

40. Sarma Homepage
Expression and expressionism , dance History (second edition), Janet Adsheadand June Layson (eds. ), London Routledge, 1995
http://www.sarma.be/nieuw/critics/jowitt.htm
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Deborah Jowitt
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Intro
Deborah Jowitt came to dance criticism from a career as a performer and choreographer. Her first reviews appeared on a weekly program, 'The Critical People' on listener sponsored radio (WBAI) in New York. The Village Voice , for which she began writing a column in 1967, is an alternative "downtown" weekly (now free) in New York. From sometimes in the 1970s through 1994, she was allotted an entire page (1600 words) in the paper; others writers contributed to an additional half page. (The dance section as a a whole is now only one page.) She has also written scholarly essays for journals and books, as well as feature articles for the Voice and for daily newspapers, such as the New York Times
Sarma will archive her 1977 collection, Dance Beat , as well as other reviews written prior to 1992. Her recent work (since August 1998) for The Village Voice is accessible here
Biography
Deborah Jowitt began to dance professionally in 1953, to show her choreography in 1962, and to write a regular dance column for The Village Voice in 1967. Her articles on dance have appeared in numerous publications (see bibliography below). She was a founding member of the

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