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         Dance Indian:     more books (100)
  1. Indian Jewellery - Dance of the Peacock: Jewellery Traditions of India by Usha R. Krishnan, 2006-07-17
  2. Scalp Dance: Indian Warfare on the High Plains, 1865-1879 by Thomas Goodrich, 2002-08
  3. American Indian Ceremonial Dances; Navajo, Pueblo, Apache, Zusni
  4. A Yoga of Indian Classical Dance: The Yogini's Mirror by Roxanne Kamayani Gupta, 2000-03-01
  5. Indian Classical Dance: Tradition in Transition by Leela Venkataraman, Avinash Pasricha, 2004-01-01
  6. Yaqui Indian Dances Of Tucson Arizona: An Account Of The Ceremonial Dances Of The Yaqui Indians At Pascua by Phebe M. Bogan, 2007-03-01
  7. Native American Dance: Ceremonies and Social Traditions by National Museum of the American Indian (U. S.), 1993-03
  8. Cherokee Dance and Drama (Civilization of the American Indian Series) by Frank Gouldsmith Speck, Leonard Broom, et all 1993-09
  9. War Dance at Fort Marion: Plains Indian War Prisoners by Brad D. Lookingbill, 2006-03-20
  10. New Directions in Indian Dance by Sunil Kothari, 2006-07-18
  11. Sruti Ranjani: Essays on Indian Classical Music and Dance by Viji Swaminathan, 2006-08-02
  12. War Dance: Plains Indians Musical Performance by William K. Powers, 1993-02
  13. North American Indian Dances and Rituals by Peter F. Copeland, 1997-07-10
  14. The Ghost Dance by Alice McLerran, 2001-03-27

161. PALATINE Directory: Indian Dance
Rema Shrikant solo dancer, choreographer and teacher in indian classical dances Info tips on Garba Raas Dandiya during the most popular indian dance
http://www.palatine.org.uk/directory/index.php/Dance/GenresStylesAndForm/aidg/in
Indian Dance
Suggest a Link for Indian Dance Home Dance Asian Dance ... Indian Dance Please scroll down for Specialist Index
Authentic Vazhuvoor and Pandannalur styles of Bharatanatyam.
Includes rare free streaming video clips of Bharata Natyam practitioner Medha Hari. Rate link
Dances of India
REVIEW: The descriptions of dances are lucid and draw attention to the history and meaning of these classic and folk dances. The single page format is complemented with photographs and links to pages of dmoz links, creating an effective introduction to the breadth of material being discussed. Last updated in August 1999, this site would benefit from being updated as the author, Sangeeta Kaul Matu, has written a separate page where she situates herself in relation to her Indian heritage and to the present day. This acknowledgement of subjectivity gives the dances particular personal significance. The site is a good starting point for considering the contemporary roles, relevance and meanings of traditional Indian dance. Lycos ‘angelfire’ screens plague and distract from the site, launching each time a page is loaded.
Reviewed March 2001, Stuart Andrews.

162. SPICMACAY - Mumbai
A voluntary movement by students for the encouragement of indian art forms through lectures, music, dance, and yoga.
http://members.tripod.com/~spicmumbai/
setAdGroup('67.18.104.18'); var cm_role = "live" var cm_host = "tripod.lycos.com" var cm_taxid = "/memberembedded" Search: Lycos Tripod Free Games Share This Page Report Abuse Edit your Site ... Next The Mumbai(Bombay) Chapter of SPICMACAY. Society for the promotion of Indian Classical Music and Culture amongst youth.

163. National Geographic Live! Dancing Across India And Bhangra Dance Party
You ll see classical indian dance styles transformed into the spectacular production Then take to the floor for a night of dancing, indian style!
http://www.nationalgeographic.com/nglive/washingtondc/concerts/dancingindia0401.
  • NG Live Home Tickets Locations NG Live Home ... Washington, D.C. Dancing Across India and Bhangra Dance Party Friday, April 1, 2005, 7:00 p.m ticket info
    Photograph by Robert Visser Fall under the enchanting spell of dance in this multimedia performance that captures the essence of India's Bollywood film culture. Directed by Daniel Phoenix Singh , musicians, video artists, and some of the most accomplished Indian dancers push the boundaries of dance and film to re-create the look and feel of the world's largest film industry. You'll see classical Indian dance styles transformed into the spectacular production numbers so familiar to fans of Indian cinema, and witness firsthand the creative processes behind music, film, and dance. Afterward, audience members are invited to a Bhangra Dance Party in National Geographic's Dining Hall. Experience the world-wide Bhangra phenomenon as performers demonstrate the folk dances that South Asian DJs have transformed into an energetic, popular dance form. Then take to the floor for a night of dancing, Indian style!
    Related Links:
    Event Program PDF
    Requires Adobe Reader
    Bollywood Dance Follows Movies, Music to the U.S. (NPR)

164. ASFA Dance Studio
Offers training in 3 distinctve indian classical dances (Bharathanatyam, Mohiniattam, Kathak)), vocal music, Bollywood style dances and hatha yoga.
http://www.asfastudio.com/

165. Khalsa College London (KCL)
Sixth Form Independent College. Promotes education in mothertongue languages, oriental religions, indian music, dance and social and pure sciences.
http://www.khalsacollegelondon.com
Welcome Baisakhi! Welcome to the Khalsa College London web site... Languages Religious Studies Social Sciences
Photo Gallery
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Site Designed and Maintained by Vinod Nalawade

166. Stony Brook University - Charles B. Wang Center
Bhav Raag Taal A Spectacular Journey of indian dance Photo Bhav Raag Taal Bhav Raag Taal is a unique and exuberant presentation of indian dance.
http://www.sunysb.edu/sb/wang/events.shtml
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Meditation Sessions
The Diamond Sutra : A Zen Perspective
Rev. Genshin Edgar Kann will discuss what it means to use the Zen Buddhist experience to interpret the Sutra and will explore why the Diamond Sutra , with its many paradoxes, is apparently contradictory to Western logic. The limitations of discursive thought and of linguistic convention will also be considered. Event flier download (pdf).
Learn to Meditate: Series I
Ven. Chang Wu will offer an introduction to Chan/Zen meditation. Participants will learn about the benefits of postures, and how to prepare, relax, and release stress. Event flier download (pdf).
Everyday Zen Ven. Issai Chizen Denton Sensei will review the basics of sitting meditation and how to develop a regular practice that will fit within the context of our lives, as well as how to apply the lessons of meditation to our lives "off the cushion"–the real test of any practice. Ven. Issai Chizen Denton Sensei has been studying Buddhism for nearly 40 years. He is a Dharma successor of Ven. Mitsunen Kosho Nordstrom Roshi and a lineage holder in both Soto and Rinzai schools of Zen. Please wear comfortable clothing. Event flier download (pdf).

167. WOVOKA: The Paiute Messiah
Story of the indian religious leader and the forcible suppression of his Ghost dance.
http://www.viewzone.com/wovoka.html
T H E P A I U T E M E S S I A H By Robert A. Toledo "When the Sun died, I went up to Heaven and saw God and all the people who had died a long time ago. God told me to come back and tell my people they must be good and love one another, and not fight, or steal or lie. He gave me this dance to give to my people." W ith these words, spoken by a Paiute rancher named Wovoka to describe a dream he experienced during a full eclipse on New Year's Day of 1889, the Native American Ghost Dance religion came into being. Few people, either Native or white, could have imagined the tragedy which would arise from this new faith within two years of this jolting statement. But while the brief and bloody history of the Ghost Dance has been well documented, the story of its creator remains curiously elusive. Few people have had a more profound effect on Native American history as Wovoka, yet his story has nearly been lost to time. Wovoka was believed to have been born in the year 1854 in the Sierras of Nevada. By the time of his birth, white settlers had already laid stake to the territory and the Paiute nation saw its world degenerate into a state of cheap labor for the white man. While Tavibo's standing as a prophet waned with each new visit to the mountain, Nevada found itself at a unique theological crossroads. The settlers from the east brought Christianity and missionaries of the Catholic and Mormon faiths worked zealously to "save" Native peoples. (Some historians claim that Wovoka briefly practiced the Shaker faith, which enjoyed some degree of popularity in the east since colonial times, but there was also a Native religious movement known as the Shakers from the Puget Sound area of Washington State, which shared similar rituals and prophecies with Ghost Dance. Perhaps there is confusion between the two Shaker movements, though research has not confirmed Wovoka's devotion to either faith.) It was under David Wilson's protection that Wovoka (who was renamed Jack Wilson) became exposed to Christian concepts.

168. PBS - THE WEST - Pvt. W. H. Prather, "The Indian Ghost Dance And War" (1890)
THE indian GHOST dance AND WAR. Barracks Ballad by Pvt. WH Prather, an AfricanAmerican member of the Ninth Cavalry. Composed and popular among the troops
http://www.pbs.org/weta/thewest/resources/archives/eight/wkballad.htm

RESOURCES
Archives of THE WEST
Episode One

(to 1806)
... Links
THE INDIAN GHOST DANCE AND WAR
Barracks Ballad by Pvt. W. H. Prather, an African-American member of the Ninth Cavalry. Composed and popular among the troops during the "Sioux Outbreak" campaign of 1890. The Red Skins left their Agency, the Soldiers left their Post,
All on the strength of an Indian tale about Messiah's ghost
Got up by savage chieftains to lead their tribes astray;
But Uncle Sam wouldn't have it so, for he ain't built that way.
They swore that this Messiah came to them in visions sleep,
And promised to restore their game and Buffalos a heap,
So they must start a big ghost dance, then all would join their land,
And may be so we lead the way into the great Bad Land. Chorus: They claimed the shirt Messiah gave, no bullet could go through, But when the Soldiers fired at them they saw this was not true. The Medicine man supplied them with their great Messiah's grace, And he, too, pulled his freight and swore the 7th hard to face. About their tents the Soldiers stood, awaiting one and all

169. Jyoti Kala Mandir College Of Indian Classical Arts
Teaches Odissi sacred dance. Includes profile of founder, class and performance schedule, and background on indian dance.
http://www.jyotikalamandir.org/
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170. Domain Name Renewal And Web Hosting From Network Solutions
Recreated Ojibwe indian Village in Lac du Flambeau, offers Tipi rental, lodges, a dance theater, summer camp programs, school tours, and cultural programs.
http://www.waswagoning.com/
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171. Swagat Indian Cuisine
Serves South and North indian cuisines. On El Camino Real, near San Antonio. Also offers catering and dance classes.
http://www.indolink.com/SFO/swagat.html
Indian Cuisine
Banquets Lounge
2700 W. El Camino Real, Mountain View
(1 block North of San Antonio Road) Open Daily 11 AM - 3 PM ; 5:30 PM - 10 PM For Information, Reservations, or Catering, Please call:
(415)948-7727 / Fax: (415)948-9343
  • Large Restaurant
  • Huge Banquet Hall
  • Catering for all events
Buffet Lunch $6.99
(11 - 3 PM)
  • Tuesday Nights : 7 PM - 11 PM
    TANGO
    for Info. call (408)720-9506
  • Thursday Nights : 7 PM - 12 AM
    West Coast Swing
    for Info. call Michelle (415)585-6282
Our Branches Milpitas: 68 S. Abel Street (408)262-1128 613 Great Mall Way (408)262-2536 Santa Cruz: 1723 Soquel Ave. (408)423-2929 Concord: 1901 Salvio Street (510)685-2777 Beaverton: 4325 SW 109th Street (503)626-3000 INDO link Bay Area Listings Bay Area Restaurants INDO link , GENIUS, and their respective logos are trademarks of GENIUS Technologies, Inc.

172. Radha Ganesan
Radha Ganesan offers instructions in Bharata Natyam, a classical indian dance style.
http://users.erols.com/gayatri/
Click On Pic For A Dance Clip Bharatha Natyam Natya Nilayam Bharatha Natyam School Radha Ganesan, disciple of Sri Guru Mahalingam Pillai Prof. Chandrasekhar Recipient of the Best Artist award from the Maryland State Arts Council in 1991. Prof. C.V. Chandrasekhar and Radha Ganesan , with Natya Nilayam students presented KREEDA- The Dance of Joy, on Saturday, August 4th, 2001, 7 pm, at PG Community College, Hallem Theatre, in Maryland. The live orchestra comprised of Babu Paremeswaran (vocals), Sandhya Srinath (violin), and Hari Babu. July 27, 2002 5:30 pm Northern Virginia Community College, Annandale, VA - Arangetram dance debut by student DHANYA KAVANAKUDY, with live orchestra. Dance Review Visit these pages for more information A History of Bharatha Natyam by Kavita Thirumalai Classical Dance in India Order Books on Dance from Vedams Books International Radha Ganesan is the director of Natya Nilayam, a Bharata Natyam school of dance, in Potomac, Maryland, USA. Radha has been trained in the traditional Tanjore style of Bharata Natyam under the guidance of Guru Mahalingam Pillai of Rajarajeswari Bharata Natya Kala Mandir, Bombay, for more than 20 years. She has performed worldwide including at the NCPA in Mumbai, Smithsonian and CIA, and was the recipient of the Best Artist Award from the Maryland State Arts Council in 1991.

173. Association Of Performing Arts Of India - Upcoming Events
Nonprofit organization dedicated to promoting indian classical music and dance through concerts, lectures, demonstrations and classes. Events calendar, volunteer information.
http://www.angelfire.com/art/apai/index.html
Upcoming Event ~ Saturday, October 8th
The Association of Performing Arts of India
presents
featuring
Date: Saturday, October 8th
Venue: Broward Center for the Performing Arts, Abdo New River Room
201 S.W. 5th Ave.
Ft. Lauderdale 33312
Time: 7:00pm
Tickets: $20 (General Admission), $30 (VIP)
Please call 954.462.0222 to order tickets or go to Broward Center for the Performing Arts
Comments about the Association's previous performances "Sant Meera", August 20th, 2005
by The Shakti Dance Company Thank you again for the wonderful performance Saturday night. It was magnificent and an artistic as well as community triumph.
The Broward Center is grateful to have had the opportunity to play a small role to make the show possible and we look forward to working with you in the future. Mark Nerenhausen
President/CEO Broward Center for the Performing Arts Thank you for a beautiful presentation, the narration and brochure made following the story very easy. The Shakti dance company is great, and your organization is providing the community a great service Fred B.

174. Dances Of India
Like the indian culture, indian classical dances are equally diverse in nature. Chau The Rare Mask Dances of India by Prakriti Kashyap
http://www.boloji.com/dances/
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Dances of India Dances are a form of lucid expression of human beings. Like the Indian culture, Indian classical dances are equally diverse in nature. There are numerous classical dance forms in India and innumerable folk dances. If you are a dancer, dance teacher, critic, or a person associated with dances in any form, please send us your valuable contribution in the form of an article, essay, memoir, poem; on various forms of Indian dances, preferably with photographs and enrich our Dance Section. A Poem on Hastamudras by Geeta Radhakrishna A Universal Art by Alexandra Ramanova A World of Expressions by Bijal Dwivedi Ah! So Lucky That I Am Dancing

175. Index Of /Visiting_Santa_Fe/Native_American_Culture
Much can be learned about Native American culture by visiting the Pueblos, especially during the specific dances and feast days open to the public. Includes contact information for the Eight Northern Pueblos.
http://santafe.org/Visiting_Santa_Fe/Native_American_Culture/
Index of /Visiting_Santa_Fe/Native_American_Culture
Name Last modified Size Description ... Parent Directory 15-Feb-2005 09:56 - 15-Feb-2005 09:56 - Apache/1.3.35 Server at santafe.org Port 80

176. Indian Classical Dances
History of indian classical dances, information related with classical dances and Gurus with pictures
http://geocities.com/classicaldances

177. Indian Dances
indian Dances A art form which is unique and rich details with images of various classical as well folk dances of India.
http://www.webonautics.com/ethnicindia/dances/

Nataraja - The Cosmic Dancer
Classical dances Folk Dances
It is said that the gods created dance as a device for entertainment. Later, in order to please the gods, human beings enacted the tale and glory of the gods. Thus began a cycle of celebration manifested in the joyous abandon of movement and music. Over a period of two millennia, dance in India acquired a set grammar, which led to a certain codification of technique. Thus were sown the seeds for Bharata Muni's celebrated treatise on dance, the NATYA SHASTRA . Bharata's Natya Shastra (believed to be penned between second century B.C. and second century A.D.) is the earliest available treatise on dramaturgy. All forms of Indian classical dances owe allegiance to Natya Shastra, regarded as the fifth Veda
The fascination for Indian dance all over the world is indicative of the deep-felt needs to use the human body to express and celebrate the great universal truths. Indian dance does just that in a heightened, reverential form. Also, since dance is physical and visual, it illuminates India's culture in a direct manner, playing on the sensibilities of the onlooker. Thus, those who are attracted to India will find the idiom of dance the best introduction to India's rich ethos and traditions.
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178. Edmonton Raga-Mala Music Society
Edmonton, AB, CA based organization to promote crosscultural understanding and mutual appreciation of the music and dances from the indian sub-continent through the hosting of performances.
http://www.edmontonragamala.ab.ca/
Edmonton Raga-Mala Music Society
Welcome
Photo by Nikhil Rao
Next event
Full 2005 concert line-up
2006 Approacheth...
Edmonton Raga-Mala is already gearing up for the 2006 season. Our Concert Programme Committee wishes to invite all current and prospective advertisers to contact us regarding the next programme! Read more about the annual programme here
Information

179. Modern Dance - Www.artindia.net
Article on evolutions of this dance form in India from beginnings with Uday Shankar in the ealy 20th century. Also, listing of dancers and institutions.
http://www.artindia.net/modern.html
I Other dance forms I M O D E R N Modern Dance in India has a relatively short history. Since the perception of 'modern' or 'contemporary' can vary from dancer to dancer, this dance form cannot be defined as easily as the classical dance styles of India. It is also not codified in a detailed manner, as are the classical styles. Uday Shankar, who was born in the early years of the 20th century, is widely accepted as the Father of Modern Dance in India. This great dancer had a very wide vision, and he appreciated the wonderful variety and scope of expression afforded by the different classical and folk dances extant in the country. His search for a personal expression led him to incorporate different dance styles, such as Bharata Natyam and Kathakali into his choreographic productions. He established an idyllic institution in the hills of Kumaon, where he invited teachers from different genres to train his troupe in order to groom their bodies to a state where they could produce a varied, rich and contemporary dance vocabulary. Uday Shankar was an idealist as well as a wonderful showman. He was a catalyst in the renaissance of interest in Indian arts during the 1930s and '40s, and he introduced audiences in the West to Indian dance and music through the performances of his troupe.

180. Dances Of India
The origin of classical dance in India goes back to 2BC when the ancient dance in India is guided by the elaborate codes in the Natya Shastra and by
http://www.spindlepub.com/india/dance.htm
Handbook for Asian Indians 1997-1998 Heritage Edition India: Fact Book for Children
Dances of India
The origin of classical dance in India goes back to 2BC when the ancient treatise on dance, Natya Shastra, was compiled. Dance in India is guided by the elaborate codes in the Natya Shastra and by mythology, legend and classical literature. Classical dance forms have rigid rules for presentation. Among the leading forms of classical dance are Bharata Natyam, Kathakali, Kathak, Manipuri, Odissi, Kuchipudi and Mohini Attam. Bharata Natyam , originating in Tamil Nadu, has movements of pure rhythm, rendering a story dramatically in different moods. For a long time, Bharata Natyam was performed only in temples by dancers in service of the temple, the devadasis. The dancers must learn the language of gestures, mudras - so as to express feelings, movements and characters in the stories which she narrates through dance. Kathakali (pictured here), the dance drama from Kerala, requires the artist to wear elaborate make-up. The colors on the face are symbolic of the characters the dancer is depicting. The stories for attakathas (the verse text for a kathakali piece) are selected from epics and mythologies and are written in a highly sanskritised verse form in Malayalam. The actor does not speak, but expresses himself through highly complicated and scientifically ordained mudras and steps, closely following the text being sung from offstage. The principal classical dance of north India

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