81. Perspective, Viewpoint And Cubism cubism was a revolutionary new form of painting developed by Picasso and Georges Many other artists explored and experimented with the ideas that cubism http://www.tate.org.uk/imap/pages/animated/keyterms2.htm

Welcome Introduction Get Started Comments ... Return to Menu Perspective, Viewpoint and Cubism Painters had always faced a paradox. They were attempting to represent the living, three-dimensional world on the motionless, two-dimensional surface of a canvas. It was impossible to replicate the space and depth around them. However, from the Renaissance onwards, European artists had a convincing way of faking it. This was called perspective. The trick was to exploit the fact that things appear smaller the further away they are from the eye. This effect could be imitated in a painting by carefully managing the size and position of things in relation to each other. Put simply, those objects the artist wanted to portray as further away would be painted smaller than those closer to him. When a painting can give a sense of what is near and what is far, it also gives us a sense of space. But near or far from where? Just as we need to hold down one end of a tape measure to be sure of an accurate measurement, so the painter needed a fixed point to which everything else related. Since the artist was attempting to recreate the experience of looking, that fixed point was his own eye. This is sometimes called a viewpoint.

82. Tate Liverpool | International Modern Art | The Legacy Of Cubism cubism evolved in the calm before the storm of the First World War. For other artists, however, cubism paved the way to an abstract art that was outside http://www.tate.org.uk/liverpool/ima/rm2/

Texts Images - Work in Focus Images - Contextual Audio/Video ... Room 6: Scarred for Life Search Tate Online Tate Collection Advanced Search Tate Liverpool Schools Online ... Visiting IMA Enlarge Image The Legacy of Cubism Cubism evolved in the calm before the storm of the First World War. It was primarily an intellectual pursuit that aimed to explore and expand the possibilities of representation. Its radical fragmentation of the human body and aggressively angular forms could also be seen to reflect a troubled and changing world. The War created a dramatic break with the values and traditions of the past, and it was followed by a time of rapid social and political change that saw the emancipation of women, more immediate forms of communication, and new means of transport. Some artists, such as the Futurists, celebrated these changes and their works express the dynamism and energy of modern life. They focused on the new symbols of modernity - cars, trains and aeroplanes - and depicted them moving rapidly through the landscape, using fragmented forms and multiple viewpoints to give the impression of speed and movement. For other artists, however, Cubism paved the way to an abstract art that was outside the hustle and bustle of the rapidly changing western world. French sculptor Jacques Lipchitz was one of the first artists to apply the principles of Cubism in three dimensions. His translation of multiple viewpoints into a series of white, abstract volumes created sculpture that had poise and a sense of timelessness. Similarly, Piet Mondrian's gentle fragmentation of the world around him was an attempt to create a 'purity' of form and structure, which he believed expressed a greater reality than the changing surface of the everyday world.

83. BBC - CBBC - Art - How To... Cubism CBBC Art is the place to come for a truly interactive artistic experience! Find out about the wide variety of techniques used to create cool art with our http://www.bbc.co.uk/cbbc/art/howto/cubism/index.shtml

@import url('/includes/tbenh.css') ; Home TV Radio Talk ... A-Z Index TUESDAY 20th September 2005 Text only BBC Homepage BBC Schools CBeebies Home ... Help Like this page? Send it to a friend! Batik Kinetic Art Basquiat ... Make a mosaic What can you see in this painting? Give up? Look closer - like shattered glass in a broken mirror, this painting reflects back a collection of household objects. Painted in 1910, it's a great example of Cubist art. The Cubists refused to paint the world from just one angle - they showed things from lots of different directions. The name of the painting above is 'Violin and Pitcher (Jug)'. Can you see why? Follow our guide or get a print out Find out what you need to get started. How did Cubism start?

84. Cubism Guide In UK Net Guide: Arts & Entertainment UK Net Guide Entertainment Channel - entertainment sites, bars and clubs, comedy, films, cinema, music, radio, restaurants, theatre, tv, games, karting, http://www.uknetguide.co.uk/Entertainment/Article107.html

Business Finance Education TV ... TV Web Search GO Local Business Finder GO Sorry, you need inline frames to see this poll. Home Guides Cubism Cubism The term “cubism” was coined in 1908, when French art critic Louis Vauxcelles facetiously referred to "bizarre cubiques". He was describing a work by artist Georges Braque, who with Pablo Picasso had begun pioneering the cubist style the previous year. The two men met in Montmartre, Paris. Both were influenced by Paul Cezanne, the founder of modern painting, and worked together until 1914 (when Braque went to fight in World War One, while Picasso avoided military service). During the early years of the 20th century, European painting and – to a smaller degree - sculpture was revolutionised by cubism, which emphasised flat, two-dimensional surfaces. In its avant-garde way it rejected traditional notions of perspective, fixed angles, colour and space. Subjects were broken into fragments, offering views of several aspects at the same time. In the movement’s first stages – sometimes called “analytical cubism” - it was Picasso’s classic painting Les Demoiselles d’Avignon, featuring five angular female nudes, that epitomised the style. By this time, cubism had become so popular that critics were referring to a “school” of cubism – many artists influenced by Braque and Picasso.

85. Cubism By 1913 Diego Rivera was fascinated by the early cubist movement, led by celebrated Spaniard Pablo Picasso, and started experimenting with cubism himself. http://www.fbuch.com/cubism.htm

Diego Rivera ca. 1910 Diego Rivera : Master Cubist By 1913 Diego Rivera was fascinated by the early cubist movement, led by celebrated Spaniard Pablo Picasso, and started experimenting with cubism himself. By 1914 Diego was viewed as one of the more interesting members of the Cubist movement, one of the avant garde . Diego was a great admirer of Pablo Picasso, and they became close friends... Diego confides that in Paris, when they were by themselves, they would have the best of times saying things about other painters they would never tell anybody else!!! Portrait of Jacques Lipschitz, 1914 The sculptor Jacques Lipschitz, The Man in the Sweather, was a close friend of Diego, and with him in Mallorca and Barcelona at the beginning of WWI. Notice the Mexican color paterns by the shoulders. Paisaje de Mallorca, 1914 Portrait of Two Women, 1914 Sailor at Breakfast, 1914 The Cafe Terrace, 1915 The Cafe Terrace (1915), shows a delightful Parisian cafe table, filled with goodies such as a sundae and possibly a box of fine cigars! The balance and textures are outstanding! Still Life with Gray Bowl, 1915

86. Influence Of African Art On Cubism - African-American History Influence of African Art on cubism African-American History Through the Arts. http://cghs.dade.k12.fl.us/african-american/twentieth_century/cubism.htm

87. Modern Art: Cubism cubism was absorbed in Italy by the exponents of futurism (c.1909–c.1915) The legacy of cubism. (New York Museum of Modern Art director William Rubin) http://www.infoplease.com/ce6/ent/A0859698.html

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88. Cubism cubism, art movement, primarily in painting, originating in Paris c.1907. Living with cubism. (exhibition of Czech art at the CooperHewitt Museum, http://www.infoplease.com/ce6/ent/A0814201.html

in All Infoplease Almanacs Biographies Dictionary Encyclopedia Daily Almanac for Sep 20, 2005 Skip Navigation Home Almanacs ... Word of the Day Editor's Favorites Hispanic Heritage Month Hurricane Katrina Daylight Saving Time Ramadan ... Mississippi Infoplease Tools Periodic Table Conversion Tool Perpetual Calendar Year by Year ... Site Map College Center Scholarship Search College Resources Career Center Job Search Post Your Resume Continuing Ed. more . . . Search: Infoplease Info search tips Search: Biographies Bio search tips google_ad_client = 'pub-1894504138907931'; google_ad_width = 120; google_ad_height = 240; google_ad_format = '120x240_as'; google_ad_type = 'text'; google_ad_channel =''; google_color_border = ['336699','B4D0DC','DFF2FD','B0E0E6']; google_color_bg = ['FFFFFF','ECF8FF','DFF2FD','FFFFFF']; google_color_link = ['0000FF','0000CC','0000CC','000000']; google_color_url = ['008000','008000','008000','336699']; google_color_text = ['000000','6F6F6F','000000','333333']; Encyclopedia cubism cubism, art movement, primarily in painting, originating in Paris c.1907. Sections in this article: Introduction Cubist Theory Analytic and Synthetic Cubism The Scope of Cubism Cubist Inspiration and Influence ... Bibliography The Columbia Electronic Encyclopedia

89. Cubism: Definition And Much More From Answers.com cub·ism also Cub·ism ( kyu biz ?m ) n. A nonobjective school of painting and sculpture developed in Paris in the early 20th century, http://www.answers.com/topic/cubism

showHide_TellMeAbout2('false'); Arts Business Entertainment Games ... More... On this page: Dictionary Encyclopedia Fine Arts WordNet Wikipedia Translations Mentioned In Or search: - The Web - Images - News - Blogs - Shopping cubism Dictionary cub·ism also Cub·ism kyà « bÄ­z əm n. A nonobjective school of painting and sculpture developed in Paris in the early 20th century, characterized by the reduction and fragmentation of natural forms into abstract, often geometric structures usually rendered as a set of discrete planes. cub ist n. cu·bis tic adj. cu·bis ti·cal·ly adv. Encyclopedia cubism, art movement, primarily in painting, originating in Paris c.1907. Cubist Theory Cubism began as an intellectual revolt against the artistic expression of previous eras. Among the specific elements abandoned by the cubists were the sensual appeal of paint texture and color, subject matter with emotional charge or mood, the play of light on form, movement, atmosphere, and the illusionism that proceeded from scientifically based perspective. To replace these they employed an analytic system in which the three-dimensional subject (usually still life) was fragmented and redefined within a shallow plane or within several interlocking and often transparent planes. Analytic and Synthetic Cubism In the analytic phase (1907–12) the cubist palette was severely limited, largely to black, browns, grays, and off-whites. In addition, forms were rigidly geometric and compositions subtle and intricate. Cubist abstraction as represented by the analytic works of Pablo Picasso, Georges Braque, and Juan Gris intended an appeal to the intellect. The cubists sought to show everyday objects as the mind, not the eye, perceives them—from all sides at once. The

90. Cubism Cubist Style Cubist Art Cubist Movement Questia.com Research cubism at the Questia.com online library. http://www.questia.com/library/art-and-architecture/artistic-styles-and-movement

91. Cubism Posters At AllPosters.com cubism Posters at AllPosters.com. Over 300000 posters and prints. Professional custom framing available. http://www.allposters.com/-st/Cubism-Posters_c6413_.htm

Movies Fine Art Music Sports College Vintage Photography Top Browse Cubism: Braque, Georges de La Fresnaye, Roger Delaunay, Robert Feininger, Lyonel Gleizes, Albert Gris, Juan Leger, Fernand Malevich, Kasimir Picasso, Pablo - Cu... Severini, Gino Advanced Search Home The Cubism category contains items click on an image for enlargement and order information Violin and Guitar, 1913 Art Print 24 x 32 in Pablo Picasso Usually ships in: 24 hours Rythme sans fin Art Print 12 x 36 in Robert Delaunay Usually ships in: 24 hours Three Musicians Art Print 18 x 20 in Pablo Picasso Usually ships in: 24 hours Bird Art Print 32 x 24 in Georges Braque Usually ships in: 24 hours L'Homme a la Guitare, 1918 Art Print 11 x 14 in Pablo Picasso Usually ships in: 24 hours Les Demoiselles d'Avignon Art Print 31 x 34 in Pablo Picasso Usually ships in: 24 hours Violin and Guitar, 1913 Art Print 16 x 20 in Pablo Picasso Usually ships in: 24 hours Violin and Guitar, 1913 Art Print 11 x 14 in Pablo Picasso Usually ships in: 24 hours Violin and Guitar, 1913 Art Print 24 x 30 in Pablo Picasso Usually ships in: 24 hours Three Musicians Art Print 30 x 32 in Pablo Picasso Usually ships in: 24 hours The City Art Print 14 x 11 in Fernand Leger Usually ships in: 24 hours The Three Musicians Art Print 8 x 10 in Pablo Picasso Usually ships in: 24 hours www.AllPosters.com

92. CSISS Classics - Pablo Picasso: Cubism - A Revolution Of Spatial Presentation In Although inspired by the later work of Cezanne, the era of cubism (1907 1920 s) was first begun by Pablo Picasso and Georges Braque. http://www.csiss.org/classics/content/40

Pablo Picasso: Cubism - A Revolution of Spatial Presentation in Artistic Expression (with parallels in cartography) By Scott Crosier Back to Classics Background -Pablo Picasso Cubism, the artistic expression that forefathered all abstract art, was simply a method of portraying multiple dimensions onto a two dimensional canvas. This is not unlike the task of the map maker in representing the earth in two dimensions. However, as we interact with something, we rarely interact using only one perspective. For example, as we appreciate nature, we walk around. We might see a tree off in the distance, and as we approach it, our perspective of the tree changes. We might even walk past the tree, and look back on it from a completely different view or see an areal view of the location and appreciate it from a different perspective. How, then, can an artist depict this changing interaction with the subject, while working on a flat piece of canvas? This question is what spurred several artistic innovators to the pioneer form of all abstract art called Cubism. Innovation The Cubists (including Picasso, Braque, Jean Metzinger, Gris, Duchamp, and Léger) were attempting to depict their subject matter not as the eye, but as the mind saw the subject. For example, the woman in the lower right corner of the painting has her back towards the artist. However, we know, and it is depicted in the painting, that she has a face. Also, as the veil or curtain drapes around the bodies, we see a boundry between the women and the drape, while in other places (the leg of the woman to the left) the boundry is not so clear, suggesting the flow of the veil in and around the bodies. The two women in the middle of the painting also have the profile of their noses painted on what appears to be the front of their face. This too, depicts Picasso's attempt to portray the front and the side of the face in the same image.

93. Cubism cubism also had a marked, though less fundamental, effect on sculpture, cubism was a complex, gradually evolving phenomenon, but in essence it involved http://www.tiscali.co.uk/reference/encyclopaedia/hutchinson/m0017219.html

// Show bread crumbs navigation path. breadcrumbs('four'); //> From: www.tiscali.co.uk/reference/ ENCYCLOPAEDIA Hutchinson's Encyclopaedia Men's Health ... Wildlife Frames not supported Frames not supported Encyclopaedia Search Click a letter for the index A B C D ... Z Or search the encyclopaedia: cubism Revolutionary style of painting created by Georges Braque and Pablo Picasso in Paris between 1907 and 1914. It was the most radical of the developments that revolutionized art in the years of unprecedented experimentation leading up to World War I, and it changed the course of painting by introducing a new way of seeing and depicting the world. To the cubists, a painting was first and foremost a flat object that existed in its own right, rather than a kind of window through which a representation of the world is seen. Cubism also had a marked, though less fundamental, effect on sculpture, and even influenced architecture and the decorative arts. Related Links abstract art Orphism (art) Picasso, Pablo Ruiz y French art ... collage Moldova Flag The bison's head, star, rose, and crescent are traditional symbols of Moldavia. The colours are based on the Romanian flag. Effective date 3 November 1990.

94. Cusbism And Abstraction cubism and abstraction, as developed by Picasso, Braque, and many others in the following decades, could be instantly recognized in the textile and fashion http://tirocchi.stg.brown.edu/exhibition/fashion/cub.html

Cubism and Abstraction Developments in the art world after the turn of the twentieth century were closely mirrored in design. In 1905, Matisse and other artists introduced brilliantly unrealistic colors into their paintings, prompting critics to call them "wild beasts" (fauves in French). Textile designers, many of whom were painters themselves, did not lag far behind. Cubism and abstraction, as developed by Picasso, Braque, and many others in the following decades, could be instantly recognized in the textile and fashion worlds. Textile patterns, often created by modernist artists like Raoul Dufy and Paul Iribe, soon appeared with abstract florals; geometric patterns that played with the eye through unexpected juxtapositions; and in the 1920s, exuberant designs that presented views from many angles at once. Dazzling colors were joined by layers of patterning created by the use of metallic threads, sequins, and beads: "collages" that decorated the short "chemise" dresses of "flapper" days and nights.

95. Search: Cubism - WebCrawler Search results for cubism from WebCrawler Metasearch. http://webcrawler.com/cgi-bin/WebQuery?searchText=Cubism&src=ns

96. Click Opera - Cubism Reaches Magazine Writing http://www.livejournal.com/users/imomus/123363.html

Recent Friends Calendar Archive ... iMomus Click opera - Cubism reaches magazine writing imomus September 2005 Tuesday, July 19th, 2005 06:50 pm Cubism reaches magazine writing I'm back in Britain after my one-month stint in the New York art world. I'm riding the tube from Heathrow to New Cross, listening to endless announcements about closures "following the incidents of July 7th..." (half the network is still out of order) and looking around nervously for people carrying backpacks. Dozens are, but they're mostly Australian tourists. One good thing about 7/7, if I might be callous for a moment, is that for once there are empty seats on London-bound planes. You can stretch out on the Red Eye Express across all the seats left empty by American tourists who've gone to Mexico instead. The Indian food in London is excellent, and the magazines are pretty good too. I buy Wire, Frieze and Modern Painters. Modern Painters has got vastly better recently. There's a really fantastic piece this month by Benjamin Weissman called The Autobiography of Paul McCarthy . Not only is it illustrated by amazingly grotesque photos of McCarthy (like the one on the left) in which he outdoes Matthew Barney, Cindy Sherman and Leigh Bowery with the attractive absurdity of his persona, but the article itself, beautifully written, blurs fact and fiction in a similar way, adding prosthetic prose to the plastic appendages McCarthy wears. Is that his real belly, or an invented one? And is the first person narrator speaking throughout this article Weissman or McCarthy? The ambiguity makes the article a kind of artwork in its own right, as provocative as the art it's about.

97. CMA Exhibition Feature : Primitivism And Cubism Early signs of cubism appear in the radical breaking and reconstruction of Building upon Paul Cézanne’s discoveries, cubism radically altered the way http://www.clevelandart.org/exhibcef/PicassoAS/html/1477098.html

Special Exhibitions Picasso: The Artist's Studio Picasso: The Artist's Studio Who Was Picasso? The Architect's Table, early 1912 Oil on canvas mounted on oval panel The Museum of Modern Art, New York. The William S. Paley Collection, 1971 [Cat. no. 11] Primitivism and Cubism In 1907 Picasso shocked fellow artists with his painting as a landmark in the history of art, the first Cubist (or proto-Cubist) painting, and perhaps the most important painting of the 20th century. and collage. During the early stages of Cubism, Picasso and Braque rarely contributed to large public exhibitions. By 1909 Picasso enjoyed sufficient support from private collectors and dealers that he no longer needed to participate in large public salons. Consequently, his early Cubist paintings were known mostly to a small group of connoisseurs and fellow artists, many of whom adopted the style and brought it to public attention. Other artists developed Cubist principles of spatial construction in new directions. Cubism provided the foundation for an astonishing variety of avant-garde styles, including Futurism, Orphism, Constructivism, and Neo-Plasticism. Its influence appears ubiquitously in 20th-century art and design, from the International Style in architecture to Abstract Expressionism and other art movements. Many critics regard the invention of Cubism by Picasso and Braque as the most important event in the history of modern art. Self-Portrait with Palette Oil on canvas Philadelphia Museum of Art. A. E. Gallatin Collection

98. Learning Cubism Without Showing An Example Do NOT show artwork or say the word cubism until near the end of the lesson. Explain the word cubism and give a bit of background on how innovative it http://www.goshen.edu/~marvinpb/lessons/cubism.html

Cubism Art Lesson "Drawing/painting Our Impressions" The O bjectives: Practice observation drawing Learn to compose shapes, lines, and colors Learn about principles of composition including emphasis and unity Encourage creative work habits Change habits of work Foster a collaborative art studio atmosphere Learn about an important art style (a way of seeing), some art history, art criticism, and aesthetics Age and G rade Level This is a good lesson for adults or older children who have mastered some abstract thinking ability. It is very appropriate for upper grades up through adults. This lesson is best above second grade. Teaching the L esson Do NOT show artwork or say the word cubism until near the end of the lesson. Subject Matter The teacher guides the students who learn to set up a large still life in the middle of the room or several small setups in the middle of their work tables. They bring in sporting stuff, stuffed toys, musical instruments, some cloth, a few dry weeds, and so on. Depending of the season, some teachers bring large sunflowers, grapes, gourds, squash, onions, eggplant, apples, and so forth from the garden. Cut a few of these in half. Taste and smell are excellent multi-sensory motivation. Media Distribute the materials before discussing the process and giving drawing directions. This is avoids disrupting them when they are ready to start working.

99. Cubism [en] cubism in the Shadow of War The Avantgarde and Politics in Paris, 1905-1914 cubism and Its Enemies Modern Movements and Reaction in French Art http://www.archinform.net/stich/623.htm

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100. Cubism And Cameras: Free-form Optics For Computer Graphics cubism and Cameras Freeform Optics for Computer Graphics. Andrew S. Glassner. January 2000. 16 p. Available Documents http://research.microsoft.com/research/pubs/view.aspx?tr_id=334

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