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         Cubism:     more books (100)
  1. Daniel-Henry Kahnweiler: The Rise of Cubism by Henry (translator) Aronson, 1949
  2. A Sum of Destructions: Picasso`s Cultures and the Creation of Cubism by Natasha Staller, 2001-06-01
  3. Cubism and abstract art: Painting, sculpture, constructions, photography, architecture, industrial art, theatre, films, posters, typography by N.Y.) Museum of Modern Art (New York, 1974
  4. Cubism by Edward Fry, 1966
  5. Rococo to Cubism in Art and Literature. by Wylie. Sypher, 1960-01
  6. Hans Hofmann: The Push and Pull of Cubism
  7. Picasso, Braque, Gris, Leger: Douglas Cooper Collecting Cubism by Dorothy M. Kosinski, 1990-09
  8. Architecture and Cubism
  9. Picaso and Braque: Pioneering Cubism by William Rubin, 1989-09
  10. Cubists & Cubism by Rizzoli, 1982-10-15
  11. Rococo to Cubism by Wylie Sypher, 1960
  12. Moment of Cubism and Other Essays by John Berger, 1969-05-01
  13. Cubism a History and an Analysis 1914 by John Golding,
  14. Cubism, Futurism and Constructivism by John Malcolm Nash, 1979-06

41. Cubism Artists And Art...the-artists.org
cubism art movement / style, art and artists, Information about cubism and the artists involved.
http://www.the-artists.org/MovementView.cfm?id=8A01EE8C-BBCF-11D4-A93500D0B7069B

42. Roswita Szyszka, Fine Artist
Artist offers an online gallery of abstract figurative oil paintings based on cubism.
http://www.rszyszka.com/
Click here to email Roswita for more information, comments or questions Click here for Roswita's Resume, Artists Statement, Artist Bio and Price List
Online Gallery
Click on painting to enlarge
"Touched By Deception"
"Trauma"
"Deep Blue"
"Turmoil"
"Despairing Moment"
"Tormented Victim"
"Sleep Walker"
"The Voices Within"
"Repose"
"REM" Roswita is Considered as one of the top 100 artists of the 20th century in the Town of Woodstock, NY, Colony of the Arts The Katharine "Kotty" Wangler On-Line Gallery "Confusion" "Whispering Words of Envy" "Prisoners of Words" "Fragmented" "Transcendental Movements" "Asexual Symmetry" "Some of her figures look as if they were painted on glass and then shattered and cracked; others are contained within a Woodstock Times (Dec. 28 1995) "Inner Self" "Reverie" "Abstracted Conscience" "Linear Retrospect" "In Dreams" "Prisoners of the Prism" "The Other Woman" Roswita is Considered as one of the top 100 artists of the 20th century in the Town of Woodstock, NY

43. C U B I S M . I M A G E . B A N K
cubism (kyoobiz m), n. A phase of postimpressionism which stresses abstract form at the expense of other pictorial elements,
http://www.usc.edu/dept/architecture/slide/babcock/
document.write( '')
cube (kyoob), n. [L. cubus , fr. Gr. kubos a cube]
Geom. The regular solid of six equal square sides.
Math. The third power; the product got by taking a
number or quantity three times as a factor.
cubism (kyoobiz'm), n. A phase of postimpressionism which stresses
abstract form at the expense of other pictorial elements,
aiming, largely by the use of intersecting, often transparent,
cubes, cones, and other geometric solids, to produce a specific
aesthetic sensation rather than a representation of nature.
cubist (-ist)

44. Achim Moeller Fine Art
Specializes in late 19th and early 20th century masters, with emphasis on French and German Expressionism, as well as Fauvism, cubism, and the masters of the Bauhaus, Dada and Surrealism.
http://www.moellerart.com/

45. Synthetic Cubism
ANSC 100 Image Library Synthetic cubism. Guitar and Flowers, Gris, 1912 Aria of Bach, Braque, 1913 The Bottle of Rum, Braque, 1914
http://www.usc.edu/schools/annenberg/asc/projects/comm544/library/styles/Synthet

Synthetic Cubism
Guitar and Flowers, Gris, 1912
Aria of Bach, Braque, 1913
The Bottle of Rum, Braque, 1914
Still-Life (Fantomas), Gris, 1915
The Cardplayers, Léger, 1917
The City, Léger, 1919
Three Women (Le Grand Déjeuner), Léger, 1921
Three Musicians, Picasso, 1921
Le Gueridon, Braque, 1921-1922 Mussolini's Blackshirts, 15 April 1919, Prampolini, 1933 L'Atelier III, Braque, 1949

46. Cubism
cubism is a style of art created in the 1920’s buy two famous painters Pablo Picasso This cubism painting Bather With Beach Ball shows a women that is
http://library.thinkquest.org/J002045F/cubism.htm

Up
Cubism is a style of art created in the 1920’s buy two famous painters Pablo Picasso and George Braque. They both used a lot of cubism in their paintings. Cubism is a type of art that shows movement through time. That means that instead of painting someone stiff, the artist would paint them to were they looked like they were moving. Another thing you do in cubism is you brake down the object (person or thing) into geometric shapes. That way instead of showing one face, the artist could use small shapes to show more than one. When the cubist artists were getting ready to do cubism, the first thing they did was they drew a sketch and drew the shapes on another piece of paper. Then, they would do the changes on the final sheet of paper. The last thing you do in cubism would be the shapes, shade in the picture, and then the picture would be complete.
Paintings
This cubism painting "Bather With Beach Ball" shows a women that is running with a beach ball. The beach ball is so small that it looks like just a plain old circle. If you notice, the background looks like a real life scene! This other painting called "Dora Maar Seated " is a painting that shows a woman sitting in a chair. If you notice, in this painting looks different from the other one. In the background it is cubism. But in the other one it has a real life back ground.

47. Cubism
Xach's Plugin Previews
http://www.xach.com/gimp/previews/cubism.html
Artistic > Cubism Artistic
Cubism
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Noisify Ripple ... Whirl Edge-detect Edge Laplace Effects Bump-map Gflare Supernova Image Auto-Stretch HSV Contrast Auto-Stretch Engrave Pixelize ... Value Invert Render IfsCompose Grid Textures Sinus Cubism Original These pages describe plugins for GIMP , a freely available image manipulation tool for Unix. For the latest news on GIMP, check out my GIMP News page. Zachary Beane

48. Cubism: Picasso
The development of cubism can be attributed to two men, George Braque and Pablo One of the primary goals of cubism was to depart from the traditional
http://www.eyeconart.net/history/cubism.htm
Cubism The development of cubism can be attributed to two men, George Braque and Pablo Picasso. They worked side by side in the same studio during their cubist period, and their work was almost indistinguishable. For now, I will consider the development of the much more famous (and prolific) artist, Picasso.
Pablo Picasso
(Spanish, 1881-1973) Self Portrait 1899-1900 Self Portrait, cubist period See Early Works By Picasso
Blue Period: La Vie Old Guitarrist Woman with Crow
Pablo Picasso was trained to paint by his father from a very young age, and absorbed his influence as well as that of the traditions of Spanish art. By his early 20s, he had moved to Paris, and quickly changed his earth-toned colors to a palette which was more emotionally expressive. His first truly original works were those of his Blue period. The young artist was facing some difficult times after the death of his closest friend, and was also experiencing financial troubles during his first years in Paris. His paintings of this time were created in predominantly blue tones, and the images were of immaciated people who look like they are down on their luck. Despite this, the paintings achieve a sense of mystery, and these are some of his most poetic images.
Rose Period:
Circus Acrobats and Ape Girl with Fan
His blue period only lasted a few years, and was quickly supplanted with brighter colors when the artist's life circumstances improved. Collectors started to buy his works, so he was less financially worried. Also, he is believed to have fallen in love at this time. Historians call this his Rose period because of the pinks and reds that started to appear in his works at this time. For some reason, the lives of carnival people was one of the subjects that was common in these paintings.

49. Michael Simonelli - Artist
Original artworks of wood and metal sculpture, oil and acrylic. Mainly surrealism, cubism, modern and abstract art.
http://hometown.aol.com/omega323/index.htm
htmlAdWH('93212816', '728', '90'); Main Painting Home
Gallery One

Gallery Two

To Purchase
Michael's Studio Introducing the Artist Michael Simonelli was born in New Haven, Connecticut in Oct. of 1946. Except for a tour of duty with the US Marine Corp (including13 months spent in active combat in Vietnam), he has spent most of his life working in the greater New Haven area. Michael attended Paier College of Art in Hamden, Connecticut where he studied Fine Arts, mechanical drafting, and technical illustration; New Haven College for mechanical engineering; and recently took classes in metal welding at the Creative Workshop in New Haven. Michael has pursued his love of the fine arts over the years, while raising two daughters, and making his living first by contracting for project work in mechanical design and drafting with companies such as Sikorsky Aircraft, Pratt and Whitney, Aerospace, and IBM; then working as a removal business specializ ing in the removal of large trees in treacherous locations requiring careful planning and the aid of cranes, and now contracting for smaller scale construction projects so that he can turn more attention to art once again. The artist currently lives within blocks of New Haven center in one direction, and the Yale University campus in another, and enjoys the lively environment afforded by this

50. Global Gallery - Knowledge Center - Cubism
Knowledge Center, where art learning and art shopping meet. Explore art history, artist biographies and diverse art movements such as Renaissance,
http://www.globalgallery.com/knowledgecenter/know.cubism.asp
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Cubism was a revolutionary movement that is commonly seen as as a monumental shift in western art. The movement, founded by Pablo Picasso and Georges Braque , was based on analytical visions and fragmented compositions that would sometimes include multiple perspectives of the same object. Where traditional western art had imitated nature and objects realistically for centuries, the Cubists basically threw out all of the traditional elements of perspective and depth and reverted to two dimensional renderings that could be regarded as regression, but in terms of Modern art was seen as tremendous progress. The largest influences that led to the creation of Cubism were African sculpture and late period paintings by Paul Cezanne . These specific influences led to the works produced by Cubist artists, primarily Picasso and Braque, to share so many qualities that it is difficult at times to distinguish one painter's work from another. Juan Gris was another early adherent of Cubism, and was later joined by greats such as Leger and Delaunay.

51. Mekentosj.com | Modern Cubism
On June 29th we won the Apple Design Award for our program 4Peaks. With the prize came a beautiful metal cube as trophy that glows when you touch it.
http://www.mekentosj.com/goodies/cubism/
Learn more >>
Modern Cubism
On June 29th we won the Apple Design Award in the category "Best Student Mac OS X Project" for our program . With the prize came a beautiful metal cube as trophy that glows when you touch it. While showing the cube to everyone, most people asked if we knew what was inside and how it worked. How did the cube notice that it was touched? Opening it up would be a simple solution of course, but we were afraid to break it. Still, curious as scientists can be, we thought of something more elegant to answer the burning questions. We contacted the people of the radiotherapy department in the hospital to see if they perhaps could take an X-ray of the cube and reveal its inner being, just like people had previously done with a Titanium PowerBook and iPod . Unfortunately they told us that they did not have an X-ray machine, we should contact the radio-diagnostic department for that. Instead however, they did have something else: a cone beam CT scan that would even allow 3D reconstruction!
Patient: Charlie Cube
This particular CT scanner is part of an ultra-modern linear accelerator of which there are only a few worldwide, and which together with the manufacturer has been actively developed in-house. The high-resolution CT image data is used to optimize irradiation protocols of cancer patients for better accuracy and effectivity in order to fully remove the tumor. In February this year, the NKI/AVL was the first hospital in the world to take this kind of machine in clinical use. Although it is very heavily used, luckily for us the people of the radiotherapy department offered to take a CT scan of our cube in between two patient sessions.

52. Sanford & A Lifetime Of Color: Study Art
Girl with Dark Hair, by Picasso cubism developed in France between 1907 and The name cubism comes from an insult by another artist, Henri Matisse.
http://www.sanford-artedventures.com/study/g_cubism.html
Glossary Term: Cubism
Cubism developed in France between 1907 and the early 1920's. The name "Cubism" comes from an insult by another artist, Henri Matisse. He called a painting by Georges Braque: "petits cubes", or little cubes. Since the Renaissance , many artists believed perception and space were best shown with linear perspective, a mathematical system used to imitate nature. Artists using these ideas show a fixed point of view. Cubist artists, on the other hand, show more than one view at a time. A Cubist painting may show the front of a face and the side of a face at the same time. You can see this in Picasso's Girl with Dark Hair on the right. Modern studies of perception have shown that people do not view things from one fixed, all-encompassing place, but from an infinite number of glances which are then connected in the viewer's mind into one picture. Pablo Picasso and Georges Braque were two Cubist artists who showed how space can be cut-up, distorted and transformed into different planes and views. Cubist painters asked themselves: "Is reality in the eye of the spectator, or is it whatever appears on the canvas?"

53. Cubism And The Shape Of Things To Come
Furniture, frocks and coffeepots wore a new look in 1920s France as cubism went from canvas to café. From Smithsonian Magazine, Vol 27 number 4.
http://www.smithsonianmag.com/smithsonian/issues96/jul96/cubism.html
document.write(''); Picasso and Portraiture Web Museum: Braque Web Museum: Picasso When Cubism met the decorative arts in France
From side tables to the dazzling dress designs of Sonia Delaunay, a new exhibition at the Portland Museum in Maine surveys the scene
In 1909 when Picasso and Braque made their first forays into what would later be called Cubism, critics were less than overwhelmed; their reactions ranged from "ugly" to "grotesque." But within two decades, the new style, with its bold colors and fractured geometry, had found its way into French homes as decorative artists created Cubist-inspired lamps, folding screens, clothing and other everyday objects. For more information on this topic, see our Additional Sources page and explore the Archives of Smithsonian Magazine: Abstract of an article by Paul Trachtman. Originally published in the July 1996 issue of Smithsonian
Smithsonian Institution
Email subscription questions to: smithsmt@palmcoastd.com

54. CUBISM
This site was designed to present the developments in Russian painting from its beginnings to the twentieth century. It includes background information and
http://www.rollins.edu/Foreign_Lang/Russian/cubism.html
Cubism Two Figures (1913-14), Liubov' Popova beautifully demonstrates the artistic possibilities of a Cubist reconstruction and, at the same time, her talent to transcend simple imitation. The painting might have been influenced by Umberto Boccioni's 1912 Technical Manifesto of Futurist Sculpture (published in Moscow in 1914), in which he suggested "a translation in plaster, bronze, glass, wood, or any other material of those atmospheric planes which bind and intersect things" ( Costakis , 352). [B.B., C.B., and A.B.] Home

55. Cubism
cubism. The opening of the twentieth century marked a period of economic, social and scientific cubism constituted an explosion of perception.
http://www.roland-collection.com/rolandcollection/section/15/521.htm
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Cubism
The opening of the twentieth century marked a period of economic, social and scientific transformation, which was reflected in Cubism as an artistic movement. The Cubists, with Picasso as their foremost member, expressed a new perception of the world. In more traditional painting, the artist is static before the object or scene depicted; but in Cubist art the painter seems to see and render the subject from all sides at once. Cubism constituted an explosion of perception. In 1901 Picasso's first exhibition in Paris showed the influence of Pointillist painters such as Seurat, and throughout his `Blue Period' and `Pink Period' his work was powerful yet still fairly conventional in style. But in 1907 came the painting Les Demoiselles d'Avignon,
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56. Cubism And Modernism
cubism grew out of the efforts of Picasso, Braque and others, Of course the name cubism was disparaging, for the movement gave rise to just as much
http://www.roland-collection.com/rolandcollection/section/15/529.htm
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Cubism and Modernism
This title is no longer available from the Roland Collection. Details remain on this site for the reference of previous customers. Cubism grew out of the efforts of Picasso, Braque and others, whose work is explored here, to replace the Impressionist concentration on the surface of objects with a more intellectual concept of color and form, an attempt to express the idea of an object rather than to give any one view of it. Of course the name Cubism was disparaging, for the movement gave rise to just as much opposition as Impressionism had encountered earlier. Cubism has generally been seen as the most important influence in twentieth-century art, solely because of its technical and formal aspects; but perhaps this view ignores some of its other features, particularly its realism. Were these just as influential as its form and technique?
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Pablo Picasso
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57. Analytical Cubism : Pablo Picasso And George Braque. An Article From Cavant-gard
read a selection of art articles complete with images on your favourite modern and contemporary artists, including Pablo Picasso, Jackson Pollock and
http://www.cavant-garde.com/articles/cubism.shtml
october 2005 the world according to art Analytical Cubism 1907-1911 : Pablo Picasso and Georges Braque by cavan wee Question : With detailed reference to specific artworks, examine the breakdown of conventional illusionistic space in painting during the 'analytic' phases of Cubism c.1907-1911. Contributing factors such as the 'Cézannism' of Picasso and Braque should be taken into account. Contemporary ideas of simultaneity and the 4 th Taking a quick imaginary tour of the rich palette of 20th Century art, it is difficult to find a phase of greater representational revolution than that of Cubism. It is not only what drove Pablo Picasso and Georges Braque to the Cubist way, but also the visually complex and strikingly interesting solution found that sparks admiration from even the confused layman. For it cannot be ignored that even today many have difficulty understanding these paintings, let alone their significance to values of representation in painting. We cannot approach the understanding of the Cubist revolution from the outside for it was not a revolution based on aesthetics. Rather we must investigate the representational problems, influences and contemporary ideas circumventing it to gain a true understanding of the nature of Cubism. Cubism influenced many artists including Jean Metzinger, Albert Gleizes, Fernand Leger and Marcel Duchamp during the periods 1908-1921 and continued to wield a presence in later times, most notably in the works of Piet Modrian, Robert Delaunay and even the Australian Godfrey Miller. Yet it was almost certainly just two painters, Picasso and Braque, who developed the solution to what we now describe as the cubist picture. Working together during the 'analytic' phase of 1907-1911 they tackled the fundamental problem of three-dimensional representation on two dimensions. This of course was not a new problem; it had been tackled and 'solved' as early as the Renaissance using illusion through technique. But

58. Wired News: Cubism, Web-Browser Style
cubism, WebBrowser Style. Print story E-mail story Rants + Raves Reprint story. Page 1 of 2 next ». by Leander Kahney Also by this reporter
http://www.wired.com/news/technology/0,1282,40152,00.html?tw=wn20001114

59. Cubism | Special Topics Page | Timeline Of Art History | The Metropolitan Museum
cubism was one of the most influential visual art styles of the early The French art critic Louis Vauxcelles coined the term cubism after seeing the
http://www.metmuseum.org/toah/hd/cube/hd_cube.htm
Related Timeline Content Timelines France, 1900 A.D.-present Iberian Peninsula, 1900 A.D.-present Mexico and Central America, 1900 A.D.-present Special Topics Abstract Expressionism Alfred Stieglitz (1864-1946) and American Photography Alfred Stieglitz (1864-1946) and His Circle Art and Nationalism in Twentieth-Century Turkey Design, 1900-25 Design, 1925-50 Early Documentary Photography Egyptian Modern Art Fauvism Geometric Abstraction Georges Seurat (1859-1891) and Neo-Impressionism Group f/64 Henri Cartier-Bresson (1908-2004) Henri Matisse (1869-1945) Marcel Duchamp (1887-1968) Modern Art in India Modern Art in West and East Pakistan Modern Art in West Asia: From Colonial to Post-colonial Period The New Vision of Photography Nineteenth-Century American Drawings Pablo Picasso (1881-1973) Paul Klee (1879-1940) Paul Strand (1890-1976) Photography and Surrealism Photography at the Bauhaus Pictorialism in America Post-Impressionism The Salon and The Royal Academy School of Paris Surrealism West Asia: Ancient Legends, Modern Idioms Maps World Map, 1900 A.D.-present

60. Czech Cubism Image Tour
Czech architects distilled from cubism in painting a distinct style in architecture. In this sense cubism was richer in content than Modernism since it
http://lava.ds.arch.tue.nl/gallery/praha/tcubism.html
Czech Cubism Image Tour
Czech Cubism Image Tour
Czech architects distilled from Cubism in painting a distinct style in architecture. It was revolutionary in appearance both because of the new shapes facades could take, being different from contemporary and historical styles and because of the use of (reinforced) concrete structures. In this sense Cubism was richer in content than Modernism since it considered the facade as a plane of expression that could hold more than plain white stucco. However, the plans of the buildings usually were less radical than those developed by Modernism. Also, one may wonder whether properties of Cubism in painting such as transparency, the suggestion of three- and four dimensions, and ambiguity hold when they are applied in architecture.

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