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61. Balanced Literacy
Teachers implementing the Literacy collaborative use an integrated approach toteaching interactive writing is used for creating stories, writing poems,
http://comsewogue.k12.ny.us/~rstewart/k2002/Teachers/Balanced_Literacy/balancedl
Balanced Literacy
What is Balanced Literacy?
The Literacy Collaborative Model Read Aloud Shared Reading ... Balanced Literacy Links What is Balanced Literacy? Balanced Literacy is a framework designed to help all students learn to read and write effectively. The program stands firmly on the premise that all students can learn to read and write. This balance between reading and writing allows students to receive the teaching needed in order to reach grade level status, while allowing students to work at a level that is not frustrating for them. There are several models currently used in schools today. The Literacy Collaborative Model The Literacy Collaborative is a model for teaching children in a child-centered classroom, providing many opportunities for real life reading and writing experiences. It is based on the research of Marie Clay, Irene Fountas, and Gay Su Pennell. Children read and write each day independently and in group settings (both large and small). Literacy Collaborative classrooms focus on four different types of reading experiences:
Reading aloud to children Shared reading - whole class Guided reading - small group Independent reading Students also participate in shared and individual writing activities each day. The four types of writing experiences are:

62. Learning Disabilities OnLine: LD In-Depth: Multimedia And More
Students are composing interactive adventure stories, using HyperCard TM software, The program, a collaborative project with the Center for Children and
http://www.ldonline.org/ld_indepth/technology/multimedia.html
The leading Web site on learning disabilities
for parents, teachers, and other professionals Home Page FAQs About LD IDEA 2004 Update What's New ... LD OnLine Store
Multimedia and More:
Help for Students with Learnng Disabilities
produced by
National Center to Improve Practice
Click here to view movie

(Size: 1.8MB - Duration: 9 minutes) What to write? How to word it? While these questions are familiar to everyone, students with disabilities often confront unique challenges when they write.
Many students with learning disabilities are often referred to as "reluctant writers." These students may have trouble generating ideas because of gaps in their background knowledge, or, they may have vivid ideas and solid information, but have trouble finding the language to express them. In either situation, it becomes a challenge for these students to stay focused on the topic and task.
Increasingly, teachers throughout the country are experimenting with instructional practices that incorporate a variety of media to stimulate and support writing. The media may be as simple as photographs, objects, videos and tape recordings - or as sophisticated as computer software which can link text, visual imagery, sound effects, and music in a hyper-media presentation. These practices, which capitalize on students' unique abilities and interests, can be particularly powerful for students with disabilities, many of whom experience repeated failure with "mono-media" - pencil and paper.

63. Massi - Interactive Writing In The EFL Class: A Repertoire Of Tasks (I-TESL-J)
Presents a framework for interactive writing and a set of tasks to Collaborativewriting (ie Students work together to write a previously agreed text).
http://iteslj.org/Techniques/Massi-WritingTasks.html
The Internet TESL Journal
Interactive Writing in the EFL Class: A Repertoire of Tasks
mpmassi [at] ciudad.com.ar
Writing in the EFL Situation: Theoretical Perspectives
In the traditional paradigm, a preoccupation with 'the composition' and 'the essay' at the expense of other types of writing, plus a strong concern for usage over use seemed to be the golden rule. Our contention is that positive results accrue from the implementation of a discourse-oriented writing approach once our students have acquired an effective command of the foreign language in a range of familiar situations and have a good operational performanceintermediate level or beyond. In this context, assigning tasks which pose 'real' problems to solve is a challenging option to keep their motivation high and create a sense of achievement (C. Tribble 1996). By generating and encouraging interactive writing, not just texts per se to be read and graded by the teacher, our students will gain self-confidence, fluency and autonomy, and they will be stimulated to express their own authentic voices in the process of text production.
Making Writing Interactive
Writing is an interactive process by nature since it evolves out of the symbolic interplay between writer, text and reader. By making conditions more 'authentic' than the ones in traditional classroom tasks, an awareness of audience, purpose and intentionality is reinforced. While planning a written piece, the writer is constrained to consider the audience and to adopt a reader-oriented approach so as to achieve a persuasive, emotive or objective function. Interactivity can be promoted in the writing class by implementing some of the suggestions that follow (adapted from L. Hamp-Lyons and B. Heasley 1992):

64. East Bay Collaborative -- Assistive Technology Resources
writing. PC. $99.00. Talking word software with 8000 pictures. 14. Inspiration.Don Johnson interactive Stories. 30. Kid Desk. Edmark. Desktop Org.
http://www.ebecri.org/custom/assisttechresources.html
Professional Development Resources Staff FAQ's ... Request Room Reservation
Assistive Technology Resources 20 Questions about buying software Software Inventory
ID Title Company Type Platform Cost Comments Write Outloud Don Johnston Writing PC/Mac Talking word processor w/ spell check features Co: Writer Don Johnston Writing PC/Mac Word Prediction Write Away Info. Services Writing PC/Mac Word Prediction Naturally Speaking Voice to Text PC Speech Recognition Software Via Voice IBM Voice to Text PC Speech Recognition Software Intellitalk Intellitools Writing PC/Mac Primary talking word Processor Intellipics Intellitools Language Mac Overlay Maker Intellitools Language Mac Creating personal overlays to work with intellikeys keyboard Talking Nouns Laureate Language Mac Language/ vocabulary development Attainment Math Mac Money facts Boardmaker Mayer Johnson Communication PC/Mac Communication Software Picture system Speaking Dynamically Mayer Johnson Communication Mac Augmentative Communication Writing with Symbols Mayer Johnson Writing PC Talking word software with 8000 pictures Inspiration Don Johnson Writing PC Visual learning/organization Kidspiration Don Johnson Brainstorming PC Visual brainstorming software Start to Finish Books Don Johnson Text Reading PC Electronic Text Reading E-Reader CAST Text reading PC Text reading software for LD students Kid Keys Knowledge Adventure Keyboarding PC Learn keyboard and letter skills K-2 Type to Learn Sunburst Keyboarding Mac/PC No Frills keyboarding program Mavis Beacon Typing Inc.

65. IPL Kidspace
Sites where you can submit your own writing, and read stuff written by other kids . These are collaborative stories. That means they are written by more
http://www.ipl.org/div/kidspace/browse/rzn8000/
IPL KidSpace All of the IPL Advanced You are here: Home KidSpace Reading Zone Creative Writing ...
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Sites where you can submit your own writing, and read stuff written by other kids.
Resources in this category:
ABC's of the Writing Process
http://www.angelfire.com/wi/writingprocess/ "A universal process for any writing task." This page shows you the steps in the writing process: Prewriting, writing, revising, editing, and publishing. For each step, you'll find suggestions for how to complete the step and links for more ideas.
Amazing Kids
http://www.amazing-kids.org/ This website is all about how amazing kids are! You can read about real-life Amazing Kids. The contests for writers and artists are pretty neat too.
Art Safari
http://artsafari.moma.org/ This site lets you choose a famous painting, and then helps you write a story about it. You can even submit your story to a Childrens Art Display that will be seen by people all over the world!
Cambridge Rindge and Latin School Research Guide
http://www.crlsresearchguide.org/

66. Kids On The Net
Personalised interactive stories Children can enter data such as their firstname, school, Example application collaborative writing (years 36).
http://kotn.ntu.ac.uk/dragonsville/teacher/
Pilot stage materials Dragonsville Teachers Information for teachers For downloadable notes and worksheets see below NOTE: clicking here The premise
Within Dragonsville there are several sections that encourage children to produce literacy work. Each has been designed to fulfil at least one curriculum objective to fit with teachers' termly planning. Further info on curriculum links is available in our eTeachers' Portal The Rock of Knowledge
This is an area where the dragons go to find out information. Children are encouraged to research and present information in this area. Example application: The NLS framework for Year 3 term 2 (Instructional writing), Year 4 term 2 (Explanation), Year 5 term 2 (Non Chronological Reports and Explanation) and Year 6 term 2 (Notices and Public Information Documents) can be linked into this area. The Cave of Fame
Dragons are proud of their ancestors, and like to display images of them. In this area children are able to select a dragon from a gallery of images, and write a biography for it. Example application: The NLS framework for Year 6 term 1 (Biographies and Auto Biographies) can be linked into this area for revision purposes. The Naming Pool
P articularly for younger children, this area encourages children adopt a young dragon and to write a character portrait of it. Once the character portrait is submitted, the child will be able to see the dragon animated. Example application: Year 3 Term 2 (Character Portraits). There is also an interactive activity to design a "lost dragon" poster (requires

67. Adventures In Writing: An Interactive Story Project => About This Project
Classes registered with the Adventures in writing project will be given the to participate in the collaborative writing of an interactive story with
http://tlc.epsb.ca/interactivestory/about.htm
Classes registered with the Adventures in Writing project will be given the opportunity to participate in the collaborative writing of an interactive story with other elementary classrooms. For our first project for Division Two students (November - December 2002), we were thrilled to be able to use a story starter written by Alberta author, Barbara Smith. Barbara has written nine books, most of them about ghosts, including Ghost Stories of Alberta. The second project (January - February, 2003) will be for Division One students. Carol Vaage, author of Bibi and the Bull, has agreed to provide this group with a starting point. The story starter will be provided to one class and then emailed to two other classes for further story development. Each new piece of writing will then be passed on to two other classes, until finally endings will be written for each story. (See the diagram below for an example of one possibility of how this might work.)
Teachers are invited to submit one illustration with their writing. Each class will be given approximately one week to complete their writing and submit it.

68. LESTER: Educational Resources
Here you will find links to online stories, interactive stories, information onhow to submit stories, a collaborative writing activity,
http://lester.edu.pe.ca/english/classroom.asp?gc=1&dr=1&st=0017

69. Laptops In The Classroom
collaborative writing Projects. The Link Connect s Webzine for Students- My Hero- An interactive writing project in which real life heroes are honored
http://moore.portlandschools.org/ibook/English.html
Maine Department of Education
Maine Learning Technology Initiative
Maine Learns!
The Maine Learning Technology Initiative
... Grammar Collaborative Writing Projects The Link: Con-nect's Webzine for Students Publish your students' writing and artwork on The Link, Co-nect's online 'zine! Monthly features include news articles, fiction and non-fiction stories, and an "Ask Val & Sal" column that answers students' most pressing academic questions.Running from until May 2003, this writing project has been repeated yearly. Kids Who Read Join the largest book discussion in the world! In Kids Who Read!, students will join online discussions and engage in telecollaborative activities revolving around several age-appropriate books. The book authors will be online to join in the discussion and answer questions. Students participating in the project will also have the opportunity to submit online book reviews and participate in a reader poll. Prizes will be awarded to schools with the greatest percentage of students reading the selected books. So, join this literacy project and get your classroom excited about sharing their reading and writing with students around the world. Collab-O-Write This is a winning Think Quest website where students enter their own stories, add to existing stories, illustrate, write from illustrations, and receive writing tips offered in a supportive framework.

70. Interactive Creative Writing - Austega
Discusses the development of interactive creative writing. Some see interaction as a chance for collaborative authorship in the sense that readers are
http://www.austega.com/interactive/hfdefn.htm
powered by FreeFind Austega Home Interactive Writing
Millennium HQ
...
Diversions
Interactive creative writing
Note this page was written in 1996 - it was only lightly and cosmetically updated in mid 2002
Introduction
What is interactive creative writing? A good question to start with. Interactivity adds the critical component of the reader being able to choose a path through a work rather than simply following the author's defined path from "a beginning" to "an end". There is a shift from being led through a story, a relatively author-controlled experience, towards one of a reader exploring a world created by an author, where the reading experience is more a joint project of writer and reader. The degree of the shift can of course vary sharply. There can also be multimedia elements in interactive creative writing (which then becomes a type of hypermedia rather than hypertext) and this opens up the field to include interactive films, simulations and many other types of computer games, but in my mind multimedia, though of substantial impact, is perhaps less significant than interactivity, as far as its impact on the craft and form of creative writing. Film, for example, changed the way writers told or presented a story, but the story-form was still recognisable as such. This may not be the case with interactive creative writing as pointed out by Andy Cameron:

71. CTWR 518 - Interactive Writing
CTWR 518 interactive writing. Recent Comments. Final Project Justin, a Portable Categories. collaborative writing Humor Projects. Archives
http://interactive.usc.edu/20041/ctwr518/
CTWR 518 - Interactive Writing
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72. Resources For Writers
offers tips on writing for young authors on the site. The Neverending Tale An interactive language arts and journalism project for middle schools
http://home.comcast.net/~dboals1/write.html
Resources For Writers Part of the History/Social Studies Web Site for K-12 Teachers WRITING AND RESEARCH SKILLS
WEB WRITING - MULTIMEDIA

WEB WRITING - COLLABORATION

SCHOOLS AND WRITING

WRITING AND RESEARCH SKILLS
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  • Michigan Writers Series
    Spring '99. Recordings and images from readings and discussion with prominent Michigan authors. RealAudio needed the sound files
  • Letters From Homeroom
    Take a peek at the musings of Alix and Claire, two best friends and sophomores in high school.
  • Indispensable Writing Resources Site
    Writing Resources with major contents of links to: Reference Material, Web Search Engines, Internet Reference Resources, Writing-Related Web Sites, Web Writing Reference Sites, General Writing Style Guides, Subject-Specific Writing Style Guides and The Importance of Good Writing Skills.
  • Simultaneous Media
    A guide to ...change the traditional approach to writing so that students would draw upon some of their talents outside of the purely linguistic realm.'
  • On Writing
    Explore with great writers the complexity of their craft. You can select a "text and image" choice to read the selection or a "movie" choice to watch the interview. Interview topics are further broken into separate pages for a fast download. If you author a web page for a K-12 school, you might visit the
  • 73. Mrs. McGowan:  Lots About Reading
    StarFall interactive early reading stories, printables, and FREE classroom Unique, useful resource for teachers using literature to teach writing.
    http://www.mrsmcgowan.com/reading/
    Mrs. McGowan H. W. Mountz School Spring Lake, NJ
    5 Big Ideas In Reading

    DIBELS
    Parent Tips Book Selections ... Teacher's Book Shelf "Poetry and Hums aren't things which you get, they're things which get you . And all you can do is to go where they can find you." The House at Pooh Corner, A.A. Milne The most important of all the new skills to be learned during first and second grade are reading and writing. One of my goals each year is to help the children grow as independent readers and writers and to develop a love for books and reading that can last a lifetime! Several resources have been provided for parents and teachers. Happy Reading! ~ Mrs. McGowan
    5 Big Ideas in Reading The 5 Big Ideas in Reading are the basis for curriculum and instruction and inspire the measures (assessment) we use. They are:

    74. NESTA Futurelab - Viewpoint Article - Writing For The Future
    The project includes collaborative story writing, biographical writing, discussionskills, to generate stories as interactive adventures on the web.
    http://www.nestafuturelab.org/viewpoint/art14.htm

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    Writing for the future
    By Ben Williamson , Learning Researcher, NESTA Futurelab While many e-learning programs have come and gone over the last few years, one initiative aimed at supporting new and innovative writing for both adults and children has enjoyed steadily growing recognition.
    Writers for the Future was initiated by the trAce online writing school at Nottingham Trent University in 1996, and is currently being supported by NESTA. It enjoys millions of hits a year from all over the world. With a range of activities already underway and a number of new initiatives planned, it is a project with large ambitions - for both children's education and to support adult's writing.
    Sue Thomas, founder and artistic director of trAce, says, "Writers for the Future is not just for teachers and children. It's designed to explore innovative digital literature using the internet, and to provide criteria for best practice in the emerging genre of new media writing."
    Having appointed a digital writer-in-residence, Writers for the Future has recently begun running a series of TEXTLABs, workshops for supporting new media writers with online support and a week-long residential course.

    75. The Acadians Of Louisiana - Lesson 3
    Reading Folktales, writing Folktales, writing collaborative Stories which features an interactive format for students to design a story of their liking.
    http://www.challenge.state.la.us/k12act/data/acad/acad_less3.html
    The Acadians of Lousiana - A Story to Tell
    Lesson 3: Storytelling
    Table of Contents
    Introduction
    Activity 1

    Activity 2

    Activity 3
    ...
    Etcetera
    Topics:
    Reading Folktales, Writing Folktales, Writing Collaborative Stories
    Purpose:
    Storytelling is the oldest art form and also the oldest form of teaching. Through the ages, stories have been used to impart human culture. They have been used not only to instruct, but also to entertain and delight. They are used as sugar coatings for hard truths. Stories are a natural way to elicit real speech from students, and also a powerful way for students to transmit their own truths. In this lesson students will read good models of storytelling and learn how to become storytellers by turning narrative accounts into stories. They will then have a chance to share their stories on the Internet, and to write collaborative stories with keypals over the Internet.
    Materials:
    Internet connection, Student Pages , word processing software ( AppleWorks ClarisWorks Microsoft Word ), publishing software (

    76. ARTSEDGE: Fiction, Plotting The Story
    Printed Media Icon, = printable. interactive Media Icon, = interactive New York Teachers Writers collaborative, 1984. writing.
    http://artsedge.kennedy-center.org/content/2230/
    document.pageDescription='Students explore plot as an element of fiction.'; About Us Feedback Search A RTS ... Lessons
    This Lesson at a Glance:
    Grade Band:
    Integrated Subjects: (click to view more lessons in these areas)
    Materials:
    For the teacher: Standards for Rubrics For the student: Building a Plot Developing a Story
    Related WebLinks:
    Targeted Standards:
    The National Standards For Arts Education: Theater (5-8) Standard 1: Script writing by the creation of improvisations and scripted scenes based on personal experience and heritage, imagination, literature, and history Theater (5-8) Standard 2: Acting by developing basic acting skills to portray characters who interact in improvised and scripted scenes Theater (5-8) Standard 3: Designing by developing environments for improvised and scripted scenes
    Other National Standards: Language Arts III (6-8) Standard 1: Uses the general skills and strategies of the writing process Language Arts III (6-8) Standard 2: Uses the stylistic and rhetorical aspects of writing Language Arts III (6-8) Standard 3: Uses grammatical and mechanical conventions in written compositions Language Arts III (6-8) Standard 4: Gathers and uses information for research purposes
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    = part of the current spotlight = opens in a new window = kid-friendly = printable = interactive = audio = video = images
    Fiction, Plotting the Story

    77. Sffworld.com - Do You Write Constantly Or In Shory Bursts?
    Do one of the collaborative or interactive stories or do a play by email rpg One thing I do sometimes do when not actually writing, is revise some of
    http://www.sffworld.com/forums/archive/index.php/t-8503.html
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    Authors and Writing Writing ... PDA View Full Version : Do you write constantly or in shory bursts? Pages : Drew August 15th, 2004, 06:24 PM I'll tell you the main reason I get so unproductive is that I can't sit and write daily or nightly. I will get bursts of inspiration that allow me to write over 7K words in a day! Usually over the course of a few hours in the evening.
    But then I won't write for days or a week. I don't know if this is just me or if others have this problem? Any others?
    Also, anyone got tips for me to get a more constant flow? Sometimes I will sit and read or listen to music and then write short peices based off of the material. They are usally pretty crappy, but they get me writing none the less.
    What about you guys? Sponsor ads
    choppy August 15th, 2004, 07:24 PM For me it's a matter of so many things going on in my life. I'm aiming to defend a thesis in January so I've got to spend a lot of time in the lab (well, in front of a computer mostly) frying my brain. Between that, two part time jobs, trying to keep in shape, and spending some quality time with my fiancee there's not a lot of time for writing. So I have to take what time I can get.
    Some things that work for me though: 1) I've made writing part of my daily schedule. Even if its just 500 words. Even if its crap. I sit down and type them out.

    78. WRITING ABOUT LITERATURE IN SECONDARY EDUCATION
    Furthermore, schools are asked to implement collaborative, interactive learning Second, collaborative writing may be a means to support meaningful
    http://www.staffs.ac.uk/personal/sciences/smt15/mt15/writing02/writing_about_lit
    Writing about literature in secondary education
    The contribution of writing towards improving high school students' orientation to the study of literature.
    Pietro Boscolo and Laura Carotti
    University Of Padova, Italy
    The study to be presented was based on the assumption that writing functions not only as a tool for learning; that is, helping students organise their learning better (writing to learn), but it also affects their orientation to literature by allowing them to experience a new and more active way of engaging in literary reading. Thus, the study was aimed at analysing and comparing the effects of two ways of using writing, on grade 9 students' learning and orientation to literature. The first way, or method, implied the close connection of literary reading to various uses of writing (writing-oriented group). In the other more traditional method, writing was essentially used as a tool for evaluating students' learning of literature. Method. Twenty-five students of the first class (grade 9) of a Scientific Lyceum in Pisa (Italy) participated as the innovative, writing-oriented group, and the same number as the traditional group. At the beginning and end of the school year, both the writing-oriented and traditional classes were administered the following measures:

    79. Writing Collaborative History, Facing The Past
    writing collaborative History, Volume 53 Number 5, September/October 2000 interactive Digs Sagalassos, Turkey; Hierakonpolis, Egypt; Tiwanaku, Bolivia
    http://www.archaeology.org/0009/abstracts/faces.html
    Your browser does not support javascript Writing Collaborative History Volume 53 Number 5, September/October 2000 by Jeffrey L. Hantman, Karenne Wood, and Diane Shields How the Monacan Nation and archaeologists worked together to enrich our understanding of Virginia's native peoples. During the University of Virginia's Rapidan Mound study, which led to the October 1998 reburial of remains of hundreds of Monacans from that site, meetings were held with the Monacan Tribal Council about the work and the possible retention of a sample for possible future study. After much discussion and compromise, the Council permitted a sample to be kept. In the case of Hayes Creek Mound, the keeping of samples was not desired by the Tribe, but in those discussions a member of the Council inquired about facial reconstruction. To the Monacan tribal members, none of whom had seen any image of their ancestors prior to photographs dating to ca. 1914, it became a collective and decidedly humanistic wish. Could they see one or more of their ancestors' faces? Jeffrey L. Hantman

    80. Slashdot | Writing Fiction Using SubEthaEdit
    Did you know you can write fiction about collaborative fiction writing usingcollaborative fiction writing collaborative interactive Fiction, anyone?
    http://slashdot.org/article.pl?sid=05/01/24/1227257&tid=133&tid=1

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