61. DanceOlympus & DANCEAMERICA: National Young Choreographers the other routines entered in the Young choreography category for that city. DANCEAMERICA welcomes all young choreographers to showcase their own http://www.danceolympus-america.com/young_choreo_entry.html

D A N C E A M E R I C A FALL / WINTER 1 - 8 - 4 4 D A N C E Introducing the DANCEAMERICA Young Choreographer Award! At every DANCEAMERICA preliminary, studios are invited to submit entries choreographed by a full time student (15 years of age or older) in this very special category. Routines competing for this award will perform in their regularly scheduled category but will be judged twice: once for placement and once for choreography. Judges are made aware that a particular routine will be perform in the Young Choreographer category and on a special judgeâs sheet, they will record the choreography score along with the other routines entered in the Young Choreography category for that city. Scoring is based on the following six criterion: Vision, Costuming, Musicality, Creativity, Staging and Emotion. The routine receiving the Young Choreographer Award will be invited to perform at the 2005 DANCEAMERICA National Finals along with other Young Choreographer Award recipients from all other preliminary cities. The highest scoring of these contenders will receive the prestigious 2005 National Young Choreographer Award.

62. 2004-2005 Instruction and choreography by student choreographers. Nunca voy a olvidarte. Instruction and choreography by Lester M. Malta. Reggaeton http://www.gardenahighballetfolklorico.org/2004-2005.htm

Follow the pepper to the next page! School events only! All others are on their own pages. Cinco de Mayo Assemblies Sorry, kids, terrible lighting! Las Comaltecas and Morisma de los machetes Instruction and Choreography by Julio C. Flores Open House Thursday, April 21, 5:30 p.m. Las Comaltecas and Morisma de los machetes Instruction and Choreography by Julio C. Flores Our Annual Panoramic Picture Salsa Team ASB Winter Show Thursday, December 16 Colima Cuadro Instruction and Choreography by Julio C. Flores El Sinaloense (Sorry! Not one good picture!) Instruction and Choreography by Carola de la Rocha El Sinaloense Instruction and Choreography by Carola de la Rocha Parent Institute for Quality Education Wednesday, December 15 Colima Suite Instruction and Choreography by Julio C. Flores Aren't we cute? Look at us move! El Sinaloense Instruction and Choreography by Carola de la Rocha Sorry! Not one good picture; you move too fast! ELAC Awards Thursday, December 9 El gusto Instruction and Choreography by Raquel Ramírez El jarabe Tapatío Instruction and Choreography by Raquel Ramírez Nonasina and Kaua Instruction and Choreography by student choreographers Nu nca voy a olvidarte Instruction and Choreography by Lester M. Malta

63. Honolulu Star-Bulletin Features Hula choreography is about more than hands. It can embrace feet as well as lyrical body collaborate; theirs is a unique choreography of choreographers. http://starbulletin.com/97/03/31/features/story1.html

Photos by Craig T. Kojima, Star-Bulletin In this photo sequence, Kami Kamakahukilani Goeas of Halau Hula Olana, performs hula choreography for the expression, "see." The choreography of hula melds hands, feet, hips an entire body in motion By Catherine Kekoa Enomoto Star-Bulletin WHILE you're keeping your eyes on the hands, Aunty Mae Loebenstein is focusing on the feet. "I'm a feet person," said the kumu hula, whose Ka Pa Hula O Kauanoe O Wa'ahila performs at the 34th annual Merrie Monarch Festival hula competition this weekend. "You dance with your feet. You don't dance with your hands really. It's your feet that take you around, not your hands." Hula choreography is about more than hands. It can embrace feet as well as lyrical body motions reflecting nature, and dynamic change in the pursuit of perfection. "When you put your feet down strong, you control your body for the hula," said the 85-year-old doyenne who's been crafting dances for more than six decades. "But if you're on your toes, you're kinda little wobbly, yeah." She teaches dancers to plant both feet flat and sway into their steps. She emphasizes a natural, controlled hip movement, as if dancers are floating across the stage. The feet don't skid, they don't tap, they don't jerk. The torso is pa'a (not bobbing) and hand movements are very subtle.

64. Career Choreographers choreographers create dance routines and teach them to dancers. choreography classes are a part of most college dance programs. Work Experience http://www.iseek.org/sv/13000.jsp?id=100271

65. Male,Female,Kids Models In India,Cosmetic Surgery Clinic,Plastic Surgery Clinc I For choreography Purposes ( As Fashion choreographers, Runway fashion choreographers, Fashion choreography ) . Mail Your Query To biz@sumitinfosoft.com http://www.sumitinfosoft.com/modelling.html

About us Software Services Clientele Business Promotion ... Contact us Designs Categories Accessories Auto Parts Architects/ Contractor Buying House ... 4Modelling.com Male Model Registration Female Model Registration Indian Modelling Agencies Modelling Agencies,India Cosmetic Surgery Clinic in New Delhi,India Plastic Surgery Clinic in India Plastic Surgery Clinic in New Delhi,India SERVICES BY 4modelling.com 1. For Beauty Purposes ( As Cosmetic Surgery Clinic, Plastic Surgery Clinc in New Delhi, India for a Fashion, Modelling Face ):- Mail Your Query To: biz@sumitinfosoft.com

66. Ballet-Dance Magazine - Pacific Northwest Ballet - Choreographers' Workshop Prev Preview of PNB s choreographers Showcase Frames Dancers New Works Many people like yourself are hungry for new choreography and we are wanting to http://www.ballet-dance.com/200504/articles/PNBWorkshop200504.htm

main forum criticaldance features ... Subscribe to the monthly for free! Email this page to a friend: Advertising Information Pacific Northwest Ballet Choreographers' Showcase Preview of PNB's Choreographers' Showcase Frames Dancers' New Works Vivacious Voicing by Dean Speer PNB Principal Dancer Olivier Wevers is one of the PNB dancers whose new choreographic work will be shown in a special, one-time outing on the boards of Seattle’s McCaw Hall next Wednesday (3/23/05). Mr. Wevers took a few minutes from his busy rehearsal schedule – having a stage run-through of "The Merry Widow" the night of our interview – to talk about this important project. Other company members contributing works to the program are: Jonathan Porretta; Kiyon Gaines; Christophe Maraval; and PNB School faculty member Sonia Dawkins. Nicholas Ade is serving as coordinator for this project. DS: Please tell us about this project. What is its genesis? Tell us about your piece. Kaori Nakamura is cast with Jonathan Porretta, and Noelani Pantastico is with Lucien Postlewaite. Kaori and Lucien end up together at the end and Laura Gilbreath has a solo female role. How would you characterize your choreographic style or voice?

67. AMBER FAUN WEB SITE The International Serge Diaghilev Competition of choreography Art has a form of choreographers and choreography students of art colleges may take part. http://www.amberfaun.com/en/rules.html

THE THIRD INTERNATIONAL SERGE DIAGHILEV COMPETITION OF CHOREOGRAPHY ART Danuta Baduszkowa Music Theatre, Gdynia, POLAND October 8th and 9th, 2004 ORGANIZER: THE SERGE DIAGHILEV ASSOCIATION FOR THE PROMOTION CHOREOGRAPHY ART The International Serge Diaghilev Competition of Choreography Art The Third International Serge Diaghilev Competition of Choreography Art will take place at Danuta Baduszkowa Music Theatre in Gdynia, one of the biggest and most modern theatres in Poland. On the stage of this theatre the finest cultural events are held, among these are: Polish Feature Film Festival and The International Shakespeare Festival . In 1997 The 7th Eurovision Competition for Young Dancers and in 2003 The Second International Serge Diaghilev Competition of Choreography Art took place in this theatre.

68. THE THIRD INTERNATIONAL SERGE DIAGHILEV COMPETITION OF CHOREOGRAPHY ART of choreography of several renowned choreographers including Tandy Beal, Since 1999 he has cooperated with outstanding choreographers such as Emil http://www.amberfaun.com/2004/jury_en.php

window.open('banere.htm', '', 'toolbar=no,menubar=no,scrollbars=no,resizable,height=300,width=400'); //> Home The Honorable Committee The Jury The Contestants October 8th - programme October 9th - programme Information and booking Contact Sponsors Media Coverage Organizer The Jury The Jury of The Third International Serge Diaghilev Competition of Choreography Art Chairwoman of the Jury - Catharina Gadelha (Germany) Famous dancer and choreographer, the laureate of several international festivals and contests such as Competition Of Choreography For Elementary Dance, Competition of Choreography for Modern Dance, The Best German Dance Solo. Anandha Ray (USA) Dancer, teacher, Director and Resident Choreographer, the Founder of the Moving Arts Dance Company (San Francisco). She has performed numerous pieces of choreography of several renowned choreographers including Tandy Beal, Bill Evans, Doris Humphrey, Margaret Jenkins, Cliff Keuter, Alwin Nikolais, and Anna Sokolov among others. She has choreographed over 50 major works and received national awards including national selection as one of nine choreographers for the prestigious National Dance Festival Award presented at the Kennedy Center in Washington DC. "Diablo Magazine" has named her as one of the 21st century visionaries. In 2004 she became a member of Contra Costa County Women's Hall of Fame for her contribution to the choreography development. Ms. Ray has appeared in television shows and commercials nationally and in France. For a number of years she was a lecturer at colleges and universities around the country.

69. Ballet, Famous Ballets, Ballet Dancers choreographers, Ballet choreography. choreographers and composers. Artslynz . choreographers of The Paris Opera Ballet . Balanchine, Georges . http://www.zeroland.co.nz/ind2.html

Film Music Literature Philosophy ... Store A Ballet Web Directory Web www.zeroland.co.nz Ballet Companies, Famous Ballets, Choreographers, Ballet Dancers See also: Dance A B C D F ... Directories A Artslynx. Ballet web sites. American Ballet Theatre B Ballerinas Ballerinas. Great ballerinas, a directory from Dancer.com. Ballerina Gallery. A collection of great ballerina photos. Anna Pavlova Picture Gallery Anna Pavlova profile. ... Ballet companies. An international directory. Ballet dancers Famous ballet dancers. Wikipedia entry Famous ballet dancers. Profiles from Danceworks Online. Baryshnikov, Mikhail Vaslav Nijinsky. Ballets, choreographies. ... Rudolf Nureyev Collection, New York Public Library Ballet web directories Ballet resources. Links to ballet websites. International ballet resources. Ballet Russe. Scenery Collection, Butler University. Ballet web directory from JY Ballet. A comprehensive directory of ballet websites and articles on ballet. ... Ballet resources. Links to ballet websites, international ballet resources Ballets Ballets. Artslynx web guide to famous ballets. Ballets. A short background history. Ballet.co.uk ... Syphides Ballet Russe Ballet Russe Scenery Collection, Butler University.

70. Dancing Times Magazine - September 2004 “The Rough Guide to choreography” charts the process and progress made as it provides an overview of choreography, choreographers, dance styles plus a http://www.dancing-times.co.uk/DT200409/dancingtimes200409-1.html

Navigate here Home Dancing Times Dance Today! BDT Archive Book and Video Service - Dancing Times Books - Educational Books Into Dance Dance in Education BDTF Links Subscribe to the DT/BDT Free Samples of the DT Advertising About us DANCING TIMES email: dt@dancing-times.co.uk The Rough Guide to Choreography By Sophie Roper S Michael Nunn William Trevitt The series breaks down into the four programmes taking viewers step by step through the creative process including the highs and the lows. The final episode includes the performance of the piece at the Barbican Theatre, London, as part of the BITE04 festival back in July this year, plus response from key members of the audience. We begin our journey with Nunn, Trevitt and their company in April 2003. They are working with five different professional choreographers, each creating a short piece for the company. Nunn and Trevitt begin to question at this time whether, having worked closely with a number of choreographers, they themselves have got the experience for and are capable of creating their own work as choreographers rather than dancers. They both feel that this is a natural progression for them and George Piper Dances. Aware that this next step will be a risk, they take confidence from the reputation that their company is not one to tackle the safe option. We move to the USA tour in the autumn of 2003. Nunn and Trevitt are still looking for the initial spark/inspiration for the piece and go to a Capoeira class whilst in New York. They were impressed with the power of the movement as the dancers worked and shifted around their partner, all without making contact. They felt this was an idea that might work for them.

71. Moves Like This: Choreographers For the first time ever, the biggest names in choreography have come together to Moves Like This has brought together awardwinning choreographers of http://www.moveslikethis.com/choreographers.htm

For the first time ever , the biggest names in choreography have come together to provide you with fresh, original material every month. Moves Like This has brought together award-winning choreographers of national championship cheerleading and dance teams from the high school, collegiate and All-Star levels, as well as pro sports dance teams and television events to create hot new dance routines for cheer squads and dance teams that are easy-to-learn and easy-to-teach. These are hot, fresh routines that will make you look good and make the crowd go crazy! These are the choreographers who start trends, and who create the exciting, dynamic routines that win championships and awe crowds. Every month, Moves Like This highlight’s two choreographers – one for cheer-dance and one for dance. That means every month, you get a new routine from the biggest names in cheer and dance choreography. Rey Lozano owner and founder of U.S. Spiritleaders Cheerleading and Dance Camps

72. UPDATE:  Dance Performances At Tenth Annual American Choreography Awards Annou The event honors contributions to the art and craft of choreography for the choreographers Rich and Tone Talauega, who created several of the dance http://www.ipressroom.com/pr/aca/info/TENTH-ANNUAL-AMERICAN-CHOREOGRAPHY-AWARDS-

Pressroom Home In the News Photo room Electronic room Media Contact Search Pressroom Pressroom Home Press Releases UPDATE: Dance Performances at Tenth Annual American Choreography Awards Announced Matthew Rushing, Jason Samuels Smith, The David Parsons Company and Diavolo to Appear Jean-Claude Van Damme, Carmen Electra and Other Celebrity Presenters Confirmed To honor the 30-year choreography career of Kenny Ortega (Dirty Dancing, Salt Lake Winter Olympics) there will be a special surprise performance that promises to bring down the house. Ka-Ron Brown Lehman, the artistic director of the L.A. County School of the Arts, will receive the Educator Award with a tribute featuring former student and principal dancer Matthew Rushing of the Alvin Ailey American Dance Theater and vocalist Nita Whittaker (Ten Commandments). Rushing danced with Ailey II and joined the Company in 1992. Diavolo, which likes to be known as "LA's riskiest dance company" will be performing an excerpt from its full evening work "Catapult," in which the dancers display strength and grace while navigating themselves inside, outside, on and around a 12 foot rolling wheel. Sideswipe, an extreme martial arts-based group that blends the traditional artistry of Karate and Tae Kwon Do with gymnastics and acrobatics, will perform a tribute to fight choreography.

73. 10TH ANNUAL AMERICAN CHOREOGRAPHY AWARD WINNERS SHINE AT STAR-STUDDED DANCE EXTR choreographers nominated in eight different categories of choreography for the camera – feature film, short film, television special, episodic and variety http://www.ipressroom.com/pr/aca/info/TENTH-ANNUAL-AMERICAN-CHOREOGRAPHY-AWARDS-

Pressroom Home In the News Photo room Electronic room Media Contact Search Pressroom Pressroom Home Press Releases 10TH ANNUAL AMERICAN CHOREOGRAPHY AWARD WINNERS SHINE AT STAR-STUDDED DANCE EXTRAVAGANZA HIGH-RES PHOTOS AVAILABLE Career Achievement Kenny Ortega Educator Award Ka-Ron Brown Lehman Innovator Award Walt Disney Amelia - Edouard Lock 2003 Jerry Lewis MDA Labor Day Telethon: Opening Number - Jason Samuels Smith Acts of Ardor - Paul Taylor Pirates of the Caribbean: The Curse of the Black Pearl - George Marshall Ruge The Triplets of Belleville - Sylvain Chomet The winning choreographers were decided by seven committees comprised of media choreographers, casting directors, directors and producers with expertise in their respective categories. Agents, managers, their employees and submitting choreographers, producers and directors are not eligible and did not serve on the ACA Nomination and Voting Committee or vote on any of the nomination panels. About the American Choreography Awards Celebrating its tenth year in conjunction with the Academy of Dance on Film, the American Choreography Awards recognizes outstanding achievements in film, television, commercials, and music video to raise the awareness of the art and craft of choreography for the camera and to honor its creators. The organization also honors individuals who have made significant contributions to dance with annual Career Achievement, Educator, Innovator, and Governors Awards. Originally named the L.A. Dance Awards, and then the Fosses, the American Choreography Awards is recognized as the highest standard of achievement in choreography throughout the entertainment industry.

74. Cottey College: Dance Department choreography choreographers compose movement for theatre, screen and television. A strong dance background is essential along with good communication http://www.cottey.edu/academic/dance/fields_study.html

ACADEMIC DEPARTMENTS STUDENT SERVICES SUMMER PROGRAMS COLLEGE SERVICES ... Alumnae/P.E.O.s and Friends Fields of Study in Dance The dance department has drawn up a list of possible career opportunities related to the field of dance. Each career choice includes a short description of the field. All fields of study listed have a list of suggested Cottey College dance courses which will give you a start toward the successful entrance into further study of the field. Below are some areas you may wish to investigate further. Performing No formal education necessary, but if the college/university route is chosen then a bachelor of fine arts degree is strongly suggested because of its concentration on performance. As the lines between dance idioms become more and more blurred it is recommended that performers have an eclectic background in dance. The study of ballet, modern, and theatrical dance is strongly suggested. Suggested Cottey courses: all technique areas, Choreography, Repertory Dance Company, Beginning Acting, music courses, Dance Appreciation or Dance History I and II. Teaching Dance Therapy People in this group work in hospitals, educational, rehabilitation and other health care institutions, prisons and recreational centres. They also work in private practice. Dance therapists plan and carry out specialized programs to aid in the treatment of mental and physical disabilities. Extensive dance experience and a liberal arts background with coursework in psychology. For specific prerequisites contact the graduate program you plan to attend. Professional training is on the graduate level. Graduates receive a masters degree in dance/movement therapy. Graduates from an "approved" dance/movement therapy program are eligible for the D.T.R. (Dance Therapist Registered). Alternative routes can be investigated by visiting the following Web site. http://www.umanitoba.ca/student/counselling/spotlights/dancether.html

75. Dance The World With Dance- Each showcase is a unique blend of distinguished choreographers and Shimladka s choreography draws inspiration from various forms of dance and theatre. http://www.danceformsproductions.com/

Dance the World with Dance-Forms Productions! Roman Arch, Barcelona, Spain The 24th International Choreographers' Showcase Teotihuacan, Mexico Royal Mile, Edinburgh, Scotland. When was the last time you performed in Spain, or Austria? France? Germany? Guatemala? Holland? Lithuania? México? Monaco? Scotland? USA? Welcome to "THE INTERNATIONAL CHOREOGRAPHERS' SHOWCASE," providing emerging and distinguished choreographers opportunities to present their work at dance events worldwide! Imagine yourself and your dancers performing in the theaters of Asia, Europe, North, South, and Central America. Do you feel it will be of benefit to you? Are you wondering who participates? Well, choreographers and dancers, many of whom are so busy throughout the year teaching, choreographing, directing, administrating, or performing for parent companies, they have no time or opportunity to engage themselves in international productions. Sound familiar? Have you ever said to yourself, "I would love to be able to simply show up at the theater, walk on stage alone, or with my dancers, and it's show time!" So, let's do it! We provide a complete production package, which includes excellent theaters, lighting, sound, technical assistance, publicity, box office, printed programs, and pre-show rehearsal arrangements. The benefit to the choreographer/dancer is the perfect simplicity. No hassles. No headaches, and no last minute freak-outs.

76. Critical Path, Australia, Sydney, Choreography, Dance, New South Wales, Choreogr choreography of Japanese Kota Yamazaki and Senegalese Germaine Acogny. The masterclass will be open to choreographers and will take place at the Drill http://www.criticalpath.org.au/staffandsponsors.html

var activeImage = new Array('two','assets/template/site2up_18.gif'); Late addition to Curated Strand. On Friday 21st October, Critical Path will host a masterclass for... Posted: Jul 15th 2005 Critical Path open for applications. Posted: Jul 15th 2005 Critical Path is an initiative of NSW Ministry for the Arts, with seed funding from The Australia Council, the Australian Government's arts funding and advisory body. Partnerships with other arts organisations are being developed to extend the diversity of input into the project. 2005 Projects are Sponsored by: New South Wales Ministry for the Arts Australia Council for the Arts Woollahra Council British Council, Australia ... Goethe-Institut, Sydney Critical Path Staff: Director Sophie Travers Adminstrator Sally MacDonald Finance Consultant Will Sheehan Board of Directors Chair Amanda Card Secretary Fiona Winning Treasurer Claire Beckwith Barry Stewart Josephine Ridge Kate Champion Lucy Guerin Philip Rolfe Critical Path Related Links: Sydney Opera House Sydney Festival Australia Council for the Arts Dancehouse Melbourne ... Restless Dance Photo Credits: Jonathan Burrows- credit Herman Sorgeloos Akram- himself- credit amyandtanveer Akram- dancer upside down- credit Vincent Nghai

77. Minnesota Dance Festival Choreographers He has danced works of internationally renowned choreographers such as Kylian, Danny continues to lead the dance community in innovative choreography in http://www.balletminnesota.org/MDFhtml/MDFChor.html

MINNESOTA DANCE FESTIVAL 1-17, (1989-2005) GUEST CHOREOGRAPHERS Choreographer / Dancer Profile Stephane Andre: (2003: 15th MDF "T", a pas de deux) Stephane Andre is a native of France. After completing his ballet studies at the Paris National Conservatory under Attilio Labis and Roland Duflot he was awarded a scholarship at the San Francisco Ballet School and the Joffrey School. Mr Andre has danced for many major companies throughout North America including the Joffrey Ballet, Les Grands Ballets Canadiens, and the Royal Winnipeg Ballet amongst others. He has danced works of internationally renowned choreographers such as Kylian, Duato, Van Manen, Tetley, Morris and Kudelka. Mr Andre has danced extensively in the Twin Cities since his arrival in 1998. He has danced leading roles with Zenon, Minnesota Dance Theatre, James Sewell and Corning Dances. Stephane has been teaching ballet for 8 years throughout the world. He is a certified Pilates instructor and soon to be an Instructor Trainer in the Stott Method of Pilates.

78. School Of American Ballet - Winter Term In 1997, Peter Martins initiated the School s Student choreography Project to Student choreographers are allotted studio rehearsal time over a two week http://www.sab.org/choreographyprojects.htm

Under the leadership of first George Balanchine and now Peter Martins, SAB boasts a long tradition of fostering and developing the talents of emerging choreographers. Since the mid-1960s, the School has invited new choreographers to create original works on students for inclusion in SAB's annual Workshop Performances. In the 1980s, Peter Martins introduced annual choreographic workshops at which outside choreographers were invited to create works on students to be performed in a closed-workshop setting. In the late 1990s, Martins altered the format of the annual choreography workshops and limited the choreographer and dancer participants to SAB students only. In 1997, Peter Martins initiated the School's Student Choreography Project to provide students enrolled in the Intermediate and Advanced Divisions with the opportunity to explore the art of choreography by working with fellow students.

79. Legacy Spirit Association Presented By The BSU Cheerleaders Phase 3 choreography of Routine The choreographers design the routine from Phase 4 - Instruction The choreographers come to your school to teach http://www.legacyspirit.com/choreography/

skip to: page content links on this page site navigation footer (site information) Legacy Spirit Association - Building Teams That Build Legacies Home Summer Camps Squad Workshops Pre-Tryout Clinics ... subglobal8 link Legacy Spirit Featuring the Boise State Cheerleaders Competition Routines Dance and Mini Routine Choreography also available. Purchasing a full competition routine involves 5 phases: Phase 1 - Team Analysis : The choreographer(s) visits a practice and assesses your team's skill level, strengths, etc. At this time, the choreographer wil need a copy of the rules your must abide by for the competition your are attending. (apx. 2 hours) Phase 2 - Stunt Trials Practice : The choreographer brings several stunt and pyramid ideas into a workout practice. These pyramids will be taught and the choreographer, in conjunction with the coach of the school will decide which sequences will be the best fit for your team. (apx.6 hours - in one day) Phase 3 - Choreography of Routine : The choreographers design the routine from begining to end. Phase 4 - Instruction : The choreographers come to your school to teach your squad its custom routine. They will also teach you the basics of your stunts. You might not master the stunts during this phase but you will know what to do. The Instruction Phase (apx. 12 hours - divided into 2 days)

80. Dance Magazine: Can Choreography Be Taught? Ask Five Teachers And You'll Get Fiv Full text of the article, Can choreography be taught? choreographers Adam Hougland, formerly with Toronto Dance Theater and the Limon Company; http://www.findarticles.com/p/articles/mi_m1083/is_4_79/ai_n13493421

@import url(/css/us/style1.css); @import url(/css/us/searchResult1.css); @import url(/css/us/articles.css); @import url(/css/us/artHome1.css); Home Advanced Search IN free articles only all articles this publication Automotive Sports FindArticles Dance Magazine April 2005 Content provided in partnership with 10,000,000 articles Not found on any other search engine. Related Searches Arts education / Methods Choreography / Methods Juilliard School of Music / Curricula The National Ballet School (Toronto, Canada) / Curricula Featured Titles for ALAN Review Afterimage American Drama American Music Teacher ... View all titles in this topic Hot New Articles by Topic Automotive Sports Top Articles Ever by Topic Automotive Sports Can choreography be taught? Ask five teachers and you'll get five answers Dance Magazine April, 2005 by Kathryn Posin Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. AT THE NATIONAL BALLET SCHOOL of Canada, a group of 9 to 14-year-olds take turns presenting their choreography to an informal audience of parents, other students, and teachers. The children, however tentative, seem to take joy in participating in the creative process using a movement vocabulary they love. They are part of the school's Professional Ballet/Academic Program that integrates classical ballet training with an academic education for students in grades 6 through 12. But how many of these young dancers will become professional dance makers? Is creating choreography an ability that can be taught? Can the requisite skills be transferred, like following a recipe in cooking? Or learning a formula in algebra? DANCE MAGAZINE posed these questions to school directors, composition teachers, choreographers, and artistic directors. The responses reveal that the real question is not whether we should nurture the ability of a talented individual; but instead, what is the best platform for an emerging choreographer to work, risk, fail, succeed, and come back again a little more confident?

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