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Pat Spark and Kathe Todd-Hooker Books Available from Fine Fiber Press Back to Fine Fiber Press Home ANNOUNCING: New Tapestry Book Line in Tapestry by Kathe Todd-Hooker This book also has a great deal of information of that would be of general use to tapestry weavers. These include: preparing weft bundles so that the group of yarns lie flat and weave in without tension problems, wrapping bobbins efficiently, stabilizing edges, understanding and using hill and valley threads effectively, and using the technical aspects of weaving to help support the aesthetic possibilities of the tapestry design. (82 pages of text, black/white drawings and photos. Spiral bound so that it lies flat for quick reference when you're at the loom) Cost: $25.00 plus shipping and handling ( $3.67 inside USA and Canada. $8.50 outside North America.) ISBN OTHER NEW BOOKS!!!! Making Faces, Using Wet and Dry Felting Methods by Patricia Spark In this book, Pat Spark shows how to use the felting needle and traditional wet methods of felting to create faces. By combining the sculptural possibilities of the felting needle with conventional felting, you can add faces to any of your favorite felt forms. Don’t you want a smiling vase or a winking pair of boots! For those of you interested in general needle felting information, this book has sections on the following: choosing needles, instructions on the five different strokes commonly used, a needle size chart, general information on using needles, materials for needlefelting, and sculpting with the needles. If you are interested primarily in wet felting, the book goes into two methods of making dimensional shapes: making a solid-core felt form and making a hollow cored felt form.

46. Lectures,Talks And More Included with Museum general admission. art Classes Pick up printed guidesin several galleries to assist you in understanding art techniques or styles. http://www.phxart.org/events/lectures.asp

Lectures ArtBreak Gallery Talks Asian Gallery Talks Classes ... In-Gallery Resources Lectures Yangtze Remembered Thursday, September 29, 7pm ArtBreak Gallery Talks Art Research Library Sandra Wiles, Museum's librarian Saint Sebastian Trish Horgan, Docent Polo Game Susan Rose, Docent Lobby Pat Pallas, Docent Lobby First Wednesday Asian Gallery Talks Asian Arts Council Included with Museum general admission. Buddhist Imagery Yangtze Remembered How to Collect Western Art Saturday, October 22, 11am Sculpting the West Saturday, October 29, 11am Art Classes Pre-registration is required; call (602) 257-2178. Sketching in Galleries Pencil Appreciation Days Point of View Saturday, September 24, 10am - 12 Noon Work from a live model to practice drawing the figure. In-Gallery Resources ArtStop Gallery Reading Areas Most galleries have seating areas where you can relax and browse books related to works on view. Gallery Guides Pick up printed guides in several galleries to assist you in understanding art techniques or styles. Computer Interactive Explore the work of Arizona artist Philip C. Curtis using a large-scale touchscreen computer program in the Ullman Center for the Art of Philip C. Curtis.

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About AMI Mission MI as a Career Ethics Publications Vesalius Trust Archives ... Programs A medical illustrator is a professional artist with extensive training in medicine and science who creates visual material to help record and disseminate medical, biological and related knowledge. Medical illustrators not only produce such material but function as consultants and administrators within the field of biocommunication. Medical illustrations appear in medical textbooks, medical advertisements, professional journals, instructional videotapes and films, computer-assisted learning programs, exhibits, lecture presentations, general magazines and programs for television. Although the majority of medical illustrations are for print and projection media, medical illustrators also work in three dimensions, creating anatomical teaching models, models for simulated medical procedures and prosthetic parts for patients. The majority of medical illustrators in the profession have a master's degree from an accredited graduate program in medical illustration. There are currently five accredited

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Department of Dramatic Art, Division of Humanities and Fine Arts, Old Gym 101A; Telephone (805) 893-3241 Undergraduate e-mail: runjavac@dramadance.ucsb.edu Graduate e-mail: rendon@dramadance.ucsb.edu Website: www.dramadance.ucsb.edu (will open in a new browser window) Chair: Simon Williams Vice Chair: Jerry Pearson Contents: Faculty Emeriti Faculty Overview Senior Honors Program ... Graduate Courses Faculty Irwin Appel , Diploma (M.F.A. equivalent), The Juilliard School, Drama Division, Associate Professor (acting, directing) Risa Brainin , B.F.A., Carnegie-Mellon University, Assistant Professor (acting, directing) Leo Cabranes-Grant , Ph.D., Harvard University, Assistant Professor (Spanish Golden Age literature, Spanish and Hispanic-American drama, intercultural studies) Catherine Cole , Ph.D., Northwestern University, Associate Professor (contemporary theory, African theatre) James Donlon , B.A., Humboldt State University, Lecturer (movement) Jody Enders , Ph.D, University of Pennslyvania, Professor (medieval theatre, French drama, performance studies) Dianne Holly , M.A., San Diego State

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Department of Art, Division of Humanities and Fine Arts, Arts Building 534, Room 1316; Telephone (805) 893-3138 Fax (805) 893-7206 Website: www.arts.ucsb.edu (will open in a new browser window) Department Chair: Kip Fulbeck Contents: Faculty Emeriti Faculty Affiliated Faculty Overview ... Graduate Courses Faculty Laurel Beckman , M.F.A., California Institute of the Arts, Assistant Professor ( 2D integrated digital media, core foundation studies) Graham Budgett , M.F.A., Stanford University, Lecturer (digital media, photography) Jane Callister M.F.A., University of Nevada, Las Vegas, Associate Professor (painting and drawing, inter-media) Kip Fulbeck , M.F.A., UC San Diego, Professor (performance studies, video) Colin Gardner , Ph.D., UC Los Angeles, Associate Professor (integrative studies, critical theory) , B.F.A., Wesleyan University, Professor (integrative studies, critical theory, video, spatial studies) Dick Hebdige , M.A., Center for Contemporary Cultural Studies, University of Birmingham, U.K., Professor (interdisciplinary and experimental studies), Director of the UCSB Interdisciplinary Humanities Center Lisa Jevbratt , M.F.A., California State University, San Jose, Assistant Professor (net art, interactive media)

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Reverse Commissioning and Licensing Home Web Art ... Proceed Amanda Fisher Celtic Art Technical Information, Notes, and Recommendations Overview and General Notes Most Celtic art combines several of the forms discussed below. Even the tiny "spots" that decorated the illuminated manuscripts usually have, say, a zoomorphic animal whose ears or tail are knotted around itself, or which is an integral part of a letter. Larger "spots" often have two or more animals, frequently making up a letter or two, and these animals have areas of knotwork or maze-patterned fills. The spectacular "carpet pages" (so-called because to some eyes they resemble an intricately detailed carpet) usually have some of every form, at a variety of scales; there is an overall design visible at a distance, made up of smaller designs one can see upon closer examination, and the closest possible view reveals that these, too, are made of intricate patterned detail. The discussion and resources below help with the construction of the various forms which make up Celtic art. There is, though, no short-cut; while many of the forms have a strong geometric base, there is no way to automate their construction in any detail. And there is no substitute for spending hours poring over copies of original works, particularly (I think) the manuscripts. Nothing else can give one the feel for the sorts of symmetry they preferred, the balance of colors used, and the way the levels of intricacy work together to form a pleasing whole. I have listed a few of the "inspirational" books I use the most

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