41. Works In Progress Great flicks Scientific studies of cinematic creativity and aesthetics. creativity and leadership How much the same? How really different? http://psychology.ucdavis.edu/Simonton/dksinprogress.html

Works in Progress Below is a partial list of projects on which I am currently working. A couple of them I work on every day, a few more at least once a week, whereas still others represent "back-burner" enterprises that for the present reside in the incubation phase of the creative process. In some cases the data collection is still well in the future, whereas in other instances the data wait impatiently on my computer for me to begin the necessary statistical analyses. Within each category I have listed the projects in approximate order of the progress I have made on them. I say "approximate" because it occasionally happens that a stroke of inspiration will shove a neglected project to the front burner; the fire then is turned up in intensity, the stirring becomes vigorous, and in a flash a completed dish is all ready for consumption. Some of my best work arises that way - including items not even on my list of "works in progress"! Articles The creative imagination in Picasso's Guernica sketches: Monotonic improvements or nonmonotonic variants?

42. Oxford Scholarship Online: Critical Aesthetics And Postmodernism 9 Sublimity and Postmodern Culture. Part Three. 10 Postmodernism in the Visual Arts 11 creativity, Contemporary Art, and Critical aesthetics http://www.oxfordscholarship.com/oso/public/content/philosophy/0198236239/toc.ht

About OSO What's New Subscriber Services Help ... Philosophy Table of contents Subject: Philosophy Book Title: Critical Aesthetics and Postmodernism show chapter abstracts hide chapter abstracts Crowther, Paul University Lecturer in the History of Art, University of Oxford Critical Aesthetics and Postmodernism Print ISBN 0198236239, 1996 Abstract: Keywords: aesthetics Benjamin creativity consumerism ... the sublime Table of Contents Preface document.write(getFullTextAccess('philosophy', 'ALL')) Introduction document.write(getAbstractAccess('philosophy', 'TOC')) document.write(getFullTextAccess('philosophy', 'ALL')) Part One. document.write(getAbstractAccess('philosophy', 'TOC')) ... document.write(getFullTextAccess('philosophy', 'ALL')) 2. Merleau-Ponty document.write(getAbstractAccess('philosophy', 'TOC')) document.write(getFullTextAccess('philosophy', 'ALL')) 3. Beyond Formalism document.write(getAbstractAccess('philosophy', 'TOC')) document.write(getFullTextAccess('philosophy', 'ALL')) 4. The Producer as Artist document.write(getAbstractAccess('philosophy', 'TOC'))

43. Creativity Method Or Magic? creativity may be a trait, a state or just a process defined by its products. Theories that appeal to intuition and aesthetics as guides for http://cogsci.soton.ac.uk/~harnad/Papers/Harnad/harnad.creativity.html

Creativity: Method or Magic? Stevan Harnad Cognitive Sciences Centre Department of Psychology University of Southampton Highfield, Southampton SO17 1BJ UNITED KINGDOM harnad@ecs.soton.ac.uk http://cogsci.ecs.soton.ac.uk/~harnad/ ftp://cogsci.ecs.soton.ac.uk/pub/harnad/ gopher://gopher.princeton.edu/11/.libraries/.pujournals phone: +44 01703 592582 fax: +44 01703 594597 Abstract: What is "creativity"? Is it a stable cognitive trait that some people have and others do not? Is it an occasional state that people sometimes enter into? Or is it defined completely by its products : "creativity is as creativity does"? Whatever it is, how does creativity come about? How do you do it? Are there rules? Will practice help make you creative? There is probably some truth in all three notions of what creativity is. It is (at least sometimes, and to some extent) a trait, because it is a statistical fact that some individuals exhibit it repeatedly. It may also be correlated with some other traits; some even think it can be predicted by objective psychological tests. But it is also obviously a state, because no one is creative all the time, and some people are highly creative only once in their lives. Sometimes creativity may not even be a special, unique state, but rather a circumstance that is defined by hindsight based on something external, something creative an individual happens to have done. There are a number of theories about the underlying mechanisms of creativity, theories attributing it to everything from method to madness none of them very satisfactory. As to inducing creativity by using heuristic strategies or through "creativity training" this has had very limited success.

44. Aesthetics And Motivation In Arts And Science - Content After analyzing in depth the motivations and the patterns of creativity in MUSICAL creativity MOTIVATIONS AND aesthetics A COMPARISON WITH SCIENCE http://ignca.nic.in/ks_30_cn.htm

AESTHETICS AND MOTIVATIONS IN ARTS AND SCIENCE Contents Introduction - Kiran C. Gupta Some Thoughts on the Aesthetics and Motivations in Arts and Science - K. G. Subramanyan Creativity in Science - C. K. Majumdar The Faculty of Criticism - Sukanta Chaudhuri Beauty and Creativity in Arts and Science - Comparisons and Reflections - N. Mukunda Interplay of Science, Creativity, Beauty, Nature and Evolution - Pushpa M. Bhargava and Chandana Chakrabarty Harmony, Chaos, and Beauty - D. P. Chattopadhyaya The Aesthetics of Macro-Causality - Bikash Sinha Musical Creativity : Motivations and Aesthetics - A Comparison with Sciences - Prem Lata Sharma In Defence of Aesthetic Motivation in Science - P. K. Mukhopadhyaya Imaginary Universes : Art and Science in the Renaissance - Supriya Chaudhuri Tagore - Einstein Conversation : The Physical World and the Human Mind - Sitansu Ray Beauty in Elementary Particle Physics - S. Chakrabarty INTRO DUCTION Kiran C. Gupta

45. [Evomusart] Research Fellow: Cognition, AI, Creativity And Aesthetics Evomusart Research Fellow Cognition, AI, creativity and aesthetics. Paul Brown paul@paulbrown.com Wed, 11 May 2005 073220 +1000 http://www.csse.monash.edu.au/~mailman/archives/public/evomusart/2005-May/000022

[Evomusart] Research Fellow: Cognition, AI, Creativity and Aesthetics Paul Brown paul@paul-brown.com Wed, 11 May 2005 07:32:20 +1000 Next message: [Evomusart] PhD Studentships @ UL Messages sorted by: [ date ] [ thread ] [ subject ] [ author ] ... maggieb@sussex.ac.uk Closing date: 7th June 2005 It is expected that interviews of short listed candidates will take place in the week beginning 27th June. Application forms are available from and should be returned to the Human Resources Division, Sussex House, University of Sussex, Falmer, Brighton, BN1 9RH. Tel 01273 678706, Fax 01273 877401, email recruitment@sussex.ac.uk. Details of all posts can be found via the University website: http://www.sussex.ac.uk/jobs An Equal Opportunity Employer Next message: [Evomusart] PhD Studentships @ UL Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]

46. Ethical Autonomism: The Work Of Art As A Moral Agent In a recent debate in The British Journal of aesthetics more than ten My position has an interesting consequence for the aesthetics of creativity, http://www.contempaesthetics.org/pages/article.php?articleID=217

47. [?] SUN TO MIDPOINT NEPTUNE/ASC Projection of aesthetics, creativity; SUN TO MIDPOINT NEPTUNE/MC Illumination of aesthetics and creativity in the job or in http://horoscope.diy.myrice.com/english/mpne.html

48. IngentaConnect 11. Creativity, Contemporary Art, And Critical Aesthetics creativity, Contemporary Art, and Critical aesthetics. Author Crowther, Paul. Source Critical aesthetics and Postmodernism, February 1996, vol. 1, no. http://www.ingentaconnect.com/content/oso/346916/1996/00000001/00000001/art00015

Home About Ingenta Ingenta Labs Help For Publishers Why go online? Why choose IngentaConnect? Why choose CustomConnect? Access and authentication ... Contact us For Researchers About IngentaConnect Search and browse Publications available Accessing articles ... Register For Librarians Why choose IngentaConnect? Why choose IngentaConnect Premium? Activating Subscriptions Purchasing articles ... Browse Publications 11. Creativity, Contemporary Art, and Critical Aesthetics Author: Crowther, Paul Source: Critical Aesthetics and Postmodernism , Volume 1, Number 9, February 1996, pp. 197-214(18) Publisher: OSO Monographs View Publication full text options Abstract: Concludes by paying further attention to the relation between creativity, contemporary art, and critical aesthetics. The discussion moves by way of a critique of Barthes's notion of the text, using ideas from throughout the present book. The final section explicitly summarizes the more important of these. Keywords: critical aesthetics text creativity contemporary art ... Barthes Document Type: Research article Access to this article is through a website external to IngentaConnect You may be required to register and activate access/purchase before you can obtain the full text.

49. IDMR A strong major in interior design which integrates aesthetics and creativity with technology and an interdisciplinary knowledge base in addressing the human http://www.ecu.edu/che/idmr/id.htm

Undergraduate Programs Curriculum Course Descriptions 4-Year Plan Careers ... Announcements Bachelor of Science in Interior Design About Interior Design Do you imagine yourself designing living spaces, shopping spaces, or spaces for fun, leisure, and entertainment? Would you like to design spaces for single family homes, apartment high rises, retirement villages, or commercial spaces such as retail stores, offices, restaurants, hotels, and hospitals? Or would you like to d esign showrooms for the kitchen and bath industry or create intricate drawings using computer-aided design for hospitals, corporate headquarters, or historic building renovations for revitalized urban centers? If you imagine yourself designing such spaces, a bachelor’s degree in interior design can help you attain the dream. Understanding the Profession If you are thinking about working toward a career in interior design, you’ll want to be informed every step of the way. You will want to start by understanding what interior design is—and what it isn’t. For example, interior design is not the same as interior decorating. They are different fields and require different educational preparation.

50. Feminist Aesthetics “Feminist aesthetics” does not label a variety of aesthetics in the way that, Artistic creativity increasingly came to be regarded as a kind of personal http://plato.stanford.edu/entries/feminism-aesthetics/

version history HOW TO CITE THIS ENTRY Stanford Encyclopedia of Philosophy A ... Z This document uses XHTML/Unicode to format the display. If you think special symbols are not displaying correctly, see our guide Displaying Special Characters last substantive content change MAY The Encyclopedia Now Needs Your Support Please Read How You Can Help Keep the Encyclopedia Free Feminist Aesthetics 1. Art and Artists: Historical Background 2. Creativity and Genius 3. Aesthetic Categories and Feminist Critiques 4. Feminist Practice and the Concept of Art ... Related Entries 1. Art and Artists: Historical Background Feminist perspectives in aesthetics first arose in the 1970s from a combination of political activism in the contemporary art world and critiques of the historical traditions of philosophy and of the arts. They have developed in conjunction with the postmodern debates about culture and society that take place in many fields in the social sciences and humanities. These debates often begin with an assessment of the western philosophical legacy, a legacy that is nowhere more challenged than in the art world itself. Therefore, the significance of many contemporary art movements, including feminist and postfeminist work, is dramatized and clarified by understanding the traditional values and theories that they address and challenge. techne techne Probably the earliest philosophical discussion of art in the Greek tradition occurs in Plato's Republic . Unlike most of his contemporaries, Plato regarded mimesis as dangerous.

51. Creativity/machine » Transforming Aesthetics Transforming aesthetics explores the response of aesthetic theory to new forms of art and Uncategorized, music and sound, vernacular creativity http://hypertext.rmit.edu.au/~burgess/2005/06/02/transforming-aesthetics/

@import url( http://hypertext.rmit.edu.au/~burgess/wp-content/themes/minimaplus/style.css ); Home About Transforming Aesthetics Transforming Aesthetics 7-9 July 2005, Art Gallery of New South Wales Sydney, Australia. Transforming Aesthetics explores the response of aesthetic theory to new forms of art and exhibition practice, emerging in relation to post-9/11 politics, globalisation, post-colonialism and the demise of Euro-centrism. The entanglement of art with politics frequently prompts art theorists to import concepts from cultural/political theory. But art is not simply a field of application for theory; rather, concepts and theories may be understood to emerge from the visual. For this reason it is crucial to attend to the specifics of visual or aesthetic languages. New forms of political and post-colonial practice call for a new set of critical terms - for an expansion and re-evaluation of the field of aesthetic theory. Thus this conference maps the ongoing transformation of aesthetics. Key Speakers * Nicolas Bourriaud * Ernst van Alphen * Andrew Benjamin * Jane Taylor * Sean Cubitt Registrations open now posted by Jean in on @ 7:08 am No Comments so far Leave a comment RSS feed for comments on this post.

52. Creativity/machine » Relational Aesthetics In a circuitous way, I stumbled across the idea of relational aesthetics via my google posted by Jean in vernacular creativity on 03.20.05 @ 1113 am http://hypertext.rmit.edu.au/~burgess/2005/03/20/relational-aesthetics/

@import url( http://hypertext.rmit.edu.au/~burgess/wp-content/themes/minimaplus/style.css ); Home About Relational aesthetics In a circuitous way, I stumbled across the idea of relational aesthetics via my google hits this morning. This comes from Bourriaud Relational Aesthetics Aesthetic theory consisting in judging artworks on the basis of the inter-human relations which they represent, produce or prompt. It appears the masses posted by Jean in vernacular creativity on @ 11:13 am 3 Comments so far Leave a comment By Adrian Miles on 03.21.05 9:05 am (My) Online Opinion Online Opinion By Snurblog on 03.24.05 5:00 am By gabriela on 08.24.05 9:42 pm RSS feed for comments on this post. Leave a comment Line and paragraph breaks automatic, e-mail address never displayed, HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong> Name (required) E-mail (required) URI Your Comment If this is your first visit, your comment will be held until I get a chance to approve it. You don't need to submit it again.

53. Creativity And Cognition 3: Programme Ontology, aesthetics and creativity at the Crossroads in Information System Design Alberto Faro and Daniela Giordano, University of Catania, Italy http://research.it.uts.edu.au/creative/ccrs/cc99/program.html

Programme Keynote Speakers Marvin Minsky MIT Media Laboratory Cambridge MA, USA Harold Cohen Senior Research Professor The Center for Research in Computing and the Arts University of California, San Diego Ben Shneiderman Human-Computer Interaction Laboratory Department of Computer Science and Institute for Systems Research University of Maryland, College Park, MD 20742, USA stelarc stelarc@va.com.au Panels Do Engineers and Artists Make Good Love Objects? Chair Terryl Bacon, University of The West of England-Bristol, UK Panellists Glenn Easy, University of The West of England-Bristol, UK Constance Fleuriot, University of The West of England-Bristol, UK Priscilla Heard, University of The West of England-Bristol, UK Martin Rieser, Napier University, Edinburgh, UK. Nurturing Creativity Chair Nigel Birch, Engineering and Physical Sciences Research Council, UK Panellists James Plummer, Managing Director, Prospect

54. Final Programme Ontology, aesthetics and creativity at the Crossroads in Information System Design Alberto Faro and Daniela Giordano University of Catania, Italy http://research.it.uts.edu.au/creative/ccrs/cc99/prov_prog.htm

CREATIVITY AND COGNITION 1999 FINAL PROGRAMME Burleigh Court, Loughborough University, England Sunday 10 October 9.30 - 5.30 pm One-day Tutorial Cognitive Factors in Design: Basic Phenomena in Memory and Problem Solving Tom Hewett, Drexel University, PA,USA 8.30 - 9.30 am Tutorial Registration Burleigh Court Foyer 9.30 - 5.00 pm Tutorial Timetable Seminar Room 3 Tutorial Timetable Session 9.30 - 11.00 am Session 1 11.00 - 11.30 am Coffee / tea break 11.30 - 1.00 pm Session 2 1.00 - 2.00 pm Lunch 2.00 - 3.30 pm Session 3 3.30 - 4.00 pm Coffee / tea break 4.00 - 5.30 pm Session 4 END OF TUTORIAL 5.00 - 6.00 pm Conference Registration Burleigh Court Foyer 6.30 - 7.00 pm Welcome Reception Burleigh Court Lounge Monday 11 October Conference Day 1 8.00 - 9.00 am

55. University Of Dundee: Contact Magazine 2002 Dr Berys Gaut of the University of St Andrews, a world authority on the aesthetics of creativity, will speak about The Value of creativity . http://www.dundee.ac.uk/pressoffice/contact/2003/november/philosophy.html

access keys text only Media Guide Media Guide 2004 Journalists guide to expertise Quick Facts In the news... Today's Cuttings 3 February 2004 This Week's Cuttings Ending 6 February 2004 What's on Events Conferences Exhibitions Academic Calendar Court News October Court Report Court Agenda - 15 December 2003 Publications Contact - December Staff magazine Contact production schedule Dundee Reunited 2003 - Alumni magazine Annual Review 2001 Archives Press Releases Parliament Review Subscribe Press Releases Magazines and Cuttings About us Press Office Home Web site maintained by Susan Ferguson Philosophy lectures 2003 The Philosophy Department has been awarded £1000 per annum by the Royal Institute of Philosophy to fund public philosophical activities. The Royal Institute of Philosophy is a national organisation dedicated to promoting the study and practice of philosophy in the UK. In this first year, the Philosophy Department have used the money for a series of public lectures on the theme of creativity. Next year they hope to run a similar series on the theme of "Philosophy in Britain and in Europe". In this year's series, five specially invited speakers will give their own particular angles on different sorts of creative process.

56. GEMS--Course Curriculum aesthetics creativity 1; IT Orientation / ISI; Economics 1 aesthetics creativity 2; Film History and Appreciation 1; Communication 1; Marketing 2 http://www.globsyn.com/gems/curriculum.htm

Course Curriculum Post Graduate Diploma in Management - Entertainment and Media "Term 1" IT Orientation / ISI Economics 1 Marketing 1 OB 1 Mathematics [ Non Credit ] "Term 2" Film History and Appreciation 1 Communication 1 Marketing 2 Economics 2 OB 2 "Term 3" Film History Theory Appreciation 2 Film and TV Ideation Communications 2 Market Research Economics 3 Human Resource Management Summer Internship between Term 3 and Term 4 "Term 4" Preshot Documentary Exercise Preshot AD Exercise Original Documentary Exercise Product - Brand Management Consumer Behavior Personal Growth Workshop "Term 5" Original Public Service Film Exercise Original TV Fiction Exercise Original Music Video Exercise Advertising and Sales Promotion Financial Market and Services Services Marketing "Term 6" Print Media Radio - The Industry Business Law for Media / Entertainment Two Year Full Time PGDEM

57. [alife] Research Fellow: Cognition, AI, Creativity And Aesthetics alife Research Fellow Cognition, AI, creativity and aesthetics. Phil Husbands p.husbands at sussex.ac.uk Mon May 9 035256 PDT 2005 http://lists.idyll.org/pipermail/alife-announce/2005-May/000168.html

[alife] Research Fellow: Cognition, AI, Creativity and Aesthetics Phil Husbands p.husbands at sussex.ac.uk Mon May 9 03:52:56 PDT 2005 Previous message: [alife] 2nd CFP - ECAL WORKSHOP - Artificial Chemistry and Its Applications Next message: [alife] Workshop at Ecal 2005: 2nd CfP Messages sorted by: [ date ] [ thread ] [ subject ] [ author ] ... maggieb at sussex.ac.uk Closing date: 7th June 2005 It is expected that interviews of short listed candidates will take place in the week beginning 27th June. Application forms are available from and should be returned to the Human Resources Division, Sussex House, University of Sussex, Falmer, Brighton, BN1 9RH. Tel 01273 678706, Fax 01273 877401, email recruitment at sussex.ac.uk. Details of all posts can be found via the University website: http://www.sussex.ac.uk/jobs An Equal Opportunity Employer Previous message: [alife] 2nd CFP - ECAL WORKSHOP - Artificial Chemistry and Its Applications Next message: [alife] Workshop at Ecal 2005: 2nd CfP Messages sorted by: [ date ] [ thread ] [ subject ] [ author ] ... More information about the alife-announce mailing list

58. DigitalCommons@University Of Nebraska - Lincoln | Bending The Rules: Aesthetics, Bending the rules aesthetics, popular culture, and creativity. Anthony Glen Farrington, The University of Nebraska Lincoln Date 2002 http://digitalcommons.unl.edu/dissertations/AAI3074076/

HOME DISSERTATIONS home about ... Advanced Search Bending the rules: Aesthetics, popular culture, and creativity. Anthony Glen Farrington, The University of Nebraska - Lincoln Date: 2002 Download the dissertation (PDF format) Tell a colleague about it. Printing Tips : Select "print as image" in the Acrobat print dialog if you have trouble printing. Click here to log in to our proxy server for access to this dissertation. After logging in, click "Download the dissertation" above. Abstract The purpose of this dissertation is to investigate modern aesthetics. Clearly, the function of aesthetics has a philosophical component. What is beauty? What is art? What is the relationship of art and beauty to the spiritual and material dimensions of our lives? The function of modern aesthetics has also adopted a self-conscious, psychological dimension. How is beauty perceived, received, and resisted? What are the origins and limits of beauty? What are the roots of aesthetic enjoyment? I argue that the modern definition of creativity-of artistry, beauty, inventiveness, refinement, cultivation-arises out of and because of this philosophical debate. Creativity is a modern construct intimately tied to our concepts of democratization, capitalism, and freedom. However, the question "What is creativity?" is far less profitable than "Where is creativity?" Seemingly, the modern notion of creativity is often linked to "difference." Specifically, that which is creative (according to most modern aesthetes) deals with new contexts, new situations, and new insights. Thus, what is creative is often linked to borders and frontiers. I argue that the limit of the frontier-both real and symbolic-can be seen as the origin of modern creativity. Further, those who inhabit the frontier-tricksters, monsters, and frontiersmen-become symbolic incarnations of such creativity.

59. Jerz: Media Aesthetics: Creativity And Criticism Jerz Media aesthetics. main syllabus outline news projects due dates 22 Feb 2005 creativity and Criticism. Trackbacks http://blogs.setonhill.edu/DennisJerz/EL335/2005/006794.php

Jerz: Media Aesthetics main syllabus outline news ... 22 Feb 2005 Creativity and Criticism Trackbacks Trackback Link: http://blogs.setonhill.edu/mt/mt-tb.cgi/1366 Check Latest Trackbacks Comments Post a comment Name: Email Address: URL: Remember personal info? Yes No Comments: January Sun Mon Tue Wed Thu Fri Sat February Sun Mon Tue Wed Thu Fri Sat March Sun Mon Tue Wed Thu Fri Sat April Sun Mon Tue Wed Thu Fri Sat May Sun Mon Tue Wed Thu Fri Sat Amanda Cochran Johanna Dreyfuss Denishia Salter Anne Stadler ... Melissa Trecaso Recent Comments Amanda on Paper 2 (18 Apr, 08:36 PM) Dennis G. Jerz on Powers, Galatea 2.0 (14 Apr, 01:18 AM) Alonzo on Powers, Galatea 2.0 (14 Apr, 01:16 AM) Dennis G. Jerz on Heller, ''Adventure'' ( 5 Apr, 03:22 PM) Johanna on Heller, ''Adventure'' ( 4 Apr, 10:43 PM) Dennis G. Jerz on Jerz, ''You Are Standing at the Beginning of a Road...'' (22 Mar, 01:54 PM) Syndication (XML) RSS 1.0 RSS 2.0 Powered by Movable Type 3.15

60. ESCOM 10th Anniversary Conf_e The contributions not immediately related to musical creativity, His research has been focused primarily on psychological aesthetics and creativity. http://musicweb.hmt-hannover.de/escom/conf02/call02an_e.htm

First Announcement To celebrate its 10th anniversary ESCOM organises from 5 to 8 April 2002 A conference around MUSICAL CREATIVITY Organisers Scientific Committee Scope Type of Papers ... Hotels Organisers Honorary committee: Willy Legros (President of the ULg) Bernard Rentier (Vice-President of the ULg) Louis Kupper (Dean of the Faculty of Philosophy and Letters, ULg) Marcel Crahay (Dean of the Faculty of Psychology and Educational Sciences, ULg Collaborations - Centre de Recherches et de Formation Musicales de Wallonie it is quite natural that we wished to focus the 10 th anniversary meeting on that topic. We think that conference as an interdisciplinary event, and we invite researchers working on musical creativity but also on other types of creativity to present and discuss their ideas, their results, etc. The programme will involve four types of contributions: keynote lectures approaching the topic of creativity according to different perspectives symposiums illustrating these main axes by empirical papers spoken papers posters The official languages of the conference are English and French. A simultaneous translation will be organised for the keynotes and the symposia.

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