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         Aesthetics & Creativity:     more books (35)
  1. New Directions in Aesthetics, Creativity, and the Arts (Foundations and Frontiers in Aesthetics) (Foundations and Frontiers of Aesthetics)
  2. Evolutionary And Neurocognitive Approaches to Aesthetics, Creativity And the Arts (Foundations and Frontiers of Aesthetics) (Foundations and Frontiers ... (Foundations and Frontiers of Aesthetics) by Vladimir Petrov, 2007-02-02
  3. Aesthetic Experience: Beauty, Creativity, and the Search for the Ideal (Contemporary Psychoanalytic Studies, 5) (Contemporary Psychoanalytic Studies) by George Hagman, 2005-07
  4. Communication, creativity, change: Aesthetics of social adaptation by Timothy Neal Thompson, 1995
  5. Art Beauty and Creativity: Indian and Western Aesthetics by Shyamala Gupta, 1999-02
  6. Great Indian Thinkers on Art ; Creativity, Aesthetic Communication, and Freedom by Ranjan K. Ghosh, 2006
  7. The Zen of Creativity: Cultivating Your Artistic Life by John Daido Loori, 2005-05-31
  8. Creativity, Culture and Values: Comparative Essays in Literary Aesthetics (New Studies in Aesthetics) by Shirley J. Paolini, 1991-05
  9. New Directions in Aesthetics, Creativity and the Arts. by Paul Locher, 2006
  10. The Making of Bamana Sculpture: Creativity and Gender (Res Monographs in Anthropology and Aesthetics) by Sarah C. Brett-Smith, 1995-02-24
  11. Concerning Creativity: A Comparison of Chu Hsi, Whitehead, and Neville (S U N Y Series in Religious Studies) by John H. Berthrong, 1998-11
  12. The Artist's Quest of Inspiration (Aesthetics Today) by Peggy Hadden, 2004-07-01
  13. Life - Truth in its Various Perspectives: Cognition, Self-Knowledge, Creativity, Scientific Research, Sharing-in-Life, Economics (Analecta Husserliana)
  14. Creative Intelligence: Toward Theoretical Integration (Perspectives on Creativity)

1. Definition Of Aesthetics
definition of aesthetics
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

2. Aesthetics On-Line
The official web site of the American Society for Aesthetics, this site is for anyone interested in philosophy of art, art theory or art criticism.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

3. Aesthetics The Philosophy Of Art, Beauty And Perception
Aesthetics is the study of beauty and taste, whether in the form of the comic, the tragic or the sublime. The word derives from the Greek
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

4. ArtLex Art Dictionary
Reference material in art, art history, art criticism, aesthetics, and art education. Definitions of thousands of terms, illustrations, quotations
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

5. Aesthetics
Definition of aesthetics
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

6. British Society Of Aesthetics
The British Society of Aesthetics the premier site for aesthetics related events, news and links
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

7. UCR Aesthetics Conference Home Page
Aesthetics and Difference Cultural Diversity, Literature and the Arts. October 2224th on the UCR campus. Top scholars from around the world will
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

8. The Journal Of Aesthetics And Art Criticism ~ Home
Research articles, symposia and book reviews in aesthetics and the arts from Temple University.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

9. The British Journal Of Aesthetics
Quarterly journal intended to provide an international forum for debate in aesthetics and the philosophy of art. Edited by Peter Lamarque.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

10. Aesthetic Realism Foundation
Teaches the philosophy founded by educator, poet, and critic Eli Siegel through public presentations, consultations, and publications.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

11. Osian's-Cinefan 7: Aesthetics And Creativity In Filmmaking
aesthetics and creativity in Filmmaking Here we lay special focus on the Development of New and Alternate Cinemas. Topics include
http://www.cinemaya.net/c7-aof2.asp
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  • Home
    IBM at a glance > Areas of focus
    Aesthetics and Creativity in Filmmaking
    Here we lay special focus on the Development of New and Alternate Cinemas. Topics include:
  • The Old ‘New Wave’ in Indian Cinema: How Successful Was It and Where Are Its Traces? Digital Filmmaking: The Way of the Future? The Bare Truth: Censorship, Sex and Social Hypocrisies Intimate Histories: The Cinema of Hou Hsiao-Hsien Chinese Cinema: A Question of Generations New Currents in Iranian Cinema

  • The events and discussions at IBM2 have been clubbed under the following areas of focus:
  • The Philosophical Framework for Infrastructure Building in Cinema The Economic Responsibility of Cinematic Idealism The Sustenance and Preservation of Cinematic Heritage and Education
  • 12. Schedule Maintenance In Progress
    Critical Ceramics is a nonprofit committed to publishing the widest range of articles and reviews on international contemporary ceramic art. Article themes include creativity, aesthetics, contemporary art, culture, exhibitions, artistic movements, art criticism, and individual artists.
    http://www.criticalceramics.org/
    We are currently performing routine maintenance on our servers.
    We expect service to return no later than 9:00 a.m. on Sunday, Sept 18 (Eastern Standard Time). We apologize for any inconvenience this may cause and hope you'll visit us again after 9:00 a.m.

    13. - Musical Aesthetics And Creativity In Beethoven: A Computer Analysis Of 105 Com
    Musical aesthetics and creativity in Beethoven A computer analysis of 105 compositions. Dean Keith Simonton, 1987, 52, 87104. Abstract
    http://www.ume.maine.edu/~iaea/wesa5-2.html
    Empirical Studies of the Arts
    Volume Five, Issue Two
    Musical aesthetics and creativity in Beethoven: A computer analysis of 105 compositions.
    Dean Keith Simonton, 1987, 5:2, 87-104.
    Abstract:
    An aesthetic aspect of professional sport
    John Benjafield, 1987, 5:2, 105-114.
    Abstract: How often does a professional sports team have to win in order to demonstrate that it is a worthy representative of its home city? The answer may very well be: 61.8 percent home victories for a hockey team, and 61.8 percent total victories for a championship baseball team. Both these values are the Golden Section, the most famous proportion in Western aesthetics. The fact that the Golden Section appears to be a regulating proportion in sport implies that it is an archetype, and operates in a way that is complementary to the Gestalt law of symmetry.
    Cognitive processes in reading literary texts: The influence of context, goals and situations.
    Dietrich Meutsch, 1987, 5:2, 115-137.
    Abstract: Is literary meaning amenable to an explanation within the cognitive paradigm of psychology? A convention oriented explanation exists as opposed to an autonomous ontology of meaning. The central difficulty of explanation is its lack of empirical bases. The hypothesis that encoding —which is action and goal specific and retrieval are activated by specific conventions and caused by different types of elaboration and inference is tested. The dependent variables were studied in a 2 x 2 free recall experiment. The hypothesis mentioned was tested in a 2 x 2 x 2 recognition experiment. The results for a cognitive conception of literary meaning are significant. The methodological and theoretical consequences are discussed.

    14. Abstracts For Empirical Studies Of The Arts
    Musical aesthetics and creativity in Beethoven A computer analysis of 105 compositions. Dean Keith Simonton. An aesthetic aspect of professional sport.
    http://www.ume.maine.edu/~iaea/esaabstr.html
    Abstracts
    for
    Empirical Studies of the Arts
    The Official Journal of the International Association of Empirical Aesthetics
    Volumes and Article Titles
    Volume One, Issue One
    Creativity and individual differences in asymmetrical cerebral hemispheric functioning
    Albert N. Katz Metaphor interpretation as selective inferencing: Cognitive processes in understanding metaphor
    Jerry R. Hobbs Detecting the differences in jazz: A comparison of methods for assessing perceptual veridicality in applied aesthetics
    Morris B. Holbrook and Joel Huber Form and function of Tridacna shell plaques from the Western Solomon Islands
    Deborah Waite Cheating history: The rhetorics of art forgery
    Gary Alan Fine The sources of awe and reassurance in Kierkegaard's Guds Uforanderlighed
    Alastair McKinnon
    Volume One, Issue Two
    Dramatic greatness and content: A quantitative study of eighty-one Athenian and Shakespearean plays.
    Dean K. Simonton
    Metaphor interpretation as selective inferencing: Cognitive processes in understanding metaphor (Part 2).
    Jerry R. Hobbs

    15. Innovation Network: Innovation & Creativity Conferences, Convergence 1997: Keyno
    The Impact of aesthetics on creativity Suzanne Merritt, InSightOut. Only the elegant, efficient and powerful ideas attract management s attention and get
    http://www.thinksmart.com/2/keynoters97.html
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    Convergence 1997
    - K e y n o t e r s - Creating an Innovative Environment
    Lars Kolind,
    President Oticon Holding A/S In 1991, this Swedish hearing aid manufacturer (the oldest in the world) completely eliminated formal organization and offices. Instead, employees work on projects of their own choice (there is an open market for resources among project champions). All work is done by project groups using mobile stations which can be combined into project "pods." The results of this unique environment are incredible: Oticon develops products twice as fast as their competitors and profits are ten times the 1990 level ... in a market that has been flat for the past five years. In this session you will learn how Oticon replaced departments and hierarchies with project groups in order to liberate creative resources from its staff. This change led to breakthrough products and impressive growth. Lars Kolind has served as President of Oticon Holding A/S since 1988. He also contributes much of his time to volunteer work which he credits as much of the inspiration for his unique views on organizations. He was named "Man of the Year" in 1995 by Denmark's leading business journal. KAI Feedback
    Charles W. Prather, Ph.D.

    16. Innovation Network: Products, Videos & Audios
    Suzanne Merritt, InSight Out The Power of Beauty The Impact of aesthetics on creativity, Robert B. Tucker, The Innovation Resource Selling Your
    http://www.thinksmart.com/2/videosandsoftware.html
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      Provides a solid introduction to the open-book concept. It illustrates how employees at all levels can affect the company's financial performance and contribute to profitability, focusing on two dramatic cases to illustrate the concepts. 25 minutes.

    17. Ontology, Aesthetics And Creativity At The Crossroads In Information System Desi
    Ontology, aesthetics and creativity at the crossroads in information system design. Full text, pdf format Pdf (1.59 MB)
    http://portal.acm.org/citation.cfm?id=317583

    18. Main Page For Candidate Statement
    Society for the Psychology of aesthetics, creativity and the Arts. Please note that the submission of a candidate statement was voluntary,
    http://forms.apa.org/governance/candstatement/index.cfm?action=viewstatements&id

    19. Ph.D. In Humanities, University Of Louisville
    1 aesthetics and creativity Hum. 681 Topics in aesthetics and creativity PRIMARY AREA (creativity and aesthetics OR Studies in Culture)
    http://www.louisville.edu/a-s/humanities/PHD/curriculum.html
    Humanities Division
    Commonwealth Humanities Center

    College of Arts and Sciences

    Graduate School

    Dr. Annette Allen, Director
    Humanities Doctoral Program
    Division of the Humanities
    213 Humanities Bldg
    University of Louisville
    Louisville, KY 40292
    E-mail: acalle01@louisville.edu Prof. Elaine O. Wise Chair of the Division Department of English e-mail: elaine.wise@louisville.edu Ph.D. in Humanities Curriculum All doctoral students are expected to complete a minimum of 48 hours beyond the Masters degree distributed as follows. CORE REQUIRED COURSES Total credit hours: 21 CHRONOLOGICAL SEQUENCE: Total credit hours: 6 *Hum 661: Humanistic Studies I *Hum 662: Humanistic Studies II THEORY AND METHODS: Credit hours: 3 *Hum 609: Interdisciplinary Theory: Arts and Humanities INTERDISCIPLINARY TOPICS SEMINARS: Total credit hours: 6 *Hum 671: Interdisciplinary Seminar *Hum 672: Interdisciplinary Seminar INTERNSHIP Credit hours: 3 *Hum 690: Doctoral Internship CAPSTONE COURSE: Credit hours: 3 *Hum 699: Interdisciplinary Symposium Total Core credit hours: 21 AREAS OF CONCENTRATIONS Total credit hours: 18 [1] Aesthetics and Creativity Hum. 681 Topics in Aesthetics and Creativity

    20. University Of Louisville, Division Of Humanities
    Those concentrating in aesthetics and creativity will examine the influence of (creativity and aesthetics OR Studies in Culture) credit hours 6
    http://www.louisville.edu/a-s/humanities/PHD/overview.htm
    University of Louisville Overview of the Humanities Doctoral Degree According to a report from the American Council of Learned Societies, “the humanities are once again attracting many of our most talented students, who are aware that the arguments over the ‘canon,’ context, and interpretive method reflect issues of central concern to definitions of what it means to be human" ( Occasional Paper No. 7 , 13). As a reminder of the responsibilities of the humanities, the same report restated them, and they are included here. The humanities continue: to take with the utmost seri ousness their responsibilities to the past: to the excavation of its human treasures, and to their study of safekeeping. But in addition, the humanities continue to expand our sense of the past and to include those who have hitherto remained on the margins of history: the powerless, the illiterate, the dispossessed. to encourage the free discussion of human values, particularly to expose and analyze those values that lie hidden beneath the surfaces of language and of art.

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