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         Schjeldahl Peter:     more books (121)
  1. Let's See: Writings on Art from The New Yorker by Peter Schjeldahl, 2008-05-26
  2. The Hydrogen Jukebox: Selected Writings of Peter Schjeldahl, 1978-1990 (Lannan Series of Contemporary Art Criticism, No 2) by Peter Schjeldahl, 1993-03-29
  3. The Symbolist Prints of Edvard Munch: The Vivian and David Campbell Collection by Associate Professor Elizabeth Prelinger, Michael Parke-Taylor, 1996-09-10
  4. ARTPIX Notebooks: Billy Sullivan Photographs CD-ROM/DVD by Billy Sullivan, Peter Schjeldahl,
  5. Painter Among Poets: The Collaborative Art Of George Schneeman by Tom Clark, Dick Gallup, et all 2004-03-02
  6. Richard Deacon by Peter Schjeldahl,
  7. SALLE by David Salle, Peter Schjeldahl, 1987-11-12
  8. Poesie der Teilnahme. Kritiken 1980-1994. by Peter: Schjeldahl, 1997
  9. Art of our time, the Saatchi Collection, volume 2. by Michael Auping, Robert Rosenblum & Peter Schjeldahl: Jean-Christophe Ammann, 1984
  10. An adventure of the thought police by Peter Schjeldahl, 1971
  11. Art of our time, the Saatchi Collection, volume 3. by Hilton Kramer & Peter Schjeldahl: Rudi Fuchs, 1984
  12. Mother A Journal of New Literature, Number Six by Peter and Lewis MacAdams, editors. Schjeldahl, 1965
  13. Since 1964: New and selected poems by Peter Schjeldahl, 1978
  14. White country: poems by Peter Schjeldahl, 1968-01-01

1. Peter Schjeldahl - Wikipedia, The Free Encyclopedia
Peter Schjeldahl was born in 1942 in Fargo, North Dakota. He grew up in small towns throughout Minnesota and attended Carleton College and the New School.
http://en.wikipedia.org/wiki/Peter_Schjeldahl
Peter Schjeldahl
From Wikipedia, the free encyclopedia
Jump to: navigation search Peter Schjeldahl was born in in Fargo North Dakota . He grew up in small towns throughout Minnesota and attended Carleton College and the New School. He began his professional writing career as a reporter in Minnesota, Iowa and New Jersey . He is married to Brooke Alderson , an actress.
Contents
edit Art critic
In 1964 he traveled to Paris for a year before settling in New York City in 1965. Since coming to New York he has worked as an art critic for ArtNews, The New York Times The Village Voice , and 7 Days ( The Cooper Union ). In 1998 he joined The New Yorker where he is currently the head art critic. During his career Schjeldahl has written several books of poetry as well as many books on art criticism. He taught at Harvard University in the Department of Visual and Environmental Studies for four years as well. He has been honored with a Guggenheim fellowship for his poetry and the Frank Jewett Mather Award for art criticism by the College Art Association (The Cooper Union). Peter Schjeldahl currently resides in New York where he continues to write a weekly art column for The New Yorker.
edit Poet
Schjeldahl’s poetry falls in line with many of the characteristic themes and styles of the New York School . As a contemporary postmodern poet, Schjeldahl believed fervently in the idea that poetry should be enjoyed and understood by all readers. In an interview with the Virginia Commonwealth University’s Blackbird Schjeldahl commented on how

2. Poems By Peter Schjeldahl
Peter Schjeldahl was born in 1942 in Fargo, North Dakota, and grew up in Minnesota small towns. He attended Carleton College and the New School.
http://www.jbeilharz.de/schjeldahl/poems.html
Some poems by Peter Schjeldahl from Since 1964 The German Poet I am being visited by a burly, bumptious German poet who has come to New York to see, as he puts it, "the writers of the American poetry that I love." We are in a small loft I am sharing with Arlene. At first amused by the German, I am increasingly put off by his crude manners. It's all I can do to keep him from inviting himself to spend the night with us. However, there is no way to avoid being stuck with caring for his pet, a huge, orange-colored monkey.
The monkey is friendly and docile, but it shits continually, all over the loft. Arlene and I spend most of the night cleaning up after it.
The next evening we bring the monkey to Rebecca Wright's apartment, where there is to be a reading, and gladly return it to the German. The German makes it clear that I have hurt his feelings, and I immediately feel guilty. Meanwhile, he seems on good terms with the others present, including Allen Ginsberg.
Of Allen he says to me, in a voice quavering with emotion, "The absence of this man's death is what I always need." Though quirky, this sentiment strikes me as very moving.

3. Www.gavinbrown.biz Elizabeth Peyton Biography/bibliography
schjeldahl peter, “What’s New,” The New Yorker, March 22, pp. Schjeldahl, Peter, “At the museum staightforward paint,” The New Yorker, December 17, p.
http://www.gavinbrown.biz/bio/biopeyton.html
ELIZABETH PEYTON
Born: 1965, Danbury, CT
Lives and works in New York
Education
School of Visual Arts, New York, BFA 1984 - 87 Solo Exhibitions
2005 Sadie Coles HQ, London
2003 Neugerriemschneider, Berlin
Regan Projects, Los Angeles, CA
Elizabeth Peyton and Tony Just, New Works on Paper, Orient Historical Society,
Orient, NY
Roma Roma Roma, Rome, Italy 2002 Royal Academy, London Neugerriemschneider, Berlin, Germany Salzburger Kunstverein, Salzburg, Austria Deichtorhallen, Hamburg, Gerrmany (cat.) 2000 Westfalischer Kunstverein, Munster, Germany (cat.) Aspen Art Museum, Aspen, CO (cat.) Sadie Coles HQ, London, UK Gavin Brown's enterprise, New York, NY 1999 Regen Projects, Los Angeles, CA Museum of Contemporary Art, Castello di Rivoli, Torino, Italy neugerriemschneider, Berlin, Germany Gavin Brown's enterprise, New York, NY 1998 Georg Kargl, Vienna, Austria Galleria Il Capricorno, Venice, Italy Kunstmuseum, Wolfsburg, Germany (travelled to Museum fur Gegenwartskunst, Basel, Switzerland) (cat.) Seattle Art Museum, Seattle, WA

4. Books By Schjeldahl Peter
Michaels Books is a Used Rare Bookstore, Online Used Bookstore, Washington Used Bookstore, and a WA Used Bookstore specializing in used books, rare books,
http://www.michaelsbooks.com/q_author_Schjeldahl-Peter.html?PHPSESSID=2335d17613

5. SEARCH SILO Locator [AUTHOR Schjeldahl Peter]
Notes Introductory essays by Peter Schjeldahl, and others.. ISBN 0847805743(Rizzoli pbk. v. 1); Locations ISU Library (Iowa State University) (Ames)
http://z3950.silo.lib.ia.us/cgi-bin/search.CGI?SILO&index_0=AUTHOR/STRUCTURE:PHR

6. Peter Schjeldahl - Charlie Rose
Guests include artist Elizabeth Murray, Mark Stevens of New York Magazine , Robert Storr, Senior Curator at the MoMA, and Peter Schjeldahl of The New
http://www.charlierose.com/guests/peter-schjeldahl
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Click here to check your local listings. Show Ideas? Email the producers here. Submit your questions for Charlie and read Charlie Responds (FAQ) for the answers Tue, Apr 24 More... Keyword Tag Cloud View All... Charlie Rose - Schedule Charlie Rose - Features Charlie Rose - Recent Videos ... Charlie Rose - Recent Comments Elizabeth Murray, Mark Stevens, Robert Storr, Peter Schjeldahl A panel discussion about the art world in New York with guest host Michael Kimmelman Keywords: Elizabeth Murray Museums art world art criticism ... big names A panel discussion with guest host Michael Kimmelman, chief art critic for "The New York Times", about New York's art shows and retrospectives in art museums including “Joan Mitchell”, the exhibit at the Whitney. Guests include: artist Elizabeth Murray, Mark Stevens of "New York Magazine", Robert Storr, Senior Curator at the MoMA, and Peter Schjeldahl of "The New Yorker". 0 comments More Info...

7. The Arts At Book Megastore Online Shop
RICHARD DEACON by THOMPSON, JON TAZZI, PIER LUIGI SCHJELDAHL, PETER DOUGLAS, for 163 16.72 from Book Megastore online shop.
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8. Peter Schjeldahl, Blackbird
peter schjeldahl was born in North Dakota, and grew up in Minnesota. He attended Carleton College and the New School. He has lived in New York since 1965.
http://www.blackbird.vcu.edu/v3n1/gallery/schjeldahl_p/index.htm
GALLERY
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Peter Schjeldahl
PETER SCHJELDAHL
An Interview with Peter Schjeldahl
Interviews

Peter Schjeldahl was born in North Dakota, and grew up in Minnesota. He attended Carleton College and the New School. He has lived in New York since 1965. He has been a columnist for The Village Voice and a contributing editor at Art in America and has worked as a regular art critic for The New York Sunday Times Vanity Fair , and Seven Days . His books include The Seven Days Art Columns (1991), both from Figures, and Hydrogen Jukebox: Selected Writings of Peter Schjeldahl, 1978-1990 The New Yorker

9. OtherWise Peter Schjeldahl - Why Artists Make The Worst Students
peter schjeldahl, Art Critic for The New Yorker peter has said that he will respond to any questions for him that get posted below.
http://www.parshift.com/Speakers/Speak013.htm
Paradigm Shift
International
USA-505-586-1536 OtherWise A new guest appears monthly, and the prior wisdom is archived in the Library
Register for free email notice
when monthly update occurs. Featured Guest Speaker Peter Schjeldahl, Art Critic for The New Yorker
Posted: February 13, 1999 Why Artists Make the Worst Students
© Peter Schjeldahl, 1998 Editor's Note: Peter's speech at a conference on Liberal Arts and the Education of Artists was brought to my attention by one of our readers when it was transcribed and published in The Chronicle of Higher Education, 11/27/98. What Peter says about artists is true of most talented and gifted people as students, and his insights offer an instructive perspective for the collaborative knowledge development and learning environment. I teach an art seminar for seniors at Harvard. One peculiarity of my own education is that I barely have any. I'm one of those '60s dropouts you read about, and I never took an art course in my life. This background made me incredibly nervous about teaching, but it has gone all right. I'm fascinated by the problem of teaching artists in college, because, What is an artist? An artist, in my experience, is a man or woman of unusual talent and peculiar, highly individual sensibility, with an independent and probably contrarian mind, driven by mysterious passions for which another word is neurosis. In getting from point A to point B, the neurotic goes via point Q. It's in that roundabout that people are either completely crippled and hopeless in life, or highly creative.

10. Words And Pictures: The New Yorker
by peter schjeldahl October 17, 2005 . “SpiderMan” twists the knife by making peter Parker’s superpowers an added torment to him he’d rather be an
http://www.newyorker.com/critics/books/articles/051017crbo_books1
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11. Schjeldahl, Peter | Find Articles At BNET.com
I tend to accept the market s longterm judgment Artforum International, 9/1/94 by schjeldahl, peter · More from publication
http://findarticles.com/p/search?tb=art&qt=Schjeldahl, Peter

12. Schjeldahl, Peter.; ART RANDOM - KAROLE ARMITAGE AND DAVID SALLE
schjeldahl, peter. ART RANDOM KAROLE ARMITAGE AND DAVID SALLE. 3 Years of the Ballet Stage Kyoto Kyoto Shoin (1989) 1st edition 4to, illus.,
http://www.ilab.org/db/book2316_200443.html
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    Schjeldahl, Peter.
    ART RANDOM - KAROLE ARMITAGE AND DAVID SALLE
    3 Years of the Ballet Stage Kyoto Kyoto Shoin (1989) 1st edition 4to, illus., printed glossy boardsFine A photographic record of artist Salle's collaborations with the choreographer Armitage. Other artists who participated in these productions included Jeff Koons, Christian Lacroix, and Ann Slavit. This copy has been boldly inscribed by Salle on the half title page to the writer John Hawkes and his wife.
    This item is offered by:
    Locus Solus Rare Books, Ltd.

13. Dreams. - SCHJELDAHL, PETER.
Dreams.; schjeldahl, peter.. Offered by Brian Cassidy, Bookseller.
http://www.antiqbook.com/boox/cas/1445.shtml
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SCHJELDAHL, PETER. Dreams.
New York: Angel Hair , 1973 First Edition. 4to. Traces of rubbing at edges. Else fine: clean, bright and sharp. In original pictorial wraps designed by pop-art great James Rosenquist. Limited edition, one of fifty (this number five) SIGNED by both Schjeldahl and Rosenquist. A series of prose poems based on the author's dreams. Schjeldahl is now perhaps best known as an art critic (for the New Yorker among other), but he was also part of the second generation of New York School poets (Berrigan, Padgett, etc). And these poems are in that mold: personal, slightly surreal, and with a touch of humor. Rosenquist, most recently, was the recipient of a major retrospective at the Solomon R. Guggenheim Museum. Unpaginated, approx. 30pp. Signed by Author. Pictorial Wraps. Near Fine.
US$ 400.00 Offered by: Brian Cassidy, Bookseller - Book number: 1445
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14. Ionarts: "My Name Is Peter, And I'm An Aesthete"
peter schjeldahl, art critic for The New Yorker, writes so well that I usually turn first to his article when the magazine arrives in my mailbox.
http://ionarts.blogspot.com/2004/09/my-name-is-peter-and-im-aesthete.html
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SOMETHING OTHER THAN POLITICS ...
"My Name Is Peter, and I'm an Aesthete" by Charles T. Downey Thursday, September 23, 2004 Peter Schjeldahl, art critic for The New Yorker , writes so well that I usually turn first to his article when the magazine arrives in my mailbox. Last night, he delivered the first of this year's Clarice Smith Distinguished Lectures in American Art , sponsored by the Smithsonian American Art Museum , at George Washington University's Lisner Auditorium . Although the lecture was scheduled to begin at 7 pm, Schjeldahl actually began speaking at about 7:25, which is good since I was able to find a parking place only about 5 minutes before that.
The good news is that Peter Schjeldahl is funny. He began with a few minutes of jokes, after explaining why there was no slide projector. Slides, he proclaimed, are an "absolute blight on visual culture." In response to a question about that remark later, he elaborated this theory: "slides are lies that you believe," he said, "junk food that you are fed," which has nothing to do with the medium of painting. Each time a slide is shown, the possibility of that actual work's impression in someone's eye is wasted. Speaking to a group with most likely a number of art historians in it, he said that art historians are educated in slides, not in paintings, and repeated a story that if one day a cosmic ray somehow reduced every actual work of art instantaneously to dust, art history would pretty much continue as if nothing had happened.

15. Used, Rare And Out Of Print Books And Textbooks Are All Available Online At Grea
You ve searched Used Books Keyword peter schjeldahl . Used Books Keywords peter schjeldahl Chapters.indigo.ca Affiliate Program.
http://www.chapters.indigo.ca/usedbooks/getSearchResults?author=Peter Schjeldahl

16. The Hydrogen Jukebox: Selected Writings Of Peter Schjeldahl, 1978-1990
peter schjeldahl. Suggested citation schjeldahl, peter. The Hydrogen Jukebox Selected Writings of Bibliography of peter schjeldahl s Writings on Art
http://ark.cdlib.org/ark:/13030/ft0m3nb09r/
Home Search Browse About Us ... Help The Hydrogen Jukebox Selected Writings of Peter Schjeldahl, 1978-1990
Peter Schjeldahl
Suggested citation:
Schjeldahl, Peter.  The Hydrogen Jukebox: Selected Writings of Peter Schjeldahl, 1978-1990.  Berkeley:  University of California Press,  c1991. http://ark.cdlib.org/ark:/13030/ft0m3nb09r/
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Available online to University of California faculty, staff, and students only. View all public titles. Comments? Questions?
University of California Press eScholarship Editions are published by eScholarship , the California Digital Library
© 2003 The Regents of the University of California

17. McSweeney's Internet Tendency: A Transcript Of Yesterday's Super Bowl Halftime S
peter schjeldahl. That s the ETrade logo. I guess they had to integrate it peter schjeldahl. That s because all the performers are screaming at the top
http://www.mcsweeneys.net/2001/01/29halftime.html
In honor of The Believer 's 50th issue, every new Believer subscription this week will include a free sheet of temporary tattoos , featuring the work of Raymond Pettibon, Marcel Dzama, the Paper Rad collective, and many other artists of note. A T R A N S C R I P T O F
Y E S T E R D A Y ' S S U P E R
B O W L H A L F T I M E S H O W ,
A S I T H A P P E N E D
I N A P A R A L L E L
U N I V E R S E T H A T
O N L Y I C A N S E E .
BY TIM CARVELL
GREG GUMBEL Hello, and welcome back to Super Bowl XXXV. I'm Greg Gumbel. In just a few minutes, the E*Trade Halftime show will begin. We're in for a treat here today, as the halftime program devised by Laurie Anderson and Robert Wilson, is titled, 'The Life of Francis Bacon, An Expressionist Canvas of Sight and Sound'. Here to supply color commentary is the New Yorker's art critic, Peter Schjeldahl. Peter, what must Laurie Anderson be feeling right now? PETER SCHJELDAHL Images of Isolation , Anna Akhmatova's Requiem for Morality , Tom Waits' 14-minute retelling of Gotterdammerung GREG GUMBEL PETER SCHJELDAHL No, Greg, that's the work itself. Laurie Anderson has decided to convey Bacon's sense of dislocation by abandoning the traditional 12-tone scale and writing her piece for a 15-tone scale. It's a brash and brave move, although not, perhaps an entirely successful one. Still, the crowd here today seems to be transfixed by it. They're not sure whether they like it or not, but they're definitely intrigued, and they're willing to give it a chance.

18. John Currin Bibliography Regen Projects
schjeldahl, peter, New Yorker, The Drawing Board New directions for the oldest schjeldahl, peter, The Elegant Scavenger John Currin s low comedy of
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BIBLIOGRAPHY
Selected Catalogues and Publications
2007 "Collection Art Contemporain," published by Centre Pompidou, Paris, France, 2007, p. 124, ill.
Catalogue, Impulse: Works on Paper From the Logan Collection, published by the Logan
Collection Vail, San Francisco, 2007, pp. 99, 108-113, ills
2006 Essential Painting, ed. Hiroyuki Nakanishi, published by The National Museum of Art,
Osaka, Japan, 2006, pp. 39-47, ills
Nairne, Sandy and Sarah Howgate, The Portrait Now, published by The National Portrait Gallery, London, England, 2006, pp. 13, 30-31, 142, ill. Catalogue, Surprise Surprise, published by the Institute of Contemporary Arts, London, England, 2005 Catalogue, Drawing from the Modern, 1975 – 2005, organized by Jordan Kantor, published by The Museum of Modern Art, New York, pp. 161, ill.

19. Victor Bockris And Andrew Wylie Collection
6 MarchApril 1975 6 Bogdanovich, peter A Conversation with peter . Lou; Holly Woodlawn 20 Saroyan, Aram 21 schjeldahl, peter and Andrew Wylie 22 Smith
http://www.hrc.utexas.edu/research/fa/bockris_wylie.html
Harry Ransom Center The University of Texas at Austin
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Research
Victor Bockris (1949- ) and Andrew Wylie
Collection, 1965-2003 (bulk 1972-1976)
Preliminary Inventory
7 boxes, 1 galley folder, 1 oversize folder (2.94 linear feet) Note: This brief collection description is an accession record. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available.
Acquisition: Purchase, 2005 (Reg. no. 15408)
Access: Open for research
Processed by: Hope Donovan Rider, 2007
RLIN Record ID: None
Table of Contents
Scope and Contents
Folder List
Scope and Contents
This collection represents the writing collaboration between Victor Bockris and Andrew Wylie during the 1970s. It is divided into three series: I. Works and Related Materials, 1965-2003; II. Photographs, circa 1970s; III. Works by Others, 1971-2002. Series I. comprises the bulk of the collection, and is divided into three subseries. Subseries A. Subject Files, contains typescripts and tearsheets for works written by Bockris and Wylie, and published under the name Bockris-Wylie. The contents are arranged alphabetically by the last names of the subjects. It includes drafts and typescripts for their book Ali: Fighter, Poet, Prophet

20. Susan Rothenberg
Bowman, Russel and peter schjeldahl, New Figuration in America, schjeldahl, peter, Putting Painting Back on Its Feet, Vanity Fair, August, 1983
http://speronewestwater.com/cgi-bin/iowa/artists/bio.html?record=18

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