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         Leapor Mary:     more detail
  1. The Works of Mary Leapor (Oxford English Texts)
  2. Mary Leapor: A Study in Eighteenth-Century Women's Poetry (Oxford English Monographs) by Richard Greene, 1993-06-24
  3. Poems Upon Several Occasions V2: By Mrs. Leapor (1751) by Mary Leapor, 2010-03-19
  4. Poems Upon Several Occasions V2: By Mrs. Leapor (1751) by Mary Leapor, 2010-09-10
  5. The Poetry of Mary Leapor (Focus on) by Stephen Van-Hagen, 2009-10-01
  6. A Northamptonshire poetess: Mary Leapor by Edmund Blunden, 1936
  7. Poems Upon Several Occasions V2: By Mrs. Leapor (1751) by Mary Leapor, 2010-09-10
  8. Mary Leapor : A Study in Eighteenth-Century Women's Poetry (Oxford English Monographs) by Richard Greene, 1993
  9. Poems upon several occasions. Volume 1 by Mrs. (Mary), 1722-1746 Leapor, 2009-10-26
  10. Pastoral Tradition and the Female Talent: Studies in Augustan Poetry (Ams Studies in the Eighteenth Century) by Ann Messenger, 2001-06-15

21. Search > Arts : Literature : Authors : L : Leapor, Mary
The Poetry of mary leapor (172246). Includes posthumously published volume Poems Upon Several Occasions, as well as the poems Man the Monarch and
http://www.cooltoad.com/links/show.php?n=Arts/Literature/Authors/L/Leapor,_Mary&

22. UniversalJournal/AYJW - Articles, Papers, Essays - Association Of
mary leapor’s “An Essay on Woman” not only identifies the entrapment that a married woman in the eighteenth century experienced on a dayto-day basis but
http://www.ayjw.org/articles.php?id=671441

23. Project MUSE
mary leapor. The Works of mary leapor. Edited by Richard Greene and Ann Messenger (Oxford and New York Oxford University Press, 2003). Pp. 358. $150.00.
http://muse.jhu.edu/journals/eighteenth-century_studies/v038/38.3landry.html
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"But were they any good?": Milkmaids on Parnassus, or, Political Aesthetics
Eighteenth-Century Studies - Volume 38, Number 3, Spring 2005, pp. 535-538
The Johns Hopkins University Press
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24. Female Biography: Or Memoirs Of Illustrious And Celebrated Women, Of All Ages An
leapor, mary. Legge, Elizabeth. Leontium. Lionna. Longvie, Jaquiline de, Duchess of Montpensier. Lucar, Elizabeth. Lucretia. Lumley, Joanna Lady.
http://www.routledgeliterature.com/books/Female-Biography-isbn9784902454017
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Female Biography
Or memoirs of Illustrious and Celebrated Women, of all Ages and Countries, by Mary Hays
Edited by Chihiro Uegaki Price: Add to Cart
  • ISBN: Binding: Hardback Published by: Edition Synapse Publication Date: 31st January 2006
About the Book
'My pen has been taken up in the cause, and for the benefit of my own sex. For their improvement, and to their entertainment, my labours have been devoted ... I have at heart the happiness of my sex, and their advancement in the grand scale of rational and social existence.' - From the Preface by Mary Hays Published in 1803 by Mary Hays, famous for her relationship with Mary Wollestonecraft, this collection of female biographies is now considered as the very first major reference of women, for women, and by a woman. The collection includes approximately 290 women from the classical period up to the seventeenth century, a third of which are British.
Table of Contents
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25. Mary Leapor: The Problem Of Personal Identity.(Critical Essay) - Eighteenth Cent
Eighteenth Century Theory and Interpretation mary leapor the problem of personal identity.(Critical Essay) - From the HighBeam Research Archive.
http://www.highbeam.com/doc/1G1-84396014.html?refid=ency_botnm

26. , Arts, Literature, Authors, L, Leapor, Mary,
Arts, Literature, Authors, L, leapor, mary,, , Arts, Literature, Authors, L, leapor, mary,
http://www.uspay.org/usdir/?/Arts/Literature/Authors/L/Leapor,_Mary/

27. An Cailín Seanchaí :: The Girl Storyteller: La Mistique
When adhering to this definition would Christine de Pizan, mary leapor, mary Collier or Sarah Egerton be considered feminist writers?
http://ancailinseanchai.blogspot.com/2008/01/la-mistique.html
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Friday, January 18, 2008
La Mistique
We all Things to your coming home prepare:
You sup, and go to Bed without
Delay,
And rest yourselves till the ensuing Day;
While we, alas! But
little Sleep can have
Because our forward Children cry and rave; (Collier)
This however can more likely be attributed to recognition of the unfairness of expectations for the different sexes as well as beseeching men for help within the home, helping them understand the amount of work a woman is expected to perform and asking only for equality with men, while she helps him outside would he help her inside. While this piece sits on the fence between feminism and womanism it can be rationalized as feminist literature as there is never any solid statement of superiority and removing the tone one gives it when reading it all Collier requests from her male counterpart is equality concerning the work load.
Works Cited
Egerton, Sarah. "The Emulation." Class Handout.
Pizan, Christine de. The Book of the City of Ladies. London: Penguin Group, 1999. Posted by An Cail­n at 9:50 PM Newer Post Older Post Home Who am I? To tell you the truth I have got a fairy fuck of an idea. I'm still kinda of growing into my skin, into my own being; hoping it'll all turn out right.

28. DMOZ Arts Literature Authors L Leapor, Mary
DMOZ Arts Literature Authors L leapor, mary.
http://nlp-polska.qlweb.pl/dmoz/index.php?c=Arts/Literature/Authors/L/Leapor,_Ma

29. Mary Leapor
Poetry of mary leapor, Miami University of Ohio This page, currently under construction by Laurie Mandell (as of September 2002), includes selections from
http://library.marist.edu/diglib/english/englishliterature/17th-18thc-authors/le
Mary Leapor (1722-1746) Poetry of Mary Leapor, Miami University of Ohio: This page, currently under construction by Laurie Mandell (as of September 2002), includes selections from Leapor's Poems Upon Several Occasions (1748), "Man the Monarch," and "Crumble-Hall."-MJM Selected Bibliography: Mary Leapor (1722-1746) , Rutgers University: Includes citations for editions to her works, biographies, criticism and electronic resources.-MJM SELECTED POETRY OF MARY LEAPOR , UTEL, University of Toronto: (1722-1746): Includes "An Epistle to a Lady" and "Mira's Will."-MJM

30. Editor S Note Working Class Poet. Went To School To Learn Writing
Also, just as mary leapor, Milne uses humor in her poems to critique the However, the same observation might be made about the work of mary leapor.
http://www.alexanderstreet2.com/SWRPLive/bios/S7037-D001.html
Editor's Note: Working class poet. Went to school to learn writing in Audchentoul, and copied poetry secretly. Began to compose her own poems at 14 when she went to work. Family difficulties ensued, and she developed consumption at 18. Married a ship's carpenter in 1796. Simple Poems earned her 100 pounds, which she later invested in a share of a ship. She had 8 children. The mean Unletter'dfemale Bard of Aberdeen!: The Complexities of Christian Milne's Simple Poems on Simple Subjects By Bridget Keegan Introduction At the conclusion of her watershed study of eighteenth-century laboring-class women poets, The Muses of Resistance , Donna Landry asserts that: "By the end of the [eighteenth] century, the discourse of laboring-class women's verse seems to have played itself out, along with much of the radical democratic energy with which it may have often been allied" (273). It is certainly true that by 1805, when Christian Milne published Simple Poems on Simple Subjects , many of the conventions for plebeian poets who wished to be published were firmly established, and that these conventions were ideologically conservative. Expressions of patriotism, piety, and humility, all of which can be found in abundance in Simple Poems on Simple Subjects , were the guarantors of any favorable, although usually condescending notice. As such, Milne's work has been of little interest to the feminist or marxist critics engaged in recovering laboring-class and women's literature.

31. Anglistik Guide: English Literature: Literary Criticism: Poetry
leapor, mary mary leapor (17221746) Selected Bibliography. Subject Class, English Literature Literature and Society; English Literature Literary
http://www.anglistikguide.de/cgi-bin/ssgfi/anzeige.pl?db=lit&sc=IA 531-533

32. IngentaConnect The Works Of Mary Leapor
The works of mary leapor. Author Waldron, mary1. Source Women s Writing, Volume 11, Number 3, October 2004 , pp. 507516(10)
http://www.ingentaconnect.com/content/routledg/rwow/2004/00000011/00000003/art00
var tcdacmd="dt";

33. Robert Southey, Specimens Of The Later English Poets (1807)
leapor, mary Lee, Nathaniel Lloyd, Robert Lloyd, Evan Lewis, Theobald Leveridge, Richard Logan, John Lovibond, Edward Lowth, Robert, D.D.
http://www.english.ucsb.edu/faculty/rraley/research/anthologies/Southey-1807.htm
Robert Southey, Specimens of the Later English Poets, with preliminary notices . 3 Volumes (London: Longman, Hurst, Rees and Orme, 1807) Information about the collection: The poets included in the 3 volumes are arranged in the table of contents both in chronological (from year of death) and in alphabetical order. The titles of the poems themselves are not listed in either place; in the alphabetical list both the volume and page number where the author's works might be found are given. From the Preface: These volumes are intended to accompany Mr. Ellis's well known Specimens of the Early English Poets. That series concludes with the reign of Charles II, this begins with that of James his successor: the two together will exhibit the rise, progress, decline and revival of our Poetry, and the fluctuations of our poetical taste, from the first growth of the English language to the present times. A slight difference has been made in arrangement; instead of sorting the Poets, according to the reigns in which they flourished, I have noticed each under the year of his death, where that could be ascertained, otherwise according to the date of his chief publication. It was desirable that the series should be brought down to the end of the last century, and this order determined whom it should include. In consequence of this arrangement a few names will be found, which are included in the work of Mr. Ellis. Many worthless versifyers are admitted among the English Poets, by the courtesy of criticism, which seems to conceive that charity towards the dead may cover the multitude of its offences against the libing. There were other reasons for including here the reprobate, as well as the elect.

34. Mary Leapor Quotes
mary leapor quotes,mary, leapor, author, authors, writer, writers, people, famous people.
http://thinkexist.com/quotes/mary_leapor/
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35. A Literary History Of Women's Writing In Britain, 1660–1789 - Cambridge Uni
leapor, mary, 21, 258–263; and pastoral, 259–260; and Pope, 260, 261, 262; and subscription publication, 262; on patronage, 261–263; poetic persona, 259;
http://www.cambridge.org/us/catalogue/catalogue.asp?isbn=9780521858656&ss=ind

36. Érudit | RON N27 2002 : Keegan : Lambs To The Slaughter: Leisure And Laboring
11Other laboringclass poets, such as mary leapor, note the disjunction between real rural work and pastoral idealism. In her poem On Winter, leapor also
http://www.erudit.org/revue/ron/2002/v/n27/006562ar.html
Le navigateur que vous utilisez est d'une ancienne version (ou bien la prise en charge des feuilles de styles CSS est d©sactiv©e). La mise en page de l'article ne peut ªtre enti¨rement reproduite avec cette version. Romanticism on the Net Romantic Labor / Romantic Leisure Issue 27, August 2002 Issue guest-edited by : Robert Anderson Editor : Michael Eberle-Sinatra Publisher : Universit© de Montr©al ISSN : 1467-1255 (electronic version)
Lambs to the Slaughter: Leisure and Laboring-Class Poetry
Author Bridget Keegan Creighton University Abstract In 1766, former-footman turned publisher Robert Dodsley introduced shoemaker-poet James Woodhouse's Poems on Several Occasions by assuring readers that Woodhouse "generally sits at his work with a pen and ink by him, and when he has made a couplet he writes it down on his knee; so that he may not, thereby, neglect the duties of a good husband and kind father; for the same reason his hours for reading are often borrowed from those usually allotted to sleep" (xiv). Dodsley's description is typical of how eighteenth-century laboring-class poets were portrayed for the public. Statements similar to Dodsley's can be found in the prefatory materials of collections of laboring-class poetry well into the Romantic age. For example, in her characteristically condescending introduction to Ann Yearsley's Poems, on Several Occasions

37. Read About Arts, Literature, Authors, L, Leapor, Mary From Thumbshots.net
Free thumbnails for your website! Free Web thumbnail preview image. Visualize sites in directory, search engine. View visual screenshot picture link.
http://www.thumbshots.net/webguide.aspx?cat=Arts/Literature/Authors/L/Leapor,_Ma

38. Demystifying (with) The Repugnant Female Body: Mary Leapor And Feminist History
Bridget Freemantle advises against printing this antiblason written by the popular eighteenth-century, laboring-class poet mary leapor.(3) As her patron,
http://www.questia.com/PM.qst?a=o&se=gglsc&d=5000438258

39. A Dot Com History Of English Literature - TLS Highlights - Times Online
A fondness for sweeping enumeration rubs off on other contributors “Poets such as Prior, Addison, Chudleigh, Gay, Hill, leapor, mary Barber and Paul
http://tls.timesonline.co.uk/article/0,,25341-2075857_2,00.html
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40. Poets' Corner - Mary Leapor - Strephon To Celia, A Modern Love Letter
mary leapor Strephon to Celia, a Modern Love Letter.
http://www.theotherpages.org/poems/2001/leapor0101.html
Poets' Corner Home Page News and Recent Additions
    Strephon to Celia.
    A Modern Love Letter.
      Madam
      I hope you'll think it's true
      I deeply am in love with you,
      When I assure you t'other day,
      As I was musing on my way,
      At thought of you I tumbled down
      Directly in a deadly swoon:
      And though 'tis true I'm something better,
      Yet I can hardly spell my letter:
      And as the latter you may view,
      I hope you'll think the former true.
      You need not wonder at my flame,
      For you are not a mortal dame:
      I saw you dropping from the skies;
      And let dull idiots swear your eyes
      With love their glowing breast inspire,
      I tell you they are flames of fire,
      That scorch my forehead to a cinder,
      And burn my very heart to a tinder.
      Your breast so mighty cold, I trow,
      Is made of nothing else but snow:
      Your hands (no wonder they have charms)
      Are made of ivory like your arms.
      Your cheeks, that look as if they bled,
      Are nothing else but roses red.
      Your lips are coral very bright,
      Your teeth though numbers out of spite
      May say they're bones yet 'twill appear
      They're rows of pearls exceeding rare.

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