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3-d Photography:     more books (108)

Photography: Pt. 3: Theory and Practice by L.P. Clerc, 1970-12 On Time and in Focus: The Art of Dance Photography 2008 Calendar Version 3.0 by Sam Habet Ph.D., 2007-10-01 On Time and in Focus: The Art of Dance Photography 2008 Calendar Version 3.0 by Sam Habet Ph.D., 2007-10-01 Collection de photographies du Musee national d'art moderne, 1905-1948 (French Edition) by Musee national d'art moderne/Centre de creation industrielle (France), 1996 3-D Movies: A History and Filmography of Stereoscopic Cinema by R. M. Hayes, 1989-11 Radiographic Photography and Imaging Processes by D.J. Jenkins, 1980-06-30 Air Photography and Archaeology by D. N. Riley, 1987-12 Cracking Animation: The Aardman Book of 3-D Animation by Peter Lord, Brian Sibley, 1999-08-09 Estimation of aboveground biomass in logged and primary lowland rainforests using 3-D photogrammetric analysis [An article from: Forest Ecology and Management] by T. Okuda, M. Suzuki, et all 2004-12-13 Reel 3-D Enterprises' guide to the Nimslo* 3D camera by Susan Pinsky, 1988 Scaly & Slimy in 3-D!: Includes Book and 3d Glasses (Nature Company) by Rick Sammon, Susan Sammon, 1996-03 Creepy crawlies in 3-D! by Rick Sammon, 1993 Bulgaria in 3 Dimensions: A Photographic Album of Bulgarian Landscapes & Cultural Sights, Include 3-d Glasses 3-D Physiques

lists with details

81. CS E6733: 3D Photography, Spring 2005
    CS E6733, Spring 2005 3D photography, Prof. Peter Allen This course will explore 3D photography the process of automatically creating 3D texture  
    http://www1.cs.columbia.edu/~allen/S05/
    
    Extractions: Figure 1: Beauvais Cathedral model; Mt. Polizzo site model; Le Penseur sculpture model; Italian house model. Course Schedule Class Project Guidelines Project Teams Paper Presentation Assignments The course will be divided into 3 parts. The first 1/3 of the course will be devoted to lectures introducing the concept of 3D photography and advanced modeling. The second part will be student presentations of related papers in the field. The third part will be a series of group projects centered around using 3D photography to model objects (buildings, rooms, people, etc.). Students will have hands-on use of a variety of scanning equipment in our lab including the Leica/Cyrax HDS2500 laser range scanner to acquire dense 3-D range data, a Canesta Real Time 3D Camera , an Immersion Microscribe Digitizer , and a Stratasys FDM 1650 rapid prototyping model builder. We will draw upon ongoing work in the Columbia Robotics Lab in this course. Examples of 3D Photography from the Columbia Robotics Lab can be found here.

82. Glossary
    Anaglyph A two-color 3D method, requiring you to wear glasses- usually red and It is, in my opinion, the best method for outdoor stereo photography.  
    http://home1.gte.net/photo3d/text/Glossary.htm

83. Index
    This 3D photography site has moved you are being re-linked to the proper site. Please update your links and notify the site who linked you here.  
    http://home1.gte.net/photo3d/stereo.html

84. Stereoscopy (aka 3D Photography): Its Artistic Importance And Historic Backgroun
    Relation between history of stereosopy and art regarding spatial representationcomplete text and bibliography of original article.  
    http://userwww.sfsu.edu/~hl/stereo.html
    
    Extractions: T he stereo camera, in spite of its antiquity, is still in its infancy as a serious tool for making the most revolutionary photo image of allthe binocular imagethe product of a new pictorial medium without precedent in the entire history of art. This paper will survey the close evolution of consciousness, art, and image-making, converging process that led inexorably to the binocular image. Stereoscopy and holography are proposed as techniques for resolving the illusionistic impasse faced by photography and the other pictorial arts. Many writers have considered that the art of an age reflects the nature of consciousness of those who make and use its indigenous images. Beginning with the earliest visual recordssupported by recent studies of the untutored drawings of young childrenwe find an intuitive acceptance of pictures that lack accuracy, or even detail, as representations of reality. It seems universal that a few distinguishing features of form, some simple monocular cues of space, have met the basic needs of visual communication since the dawn of man. An examination of prehistoric European cave paintings reveals that, in formal terms, their depiction of space bears little relation to modern methods of depiction. There is little organization of spatial direction. Subjects are jumbled and superimposed without relation to each other. Concepts of inside and outside, up and down, large and small, are not always evident in the worK. Thus, it has been concluded thal the cave painter's consciousness may have been very different from our own.

85. 3D Photography
    A photo journal on how to create your own inexpensive 3D camera. Stereoscopy.com Great information about all aspects of 3D photography.  
    http://www.newview.org/salem/3D/

86. 3d Photography, Stereo Photography: APEC's How To Make A Print Stereograph
    Free help making your own stereographs 3D photographs. Brought to you by the world s oldest stereo photography club (dating from 1861) the Amateur  
    http://home.earthlink.net/~pgwhacker/APEC/HowTo/HowTo.html

87. Useful Links Related To 3D Photography
    3D photography Links. General 3D photography. Jump to 3D Links or open that site in a seperate window. Jump to RingSurf 3D Web Ring or open that site in a  
    http://pubpages.unh.edu/~wfc/Photo/Others/

88. EE/CNS 148, CS274c 1998: 3D Photography
    3D photography 3D scan of mannequin head (Dragos Harabor, 1997). This lecture/laboratory course is aimed at teaching students how to use computer vision and  
    http://www.multires.caltech.edu/teaching/courses/3DP/
    
    Extractions: This lecture/laboratory course is aimed at teaching students how to use computer vision and graphics techniques to scan a complete 3D object and create a 3D representation of it suitable for manipulation, processing, and transmission over the web. Students will work both in an imaging laboratory and a graphics laboratory. In the imaging laboratory students will use cameras and computer-controlled projectors to construct an imaging system that will allow them to 3D scan a number of objects. In the graphics laboratory the students will write applications for graphics workstations in Matlab, C/C++, and OpenInventor for reconstructing, rendering, and compressing the objects. This year a major emphasis will be placed on student projects which are aimed at exploring refinements of the basic techniques and/or radical/funky extensions.

89. Microsoft Research: 3D Webcam Project.
    Three Dimensional photography Suppose that when you used a camera it gave you The thrust of our research is to create a 3D model from a set of still 2D  
    http://research.microsoft.com/virtuamsr/
    
    Extractions: The new building: On 11th July 2000 the ground breaking ceremony occurred and work began on the construction of a new building for Microsoft Research in West Cambridge. This page will give you information about the new building and also about computer vision research at Microsoft Cambridge Research: In particular we have taken on the challenge of reconstructing three-dimensional models of buildings from sets of two or more still images (see the discussion on three dimensional photography below). The aim is to establish a set of web cams observing the construction process and recreate a 3D model of the building site (see the discussion of virtual tourism below). So why are we doing it and why? Three Dimensional Photography: Suppose that when you used a camera it gave you a 3D model of what you had photographed rather than the normal 2D picture. The idea of trying to make pictures look more 3D is not new, it was first proposed by Sir Charles Wheatstone (1802-1875) of Wheatstone Bridge fame. In 1838 he presented the theory of stereoscopic vision to the Royal Society. Wheatstone achieved the effect of a 3D photograph using a device known as the stereoscope (An interesting history of photography is here ). The thrust of our research is to create a 3D model from a set of still 2D images that you could fly around using a suitable graphics engine on your PC. This is an interesting but difficult task on these pages we will tell you a little of the successes and problems.

90. Get Into 3D Photography
    I discovered 3D photography by seeing a 3D polarized projected 35mm slide show at the I recommend buying into the Realist format of 3D photography.  
    http://www.3dgear.com/scsc/Getinto/get_into_3d_photography.htm
    
    Extractions: Get into 3D Photography! by Philip Steinman May 11, 2004 edit I discovered 3D photography by seeing a 3D polarized projected 35mm slide show at the Southern California Stereo Club in the summer of 1998. They handed out polarized glasses (not those silly red and green anaglyph glasses) and the 3D photography was just so beautiful that I joined SCSC. It was there that I discovered that the stereo slide was the ultimate still visual medium. The shows are open to the public and I encourage others to attend the monthly slide shows every 3rd Thursday of the month at 7:30pm at the Wilshire United Methodist Church, 711 South Plymouth Blvd., just off Wilshire near Crenshaw, west of downtown Los Angeles and south of Hollywood. Come and watch high quality 35mm stereo slides projected, it's breathtaking!, and talk to some true stereo photography buffs. The SCSC website is at www.la3dclub.com To start taking your own 3D pictures and enjoying them I recommend getting a classic 3D film camera! For 3D photography you need a picture for your left eye and one for your right eye. Notice that each eye sees slightly differently, combined they give you stereovision depth in three spatial dimensions—width, height and depth.

91. CMSC828Z : 3D Photography And Inverse Rendering
    Webpage for CMSC828Z Spatiotemporal 3D photography.  
    http://www.cfar.umd.edu/~jneumann/videogeometry/CMSC828Z/
    
    Extractions: 10/01/02: All 10 project descriptions are online! This class will be about the interaction between computer vision and computer graphics. Specifically, we will study four related problems: 3D photography: recovery of shape and texture of the scene objects to create a view independent representation of the scene Inverse rendering: recovery of scene parameters like surface reflection properties and the ambient illumination that are important to rerender the scene under novel lighting conditions and spatial scene configurations Motion Capture: recovery of the motion models and parameters of the objects in the scene to enable retargeting of motions to other objects and animate the scene objects using new motion parameters. Camera Design: What camera design optimally facilitates the solution to the three problems above? The goal of this class is to give the student a feeling for the difficulties involved when one tries to extract information about the world from image sequences. Therefore, we will study the image formation pipeline, starting from representations for the shape of objects and their surface properties, up to the accurate models to the lens system and ccd architecture of modern cameras. We will not limit our study to conventional pinhole cameras, but we will also study more general images and cameras that are better suited for processing by computers then conventional images. Having understood the image formation process, we will then study in a series of projects to what extent and under what assumptions it is possible to "invert" the image formation pipeline and recover the scene parameters. More specifically during this class the union of all the projects (

92. 3D Photography
    3D photography. 3D photography @ the Graduate Center, CUNY. Volumetric Rendering Final Project QSplat.  
    http://homepage.mac.com/ingart/3d.html

93. MERL – TR2002-029 – Image-Based 3D Photography Using Opacity Hulls
    ImageBased 3D photography using Opacity Hulls. Citation, Matusik, W.; Pfister, H.; Beardsley, PA; Ngan, A.; Ziegler, R.; McMillan, L., Image-Based 3D  
    http://www.merl.com/publications/TR2002-029/
    
    Extractions: Image-Based 3D Photography using Opacity Hulls Citation: Matusik, W.; Pfister, H.; Beardsley, P.A.; Ngan, A.; Ziegler, R.; McMillan, L., "Image-Based 3D Photography Using Opacity Hulls", ACM SIGGRAPH , ISSN:0730-0301, pp. 427-437, July 2002 ( ACM Press Date: July 2002 MERL Contacts: Hanspeter Pfister Paul Beardsley Wojciech Matusik MERL Home Company Projects ... People Search: Publications Technical Reports MERL Contact... ALL MERL CONTACTS Avidan, Shai Azarbayejani, Ali Beardsley, Paul Bhatti, Ghulam Bogue, Adam Brand, Matthew Brinkman, Dirk Cukier, Johnas Curtin, Andrew J. Dietz, Paul Divakaran, Ajay Esenther, Alan Fang, James Forlines, Clifton Frankel, James L. Frisken , Sarah Gu, Daqing Guo, Jianlin Harsham, Bret Igo, Jr., Frederick J. Ivanov, Yuri Johnson, Ronald Jones, Michael Kameyama, Masatoshi Kato, Mamoru Katz, Joseph Kojima, Keisuke Lee, Christopher Leigh, Darren Marks, Joe Martinian, Emin Matusik, Wojciech Mehta, Neelesh Miyahara, Koji Moghaddam, Baback Molisch, Andreas F. Nakache, Yves-Paul Nicholls, Barton

94. Raindrop Geomagic, Genex Technologies To Provide 3D Photography Solutions For Ma
    Geomagic software enables 3D photography, the process of automating Genex Technologies will play a key role in spreading 3D photography  
    http://www10.mcadcafe.com/nbc/articles/view_article.php?section=CorpNews&article

95. 3D Photography Using Shadows In Dual-Space Geometry
    3D photography Using Shadows in DualSpace Geometry. Full text, Full text available on the Publisher site Publisher Site  
    http://portal.acm.org/citation.cfm?id=339361

96. 3D Photography On Your Desk
    Feedback Report a problem Satisfaction survey. 3D photography on Your Desk. Full text, Full text available on the Publisher site Publisher Site  
    http://portal.acm.org/citation.cfm?id=939028

97. Welcome To IEEE Xplore 2.0 A Hierarchy Of Cameras For 3D Photography
    We investigate the relationship between camera design and 3D photography, by examining the influence of camera design on the estimation of the motion and  
    http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=1024033

98. [Photography Club] Fwd: DMC- 3D Photo Workshop
    photography Club Fwd DMC 3D Photo Workshop. AaronRushBikes@aol.com AaronRushBikes@aol.com Thu, 25 Mar 2004 180142 EST. Previous message photography  
    http://lists.acm.jhu.edu/pipermail/photography/2004-March/000038.html
    
    Extractions: Thu, 25 Mar 2004 18:01:42 EST Previous message: [Photography Club] J. Mag Call for Work Messages sorted by: [ date ] [ thread ] [ subject ] [ author ] ... kira@jhu.edu ) for AaronRushBikes@aol.com 0HV500JJRH31ZN@jhuml4.jhu.edu kira@jhu.edu paberger1@jhu.edu ... kira@jhu.edu Previous message: [Photography Club] J. Mag Call for Work Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]

99. Geomagic Applications . Interactive Web 3D Gallery
    3D photography is the combination of nextgeneration color scanners and 3D photography A Catalyst for Billion-Dollar Industries (28K PDF White Paper)  
    http://www.geomagic.com/advantage/gallery/
    
    Extractions: 3D photography is the combination of next-generation color scanners and revolutionary software that allows you to capture the color, texture, and shape of real-world objects, transform them into usable 3D models, and deliver them to manufacturing, engineering, design, new media, or any other use. 3D Photography: A Catalyst for Billion-Dollar Industries (28K PDF White Paper) The samples in this gallery were captured by and XYZ RGB then processed with Geomagic Studio. Notice how accurately Geomagic 3D photography captures the color, texture, and shape of an object, making true 3D photography a reality. Install the Viewpoint Media Player and experience 3D on the Web as you've never seen it.

100. 3D Photography -- Are We There Yet?
     3D photography Are We There Yet? Abstract 3D photography, or the modeling of 3D objects, has been a fascinating topic in computer graphics and computer  
     http://www.iis.sinica.edu.tw/HTML/ENGLISH/S200406111030.html

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