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Sculpture & Carving Art Techniques:     more books (100)

Stained Glass: Exploring New Techniques and New Materials by Giorgetta McRee, Livia McRee, 2003-01-01 25 Gunfighter Patterns for Carvers: With Step-By-Step Carving Instructions (A Schiffer Book for Woodcarvers) by Al Streetman, 1995-08 New Ways With Polymer Clay: The Next Generation of Projects and Techniques by Kris Richards, 1997-02 The Art of the Woodcarver (Guild of Master Craftsman) by Woodcarving Magazine, 1996-08 Upland Game Bird Carving by Rosalyn Daisey, 1992-06-01 Hobby Ceramics: Techniques and Projects for Beginners by Patricia A. Waller, 2003-02-06 Techniques of Terracotta by Quentin Bell, 1983-05 Hobo & Tramp Art Carving: An Authentic American Folk Tradition by Adolph Vandertie, Patrick Spielman, 1995-09 Polymer Claywork (New Crafts) by Mary Maguire, 1998-06-25 Carving Bears and Bunnies by Tom Wolfe, Douglas Congdon-Martin, 1990-07 Tom Perkins: Lettercarver (EJF Books on the Lettering Arts) Carving Out the Wild West With Tom Wolfe: The Saloon by Tom Wolfe, 1991-07 Stephen Rolfe Powell: Glassmaker by Stephen Rolfe Powell, 2007-10-12 Paper Sculpture: A Step-by-step Guide by Kathleen Ziegler, Nick Greco, 1993-11-05

lists with details

21. KSU Faculty Of Art: Ceramics
    Advanced ceramics techniques were introduced to Japan from China during the fifthand Poster art, Graphics) • Basic carving Modelling 12 (sculpture,  
    http://www.kyoto-seika.ac.jp/eng/3_art/ceramics/ceramics.htm
    
    Extractions: Ceramics Department Advanced ceramics techniques were introduced to Japan from China during the fifth and sixth centuries, and were further developed in many places in this country. As with tea ceremony, Japanese ceramics evolved into an art form placing aesthetic values ahead of function, an excellence now recognized all over the world. To step into this traditional field, students previously had to enter an apprenticeship or a specialized school. The ceramics curriculum that we have developed at Kyoto Seika University is more appropriate to this university`s atmosphere, emphasizing a view of ceramics as a modern and creative art form, using clay as a medium of self-expression. We encourage students to be imaginative and diverse in their thinking. We do not believe in teaching ceramics: instead, we believe that our job is to stimulate the creativity of each individual. Students must themselves overcome the initial obstacles that occur when working in this field. During our four-year program, students absorb the technical side as well as the human side of this art form. These two aspects cannot be separated, as techniques are always selected according to human considerations.

22. Artcourses: Entries For Sculpture/casting/carving
    home, art courses.co.uk entries for sculpture/casting/carving ITALY,Intensive sculpture workshops in marble carving techniques,  
    http://www.artcourses.co.uk/subj/sub15.htm
    
    Extractions: The Shoreditch Summer School features an 8-week intensive art foundation course aimed at school leavers intending to go to art school. There are also 1- and 2-week-long courses in drawing, painting, sculpture and etching. Stoke Newington, London N16 Lesley McShea Tel: 020 7241 3676 Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Church Street Workshops

23. Elements And Techniques Of Sculpture
    techniques, and materials to the art of sculpture, making them even more techniques carving Dating from prehistoric times, carving is a process in  
    http://www.cantorfoundation.org/Education/guide2.html
    
    Extractions: Dating from pre-historic times, carving is a process in which the artist subtracts or cuts away from a solid material to reach the desired form. It can be a very painstaking and time consuming method because of the hard and weighty materials, such as marble or other stones, that are often used. However, artists also carve softer substances such as wood and even soap. Modeling Casting is a method of obtaining the permanence of a modeled work by making a mold and casting it in a durable material such as bronze. Two methods of casting are used: sand casting and the cire-perdue or "lost wax" process. The lost-wax process is more widely used, however, both have been frequently employed since antiquity. (Further information on lost wax casting will follow.) Construction and Assemblage Emerging in the twentieth-century, the techniques of assemblage and construction consist of combining and joining various materials to form a three-dimensional object. These methods originated from the technique collage , which was popularized by the Cubists during the early part of the twentieth century.

24. Etching, Printmaking, Artists, Visual Arts, Performing Arts At World Wide Arts R
    Our sculptures utilize cold carved glass techniques coupled with venetian I create art in sculpture, carving, pencil portrait drawings, watercolor, oil,  
    http://wwar.com/categories/Artists/Printmaking/Etching/

25. WSU Courses
    art 228 DRAWING II (Credits 4). Introduces concepts and techniques of drawing . art 377 INTERMED sculptureMETAL FABRICATING STONE carving (Credits 4  
    http://www.wright.edu/courses/art.html

26. Academics | Art
    including carving, modeling, casting and construction techniques. This course is a survey of American painting, decorative arts, sculpture and  
    http://www2.thomasmore.edu/art/courses.cfm?type=courses&group2=Course Listing

27. Sculpture Courses
    art 475. sculpture III. Subtractive stone carving techniques. Direct stone carvingusing hand and air pneumatic power tools emphasizing roughingout,  
    http://www.deltastate.edu/pages/1000.asp
    
    Extractions: ART 176. THREE-DIMENSIONAL DESIGN II . Visual problems solving techniques through the use of various processes and materials. Acquaintance with hand tools, power tools, and basic maintenance of equipment. Prerequisite:ART 175. Lecture-laboratory 6 hours. 3 ART 275. SCULPTURE I . Additive process over armatures using a variety of mediums. Simple and multi-piece moldmaking procedures. Prerequisite: ART 175. Lecture-laboratory 6 hours. 3 ART 276.

28. Jamie Vans @ Broomhill Sculpture Park • Gallery • Art Hotel
    Two week Y9 Arts Project 120 boys carved sculptures in response to Stone sculpture techniques, adult classes 1999 Creative Stone carving workshops.  
    http://www.broomhillart.co.uk/artists/jamie-vans.html
    
    Extractions: We have asked the artist to provide a statement about their work, an edited personal history, and a selection of exhibitions and commissions. The content here is entirely their words and selection. Works illustrated here have been chosen by the artist. The works shown on this page are not necessarily on display at Broomhill. 2003 - One, a text based piece for the village of Middleton-by-Youlgrave, Derbyshire

29. The New Delaware Art Museum
    This class incorporates personal narrative into ceramic sculpture forms and Stamping, carving, incising and sgraffito techniques will also be discussed.  
    http://www.delart.org/education/SAC_SumFall05/adult_classes.html
    
    Extractions: This class incorporates personal narrative into ceramic sculpture forms and figures. Students will explore a variety of techniques to help them achieve this goal. Earthenware clay, slips, underglazes, stains and engobes will be transformed into creative objects of expression. All levels welcome. CERAMIC OPEN STUDIO This course is for those with some basic watercolor experience. Explore the relationship of water and paint. Mix clean colors, time applications of paint and use glazing techniques. This course will explore still lifes, flowers and landscapes and encourage creative use of your photographs as reference. We will paint outdoors occasionally as weather permits. Supply list will be provided. PAINTING IN ACRYLIC

30. High School
    Development of a knowledge of the material, decorative techniques, glazing andfiring relief sculpture and carving. NO PREREQUISITE 615SA STUDIO IN art  
    http://www.herricks.org/highschool.cfm?subpage=110

31. Art Department Courses
    art242 sculpture II carving, 3 cr. Studio problems involving traditional andcontemporary carving techniques using wood and stone. Prereq.  
    http://www.neiu.edu/~art/cours.html
    
    Extractions: Courses: The following required courses are offered on a rotational basis. Students need to plan their programs accordingly. Rotating Courses Course Number Course Description Offered ART-106 Introduction to Art History I Fall and Spring ART-107 Introduction to Art History II Fall,and Spring ART-120 Drawing I Fall and Spring ART-130 Two-dimensional Design Fall and Spring ART-140 Three-dimensional Design Fall and Spring ART-201 Contemporary Art Fall ART-220 Drawing II Fall ART-234 Color Fall ART-392 Senior Project Spring Contemporary Art Education in the Secondary School Fall Secondary Student Teaching and Seminar in Art Spring 100 Level Courses 200 Level Courses 300 Level Courses ART-101 Art in Society, 3 cr. Study of the function of art in a variety of cultures with specific reference to American culture. Application of insights gained through inter-cultural analysis of contemporary issues. Slide lectures, films, gallery, and museum visits. ART-106 Introduction to Art History I, 3 cr. Meanings and functions of the visual arts in Western history from c3000 B.C.E. through the 17th century C.E. Basic terminology and definitions through analysis of forms, style and techniques; value judgments, taste, and the viewer's appreciation of art forms through an understanding of their historical context. Slide lectures and museum

32. CCSU Department Of Art
    art 124. Introduction to creative sculpture modeling, carving, Advanced clayand glaze techniques. art 462 Advanced sculpture I. Credits 3.00.  
    http://www.art.ccsu.edu/NCATE_REV/NCATE_ART/courses.htm
    
    Extractions: Art NCATE Home Department of Art School of Education and Professional Studies CCSU REQUIRED COURSES FOR ART EDUCATION MAJORS ART 112 - History of Western Art I. Credits: 3.00. History of Western Art I - A survey of paintings, sculpture, and architecture from prehistoric times to the Renaissance. ART 113 - History of Western Art II. Credits: 3.00. History of Western Art II - Prereq.: ART 112. Continuation of ART 112. A survey of paintings, sculpture, and architecture from the Renaissance to the present. ART 120 - Design I. Credits: 3.00. Design I —Exploration of spatial division, color, aesthetic theories, and their relationships to typical design problems in two dimensions. ART 124 - Three-Dimensional Design. Credits: 3.00. Three-Dimensional Design —Introduction to design elements of architecture, environment design, sculpture, etc. Construction of three-dimensional assemblages required. ART 130 - Drawing I. Credits: 3.00. Drawing I —An investigation of the components of drawing: line quality, volume, value, space, and composition. Exercises are designed to strengthen the student's ability to see, while developing hand to eye coordination. ART 240 - Printmaking I. Credits: 3.00. Printmaking I - Prereq.: ART 120 or ART 130. Introduction to the technical processes and the aesthetic possibilities of lithography, intaglio and silkscreen. Fall.

33. Art: Sculpture Courses (ASL)
    art sculpture Courses (ASL) Instruction in traditional techniques and conceptsof sculpture carving, construction, and casting are optional.  
    http://www.bulletins.wayne.edu/ubk-output/fpa20.html
    
    Extractions: The following courses, numbered 0900-6999, are offered for undergraduate credit. Courses numbered 7000-9999, which are offered for graduate credit only, may be found in the graduate bulletin. Courses in the following list numbered 5000-6999 may be taken for graduate credit unless specifically restricted to undergraduate students by individual course limitations. For interpretation of numbering system, signs and abbreviations, see Course Signs and Abbreviations NOTE: Only courses passed with a minimum grade of `C' will satisfy prerequisite requirements for subsequent courses in the Department of Art and Art History. 2150 Beginning Sculpture. Cr. 3 Prereq: ADR 1060, ADE 1210. Instruction in traditional techniques and concepts of sculpture including modeling the figure from observation using clay, moldmaking, carving, construction, and casting. Lectures, demonstrations, critiques. Material fee as indicated in the Schedule of Classes. (T) 3150 Intermediate Sculpture. (ASL 5150) (ASL 7150) Cr. 3 Prereq: ASL 2150. Contemporary concerns in sculpture. Idea, scale, site, light, movement, and serial forms. Material fee as announced in Schedule of Classes. (T)

34. TAMA ART UNIVERSITY
    sculpture is one of the oldest forms of art, and as sculptors, Training instone sculpture The student acquires carving techniques for stone and  
    http://www.tamabi.ac.jp/wsc/english/dep/sc.htm
    
    Extractions: Sculpture is one of the oldest forms of art, and as sculptors, we are heirs to a tradition that forms an invaluable record of past civilizations. Although we can learn a great deal from this heritage, we must observe our present society through the eyes of a contemporary artist and express our vision in an appropriate manner. After all, even though we may think that the clothes of a century ago were very elegant, we would never dream of wearing them today. Modern industry produces many new types of materials, such as steel, cement, plastics, glass, and aluminum. These new materials not only bring significant changes to our lifestyles, but also affect our notion of what sculpture is and can be. It is imperative that we use new materials and technology to create new and bold sculptural images for our present-day society. Students in the Department of Sculpture acquire basic skills by working with shapes observed in nature and undergo instruction in various practical techniques. They then proceed to more personal areas of self-expression. Close student-faculty relations are essential for the exchange of ideas and the development of sculptural concepts; however, although the faculty is always ready to give advice and guidance to students, it is important for each student to develop an independent and self-sufficient attitude towards sculptural practice.

35. Course Catalog - Art & Design Courses:
    221231, New art. 22-1232, sculpture/Wood carving*. 22-1236, Synthetic Materialfor Casting Fabrication 22-2230, sculpture Materials and techniques  
    http://www.colum.edu/dept_course_lists/ARTD.html
    
    Extractions: Introduction to Art and Art History History of Art I: Stone Age to Gothic HA History of Art II: Renaissance to Modern HA Art in Chicago Now History of Architecture I History of Architecture II Architecture in Chicago Now Drawing I Drawing II Fundamentals of 2-D Design Visual Design for Interactive Multimedia Calligraphy I/Studio Fundamentals of 3-D Design New Art Sculpture/Wood Carving* Color and Composition Papermaking Studio Papermaking: Creating Unusual Surfaces Book Paper Intensive Beginning Bookbinding Puppetry, Pageantry, and the Art of Spectacle Mural Painting Beginning Puppetry Jewelry Workshop Fine Art Workshop: Papermaking Small Metals Cast Workshop Digital Video Editing Workshop for Artists Anatomical Modeling Beginning Typography Design Lab Communication Design for Interactive Multimedia Information Design Garment Construction I Fundamentals Fashion Design Fundamentals of Textiles Workshop: Crochet; Creative Texture Product Design I: Materials and Techniques Product Design: Drawing I Product Design II: Design Paradigms Introduction to CAD for Product Design* Design Theory I Interior Architecture: Drawing I Architectural Draft and Detailing I AutoCad Fundamentals Sources and Materials Color for Interiors History of European Art: Topics History of Twentieth Century Art HA Art Since 1945 American Art, 1840-1940

36. Field Trip Earth: Educator Resources: Using Visual Arts
    Using visual art techniques to communicate perspectives relative to sculpture,carving, mosaic, collage,mask making or other art techniques)  
    http://www.fieldtripearth.org/strategy.xml?id=14

37. University Of Florida - School Of Art & Art History -
    Students learn techniques for creating specific physical effects in the sculpturesthey make. As in art 2706 art 3731C Figural sculpture Direct carving  
    http://www.arts.ufl.edu/art/Programs/sculptureUC.asp
    
    Extractions: + graduate + undergraduate c home sculpture undergraduate course descriptions personality programs happenings resources ... + welcome newsletter Course Descriptions At the foundation level, the sculpture area offers four courses which investigate three-dimensional concerns. They are: ART 2701C "Shaping Form and Space;" ART 2702C8 "Gravity and Buoyancy;" ART 2930C "Sculptural Appetizers" which is offered on an irregular basis as a special topics course; and ART2804C "Spatial Interventions." ART 2701C Sculpture: Shaping Form and Space This course provides an introduction to the more complex three-dimensional principles of mass, weight, gravity, compression as well as lightness, buoyancy and resilience. Student work may incorporate things that float, inflate, suspend, or stretch. Students learn techniques for creating specific physical effects in the sculptures they make. As in ART 2706, students are not introduced to highly technical processes as these are better taught in the 3000-level courses. However, students are expected to put into practice a high level of craftsmanship with the simplest of materials. All assignments are informed by the context of the development of twentieth century sculpture and assignments are supplemented with slide/lectures, videos and field trips. ART 2930C Sculptural Appetizers This course is a technical course that introduces students to several sculptural processes, including steel forging using a gas forge, metal fabrication using gas, arc and mig welding techniques, basic woodworking with an emphasis on jointing, and basic wiring for simple electrical objects such as lamps, motion detectors and fans. The course is designed to introduce prospective sculpture majors to some of the crafting issues that will be useful later on during the program. The course emphasizes the mastery of specific skills that are then applied to a sculpture or functional object.

38. School Of Visual Arts Continuing Education Fine Arts
    art Through the Ages Painting techniques FPC2349-A Stone carving FSC-2357-A.Stone carving and Contemporary sculpture FSC-2368-A. Metal sculpture  
    http://www.schoolofvisualarts.edu/ce/index.jsp?sid0=3&sid1=43

39. SCULPTING THROUGH TIME
    sculpture has long been viewed as an art form that comes nearest to real life . The carving techniques shown in the stone Buddhist statues in the Longmen  
    http://www2.chinadaily.com.cn/english/doc/2005-07/15/content_460474.htm

40. Southampton College: Art Courses
    ARTS 242* sculpture Wood Detailed instruction in wood carving, ARTS 243*sculpture Direct Metal techniques and tools of oxyacetylene welding and  
    http://www.southampton.liu.edu/academic/courses/u_art.htm
    
    Extractions: Arts and Media Division Laboratory fees for classes in the Fine Arts are used to maintain studios and to supply equipment. Some basic supplies are usually provided for each class, but students may be asked to provide their own materials. All art courses are open to all students with permission of the instructor. Studio classes may be repeated for credit with the permission of the division director or the director of advising. Students on financial aid should check with the Financial Aid Office before repeating courses. Courses marked with an asterisk (*) may be used to partially fulfill Studio Core Requirements ; those marked with two asterisks (**) may be used to partially fulfill Theory Core Requirements ARTS 110** Introduction to Visual Arts A basic guide to the visual arts. Coursework includes lectures, discussions, demonstrations in various media, and visits to museums and galleries.

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