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Pinhole Photography:     more books (78)

Pinhole Photography, Fourth Edition: From Historic Technique to Digital Application by Eric Renner, 2008-11-10 The Beginner's Guide to Pinhole Photography by Jim Shull, 1999-03-01 Primitive Photography: A Guide to Making Cameras, Lenses, and Calotypes by Alan Greene, 2001-12-03 Adventures with Pinhole and Home-Made Cameras by John Evans, 2003-07-01 Build Fun Paper Cameras: Take Eye-Catching Pinhole Photos (A Lark Photography Book) by Justin Quinnell, 2009-10-06 Pinhole Photography: The Art and Practice by Derek Reay, 2008-02 A non-silver manual: Cyanotype, brownprint, palladium & gum bichromate : with instructions for making light-resists including pinhole photography by Sarah Van Keuren, 1998 Minimal Aperture Photography Using Pinhole Cameras by John Warren Oakes, 1987-03-31 The Hole Thing: A Manual of Pinhole Photography by Jim Shull, 1974-04 I am Not This Body: The Pinhole Photographs of Barbara Ess by Guy Armstrong, Michael Cunningham, et all 2001-11-17 Pinhole Photography, Third Edition: Rediscovering a Historic Technique by Eric Renner, 2004-10-29 Pinhole Photographs (Photographers at Work) by Adam Fuss, 1996-05-17 Pinhole Photography in Art Education by John Shadeck, 2010-04-12 A Non-Silver Manual Cyanotype, Vandyke Brown, Palladium & Gum Bichromate with Instructions for Making Light-Resists Including Pinhole Photography by Sarah Van Keuren, 2005

lists with details

141. Bob Miller's Light Walk: Introduction
     exhibit Holes In A Wall and was fascinated with the way single images of the sun that shone through pinholes could combine in so many unexpected ways.  
     http://www.exploratorium.edu/light_walk/light_walk.html
     
     Extractions: Preface Bob Miller first started taking friends outside the Exploratorium to show them his discoveries about images and sunlight in the summer of 1975. At the time, he was building the exhibit Holes In A Wall and was fascinated with the way single images of the sun that shone through pinholes could combine in so many unexpected ways. It wasn't long before Bob became convinced that all light is in the form of images. He set out to show this in a whole series of exhibit sculptures that include Image Mosaic, Christmas Tree Balls, Sophisticated Shadows and many others. Over the years, Bob's Image Walk has evolved into an Exploratorium institution. It has been nourished continually by the comments and questions of visitors, interns, Explainers and Exploratorium staff. An Image Walk can last an hour, or a day. It always begins outside the museum with a single image of the sun, and it ends inside with exhibits on images and shadows. It can lead almost anywhere. Bob Miller has created many of the best-loved exhibits on light and color, including the Sun Painting.

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