Geometry.Net - Basic_M: Modernism & Post-modernism Art


Home - Basic_M - Modernism & Post-modernism Art

e99.com Bookstore

Images

Newsgroups

61-80 of 110 Back | 1 | 2 | 3 | 4 | 5 | 6 | Next 20

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Modernism & Post-modernism Art: more books (89)

La Iglesia y la posmodernidad.(TT: The Church and post modernism.): An article from: Proceso by Javier Sicilia, 2000-07-16
Unhappy returns: John Rajchman on the po-mo decade. (Writing the '80s).(post-modernism)(Critical Essay): An article from: Artforum International by John Rajchman, 2003-04-01
Rocking Around the Clock : Music Television, Post Modernism and Consumer Culture by E. Ann Kaplan, 1987-11-17
An Introduction to Music and Art in the Western World by Milo Wold, Edmund Cykler, et all 1995-06-01
Impressionist, Modern and Post War Art-Christie's London-February 7, 2001 (Sale #6420) by Christie's of London, 2001
Virtuism:Philosophy and the Aesthetics of Virtue by R.S. Pearson, 2009-03-05
Han Janselijn: Architecture & Mimesis 1989-1992 by Han Janselijn, Brigitte Fitoussi, 1993
Clement Greenberg: Art critic, Modern art, Jackson Pollock, Abstract expressionism, Post-painterly Abstraction, Art criticism, Art history, Modernism
Art Journal: Fall/Winter 1980, Volume 40, Number 1/2: Modernism, Revisionism, Plurism, and Post-Modernism by Irving Sandler, Kirk Varnedoe, et all 1980
Art of the Western World From Ancient Greece to Post-Modernism (Paperback... by UNKNOWN, 1990
A semiotic view of post-modernism by Wendy Holmes, 1981
Towards Post-Modernism
20th Century Design: the Birth of Modernism / the Plastic Age / between the Wars / War and Post-War Years / Modernism and the Future
The Scream: Nordic Fine Arts 1995-96 by Kim Levin (curator & essay), 1997

lists with details

Post-Modern Rebellion Against Modernism :: Term Papers, Essays - Free Summary Of
A comparison of Jackson Pollock s and Andy Warhol s art. This paper talksabout, not only the significance of modernism and postmodernism,
http://www.academon.com/lib/paper/52742.html

Extractions: Home Sell Buy FAQs ... Contact Us We have thousands of high-quality term papers, research papers, essays, book reports and dissertations on every topic. At AcaDemon, you can download those term papers to help you write yours! You can be sure that the term paper, essay, book report or research paper, you download are top-quality, competitively priced and high-level work. Paper #052742 :: Post-Modern Rebellion Against Modernism - Buy and instantly download this paper now A comparison of Jackson Pollock's and Andy Warhol's art. 1,494 words, 7 sources, APA, $ 50.95 USD Paper Summary: This paper talks about, not only the significance of modernism and postmodernism, but also characteristics of both artists, Pollock and Warhol, along with their artworks. From the Paper: Keywords: art elvis lucifer triple Paper #006859 :: Architecture: Modernism, Pre-Modernism and Post-Modernism ( 2,550 words, 10 sources, MLA, $ 79.95 USD ) Paper #024471 :: Modernism and Post-Modernism ( 1,125 words, 4 sources, $ 39.95 USD )
Art Since 1900: Modernism, Antimodernism, Postmodernism. By Foster, Hal, Rosalin
Foster, Hal, Rosalind Krauss, YveAlain Bois, and Benjamin HD Buchloh. art Since1900 modernism, Antimodernism, Postmodernism. New York, 2004. Binding Cl.
http://www.stoutbooks.com/cgi-bin/stoutbooks.cgi/65725.html

Extractions: Featured Publishers Actar Editrice Abitare Segesta El Croquis Global Architecture ... William Stout Architecture American Vernacular Building Types Ecological Materials ... Technical Decorative Arts Art Glass Design Color Design Monographs Furniture Graphic Design ... Typography Fine Art Art Monographs Photography Interiors Interior Design Lighting Lofts Landscape Landscape Architecture Out of Print OP Monographs Urban Planning Urban Planning Foster, Hal, Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh. Art Since 1900: Modernism, Antimodernism, Postmodernism. New York, 2004
Existentialism, Modernism, Postmodernism
My Definitions of modernism, Existentialism, and Postmodernism Museum ofModern art Paintings Examples of Modernist art. Links to Postmodern art
http://hubcap.clemson.edu/~sparks/lit209/exmopomo.htm

Extractions: T.S. Eliot, The Waste Land These two quotations have always epitomized Modernism to me. I see Modernsim as a reaction to a number of discontinuities suffered at the end of the nineteeth century crucial disruptions in conventional ways of thinking that threw old explanations, moral systems, and deologies into question and required the creation of new ideas of order. These new forms of order were typically more individualistic, more relativistic, more abstract, and more techological than previous ways of thinking. METAPHYSICAL DISCONTINUITIES questioning of literal interpretation of the Bible historical research into the life of Christ and the historical accuracy of the Gospels mechanisms of evolution suggest that nature is not benign but "red in tooth and claw" that existence is a struggle for survival evidence from biology and geology suggests that earth is much older than previously thought and that species were not created individually, at one time
Art Since 1900: Modernism, Antimodernism, Postmodernism Hennessey + Ingalls Book
Largest Bookstore dealing in the Visual arts in North America. With books covering,art, Architecture,Photography.landscaping,Gardening and much more.
http://www.hennesseyingalls.com/hennessey/product.asp?s_id=0&dept_id=3115&pf_id=
Art Since 1900: Modernism, Antimodernism And Postmodernism : Books : Thames & Hu
The four most influential art historians of our time have come together to providethe most comprehensive critical history of art in the twentieth and early
http://www.thamesandhudson.com/en/1/0500238189.mxs?&0&0&0
New Media, Complexity Theory, Post Structuralism, Post Modernism
This type of complaint at post modernism comes from many quarters; It shouldbe remembered though, that the post modern orientated art world
http://www.art-themagazine.com/pages/newart.htm

Extractions: Click here to join our monthly mailing list. Just send a message with subscribe as the subject. other articles SEEN - world art in the new millenium. The path more or less taken: Steve Dietz on GPS collective C5 Catalogues+ libraries+ signs+ symbols+ numbers+ codes+ language+ Amazonian dyes+ Lauren Bacall = John Himmelfarb visual essay. What would your vision of an unknown art be? Gloria Zein probes Jochen Gerz's web initiated artwork. Noboru Tsubaki - genre jumping and hybrid influences on Japanese culture. The artworld's Big, dislocation and five video screens to Nowhere: Meaghan Kent reports from New York How can sculpture cope with ideas around nonlinearity? Come in may offer solutions. Layers of wordplay, images, and oddness: the reviewer reviewed - Matthew Rose Christian Boltanski: uncanny transformations Modernist, classical: Hans Hoffman in Florida. Ray Johnson on the subject of death: a slide show of 8 images by the artist renowned for being unknown. Short cut lands Fiat and caravan in gallery 10,000 bananas can't be wrong
Modernism And Postmodernism In Miami
modernism and Postmodernism in Miami. by Darby Bannard In art one thingrequests or resists another, and every change, however small, alters the needs
http://newcrit.art.wmich.edu/plain/DBmopomo.html

Extractions: Almost 30 years ago, in a book about museums and artists, I wrote that the mutual antagonism between newer and older forms of art-making, especially in our time, when they are so manifestly different, comes about only because both are born and raised in the same household - the museum/gallery complex - and that each form of visual art-making should readily find its own natural arena, audience and patronage and live peacefully together. I still believe this, but obviously my timing was off. Today, like squabbling children who age but refuse to grow up, the installation artists and video-makers see the painters and sculptors as clueless and hopelessly retrograde, and the painters and sculptors see the installation artists and video-makers as trend-driven and hopelessly superficial. I guess the pie just isn't big enough to give everyone a good slice. Furthermore, they do not get shown much, and when they do, they don't get written about. Our daily newspaper gives us very meager coverage of all visual art and the little we get of painting seems hesitant and chosen for the wrong reasons, not really about the art but about the newsworthyness of the artist or overtones of political correctness in the art, and the extent of that coverage is usually in inverse proportion to the quality of the art it features. So the modicum of straightforward good painting that does get shown goes pretty much unnoticed.
What Is Art? What Is An Artist? MODERNISM And Postmodernism
art artISTS modernism and Postmodernism Constructive postmodernism wantsto replace modernism and modernity, which it sees as threatening the very
http://www.arthistory.sbc.edu/artartists/modpostmod.html

Extractions: FOURTH PART of a FIVE-PART ESSAY on MODERNISM I n the latter half of the 20th century there has been mounting evidence of the failure of the Modernist enterprise. Progressive modernism is riddled with doubt about the continued viability of the notion of progress, while conservative modernism in the United States has fallen prey in the political realm to the influences of the Church, in the form of the so-called religious right, which in recent years especially has seriously undermined the very constitutional foundations of the whole American enterprise. Since Suzi Gablik wrote her book, the communist experiment undertaken in the former Soviet Union has collapsed. Fundamentalism in nearly all of the world's major organized religions (Christianity, Islam, Hinduism) has risen sharply in recent years in direct opposition to modernism. American Christian fundamentalists still agree with Martin Luther who recognized that "Reason is the greatest enemy that faith has; it struggles against the divine word, treating with contempt all that emanates from God."
What Is Art? What Is An Artist? MODERNISM: Roots
Simply put, the overarching goal of modernism, of modern art, has been the creationof a modernism and Postmodernism modernism and the End of art
http://www.arthistory.sbc.edu/artartists/modernism.html

Extractions: FIRST PART of a FIVE-PART ESSAY on MODERNISM U ntil recently, the word "modern" used to refer generically to the contemporaneous; all art is modern at the time it is made. In his Book of the Art ("The Book of the Art") in 1437, Cennino Cennini explains that Giotto made painting "modern" [see BIBLIOGRAPHY . Giorgio Vasari writing in 16th-century Italy refers to the art of his own period as "modern." [see BIBLIOGRAPHY As an art historical term, modern refers to a period dating from roughly the 1860s through the 1970s and is used to describe the style and the ideology of art produced during that era. It is this more specific use of modern that is intended when people speak of modern art. The term modernism is also used to refer to the art of the modern period. More specifically
Glbtq >> Arts >> Contemporary Art
modernism versus Postmodernism. Literary and art criticism has set postmodernismin theoretical opposition to twentiethcentury modernism,
http://www.glbtq.com/arts/contemp_art.html

Extractions: page: From one perspective, contemporary art is the art of the immediate present. However, in the institutional settings of the museum, the art market, and academia, contemporary art designates new currents in art since 1970. Its history is identified with postmodernism, a later phase of modern art. During this period, an art addressing gay and lesbian identity emerged. Modernism versus Postmodernism Literary and art criticism has set postmodernism in theoretical opposition to twentieth-century modernism, a tradition dominated by white and heterosexual men. For modernism, oil painting was the preferred medium in the fine arts. It carried the history of modern art. Writers framed modernist art theory in terms of formalism, a critical approach that prized the visual or formal elements of style over content. They conceptualized art history as linear and progressive and, by mid-century, declared abstraction to be modernism's consummate form. Sponsor Message.
Modernism And Postmodernism(s)
modernism and Postmodernism art and Culture no single tradition with theposition of artist re culture re observer re society/issues constantly being
http://herbergeronline.asu.edu/the504/notes/postmodern.html
Postmodernism
The linchpin of modernism, according to critics of the 1950s and 1960s, was art sautonomy Postmodern art seemed to capitulate to the dominant culture,
http://www.press.jhu.edu/books/hopkins_guide_to_literary_theory/postmodernism.ht

Extractions: The term "postmodernism" was first used in reference to architecture as early as 1947, spurring a fruitful debate among architects that has not disappeared (Jencks). Literary critics, most notably Harry Levin, Irving Howe, Leslie Fiedler, Frank Kermode, and Ihab Hassan, began to use the term in the 1960s to distinguish the post-World War II experimental fiction of Samuel Beckett, Jorge Luis Borges, John Barth, Donald Barthelme, Thomas Pynchon, and others from the classics of high modernism. From the start, postmodernism spurred skepticism (had not James Joyce, Franz Kafka, and the various avant-gardes already performed all the tricks now called postmodern?) and antagonistic evaluation. The Old Left (Howe) and the critical establishment (Levin) deplored the new writers' lack of high seriousness; their apparent contempt for the well-made, unified literary work; and their addiction to popular culture. The linchpin of modernism, according to critics of the 1950s and 1960s, was art's autonomy from the sordid daily concerns of a bourgeois, commercial culture. The artist (almost always male in this modernist vision of heroic alienation) exiled himself from ordinary life to create a useless, disinterested art object. This art was potentially revolutionary in the purity of its contempt for the given and in its creation of alternative worlds
Premodernism, Modernism, And Postmodernism
PREmodernism, modernism, AND POSTmodernism. Excerpted from NF Gier, contemporary art and finds that the latter movement is a continuation of the
http://www.aarweb.org/syllabus/syllabi/g/gier/308/premod.htm

Extractions: PREMODERNISM, MODERNISM, AND POSTMODERNISM Excerpted from N. F. Gier, Spiritual Titanism: Indian, Chinese, and Western Perspectives (SUNY Press, 2000), chap. 2. Check the book for references. Let me say at the outset that I am not equating modernism with modernization in the sense of industrialization and urbanization. Modernism is also not necessarily Western and premodernism is not primarily Eastern. Furthermore, modernism is not something new and recent and premodernism something old and ancient. I shall argue that the seeds of modernism are at least 2,500 years old, and they are found in India as well as in Europe. Finally, I contend that we can also discern the beginnings of a postmodernist response among the ancient philosophers, most notably Confucius, Zhuangzi, and Gautama Buddha. Modernism has been described as a movement from mythos to logos, and this replacement of myth by logic has been going on for at least 2,500 years. Almost simultaneously in India, China, and Greece, the strict separation of
OUP: From Expressionism To Post-Modernism: Turner
From Expressionism to Postmodernism Styles and Movements in 20th Century WesternArt. Edited by Jane Turner. Price £10.99 (Paperback) 0-19-516901-8
http://www.oup.co.uk/isbn/0-19-516901-8

Extractions: NEVER MISS AN OXFORD SALE (SIGN UP HERE) VIEW BASKET Quick Links About OUP Career Opportunities Contacts Need help? News oup.com Search the Catalogue Site Index American National Biography Booksellers' Information Service Children's Fiction and Poetry Children's Reference Dictionaries Dictionary of National Biography Digital Reference English Language Teaching Higher Education Textbooks Humanities International Education Unit Journals Law Medicine Music Online Products Oxford English Dictionary Reference Rights and Permissions Science School Books Social Sciences Very Short Introductions World's Classics Advanced Search UK and Europe Book Catalogue Help with online ordering How to order Postage Returns policy ... Reviews
Art Journal: Beyond The Fantastic: Contemporary Art Criticism From Latin America
Full text of the article, Beyond the Fantastic Contemporary art Criticism embedded in any discussion of modernism and postmodernism in Latin America.
http://www.findarticles.com/p/articles/mi_m0425/is_1_58/ai_54517197

Extractions: ALAN Review Afterimage American Drama American Music Teacher ... View all titles in this topic Hot New Articles by Topic Automotive Sports Top Articles Ever by Topic Automotive Sports Beyond the Fantastic: Contemporary Art Criticism from Latin America - Review Art Journal Spring, 1999 by Holly J. Barnet Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. Gerardo Mosquera, ed. London: Institute of International Visual Arts and Cambridge, Mass.: MIT Press, 1996. Essays by Nestor Garcia Canclini, Andrea Giunta, Paulo Herkenhoff, Mirko Lauer, Ticio Escobar, Pierre E. Bocquet, Mosquera, Nelly Richard, Luis Camnitzer, Tomas Ybarra-Frausto, Guillermo Gomez-Pena, George Yudice, Carolina Ponce de Leon, Mari Carmen Ramirez, Monica Amor, Celeste Olalquiaga, Gabriel Peluffo Linari, and Gustavo Buntix. 343 pp., 15 color ills, 31 b/w. $ 25 paper. Granted, this is a young field, and there are few university programs in this country where modern Latin American art history is taught in any systematic fashion. However, more universities and colleges are at least providing introductory courses, and now a handful offer graduate programs in the study of modern and contemporary Latin American art. In other words, there is a real academic market for both general and more specialized publications in the field.
Afterimage: Trace And Transformation: American Criticism Of Photography In The M
as an art form have been so firmly hitched to the wagon of modernism, modernism and postmodernism are less like oil and water and more like two
http://www.findarticles.com/p/articles/mi_m2479/is_n5_v25/ai_20582801

Extractions: ALAN Review Afterimage American Drama American Music Teacher ... View all titles in this topic Hot New Articles by Topic Automotive Sports Top Articles Ever by Topic Automotive Sports Trace and Transformation: American Criticism of Photography in the Modernist Period. - book reviews Afterimage March-April, 1998 by Eve Ogden Schaub Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. Like Romeo and Juliet, modernism and photography just can't seem to live without one another. Due in part to the close proximity of their beginnings in the nineteenth century, photography's aspirations to legitimacy as an art form have been so firmly hitched to the wagon of modernism, that proponents of both the medium and the movement are almost hysterically attached to each other; much more so in modernism's relationship to photography than to any other medium. As a consequence of this codependent relationship, postmodernism has, to some, become the bad guy of the photography world, the interloper who would seduce photography to its own selfish ends, regardless of the consequences. This myth persists, despite the fact that photography plays a pivotal role, not only in postmodernist artworks, but indeed in creating what has been referred to as the "postmodern condition."
Review Of The International Yearbook Of Aesthetics
The trio of papers on the topic of modernism and postmodernism by Moisssej Postmodernist art, on his view, is a dialogical reaction to modernism arising
http://www.aesthetics-online.org/ideas/alperson.html

Extractions: add a link International Yearbook of Aesthetics Philip Alperson It is a pleasure to welcome into print the first volume of the International Yearbook of Aesthetics, The collection comprises nine essays organized thematically around four "minisymposia" entitled, respectively, "European and Chinese Traditions in Aesthetics," "Emotion, Fiction, and the Contextualist Turn," "Understanding Modernism and Postmodernism, and "Can Aesthetics Be Applied in Practice?" But the collection can be considered profitably from other standpoints as well. One might well ask, for example, in what sense the Yearbook is an "international" collection.
Art Theory - Book Information
art Theory An Historical Introduction is a unique survey of Western thoughtabout art from early twentiethcentury modernism, and postmodernism.
http://www.blackwellpublishing.com/book.asp?ref=1405107065
Oxford University Press: From Expressionism To Post-Modernism: Jane Turner
From Expressionism to Postmodernism. Styles and Movements in 20th Century WesternArt. Edited by Jane Turner. bookshot Add to Cart
http://www.oup.com/us/catalog/general/subject/ArtArchitecture/History/?view=usa&
Syllabus
art 711 modernism Postmodernism The Problems of Studio Practicehttp//www.uncg.edu/art/courses/dimock/711/syllabus.htm
http://www.uncg.edu/art/courses/dimock/711/syllabus.htm

Extractions: Fall 2000 Course Description Now that the late twentieth-century is past, what are the questions, pleasures, and frustrations pertainin to visuality and the production of the work of art? What aspects of the new world order are pressing in relation to contemporary studio practice? This graduate level course connects the MFA student' ongoing art practice with the histories and theories of both modernism and postmodernism. To this end, Cora Cohen, a painter, and George Dimock, an art historian, will team-teach the course combining the formats of the graduate crit and the graduate seminar. Ongoing student work will be discussed in light of the legacies of modernism and postmodernism. Emphasis will be placed on selected weekly readings in art theory, art history and art criticism in close conjunction with the presentation and discussion of each students progress. The class is scheduled to meet on Mondays and Wednesdays for four hours each session. Each four-hour block will be used in a highly flexible manner. Full class discussions with both Cohen and Dimock will alternate with individual meetings with students. This course provides the opportunity for the students to become more acutely conscious of how their practice relates to art worlds both past and present. It also seeks to strengthen their current practice.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

61-80 of 110 Back | 1 | 2 | 3 | 4 | 5 | 6 | Next 20