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Modernism & Post-modernism Art: more books (89)

The Dog in Art: From Rococo to Post-Modernism by Robert Rosenblum, 1988
The Advent of Modernism: Post Impressionism and North American Art, 1900-1918 by Peter; Zilczer, Judith, and Agee, William Morrin, 1986-01-01
MODERN ART Impressionism to post-modernism by David, ed. BRITT, 1989-01-01
Modern ArtImpressionsm To Post-Modernism
ADVENT OF MODERNISM: POST IMPRESSIONISM AND NORTH AMERICAN ART, 1900-1918. by Peter et al. Morrin, 1986
Architecture: From Prehistory to Post Modernism, Reprint by Institute of Fine Arts, New York Universit Marvin Trachtenberg , 1980
The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual by Jane Goldman, 2001-01-08
Art of the Western World: From Ancient Greece to Post Modernism by Bruce Cole, 1991-12-15
From Expressionism to Post-Modernism: Styles and Movements in 20th Century Western Art (Grove Art Series)
ART OF THE WESTERN WORLD From Ancient Greece to Post Modernism by Michael Wood, 1989
Towards Post-modernism: Design Since 1851 by Michael Collins, 1994-07
Religion and Its Relevance in Post-Modernism: Essays in Honor of Jack C. Verheyden
From Neo-Renaissance to Post-Modernism: Hundred and Twenty-Five Years of Dutch Interiors by Ellinor Bergvelt, etc., 1996-08
Design in the Twentieth Century: Post-Modernism (1990s) by Hannah Ford, 2000-04-19

lists with details

Pop Art And The Origins Of Post-Modernism - Cambridge University Press
Pop art and the Origins of Postmodernism examines the critical reception of Popart in America during the 1960s. Comparing the ideas of a group of New
http://www.cambridge.org/catalogue/catalogue.asp?isbn=0511031491
:: HISTORY OF ART AND ARCHITECTURE :: TRINITY COLLEGE DUBLIN ::
modernism and Postmodernism The focus of this course is the emergence and and its legacy in Post-modern and contemporary art to the present day.
http://www.tcd.ie/History_of_Art/html/courses_by_year/modernism.html

Extractions: The focus of this course is the emergence and development of Modernism to around 1970, and its legacy in Post-modern and contemporary art to the present day. It will explore the expanding range of materials and their application ranging from traditional painting and sculpture to video and installation, considered in the context of the various movements, such as Cubism, Surrealism, Minimalism, Neo-Expressionism and others but also in terms of relevant issues and themes which are not confined to specific movements. While the course is predominantly concerned with developments in Europe and North America, it will also respond to the changing perception of art, from a relatively insular Western view to a more global approach embracing the art of other continents. click here to close
MODERNISM POSTMODERNISM Term Papers, Research Papers On MODERNISM POSTMODERNISM
A comparison of Jackson Pollock s and Andy Warhol s art. This paper discussesthe philosophy of postmodernism, a complicated set of ideas,
http://www.academon.com/lib/essay/modernism-postmodernism.html

Extractions: "Postmodernism as a literary movement began after World War II, following a long era of the Modernist period. Both Modernism and Postmodernism are typically characterized as the "playful" eras because they played with, or discarded, the Victorian ideas of "how art should be made, consumed, and what it should mean" (Klages). With the end of the conventional rules of literature, the Postmodernists prided themselves on being the celebrators of nothingness, innovative and spontaneously creative. While individual writers may have achieved these goals in their own works, as a whole, the movement was not an all-original upheaval. Postmodernism took not only its name, but many of its elements, from Modernism. In one way or another, the rejection of traditional concepts about point-of-view, the shift of emphasis from meaning to method, and the variations of disunity and unity in the work were all transmutations of Modernism." Term Paper #26606 Add to Cart (You can always remove it later) A Look at Modernism and Postmodernism
OpinionJournal - Wonder Land
If this is even close to being true, we may declare the modern art movement dead . It is time for both modernism and Postmodernism to go away.
http://www.opinionjournal.com/columnists/dhenninger/?id=110006313
Art History Re: What Is Post-modernism Art Art History Art History Classical Art
In Reply to Re What is postmodernism art posted by jillian on July 10, 19102at 010541. what is post-modernism and modernism
http://classicals.com/music/ArtHistoryhall/cas/520.html

Extractions: //Required //var site = '681666'; //var mnum = '139010'; //Not Required var max_words = 3; var max_links_per_word = 4; var link_color = '0107A1'; var boxbg_color = 'FFFAEA'; var boxtitle_color = 'black'; var boxdesc_color = 'black'; var boxurl_color = 'red'; DR. ELLIOT'S NORTH AMERICAN GREAT BOOKS TOURCOMING TO A BOOK STORE NEAR YOU
Art History Re: What Is Post-modernism Art Art History Art History Classical Art
In Reply to Re What is postmodernism art posted by alicia on October 28, 19102at 000730. what is post-modernism
http://classicals.com/music/ArtHistoryhall/cas/569.html

Extractions: //Required //var site = '681666'; //var mnum = '139010'; //Not Required var max_words = 3; var max_links_per_word = 4; var link_color = '0107A1'; var boxbg_color = 'FFFAEA'; var boxtitle_color = 'black'; var boxdesc_color = 'black'; var boxurl_color = 'red'; DR. ELLIOT'S NORTH AMERICAN GREAT BOOKS TOURCOMING TO A BOOK STORE NEAR YOU Classical Art and Architecture Ports Art History, Art History, Art History, Art History, Art History,Classical Music, Classical Art and Archtitecture, Classical Art and Archtitecture, Classical Art, Classical Music, Art History, Classical Art and Archtitecture, Classical Music, , , Classical Art and Archtitecture, Classical Music, Classical Art and Archtitecture, Classical Art, Classical Music, Art History
Post-Modernism Or Post-Post Modernism
Ask 5 people what postmodernism means and you ll likely get five different Examples of Post Modern art. Where the artist creates his own tradition,
http://grids.jonmattox.com/ideas/postmodernism.html
Postmodernism - Enpsychlopedia
Postmodernism. (Redirected from Postmodernism) 2.1 Postmodernism in language2.2 Postmodernism in art 2.3 Postmodernism in architecture 2.4
http://psychcentral.com/psypsych/Post-modernism

Extractions: home resource directory disorders quizzes ... support forums Advertisement ( (Redirected from Post-modernism Postmodernism is a term applied to a wide-ranging set of developments in critical theory philosophy architecture art ... literature , and culture , which are generally characterized as either emerging from, in reaction to, or superseding, modernism In architecture art music and literature , postmodernism is a name for many stylistic reactions to, and developments from, modernism . Postmodern style is often characterized by eclecticism , digression, collage pastiche , and irony . Some artistic movements commonly called postmodern are pop art , architectural deconstructivism magical realism in literature, maximalism , and neo-romanticism . Postmodern theorists see postmodern art as a conflation or reversal of well-established modernist systems, such as the roles of artist versus audience, seriousness versus play, or high culture versus kitsch In sociology, postmodernism is described as being the result of economic , cultural and demographic changes, related terms in this context include
Glbtq >> Literature >> Post-modernism
Postmodernism both grows out of and subverts modernism. Post-modern art andcriticism, however, challenge modernism s adherence to an ideology of
http://www.glbtq.com/literature/postmodernism.html

Extractions: page: In literary studies, the stance of post-modern critics and writers is characterized by a rejection of the values of eighteenth-century Enlightenment thought, most particularly by a rejection of the notions of rationality and objectivity and of the understanding of the self as a rational, unitary entity. Definition Instead, post-modern thought emphasizes a form of subjectivity that is multiple rather than singular and fluid rather than static. Subjectivity, as used by post-modern thinkers, refers to a subjective sense of self that includes agencythe capacity for actionas distinguished from the condition of an obliterated selfhood that results when an individual is objectified, made into an object to be possessed sexually, materially, or imaginatively by those who are culturally dominant. Sponsor Message.
Post-Modernism
comparisons should be made with Modernist and Postmodernism art (painting,photography, Feb 3 Modern art of the 1940s, Background Development
http://www.uml.edu/Dept/History/ArtHistory/post.htm

Extractions: Syllabus of Lectures COURSE DESCRIPTION: The course will explore crucial issues of contemporary art, examining in detail particular artists, art forms, and critical concepts. The study will discuss the fortunes of the Modernist style in post-war American art, its ascendancy in the 1960s as a reaction to Abstract Expressionism and the gradual rejection of its tents over the next two decades. The critical and cultural context for both Modernist and Postmodernist art will be explored in dept. The course will cover art movements from the 1960's to present in painting, sculpture, and architecture. ORGANIZATION: Although class discussion is strongly encouraged, this is primarily a lecture course based upon the visual content of works of art presented by way of projected slides. Attendance is highly recommended for every class meeting. Because of the complexity of the readings for this course, students are strongly encouraged to do the readings ahead of time. When specific readings are assigned students are required to be prepared on that material for class discussion. Students are responsible for the content of all lectures and assigned reading materials.
Gender Studies Bibliography - Postmodernism, Art History & Theory Programme, Uni
Postmodernism the new classicism in art and architecture / Charles Jencks.Rizzoli, 1987. Cen +NX/456.5/P66/JG7. Uncommon Cultures Popular Culture and
http://www.otago.ac.nz/arthistory/gender/postmodernism.html

Extractions: What is it? Papers 100 Level 200 Level ... Division of Humanities Postmodernism and the re-reading of modernity / edited by Francis Barker, Peter Hulme, and Margaret Iversen. Manchester ; New York : New York : Manchester University Press ; Distributed exclusively in the USA and Canada by St. Martin's Press, c1992. Postmodernism and its discontents : theories, practices / edited by E. Ann Kaplan. London ; New York : Verso, 1988.
Art Critique Gallery And Forums - "Modernism/ Post Modernism? Ugh!"
RE modernism/ Post modernism? ugh! To address your question of art s currentperiod, it s neither modernism nor postmodernism.
http://artcritiquegallery.com/cgi-bin/dcforum/dcboard.cgi?az=read_count&om=2&for
Art After Post-Modernism
The fundamental premise of art after Postmodernism is that since the variousart forms art after Post-modernism incorporates a wide range of cultural
http://www.lastplace.com/EXHIBITS/LVAM/artafter.htm

Extractions: Las Vegas Art Museum, USA The logic of this manifesto and exhibition comprehends and condenses a new, well-developed esthetic now beginning to displace and definitively succeed the combined esthetic of Modernism and its coda, so-called Post-Modernism, which in tandem formed the artistic continuum dominating the fine arts in the twentieth century. Inevitable and inexorably, this new and growing international art movement will determine the course of the fine arts well into the 21st century, the third millenium. In the present context, the term Post-Modernism is relegated with finality to its dominant usage in the several fine arts: as a general label for late deconstructive movements. The common conception of the term is substantially different: a misunderstanding caused by the word's popularization as a label for a certain period and general style of architecture. This architecture's recent preeminence has now decisively ended. Despite the generic, popular understanding of the term "Post-Modernism"- an impression principally caused by the often eclectically composite nature of what is called Post-Modern architecture - a systematic survey of the term's usage in criticism of the other fine arts reveals the expression to be employed, in overwhelming numbers, as a label for artistic phenomena strictly of the late-dismantlement sort. In the visual arts, "Post-Modernism" is quite predominantly used to encompass late reductive movements: form an uncertain point not long before Minimalism, through the latest tortured developments in the now aimlessly drifting and meandering dematerialization of art. In poetry, the term has been applied almost exclusively to contemporary verse so stripped of technical resources that it is largely indistinguishable from common prose if read aloud. In serious music, one finds "Post-Modernism" used to denote the dismantlement process completed, for example, in the random noise-music of John Cage. And so it is used in drama and dance criticism too: as a descriptive label for extremely reductive works, such as the living Threater company's audience/cast interactive performances improvised without a script.
Contemporary Literature (Spring 1991)
John Hawkes, studying his life, perhaps studies his art as well. Earlier Iasserted that the postmodernism of Hawkes and his generation is continuous
http://www.iath.virginia.edu/~jmu2m/contemporary.literature.32:1.html

Extractions: by John M. Unsworth John Hawkes provides an excellent opportunity for such an inquiry, for several reasons. Discovered by Albert Guerard in 1947 and vigorously promoted by him in the years that followed, Hawkes was the first American "post-modern" author to gain notoriety. Writers of Hawkes's generation were, in turn, the first in this country to spend their entire creative lives in the academy: they have used that position with unprecedented success to shape and control critical reception, especially through the mechanism of the interview. At the same time, as Guerard's influence on Hawkes demonstrates, criticism can shape a writer's understanding of what is important in his or her creative work. There are two places to look for evidence of the kind of influence I am discussing: in the author's work and in representations of that work, either by the author or by the critics. In what follows, I will look at a short story by Hawkes which encodes a drama of authorial influence on critical reading, and along with it I will consider a critical essay on the story which enacts the part scripted for the reader in that drama. Thereafter, I will take a broader sampling of Hawkes's critical fortunes, with an eye not only to the migration of descriptive language from author to critic, via the interview, but also to the genesis of that language in the writing of Hawkes's earliest and most influential critic, Albert Guerard.
Berlin.de: Sights By Style
art Nouveau; Baroque; Classical modernism; Classical modernism;Classicism Post-modernism East. Friedrichstadt Palace Theatre
http://www.berlin.de/tourismus/sehenswuerdigkeiten.en/stil.html
Modernism
Christopher LCE Witcombe. 1. Roots of modernism. 2. art for art s Sake. 3.modernism Politics. 4. modernism Postmodernism. 5. The End of art
http://witcombe.sbc.edu/modernism/
Madison (specific) - The Hermeneutics Of Postmodernity And After
Article by Gary B. Madison at the conference, After Postmodernism, highlighting the moral optimism of the hermeneutic branch of postmodern thought in opposition to the dead-end of relativism and nihilism characterized by poststructuralism and neopragmatism.
http://www.focusing.org/apm_papers/madison.html

Extractions: My "specific" perhaps best falls under the heading of "phenomenology" (and "culture" and "politics" as well). The question has been posed: "If we absorb postmodernism, if we recognize the variety and ungroundedness of grounds, but do not want to stop in arbitrariness, relativism, or aporia what comes after postmodernism ?" I believe that the beginnings of an "after postmodernism" can clearly be discerned in that philosophical discipline known as phenomenological hermeneutics The two most outstanding features of phenomenological hermeneutics from the point of view of the present discussion are (1) that it as "postmodern" as any other form of postmodern thought, but (2) unlike other forms of postmodernism ("poststructuralism," "neopragmatism"), it does not lead into the dead-end of relativism and nihilism (see my submitted paper, "Coping with Nietzsche's Legacy: Rorty, Derrida, Gadamer"). Phenomenological hermeneutics can be viewed as an ongoing attempt to draw out and articulate the radical, postmetaphysical implications of Husserl's phenomenological critique of the Tradition (see Ricoeur, "On Interpretation" in
Modernism: Modernism & Postmodernism
4. modernism Postmodernism. 5. The End of art Bibliography What washappening in effect, though, was that modernist art itself was under attack as a
http://witcombe.sbc.edu/modernism/modpostmod.html

Extractions: Christopher L. C. E. Witcombe font> Roots of Modernism Art for Art's Sake The End of Art Bibliography This essay appeared originally in What is Art?...What is an Artist? In the later half of the 20th century there has been mounting evidence of the failure of the Modernist enterprise. Progressive modernism is riddled with doubt about the continued viability of the notion of progress. Conservative modernism, in the United States at least, has fallen prey in the political realm to the influences of the Church in the form of the so-called religious right which in recent years especially has seriously undermined the very constitutional foundations of the whole American experiment. Since Suzi Gablik wrote her book, the communist experiment undertaken in the former Soviet Union has collapsed. Fundamentalism in nearly all of the world's major organized religions (Christianity, Islam, Hinduism) has risen sharply in recent years in direct opposition to modernism. American Christian fundamentalists still agree with Martin Luther who recognized that "Reason is the greatest enemy that faith has; it struggles against the divine word, treating with contempt all that emanates from God." A growing number of people believe the modernist enterprise has failed. In the search for reasons to explain this failure, questions have necessarily been raised about the whole Western humanist tradition.
Jackson, Post-Modernism
F. L. Jackson considers whether or how philosophy is at an end.
http://www.mun.ca/animus/1996vol1/jackson.htm

Extractions: 1 As century and millennium draw to a close the paradoxical thought preoccupying philosophers is whether or how philosophy is at an end. According to the now common opinion - among many academic philosophers, indeed, a certainty - the ideal of a universal knowledge through principles, philosophia , has long since been exposed as spurious so that no person of right mind would nowadays recognize or indulge in it as a legitimate pursuit. For the new philosophers the fact is that "philosophy" as traditionally understood is a thinking no longer relevant for a post-modern consciousness and world; if it might still have a role it can only be in some radically attenuated sense: as writing its own obituary, clearing away of the rubble of its own ruined foundations, speculating as to what it might now mean to live and think post-philosophically. 3 In this light the spirit of the times might, on considerable evidence, be described as a-philosophical through and through. But it can hardly be right to deplore this state of affairs, as traditionalists tend to do, as a kind of Roman degeneration of modern culture into mere thoughtlessness and caprice. For it must also be acknowledged that in consideration of its commitment to subjective freedom and its insistence on open discourse as sine qua non for the acceptance of any moral, intellectual or political position - not to mention the unprecedented numbers of philosophers populating contemporary universities - it could just as well be said that never has there been an age so thoroughly "philosophical" as is our own. Even those writers who would now claim to have at last overcome philosophical culture and its "logocentrism" are far from representing this eventuality as catastrophic; on the contrary, they herald it as the final liberation from an intellectual despotism, the emancipation of thought from all its past delusions.
American Artists, David Smyth, USA Art
Illustrates the influences of the American modernism and postmodernism in his abstract mixed media works.
http://karaart.com/smyth/

Extractions: Sehen unten ARTISTS KARA ART HOME Paintings, sculptures, drawings : Trilingual monograph, includes a blography of the artist, and texts by Lily Wei, Marc Le Bot and Dieter Bogner. Foreword by Dennis Kowalski. Includes more than 600 full-color reproductions. Peinture, sculpture, dessin : la monographie, en trois langues , comprend une biographie de l'artiste, des textes par Lily Wei, Marc Le Bot et Dieter Bogner. Préface par Dennis Kowalski. Avec plus de 600 illustrations en couleurs. Malerei, Skulpturen, Zeichnungen : Dreisprachige Monographie, enthâlt eine Blografie des Kiinstlers, Texte von Lily Wei, Marc Le Bot und Dieter Bogner.Vorwort von Dennis Kowalski. Mit mehr als 600 farbigen Reproduktionen.

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