African Art: Information From Answers.com African art, art created by the peoples south of the Sahara. The sculptureof the kongo kingdom is usually characterized by naturalism. http://www.answers.com/topic/african-art
Extractions: showHide_TellMeAbout2('false'); Business Entertainment Games Health ... More... On this page: Encyclopedia Wikipedia Mentioned In Or search: - The Web - Images - News - Blogs - Shopping African art Encyclopedia Source African art, art created by the peoples south of the Sahara. The predominant art forms are masks and figures, which were generally used in religious ceremonies. The decorative arts, especially in textiles and in the ornamentation of everyday tools, were a vital art in nearly all African cultures. The lack of archaeological excavations restricts knowledge of the antiquity of African art. As the value of these works was inseparable from their ritual use, no effort was made to preserve them as aesthetic accomplishments. Wood was one of the most frequently used materialsâoften embellished by clay, shells, beads, ivory, metal, feathers, and shredded raffia. The discussion in this article is limited to the works of the peoples of W and central Africaâthe regions richest (because of the people's sedentary lifestyles) in indigenous art. Western Sudan and Guinea Coast In this region the style of woodcarving is abstract. Distortion is often used to emphasize features of spiritual significance. The figures of the Dogon tribe of central Mali stress the cylindrical shape of the torso. Some wooden carvings were made by an earlier people, the Tellem. Sculptures such as masks carved of soft wood are homes for the spirits and are discarded once they have been used in rituals. The Dogon have three distinctive styles of sculpture: masks incorporating recessed rectangles, ancestor sculptures carved in abstract geometric style used as architectural supports, and freestanding figures made in a cylindrical style. High-ranking Dogon families often had carved doors on their granaries.
Tricks Of The Imperialist Forked Tongue: Chinese Imperialism Only few of these indigenous people exist on that island today. The solutionto the threat of Chinese imperialism in africa is to trade or Cooperate http://www.expotimes.net/pastissues/issue000927/chinese.htm
Extractions: BACK ISSUES AFRICAN AFFAIRS Tricks of the Imperialist Forked Tongue: Chinese Imperialism By Dr. Daniel Tetteh Osabu-Kle Imperialism is independent of colour and the Chinese are no exception to this rule. An indispensable characteristic of imperialism is racism but because the Chinese are supposed to be of yellow colour being part of the Mongolian race, there is some tendency to assume that the Chinese are not imperialists because they are also discriminated against by the institutionalised racism of the West, and China was virtually colonised by the West. It is undeniable that Western imperialism forced opium down the throat of the Chinese in the so-called opium wars. However, having a previous history of imperialist domination does not by itself prevent any country or people from becoming imperialist and engage in the process of exploitation of the human and material resources of other people.
AfricaSpeaks.com - Map Of Africa And Resource Links The origins of African Country Names or what they mean. Congo Named afterthe 15th Kingdom of kongo which thrived on both banks of the River Congo, http://www.africaspeaks.com/maps/
Cabinda Situated in Central africa between Zaire and Congo, Cabinda stretches along The population of Cabinda, which stands at around 300000 indigenous people, http://www.globalsecurity.org/military/world/war/cabinda.htm
Extractions: var zflag_nid="224"; var zflag_cid="107/18/3/1"; var zflag_sid="1"; var zflag_width="160"; var zflag_height="600"; var zflag_sz="7"; Successive attempts over a quarter of a century to end a "secessionist" conflict in Angola's Cabinda enclave are yet to bear fruit. Political tensions are high in some areas of Cabinda as separatist groups demand a greater share of oil revenue for the province's population. The separatist groups often kidnap foreign nationals in an attempt to draw attention to their independence claims. The ongoing low-level insurgency group, Front for the Liberation of the Enclave of Cabinda (FLEC), active in Cabinda province has a history of threatening foreign nationals with kidnapping. Often dubbed "Angola's forgotten war", the decades-long conflict in the oil-rich province of 250,000 people took a new turn with a government offensive in October 2002 in the Buco-Zau military region, in northern Cabinda. The armed secessionist movements, with a combined estimated force of no more than 2,000 troops, are no match for the battle-hardened Angolan Armed Forces (FAA - a Portuguese acronym), who in 2002 had finally forced Angola's UNITA rebel movement to sue for peace after three decades of war in the country.
H-Net Review: Richard A. Corby segments of Esikongo society, and its interaction with indigenous culture . kongo (African people) History Juvenile literature; kongo (African http://www.h-net.org/reviews/showrev.cgi?path=14150972074921
McREL Online Standards And Benchmark Database Topic Encounters between Europeans and nonEuropean peoples Understandsrelations between King Affonso II of the kongo and the Portuguese http://www.mcrel.org/compendium/topicsDetail.asp?topicsID=1092&subjectID=6
World Civilizations Online Chapter 27 -- Chapter 27 Outline Both Europeans and indigenous peoples were active participants in the commerce, Slavery was an indigenous feature of African culture and economy. http://occawlonline.pearsoned.com/bookbind/pubbooks/stearns_awl/chapter27/object
Extractions: Africa and the Africans in the Age of Atlantic Slave Trade Introduction With the rise of the West, the traditional alignment of Africa with the Islamic world was altered. External influences exerted both by the West and by Islam accelerated political change and introduced substantial social reorganization. After 1450, much of Africa was brought into the world trade system, often through involvement in the slave trade. Through the institution of slavery, African culture was transferred to the New World, where it became part of a new social amalgam. Involvement in the slave trade was not the only influence on Africa in this period. East Africa remained part of the Islamic trade system, and the Christian kingdom of Ethiopia continued its independent existence. In some parts of Africa, states formed into larger kingdoms without outside influence. The Atlantic Slave Trade Introduction Along the Atlantic coast of Africa, the Portuguese established trade forts and trading posts, the most important of which was El Mina. Forts normally existed with the consent of local rulers, who benefited from European trade. The initial Portuguese ports were located in the gold- producing region, where the Europeans penetrated already extant African trade routes. From the coast, Portuguese traders slowly penetrated inland to establish new trade links. In addition to trade, the Portuguese brought missionaries, who attempted to convert the royal families of Benin, Kongo, and other coastal kingdoms. Only in Kongo, where Nzinga Mvemba accepted conversion, did the missionaries enjoy success.
Link-A AMREF is africas largest indigenous health charity, and for 44 years in AMREFs mission is to empower disadvantaged people in africa to enjoy better http://us-africa.tripod.com/linkA.html
Extractions: (Born: 1946) King Sunny Ade, sometimes also called the Minister of Enjoyment, was born in Oshogbo, Nigeria in 1946, the son of a Methodist minister. He began his musical career when, after dropping out of grammer school, he drifted to Lagos and joined a highlife band. Inspired by the music of I.K. Dairo, he joined the Rhythm Dandies, led by Moses Olaiya (later known as Baba Sala, Nigeria's preeminent funny man and a prolific film maker). King Sunny was influenced by the legendary Tunde Nightingale (early Juju pioneer extraordinare) and borrowed stylistic elements from Nightingale's 'So wa mbe' style of juju. In 1966 he formed his own band, the Green Spots. King Sunny Ade and The African Beats tour with the typically large African line-up of 20-30 members. They play a spacey, jamming sort of Juju, characterized by tight vocal harmonies, intricate guitar work, backed by traditional talking drums, percussion instruments, and even adding the unusual pedal steel guitar and accordian. Agricon Africa Agricon Africa involves itself in all facets of agribusiness development and project implementation throughout the Central and Southern regions of Africa. Its mission is to provide practical, sustainable, professional agricultural and agribusiness advice and supervision based on grass roots research of the sub continent of Africa. Our objective is to ensure the shape and prosperity for the African people, who live and work in the rural sector, for generations to come. This stems from our on-the-spot experience of the land, its economic potential and the capacity to determine and manage any inherent risk factors.
Photographs Of Africa | Picture Africa Photographing People in Southern africa, 1860 to 1999, Conference, Queen Nzinga,King of Benin, King of the kongo, European trading posts) and the slave http://www-sul.stanford.edu/depts/ssrg/africa/photographs.html
African Art African art, art created by the peoples south of the Sahara. regionsrichest (because of the people s sedentary lifestyles) in indigenous art. http://www.infoplease.com/ce6/ent/A0802669.html
Extractions: google_ad_client = 'pub-1894504138907931'; google_ad_width = 120; google_ad_height = 240; google_ad_format = '120x240_as'; google_ad_type = 'text'; google_ad_channel =''; google_color_border = ['336699','B4D0DC','DFF2FD','B0E0E6']; google_color_bg = ['FFFFFF','ECF8FF','DFF2FD','FFFFFF']; google_color_link = ['0000FF','0000CC','0000CC','000000']; google_color_url = ['008000','008000','008000','336699']; google_color_text = ['000000','6F6F6F','000000','333333']; Encyclopedia African art African art, art created by the peoples south of the Sahara. Sections in this article: The Columbia Electronic Encyclopedia
Extractions: Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. The works from Africa selected for the current "Recent Acquisitions" installation on view in the Michael C. Rockefeller Wing (May 22-October 28) reflect an appreciation for the breadth, diversity, and vitality of the continent's cultural heritage. Since the late nineteenth and early twentieth centuries, sculptural traditions in wood from sub-Saharan Africa have been the focus of African-art collecting in the West. While the exceptional accomplishments of African sculptors in representing the human form through wood sculpture continue to be the focus of collections such as that of the Metropolitan Museum, there has been a growing appreciation of other forms of artistic expression in recent decades.
Spirits The Portuguese first traveled to central africa in 1483, when Diogo Cão The exhibition opens with a series of artworks from the Dan peoples of Côte http://www.nmafa.si.edu/exhibits/spirits/intro.htm
Extractions: MM_preloadImages('images/introH.gif'); MM_preloadImages('images/wcaH.gif'); MM_preloadImages('images/konH.gif'); MM_preloadImages('images/matH.gif'); MM_preloadImages('images/zomH.gif'); MM_preloadImages('images/choH.gif'); MM_preloadImages('images/ngaH.gif'); MM_preloadImages('images/bidH.gif'); MM_preloadImages('images/retH.gif'); Also at the Smithsonian: Worshiping the Ancestors at the Sackler Gallery looks at the spirits of China. In the Presence of Spirits This exhibition examines an impressive group of over 140 objects that reflect the influences of the supernatural world in both public and private life throughout sub-Saharan Africa. The exhibition is organized according to both geography and the numerous cultural groups represented in the National Museum of Ethnology's collection. In the Presence of Spirits features objects that derive mainly, although not exclusively, from those areas where the Portuguese were present, such as Angola, Mozambique and Guinea-Bissau. A group of important artworks from western, central and southern Africa complements this selection. These artifacts demonstrate the rich variety and sculptural inventiveness of the cultures indigenous to these regions and provide insight into many of their spiritual practices. Highlights of the exhibition include figures, decorated stools and chairs, pipes, masks, staffs and dolls used by kings, queens, chiefs, priests, priestesses and diviners to summon spiritual forces. Major themes include an examination of prestige objects and power figures, initiation and funerary rituals, and symbols of spiritual and secular authority.
Flag Animation The transition from an African to a Caribbean state flag shows white and palecolours, (today Mexico City) and the god(esse)s of the indigenous peoples. http://www.thyes.com/flag-metamorphoses/flag-animation.html
Extractions: scene) This is the first part of a longer sequence about the Caribbean Carnivals and their African roots: The whole sequence will feature 20 flags from West and Central Africa, 20 flags from the Caribbean islands and 20 images with carnival figures. The transition from an African to a Caribbean state flag shows white and pale colours, because white is often the colour for death and mourning in Africa - and so was the way for people from that continent, when they were brought as slaves to the Caribbean. The transition from a Caribbean to an African flag shows carnival figures and masks - a link to the ritual cultures of Africa. Norbert Francis Attard Gharb, Gozo, Malta MetaWarphoses
African Timelines Part II: African Empires West africa, The Land and its People (The Cora Connection) In the foreststates of West africa, such as Benin and kongo, slavery was an important http://web.cocc.edu/cagatucci/classes/hum211/timelines/htimeline2.htm
Extractions: (By CE 1 st century, Rome had conquered Egypt, Carthage, and other North African areas; which became the granaries of the Roman Empire, and the majority of the population converted to Christianity). Axum spent its religious zeal carving out churches from rocks and writing and interpreting religious texts Civilizations in Africa: Axum (Richard Hooker, World Civilizations, WSU):
USA/Africa No. 228: Indigenous Values I derived from their own indigenous African institution the village issue waslaid before the people to debate and reach a consensus. http://www.utexas.edu/conferences/africa/ads/228.html
Bantu Peoples -- Encyclopædia Britannica occupying almost the entire southern projection of the African continent. indigenous peoples Compilation of links to articles and essays on http://www.britannica.com/eb/article-9013220
Extractions: Home Browse Newsletters Store ... Subscribe Already a member? Log in Content Related to this Topic This Article's Table of Contents Bantu peoples Print this Table of Contents Shopping Price: USD $1495 Revised, updated, and still unrivaled. The Official Scrabble Players Dictionary (Hardcover) Price: USD $15.95 The Scrabble player's bible on sale! Save 30%. Merriam-Webster's Collegiate Dictionary Price: USD $19.95 Save big on America's best-selling dictionary. Discounted 38%! More Britannica products Bantu peoples Bantu peoples... (75 of 257 words) var mm = [["Jan.","January"],["Feb.","February"],["Mar.","March"],["Apr.","April"],["May","May"],["June","June"],["July","July"],["Aug.","August"],["Sept.","September"],["Oct.","October"],["Nov.","November"],["Dec.","December"]]; To cite this page: MLA style: "Bantu peoples."
People (from Kinshasa) -- Encyclopædia Britannica The Twa, or Batwa, are a people of Central africa. indigenous PeoplesCompilation of links to articles and essays on Aboriginal people of Australia. http://www.britannica.com/eb/article?tocId=9042
Island Agenda Island peoples have an incredible interest in elsewhere, possibly the Among priority concerns, indigenous communities across the world are today http://www.unesco.org/csi/B10/mime4.htm
Extractions: in coastal regions and in small islands Island Agenda 2004 C ulture and society Culture as a lens Worldwide, there is increasing recognition of the intrinsic importance of culture to all aspects of the development process, reflected for example in the debates of the World Commission on Culture and Development and its report Our Creative Diversity . This report begins with the following statement by Marshall Sahlins, a renowned anthropologist who has spent a lifetime writing about the cultures and histories of the Pacific Islands: A great deal of confusion arises in both academic and political discourse when culture in the humanistic sense is not distinguished from culture in its anthropological senses, notably culture as the total and distinctive way of life of a people or society. From the latter point of view it is meaningless to talk of the relation between culture and the economy, since the economy is part of a peoples culture... Indeed the ambiguities in this phrase pose the great ideological issue confronted by the Commission: is culture an aspect or a means of development, the latter understood as material progress; or is culture the end and aim of development, the latter understood as the flourishing of human existence in its several forms and as a whole? Since its founding over fifty years ago, UNESCO has strived to emphasize the cultural foundations of the human endeavour. This work includes the drafting and implementation of a set of standard-setting instruments in the cultural field, the promotion of cultural pluralism and intercultural dialogue, the protection of the worlds tangible and intangible heritage, and the development of cultural enterprises.
AARDOC: African-American Religion In The Atlantic World Africans and people of African descent also encountered an indigenous In many respects, for example, the religion of the people of kongo and the http://www.amherst.edu/~aardoc/Atlantic_World_1.html
