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Harpsichord Instruments: more books (101)

The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Asia by Icon Group, 2008-09-30
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Estonia by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Singapore by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in North America & the Caribbean by Icon Group, 2008-09-30
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in the United Kingdom by Icon Group International, 2009-05-25
Aspects of Harpsichord Making in The British Isles (Historical Harpsichord) by Darryl Martin, Jenny Nex, et all 2008-09-30
Modern Harpsichord Music: A Discography (Discographies: Association for Recorded Sound Collections Discographic Reference) by Martin Elste, 1995-02-28
The 2009 Report on Non-Electronic Banjos, Basses, Cellos, Harps, Harpsichords, Guitars, Violas, Violins, and Other String and Fretted Musical Instruments: World Market Segmentation by City by Icon Group International, 2009-05-01
The 2009-2014 Outlook for Non-Electronic Banjos, Basses, Cellos, Harps, Harpsichords, Guitars, Violas, Violins, and Other String and Fretted Musical Instruments in the United States by Icon Group International, 2009-02-12
The 2009-2014 World Outlook for Non-Electronic Banjos, Basses, Cellos, Harps, Harpsichords, Guitars, Violas, Violins, and Other String and Fretted Musical Instruments by Icon Group, 2008-09-27
The 2009-2014 Outlook for Non-Electronic Banjos, Basses, Cellos, Harps, Harpsichords, Guitars, Violas, Violins, and Other String and Fretted Musical Instruments in Japan by Icon Group International, 2009-05-08
The 2009-2014 Outlook for Non-Electronic Banjos, Basses, Cellos, Harps, Harpsichords, Guitars, Violas, Violins, and Other String and Fretted Musical Instruments in Greater China by Icon Group International, 2009-01-08
The 2009-2014 Outlook for Non-Electronic Banjos, Basses, Cellos, Harps, Harpsichords, Guitars, Violas, Violins, and Other String and Fretted Musical Instruments in India by Icon Group International, 2009-05-11
Treatise on Harpsichord Tuning (Cambridge Musical Texts and Monographs) by Jean Denis, 1987-04-24

lists with details

Sounds Of Harpsichords And Related Instruments
Audio samples of different styles of instruments. Comparisons to other period instruments with similar sound.
http://www-personal.umich.edu/~bpl/hpsi.html

Extractions: Dr. Bradley P Lehman Compare them! Introduction Sounds Links Technical notes/Kudos These samples are each approximately fifteen seconds long, files of about 300K, dubbed from compact discs. The "CD info" links each go to an appropriate entry at another site where you may learn more about or purchase the disc. In some cases, they also have better sound samples from these albums, using RealAudio or other formats. These sound samples (all in stereo) are of reasonable quality but are certainly not great: they do not represent accurately the sound quality of the recordings. They are here primarily for use in rough comparisons among the instruments: the basic features of the sound. The actual instruments sound quite a bit different, especially regarding high harmonics. If possible, play and listen to representative instruments in person, or find these and other similar recordings. On the plus side, all these samples are distorted similarly by the CD-sampling utility I used...it's a level playing field. The utility was an early one (1996), and I probably should remake all of these samples someday....
Zuckermann French Double Manual Harpsichord Blanchet/Taskin Schools
A harpsichord is more than simply an instrument upon which one makes music; it is also a decorative object, a visual as well as an aural feast.
http://www.zhi.net/

Extractions: Welcome to Zuckermann Harpsichords International , the worlds leading maker of historically-based keyboard instruments. A harpsichord is more than simply an instrument upon which one makes music; it is also a decorative object, a visual as well as an aural feast. Our superior-quality harpsichords, clavichords, spinets and virginals are closely based on the best extant antiques from the sixteenth, seventeenth and eighteenth centuries. We seek not to copy them as much as to recreate their baroque and early-classical motifs. The results are instruments of ageless beauty and sound. Should you consider building your own instrument our wide selection of high-quality instrument kits ship complete with specialty woods, tools, detailed construction manuals and full scale drawings. The extensive line of parts and accessories includes all manner of decorative supplies. We hope you enjoy this showcase of early keyboard instruments. Zuckermann Flemish Single-Manual Harpsichord
Vincent Ho Early Music Webpage
Early music and instruments, sound files of harpsichords and clavichords, and a table with pictures of the author's early music instruments collection, from medieval psalteries to renaissance recorders.
http://www.rawbw.com/~hbv/earlymus/
Claviers Baroques' Used Harpsichords, Pianos And Clavichords For Sale
Claviers Baroques complete listing of used harpsichords, clavichords, Used instruments and instruments on consignment last updated August 2,
http://www.claviersbaroques.com/CBInstrumentsUsed.htm

Extractions: Home Instruments The Paris Workshop Kits Harpsichord expert ... Contact Us! CLAVIERS BAROQUES Used instruments and instruments on consignment last updated September 13, 2005 and more in process, so keep checking back. We show the marker on instruments listed within the past thirty days. Unless the price is marked "firm", feel free to negotiate. Note: Under the North American Free Trade Act (NAFTA) there is no duty on instruments built and delivered among any of the NAFTA member countries Canada, US and Mexico. Enjoy! Note: If your currency is not listed in the notices below, the Universal Currency Converter can convert to whatever currency you are using. Which harpsichord to choose? See our crash course on How to be a Harpsichord Expert Bentside Spinet by Fred Bettenhausen (1997) after Goujon 1753 (used) transposing keyboard and a compass from FF to f'" or GG to g'. (61 notes). Case and soundboard are beautifully painted. Integral music desk, three turned legs, matching bench, fabric cover and leg bag *plus* a really good electronic tuner. Price: more info,
The LUTE-HARPSICHORD: A Forgotten Instrument
Bach sought, and had custombuilt, a harpsichord which sounded like a lute. Detailed description of history and construction.
http://www.baroquemusic.org/barluthp.html

Extractions: No wonder Bach had one custom-built to his own specifications. Over a period of some three centuries there are plenty of references to gut-stringed instruments that resemble the harpsichord and imitate the delicate soft timbre of the lute (including its lower-sounding variants, the theorbo and chitarrone or archlute) or the harp, but little concrete information. Not a single such instrument has survived, nor is any contemporary depiction known apart from a rough engraving of the early 16th century. Fewer than ten lute-harpsichord makers are known, and there are reasonably detailed descriptions of instruments made by only two or three of them. Nonetheless, the instrument is mentioned fairly frequently in music books of the early 17th to the mid-18th century. Much of the available information relates to three 18th century German instrument makers: Johann Christoph Fleischer of Hamburg, Johann Nicolaus Bach and the organ builder Zacharias Hildebrandt. Fleishcer built two types of instrument. The smaller had two 8-foot gut-stringed stops with a compass of about three octaves; in the lower two octaves these could be coupled with a 4-foot stop, by analogy with the pairs of octave-tuned bass strings (courses) on the lute. Below the soundboard of the instrument an oval resonator in the shape of a shell, resembling the body of a lute was attached.
Baroque German Harpsichord
The Luteharpsichord A Forgotten Instrument GOTTFRIED SILBERMANN Master Organ-Builder of the German Baroque. Friend and colleague of JS Bach,
http://www.baroquemusic.org/bargerhpschd.html

Extractions: Construction - tonal characteristics - specification It is unlikely that the lightweight, light-sounding almost jangle of the supposedly "authentic" baroque harpsichord would have been heard in Bach's Germany. The German baroque harpsichord was considerably more substantial, both in construction and sound output, with a wider specification including 16' stop, and optionally equipped with a separate, organ-style pedalboard used for domestic organ practice. In Bach's Leipzig, there was an established tradition of Collegia Musica, secular musical organizations run mainly by the students of the city's famed university, and contributing music of the highest quality. In the spring of 1729, Bach took over directorship of the Collegium founded in 1702 by Telemann, its performances given weekly in Zimmermann's Coffee House on the fashionable Catherine Strasse, centrally placed close to the Marktplatz. Himself an enthusiastic amateur musician, Gottfried Zimmerman frequently re-equipped his establishment with the latest musical instruments for use by the Collegium and other musical guests. One of his prize possessions in the late 1720s was "a clavcymbel of large size and range of expressivity" which was a Leipzig attraction in itself. It was replaced by an "even finer instrument" in 1733. The baroque German harpsichord was undoubtedly a substantial and splendid instrument; our illustrations above (1722, Jena, Evening Concert) and right (by Bolcioni, 1627) show that three-manual instruments were by no means unknown.
Introduction To The Harpsichord And Clavichord
This useful domestic instrument was more popular than the harpsichord in northern In general terms the harpsichord as a solo instrument was perhaps less
http://www.i-way.co.uk/~storrs/jsw/English/Introduction.html

Extractions: Introduction to the Harpsichord and Clavichord Two types of stringed keyboard instrument were available to the household or court musician from the 16th century to the middle of the 18th: the harpsichord and its near relations, the spinet and virginal; and the clavichord. In the harpsichord family the string is plucked by a small plectrum, originally of quill but nowadays usually Delrin. The variety of sound from these plucked instruments is achieved not primarily by finger pressure, but more subtly by phrasing and articulation. Variety of tonal colour can be obtained, on a harpsichord in particular, by judicious choice of registration. The harpsichord was used both for solo performance and accompanying in chamber groups and in larger ensembles of the period. It typically had two sets of strings per key, tuned either to the same pitch or with one set sounding an octave higher (a 4' register). On later instruments an additional device could be found, called a buff (or sometimes harp) stop to give a pizzicato effect. The registers were controlled by hand stops above the keyboard. Two manuals (keyboards) were to be found on certain larger instruments, which usually featured three sets of strings. The spinet is a smaller, domestic harpsichord normally with one string per note. Having a shorter string length, the strings often run diagonally from the keyboard in order to save space. The virginal (or virginals, the plural being equally correct) also has one string per note but here these run parallel to the keyboard. This useful domestic instrument was more popular than the harpsichord in northern Europe (particularly in England and the Low Countries) in the late 16th and early 17th centuries.
Zuckermann Harpsichords International
Custom instruments signed 'D. Jacques Way'.
http://zhi.net/

Extractions: Welcome to Zuckermann Harpsichords International , the worlds leading maker of historically-based keyboard instruments. A harpsichord is more than simply an instrument upon which one makes music; it is also a decorative object, a visual as well as an aural feast. Our superior-quality harpsichords, clavichords, spinets and virginals are closely based on the best extant antiques from the sixteenth, seventeenth and eighteenth centuries. We seek not to copy them as much as to recreate their baroque and early-classical motifs. The results are instruments of ageless beauty and sound. Should you consider building your own instrument our wide selection of high-quality instrument kits ship complete with specialty woods, tools, detailed construction manuals and full scale drawings. The extensive line of parts and accessories includes all manner of decorative supplies. We hope you enjoy this showcase of early keyboard instruments. Zuckermann Flemish Single-Manual Harpsichord
Tony Chinnery Early Keyboard Instruments,Strumenti A Tastiera,Tasteninstrumente
Builder of copies of original harpsichords and other keyboard instruments near Florence in Italy. Catalogue of instruments made. MP3 samples.
http://www.tony-chinnery.com
Kubota Harpsichords
Harpsichords built mainly after historical Flemish instruments, typically the Ruckers and Couchet family.
http://www.bekkoame.ne.jp/~sakazaki/eki/kubota/index-e.html
Fred Bettenhausen For Harpsichord Spinet Klavecimbel Cembalo Muselar Clavicembal
Makes copies of antique harpsichords and clavichords in his workshop in Haarlem, The Netherlands. Information about instruments and prices.
http://www.fredbettenhausen.com/
JENSEN HARPSICHORDS 3
Flemishstyle harpsichords of David Jensen, harpsichord Maker, includes images The instrument is finished with an enameled exterior, and Flemish printed
http://www.harpsichord-man.com/flemish.htm

Extractions: harpsichordman@sbcglobal.net after Andreas Ruckers, Antwerp, 1640 (Belle Skinner Collection, Yale University) In the history of instrument making there are a few names that stand above the rest, and Ruckers is one of them. This instrument is very closely based on a diminutive "six-foot" Andreas Ruckers harpsichord made in 1640. This is an exquisite, lovely instrument, with the full, penetrating sound found in the best Flemish harpsichords. It is disposed with an 8' choir and a 4' choir, with a split buff stop on the 8'. The range is C-ddd, enough to tackle most of J.S.Bach, for whose music this harpsichord is nearly ideal. The instrument is finished with an enameled exterior, and Flemish printed papers on the interior surfaces. The rack-guided keyboard has boxwood naturals and ebonized oak sharps. Its size and weight (about 40 lbs) make it easily transported. $15,500.00 petite ravalementafter Andreas Ruckers, 1640 Fundamentally the same as my Flemish harpsichord (above), except with an enlarged range of GG-BB-ddd short octave bass. With a single 8' and 4', and a split buff stop, this instrument accommodates a wider library of music without having to re-tune the bass notes. The case is a bit wider, longer and slightly heavier, but is finished in the same manner as the Flemish Harpsichord. $15,875.00
AUGUSTO BONZA - CLAVICEMBALI E ANTICHI STRUMENTI A TASTIERA
Italian maker and restorer of harpsichords and other early keyboard instruments, including a folding Italian.
http://www.augustobonza.it/

Extractions: pianoforte, piano, claviciterio, hammerflügel, costruzione, making, costruttore, maker, facteur, strumenti musicali, musical instruments, musica, music, musique, cembalaro, restauratore, manuale, manuali, restauration, registro, registrazione, register, registre, salterelli, jacks, sautereaux, tavola armonica, table d'harmonie, soundboard, rosetta, rose, rosette, rosace, klaviatur, plectre, plettro, ponticello, somiere, diatonico, diatonique, cromatico, feinte, resonanzboden
ROBERT DEEGAN HARPSICHORDS
This document is the homepage of Robert Deegan Harpsichords, giving details about him, his workshop and the instruments that he makes.
http://www.deeganharpsichords.com/

Extractions: ENGLAND email: harpsichords@hotmail.com Robert Deegan has been making harpsichords since 1969 and was previously a graphic designer. He works in a converted eighteenth century quayside warehouse in the City of Lancaster, England, with two assistants, and personally attends to each stage of the demanding process of making a hand crafted keyboard instrument. In 1977 he won a Churchill Scholarship and travelled to the USA where he studied instruments in the major collections as well as visiting other makers. Due to this opportunity and visits to European collections he has inspected, collected data on, and (where possible) played all the originals of the instruments offered here. The workshop has tended to specialise in instruments from the Flemish, French and North German traditions, as can be seen in the online catalogue. In addition to these instruments, many others have been studied and documented, some copied. We aim to ensure that the clients individual requirements are fulfilled, so if you are seeking a certain type of instrument we would be pleased to discuss it with you
John Phillips Harpsichords
Small Berkeley, California shop. Produces instruments based on French, Flemish and Italian prototypes. Harpsichords tuned and repaired. Concert and recording rentals. Tuning service.
http://www.jph.us/
Kits - Harpsichords And Virginals
harpsichord represents the most successful general purpose instrument. The instrument is suitable to all of the harpsichord literature of the baroque.
http://www.hubharp.com/kits/kits2.htm

Extractions: We offer three harpsichord and virginal kits: French Double-manual Kit We have chosen as the prototype for our French harpsichord kit an instrument made in Paris in 1769 by Pascal Taskin, possibly the most famous of all 18th century French makers. We made this choice because the mid-18th century French style harpsichord represents the most successful "general" purpose instrument. The instrument is suitable to all of the harpsichord literature of the baroque. The completed kit rewards the builder with a double-manual instrument of elegant proportion and detail having a range of five octaves, FF-f''' (61 notes). There are three ranks of jacks and three choirs of strings, 2 x 8', 1 x 4', with a buff stop which can be installed on either the back 8' choir or the upper-manual 8'. An additional peau de buffle register with leather plectra can be added to the lower-manual 8' if the builder chooses. The transposing keyboards are replicas of Taskin's keyboards.
BUBL LINK: Harpsichords
Subjects harpsichords, keyboard instruments, musical instrument manufacture Resource type documents; Sounds of Harpsichords and Related instruments
http://bubl.ac.uk/link/h/harpsichords.htm

Extractions: BUBL LINK Catalogue of Internet Resources Home Search Subject Menus Countries ... Z Titles Descriptions Baroque Lute-Harpsichord: A Forgotten Instrument Harpsichord Clearing House Introduction to the Harpsichord and Clavichord J. S. Bach ... To Build a Harpsichord Comments: bubl@bubl.ac.uk Documents the history of the lute-harpsichord, one of Bach's favourite musical keyboard instruments. Describes different types which were manufactured, sounds created, and outlines the design features of reconstruction attempts. Resource type: service Article describing two instruments popular between the 16th and 18th centuries, the harpsichord and the clavichord. Provides details concerning the characteristics of each, and considers those originating from different countries such as Italy, Belgium, France, England, and Germany.
Harpsichords, Clavichords @ Net Instruments
harpsichords, clavichords; from Net instruments global database.
http://netinstruments.com/musicalinstruments/harpsichords/

Extractions: "Hi, I just want to inform you that I believe that you have one of the best constructed sale sites! You service is greatly appreciated! Keep up the good work!!! THANKS!" -Chuck Belloise, OOH-LA-LA Band Total results: 8 Advert (click for details) Picture Price ( US$) Location harpsichords, clavichords 23606: William Dowd Opus 77 single-manual Italian harpsichord This single-manual Italian-style harpsichord was built in the shop of William Dowd in 1965 as a free-standing instrument with three sets of... Boston, MA, USA;
Robert Morley Piano-forte, Harpsichords, Clavichords, Spinets And Virginal Maker
made pianos until 1960 when production was discontinued in favour of early keyboard instruments including, harpsichords, spinets, virginals and clavichords.
http://www.uk-piano.org/morley/

Extractions: Pianoforte and Harpsichord Makers Welcome to this Morley Piano and Harpsichord Web site from where ever you are, we hope to give you a brief description of our wide range of fine pianos, harpsichords and other keyboard instruments which the company has made, imported and restored. Most of our instruments remain in London or Southern England however a good number are shipped to other parts of Great Britain. Europe and the USA and occasionally to as far away as Taiwan or the Falkland Isles. Early Keyboard instruments including Harpsichords, Spinets, Virginals, clavichord and Fortepianos using traditional materials based on original 18 th Century instruments. John Morley also make Celestes. Rental is available in London on all instruments in stock from the smallest clavichord to a full concert grand, Robert Morley and Co. Ltd. offer a home rental scheme on pianos or early keyboard instruments prices available on request, subject to specification and availability, prices start from £30 per month with the opportunity to purchase at the end of twelve months at a special price (minimum period one year). If you would like the full illustrated brochures with prices please specify "piano" or "early keyboard instruments"
Harpsichords And Related Topics
early stringed keyboard instruments harpsichords, clavichords, fortepianos, The list is an open forum for all topics related to these instruments,
http://www.albany.edu/hpschd-l/

Extractions: Harpsichords and Related Topics HPSCHD-L is an electronic mailing list devoted to early stringed keyboard instruments: harpsichords, clavichords, fortepianos, virginals, and all similar instruments except the modern piano. The list is an open forum for all topics related to these instruments, including their theory and principles of construction, decoration, and history and evolution from their earliest beginnings through modern times. Other topics for discussion include performers on these instruments, performance practice, literature, pedagogy, care and ownership. We may also stray to include ads of instruments/music/recordings for sale or wanted, discussion of performances or recordings, and musical editions. The following are the currently available HPSCHD-L files. These files can be viewed and/or downloaded. They are also available through the use of commands to listserv@listserv.albany.edu You're invited to join this mailing list. To do so, send mail to

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