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Harpsichord Instruments: more books (101)

The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Sweden by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in the Middle East by Icon Group, 2008-09-30
The 2009 World Market Forecasts for Imported Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments by Icon Group, 2008-10-01
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Ireland by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Italy by Icon Group International, 2009-05-25
The 2009 World Forecasts of Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments Export Supplies by Icon Group, 2008-09-30
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in France by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Czech Republic by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Poland by Icon Group International, 2009-05-25
The 2011 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in China by Icon Group International, 2010-06-01
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Portugal by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Belgium by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Australia by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in the United States by Icon Group International, 2009-05-25

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Home|Collections|Collection Of Ancient Musical Instruments|Keyboard Instruments|
This harpsichord is the oldest preserved and signed instrument from the Vienna area. It has a very short vibrating string length, indicating a high tuning.
http://www.khm.at/staticE/page197.html
Piano, Organ, Harpsichord
Piano and Others. Piano harpsichord Organ Index Musical instruments HyperPhysics***** Sound Go Back.
http://hyperphysics.phy-astr.gsu.edu/hbase/music/piano.html
Toms Harpsichord Gallery One
harpsichord Gallery I Historical instruments I modelled the decoration of a few of my instruments on this harpsichord. With only one 8 and one 4 ,
http://www.pixton.org/TomsHpschdGallery1.html

Extractions: Gallery I, Historical Instrument Gallery II, Pixton Instruments Harpsichord Gallery I: Historical Instruments 1748 Goermans 1642 Ruckers 1745 Dulcken 1640 Ruckers ... 168X-1754 Ruckers-Blanchet 1758 Goermans This harpsichord was made in 1748 by a Flemish maker working in Paris, Jacques Goermans. It was owned by Tye and Caroline Cunningham of Haverford, Pennsylvania, and I first saw and played it in 1970.Tye had bought it at the end of World War II in a Paris antique shop, for some absurdly small amount of money. He and Caroline, the parents of the famous violist Sarah Cunningham, were far ahead of the trend in the 1960s of an appreciation of historical instruments. This two-manual instrument, with a range of four and 3/4 octaves (GG-e'''), has three choirs of string and jacks, with the standard shove coupler found on French instruments of the period. It had been restored by the Hubbard shop in Boston in 1968 (where I had seen it, as an awestruck teenage harpsichordist), and was one of the first antiques I was able to play, photograph and study intensely. It is shown in the Cunningham's beautiful music room of their house in Haverford, a room filled with museum-quality musical instruments.
Toms Second Gallery
harpsichord Gallery Gallery I Historical Instrument Gallery II Pixton instruments. harpsichord Gallery II Pixton instruments
http://www.pixton.org/TomsHpschdGallery2.html

Extractions: 18th-century Blanchet-style concert double, 1982-1984 ... 1984 Pedal Harpsichord I set up my work shop in Boston after graduating from Brandeis in 1976. I had made two harpsichords by that time, and thought I knew how to do everything on my own. Through a very painful self-education, I eventually learned how to be a competent cabinet maker, historical researcher, and business man. The exquisite decorations on my instruments were executed by my wife, Barbara Pixton, who eventually became a full-time professional artist after painting these instruments as a sideline. By the time I had made eighteen harpsichords, in 1983, I realized that my skills as a businessman were more marketable in the real world than the harpsichord world, which, I discovered in the 1980's, was rapidly becoming a make-believe world, populated by self-aggrandizing dilletantes.
Harpsichords In Tune With The Times
But harpsichord enthusiasts who gathered this week in Washington for a workshop are I think it s one of the most elegant instruments, Goebel says.
http://www.washingtonpost.com/wp-dyn/content/article/2005/07/27/AR2005072702524.

Extractions: var SA_Message="SACategory=" + 'artsandliving/museums'; Hello Edit Profile Sign Out Sign In Register Now ... Subscribe to SEARCH: News Web var ie = document.getElementById?true:false; ie ? formSize=27 : formSize=24 ; document.write(''); Top 20 E-mailed Articles washingtonpost.com Museums and Galleries Print This Article ... E-Mail This Article Top News What is RSS? All RSS Feeds View a Sample and Sign Up Manage Your Newsletters Arts Beat By Jonathan Padget Washington Post Staff Writer Thursday, July 28, 2005; Page C05 Bach and the Bee Gees are not often mentioned in the same sentence, much less played on the same instrument especially one with such strong early-music associations as the harpsichord. But harpsichord enthusiasts who gathered this week in Washington for a workshop are going beyond baroque in the classes and performances that fill their schedule. Jazz harpsichordist Don Angle of Salem, Mass., gives a private recital tonight in Georgetown for the workshop participants. His latest CD, "Yes Indeed!," includes songs such as "Zip-a-Dee-Doo-Dah," "Tiptoe Through the Tulips" and the Bee Gees' "Stayin' Alive." It's unconventional harpsichord fare, perhaps, although Angle, 62, says that arranging popular music for the instrument is something that baroque musicians would have done.
MUSEA ANTWERPEN - Museum Vleeshuis
Most instruments are built by members of the RuckersCouchet family. This family of harpsichord builders dominated the production in Antwerp at the end of
http://museum.antwerpen.be/vleeshuis/collectie_06_eng.html

Extractions: The instruments built by Hans, Joannes and Andreas Ruckers (first half of the 17th century) are exhibited on a platform on the ground floor. They are flanked by some harpsichords from Antwerp builders, active during the second half of the 18th century (Jacobus van den Elsche and Joannes Petrus Bull). In the centre of the hall on the ground floor, a number of Antwerp harpsichord from the 17th century are displayed on a platform. Most instruments are built by members of the Ruckers-Couchet family. This family of harpsichord builders dominated the production in Antwerp at the end of the 16th century and during the first half of the 17th century. The sound boxes of the Ruckers harpsichords are often painted with imitation marble designs. Inside flowers and insects are drawn on the soundboard. Around the upright boards above the soundboard, above and along the keys and on the inside of the lid decorative paper is glued with arabesques and dolphin motives in black against a white background.The lid often has moralising inscriptions. The inside of the lid is often decorated with a charming scene.
Oddmusic.com Musical Instrument Gallery
With a 61 note range, the instruments size is 6 x 3 ft. weighing approximately 150 lbs, Click here to listen to a sample of the LEGO harpsichord
http://www.oddmusic.com/gallery/om21250.html
EMC Early Keyboard Instruments
Keyboard instruments harpsichord Sounds of harpsichords and Related instruments Early Keyboard Links Other Sheet Music Other CDs Other Books
http://earlymusichicago.org/instruments_keyboard.htm
History Of The Harpsichord
Flemish harpsichords are in fact very similar to Italian instruments with some important differences that will be mentioned later.
http://cfaonline.asu.edu/haefer/classes/564/564.papers/pierceharpsichord.html

Extractions: History of the Harpsichord in Eighteenth Century France and the Flemish Influence Janet Pierce History of Musical Instruments Dr. Haefer, Professor Introduction General Background information Basics of the Harpsichord Brief Historical Reference The harpsichord was the largest and most important domestic keyboard musical instrument from the sixteenth through the mid-eighteenth centuries. During the latter part of the eighteenth century, the harpsichord began to lose favor, due mainly to the introduction of the piano. Details of harpsichords before the sixteenth century can only be found in manuscripts and from illustrations. A drawing from c. 1440 that is located in the Grand Ducal Library of Weimar indicates the establishment of a general layout. Manuals and Octaves th and 18 th -century fans shows harpsichords portrayed with two manuals, irrespective of nationality. The author of the study, Beryl Kenyon dePascual, suggests that the harpsichord with two manuals may have been considered a symbol of elegant living. The fans were made of high-quality materials, indicating that they belonged to nobility. Presumably, only top-of-the-range models would be considered suitable to feature on fashion accessories designed for people of quality. Jacks Below is a partial sketch of a jack and its main components.
Harpsichord
The harpsichord. Of all plucked instruments whose notes are varied basically by 1982 by Robert Donington (Music and its instruments). harpsichord Links
http://www.lichtensteiger.de/harpsichord.html

Extractions: The Harpsichord "Of all plucked instruments whose notes are varied basically by having strings of different lengths, the harpsichord has the greatest scope and versatility, and is the least dispensable for its own (chiefly baroque) music. There are various sizes and designs, having various supplementary resources, but all have harp-like strings, coupled to a resonant soundboard, and excited by plucking through a keyboard mechanism. Incisiveness and transparency are the chief characteristics of such an instrument. It is of no use asking a harpsichord to sound elusive and mysterious, as the piano can; its poetry is quite otherwise achieved. On the other hand, though its duration of sound is considerably shorter, it does not have to be evanescent, and with a good instrument and a proper touch it need not in the least sound dry, but on the contrary is capable of a splendid flow of warmth and brilliance. This brilliance will not be massive or opaque, but crystal-clear both in solos and in accompaniment; and the incisiveness and transparency thus imparted are the very qualities which make the harpsichord so necessary for baroque music. The mechanism of a harpsichord consists of keys each of which raises one or more jacks, according to the set or sets of strings on which a note is to be played. The jack brings into contact with its strings a small, hinged plectrum of quill, leather or some plastic substitute (
SJSU Historical Keyboard Collection - The Collection
The harpsichord, one of the primary keyboards of the Baroque period His early instruments were similar in size and construction to the harpsichord,
http://www.music.sjsu.edu/HistoricalKeyboardCollection/

Extractions: In February 2005 these ancestors of the modern piano were featured in a concert series called Plucked or Struck? The History of the Keyboard . Guest artists presented lecture recitals and performed works on these period instruments. The San Jose Mercury News featured a story about the concert series titled Ancestors of the Piano Clavichord by Kurt Sperrhake (Passau, Germany circa 1953) More about the music This instrument is based on design elements common to many 18th century clavichords and was given to the Beethoven Center by Edyth Wagner through her brother Gene. Kurt Speerhake, part of the early instrument movement of the 1950's, made reproductions intended for use in concerts. The clavichord makes sound when a key is depressed engaging a nail which touches the string. Because of this mechanism, the instrument can play both soft and medium soft levels. Despite this, it remains a quiet and intimate instrument. An unusual feature of the clavichord is the ability to effect a vibrato by holding down the key and wiggling one's finger. This is known as a Bebung and is unique to this keyboard. Harpsichords by Robert Wilson (Lambertville, New Jersey)
Instruments
The harpsichord At A Guide to Medieval and Renaissance instruments; harpsichord Photo Gallery At HPSCHDL harpsichords and Related Topics
http://plato.acadiau.ca/courses/musi/callon/2273/instr.htm

Extractions: CIMCIM Members' Museums [Musical Instrument Museums] National Music Museum: America's Shrine to Music Museum The University of South Dakota The Bate Collection of Musical Instruments ... The Demonstrations [Audio samples of instruments in the collection, in RealAudio and MPEG formats] Royal College of Music , London: Museum of Instruments [Elizabeth Wells MBE Curator Royal Northern College of Music , Manchester: Collection of Historic Musical Instruments Museum of Musical Instruments Yale University Collection of Musical Instruments Yale University ... University of Michigan (MIM) / Muziekinstrumentenmuseum / Musical Instrument Museum (MRAH) / De Koninklijke Musea voor Kunst en Geschiedenis (KMKG), Bruxelles (Belgium)]
Double-manual Harpsichord - Joseph Tisseran
This is the earliest surviving English doublemanual harpsichord. It was presented to the Bate Collection, with other instruments from the Michael
http://www.bate.ox.ac.uk/instruments/dm-harpsichord.html

Extractions: About the Bate home The Collection HARPSICHORD, Joseph Tisseran, 1700 The mark on the nameboard is Josephus Tisseran Faciebat Londini; this is also inscribed below the keyboards in ink, with the date 1700, which has been erased and changed to 1710. The lengthy quotation in Boalch is wrong; David Law has provided clear photographs, taken under differing lights, which prove beyond doubt that the original date was 1700, and that attempts were made to erase the first and replace it with a 1. It can only be presumed that it was deemed advisable to make it appear to be a fairly new instrument when it was sold in 1712. The front face of the wrestplank is inscribed Josephus Tissern [sic] Londini. The range is 4 octaves, GG/BB-d"' with split Eb to give both BBb(front) and Eb (back); the disposition is now 2 x 8' doglegged + 1 x 4' with three stops, but the original disposition was clearly with a shove coupler, for traces of the coupler dogs remain on the lower-manual keys. Whether this conversion was done at the time that the date was changed, or rather later in the eighteenth century, is debatable. If the former, it would be earlier than this disposition is usually considered to have been used, but that in itself is not necessarily against it. The dogleg refers to the front row of jacks which are full width in the upper part of their length, and narrower in the lower part, looking a little like a dog's hind leg. The resulting knee rests on the end of the upper-manual key, the bottom of the jack resting on the lower-manual key. Thus this rank can be played from either manual, whereas the back 8' rank, and the 4', can only be played from the lower. A stop lever to each rank moves it away from the strings, that for this rank on the right, and those for the 4', which is the rearmost rank rather than being in the middle as it is on French harpsichords, and the back 8' on the left, and thus each rank may be silenced. However, if this doglegged rank is 'on' it will always sound because, since one cannot move either manual, whichever manual one uses, the front 8' will be played. As a result the available contrasts are more limited than they are with the shove coupler.
Music Accessories And Instruments. Shop Online
harpsichord ACCESSORIES instruments 30 LAST NEW REALISES With the Roland C-80-AK Digital harpsichord, early music enthusiasts can revel in a
http://www.free-scores.com/boutique/boutique-accessoires-uk.php?CATEGORIE=210&af
Keyboard Instruments At The National Music Museum
Annotated Checklist of Keyboard instruments (harpsichords, Clavichords, Pianos Susana Henriques Caldeira, An Italian harpsichord Built About 1700
http://www.usd.edu/smm/KEYBOARD.HTM
Harpsichord And Clavichord
harpsichords and clavichords instruments, players, builders, repertoire, harpsichord and Clavichord maker in Tokyo, whose instruments is used in many
http://d.webring.com/hub?ring=hpsiclavi
Harpsichord - Wikipedia, The Free Encyclopedia
The Italian harpsichord makers made singlemanual instruments with a very light construction and relatively little string tension.
http://en.wikipedia.org/wiki/Spinet

Extractions: (Redirected from Spinet Harpsichord in Flemish style; for more info, click the image. A harpsichord is the general term for a family of European keyboard instruments , including the large instrument nowadays called a harpsichord, but also the smaller virginals , the muselar virginals and the spinet . All these instruments generate sound by plucking a string rather than striking one, as in a piano or clavichord . The harpsichord family is thought to have originated when a keyboard was affixed to the end of a psaltery , providing a mechanical means to pluck the strings. edit Virginal, probably English, late 17th century The origin of the harpsichord is obscure, but is known to have begun some time during the high or late Middle Ages . The earliest written references to the instrument date from the and it is possible that the harpsichord was indeed invented in that century. This was a time in which advances in clockwork and other forms of early pre-modern machinery were being made and thus a likely time for the invention of those mechanical aspects that distinguish a harpsichord from a psaltery . A Latin manuscript work on musical instruments by Henri Arnault de Zwolle , c.
Links -- Instruments
Musical instruments harpsichord, Clavichord, et c. The Russell Collection of Early Keyboard instruments, The University of Edinburgh, Scotland Robert
http://www.phy.duke.edu/~dtl/36linki.html

Extractions: If you know of other web sites that might be included here, please suggest them to the instructor [please enter "36newlink" as the Subject of your e-mail message]. If you encounter problems with any of the links listed here, please alert the instructor [please enter "36badlink" as the Subject of your e-mail message]. Douglas Gunn's Links (Ireland) an extensive set of links on early musical instruments and a variety of related subjects.
Encyclopedia Smithsonian: Harpsichord
Makers of the harpsichord and Clavichord, 1440 to 1840. 2d ed. Early Keyboard instruments. In The New Grove Musical instruments Series.
http://www.si.edu/resource/faq/nmah/harpsichord.htm

Extractions: References for the Harpsichord and Clavichord Information or research assistance regarding the harpsicord and clavicord is frequently requested from the Smithsonian Institution. The following information has been prepared to assist those interested in this topic. Boalch, Donald Howard. Makers of the Harpsichord and Clavichord, 1440 to 1840 . 2d ed. Oxford: Clarendon Press, 1974. Hoover, Cynthia A. Harpsichords and Clavichords . Washington, D.C.: Smithsonian Institution Press, 1969. (Out-of-print but available in libraries) Hubbard, Frank. Three Centuries of Harpsichord Making . Cambridge, MA: Harvard University Press, 1967. Marcuse, Sibyl. Musical Instruments: A Comprehensive Dictionary . 1964. Reprint. New York: W.W. Norton, 1975. Neupert, Hanns. Das Klavichord . Kassel: Barenreiter-Verlag, 1948. Randel, Don Michael, ed. The New Harvard Dictionary of Music . Cambridge, MA: Belknap Press of Harvard University Press, 1986. Ripin, Edwin M., et al. "Early Keyboard Instruments." In The New Grove Musical Instruments Series . New York: W.W. Norton, 1989.
The Raymond Russell Collection Of Early Keyboard Instruments
Russell was an accomplished harpsichord player and passionately keen to see the of building harpsichords, clavichords, pianos and early instruments
http://www.music.ed.ac.uk/russell/history/russell.html

Extractions: Keyboard Instruments Raymond Russell The Raymond Russell Collection Comes to Edinburgh The Collection Grows - 1968 to the Present Research and Teaching ... Return to Welcome Page The Raymond Russell Collection of Early Keyboard Instruments, housed in St Cecilia's Hall on Niddry Street in the Cowgate, Edinburgh is one of the world's most important collections of its type, and attracts visitors from all over the globe. It presently comprises some 51 instruments dating from the middle of the sixteenth century to the beginning of the nineteenth century. Most of these are the precursors of the piano - harpsichords, spinets and virginals which produce sound by mechanically plucking the strings, and a large number of restored clavichords which strike the strings with metal blades know as tangents. But there are also some important early pianofortes, including the earliest extant English grand piano, together with a number of small pipe organs from the same historical period covered by the rest of the instruments.

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