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Harpsichord Instruments: more books (101)

The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Taiwan by Icon Group International, 2009-05-25
The World Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments: A 2009 Global Trade Perspective by Icon Group International, 2008-09-30
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Switzerland by Icon Group International, 2009-05-25
The 2007 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Indonesia by Philip M. Parker, 2006-11-21
The World Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments: A 2011 Global Trade Perspective by Icon Group International, 2010-05-13
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Greece by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in South Africa by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Africa by Icon Group, 2008-09-30
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Latin America by Icon Group, 2008-09-30
The 2007 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Canada by Philip M. Parker, 2006-11-21
The 2007 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Czech Republic by Philip M. Parker, 2006-11-21
The 2007 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Germany by Philip M. Parker, 2006-11-21
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in South Korea by Icon Group International, 2009-05-25
The 2009 Import and Export Market for Pianos, Automatic Pianos, Harpsichords, and Other Keyboard Stringed Instruments in Bulgaria by Icon Group International, 2009-05-25

lists with details

Colin Booth Early Keyboard Instruments
Articles on choosing, making and playing a harpsichord. instruments made and recordings for sale.
http://www.colinbooth.co.uk/
Musical-instruments: Keyboard: Harpsichord: Builders So Musical
German harpsichord maker working in the Philippines. instruments designed harpsichord Center. Custom early keyboard instruments by Roberts and Brazier;
http://www.somusical.com/musical-instruments/keyboard/harpsichord/builders/
Musical-instruments: Keyboard: Harpsichord So Musical
History of the harpsichord. Information about the instrument in eighteenth Surviving French harpsichords. instruments built or rebuilt in France in the
http://www.somusical.com/musical-instruments/keyboard/harpsichord/
Baroque Music - Keyboards
Many 20thcentury harpsichord works were written for such instruments. French harpsichord French harpsichord Organ, keyboard musical instrument in which
http://baroque-music.com/frames/info/hc.shtml

Extractions: Harpsichord (Italian cembalo; French clavecin), stringed keyboard instrument in which the strings are plucked to produce sound. It was developed in Europe in the 14th or 15th century and was widely used from the 16th to the early 19th century, when it was superseded by the piano. In the 20th century the harpsichord was revived for performance of music of the 16th, 17th, and 18th centuries, as well as for new compositions. The incisive sound quality of the plucked metal strings adds clarity to melodic lines. The harpsichord is particularly effective in performing contrapuntal musicthat is, music that consists of two or more melodies played at the same time, such as that of the German composer Johann Sebastian Bach. The earliest school of harpsichord building developed in Italy in the 16th and 17th centuries. Italian harpsichords differed from others in that they normally were made of extremely thin wood and then placed in a stronger outer case of the same shape. A second important school of building developed in the 16th and 17th centuries in Flanders, centered around the influential Ruckers family of builders. These schools gave way in the 18th century to distinctive styles of building that developed in France (the Blachet family), Germany (the Hass family), and England (Jacob Kirkman). Harpsichords of the different national schools varied in details of their proportions and construction, resulting in slight, although characteristic differences in tone color.
A Brief History Of The Harpsichord
Italian instruments kept light short strings throughout the harpsichord era, and could continue to adapt their old instruments to later tastes.
http://www.sankey.ws/history.html
My Instrument
Hubbard harpsichords makes as fine instruments as have ever been made. The harpsichord Clearing House is the best source of used instruments I know of.
http://www.sankey.ws/my.html
Kalsbeek Klavecimbels
harpsichordmaker in the Netherlands. Photos and descriptions of instruments, biography.
http://home.wxs.nl/~Jan.Kalsbeek/index.htm
Jack Peters Harpsichords - Palmer Article
harpsichords, Clavichords and Virginals. Jack Peters harpsichords. Home Choosing a harpsichord Selected instruments Other Services Books and
http://www.jackpeters.com/choosing.htm

Extractions: Email us if you'd like to know how to obtain the full article. Hints for Choosing a Harpsichord This is very old information but still applicable. There has been updating and some new research but the basic information still holds. Larry Palmer, The Diapason , September 1972 Figuring out which harpsichord to buy can be a challenge but it is easier than learning how to play the instrument musically. More and more harpsichords today are built based on designs of one of the national schools: Italian, Flemish, French, English, or German. Features of these instruments include a thin soundboard, thin and lightweight construction that allow for sound resonance, 1 to 3 sets of strings, precisely and evenly regulated action, and non-bushed keys. The finest builders of harpsichords are in high demand. Investigate local options as well as nationally known builders. Many local builders start with kits from the master builders. Others build from their own designs. With careful comparison and investigation of local builders, you can end up with an instrument every bit as good (and many times even better) as those from the national builders. Buying locally may allow you to get an instrument quicker, perhaps for less money while supporting your local musical community. You will also be able to consult your local builder on advice for maintaining and repairing your instrument.
Robertson Harpsichords
harpsichord maker in Bloomington, Indiana. Biography, photos and descriptions of instruments.
http://www.robertsonharpsichords.com
New Page 1
harpsichord Maker David Jensen s online catalogue, includes a listing My instruments are entirely custom made to suit my customer s needs and desires.
http://www.harpsichord-man.com/

Extractions: Update March 1, 2004 For more than a quarter century I have been making harpsichords and clavichords for individuals and institutions across North America. My instruments are entirely custom made to suit my customer's needs and desires. The designs I use are drawn from antique instruments of proven musical value; the materials I use and the methods I use to make my harpsichords are the very best I have been able to find. My harpsichords are remarkably close to the originals, especially with respect to the sound they produce and the feel of the action. I am also very concerned about the musical and functional utility of the harpsichords I make. So while they are historically accurate, they are also easy to live with. My harpsichords are entirely made by hand, right down to the tuning pins; I use no kits or kit parts. At left is a French double after Blanchet made for the Music Department at the University of North Dakota. This harpsichord stands as an example of my finest work. This instrument is a survivor of the great Red River flood of 1997. After repairs were made, the instrument sounded and played just as well, if not better, than it had originally!
Cembalobau Matthias Griewisch
harpsichord and Clavichord Maker in Bammental, Germany. Exacting copies of fine historic instruments.
http://www.griewisch.de/index2.htm
Nikolaus Damm Harpsichords, Las Pinas City, Philippines
German harpsichord maker working in the Philippines. instruments designed for tropical climates.
http://www.geocities.com/nikodamm

Extractions: I am a German Harpsichord Maker , Working in the Philippines and my Harpsichords are now Perfectly Accommodated to the Climate of SouthEastAsia, Middle-America, Florida, India and Australia. I am Working on Myself without any helper and make Master-Instruments of High Quality. From the Pictures, You can Click on Details, Technical Information and Prices of Each Instrument and there is always a Link to the Historical Background and to the Early Music it was made for. Under Expertise You will find some General Remarks about the Problems making Copies of Old Harpsichords.
Instruments Offered By The Harpsichord Center.
Single Manual instruments. by Roberts Brazier. Flemish Single harpsichord (Partly based on the Yale Ruckers). 80 x 32 inches Disposition 2x8 or 1x8 +
http://www.harpsichordcenter.com/instruments.htm

Extractions: Double Manual Harpsichords Single Manual Harpsichords Virginals and Spinet Harpsichords Clavichords and Fortepianos Double Manual Harpsichords French Double (new 2000 design) 93.5 x 36 inches Disposition- 2x8', 1x4', buff to back 8' Swiss Pine Soundboard Lime wood case Stop registers worked by levers in the keywell Two note transposing reverse keyboards FF-f''', A415/440 Ebony naturals with bone topped sharps Tapered wooden jacks with celcon plectra, leathered registers 23K gold bands and mouldings Soundboard painting in the style of Hemsch Painted case exterior and interior Matching hardwood music desk, lid stick and turned trestle stand. Approx. 155 lbs. Louis XVI stand with gilded boxes and medallions, turned fluted legs painted lid stick and painted music desk is another option - at extra charge. Large French Double (after Hemsch) 93 x 37 inches Disposition- 2x8', 1x4', buff to back 8' Swiss Pine Soundboard Lime wood case Stop registers worked by levers in the keywell Two note transposing keyboards FF-g''' A415/440 Ebony naturals with bone topped sharps Tapered wooden jacks with celcon plectra, leathered registers 23K gold bands and mouldings Soundboard painting in the style of Hemsch Painted case exterior and interior Music desk, lid stick and turned trestle stand. Louis XVI stand with gilded boxes and medallions, turned fluted legs Approx 160 lbs Large Franco-Flemish Harpsichord ("Concert Harpsichord") 93 x 37 inches Disposition- 2x8', 1x4', buff to back 8' Swiss Pine Soundboard Lime wood case Stop registers worked by levers in keywell Two
MusicMoz - Business: Instruments: Builders And Manufacturers: Keyboard: Harpsich
harpsichord Center Custom early keyboard instruments by Roberts and Brazier; Section on harpsichord maintenance and instrument construction.
http://musicmoz.org/Business/Instruments/Builders_and_Manufacturers/Keyboard/Har

Extractions: Advanced Search Andrew Graham Harpsichords, Abraxas - Builder of harpsichords, polygonal Italian virginal, upright harpsichord and clavicytherium. Atelier Marc Ducornet Paris - Harpsichord, clavichord and fortepiano construction, restoration, maintenance, tuning and hire. Barlow, Chris - Maker of Harpsichords, Fortepianos, Welsh Triple Harps and Clavisimbalums, a plucked psaltery. Restorations of Pianos and Harps also available. Barnes, Peter - Making and restoring harpischords since 1974. Photos of instruments for sale. Beaupr©, Yves - List and photos of instruments; list of recordings. Bechtel, Ben - Columbus, Ohio maker of harpsichords, harps and other historical instruments. Beebe, Carey - Harpsichords Australia - Harpsichord, clavichord and fortepiano construction, restoration, maintenance, tuning and hire. Bettenhausen, Fred - Makes copies of antique harpsichords and clavichords in his workshop in Haarlem, The Netherlands. Information about instruments and prices. Bizzi Harpsichords - Italian harpsichord maker. Photos, product and price lists.
William Horn - Indice - Index - Inhalt
Keyboard instruments for early music (harpsichord, spinets, clavichords, fortepianos, claviorgans) restoration, repair and maintenance, and hire for concerts.
http://web.tiscali.it/williamhorn/
MusicMoz - Instruments: Keyboard: Harpsichord: Links
History of the harpsichord Information about the instrument in Surviving French harpsichords - instruments built or rebuilt in France in the 17th and
http://musicmoz.org/Instruments/Keyboard/Harpsichord/Links/

Extractions: Advanced Search A New Solution to the Ruckers Transposing Double Puzzle - Article from Continuo Magazine about a double-keyboard harpsichord. Baroque Music: Harpsichord - The baroque harpsichord and its music. British Harpsichord Society - Free membership. Bibliographies, audio, and links. Four-Wheel Drive Harpsichords - Delivery service. Geometry and the Unit of Measurement - Use of simple geometry and the local unit of measurement in the design of Italian stringed keyboard instruments. Harpsichord French-English Lexicon - Yann Morin translates important terms. Harpsichord Owners' Manual - How to maintain your harpsichord in perfect voice. Includes photos and detailed instructions. Harpsichord Tuning, Repair, and Temperaments - Tutorial on how to apply various different temperaments. Harpsichords and Related Topics - Open forum for topics related to harpsichords, clavichords, fortepianos and virginals. Archives and links. History of the Harpsichord - Information about the instrument in eighteenth century France and the Flemish influence, written by Janet Pierce.
Cembaloworks Of Washington
Makers and maintainers of harpsichord and other antique keyboard instruments.
http://www.cyberonic.com/~mark7/
Music For Bach's Keyboard Instruments: Clavichord, Harpsichord, Lute-Harpsichord
Music for Bach s Keyboard instruments Clavichord, harpsichord, Luteharpsichord, Pedal-harpsichord - Baroque Music Club BACH 740.
http://www.baroquecds.com/740Web.html

Extractions: Prelude / Fugue / Sarabande / Gigue / Double 8: PEDAL-HARPSICHORD: Concerto for harpsichord solo after Vivaldi, BWV 593 Total time 78:23 Our musical selection on this disc offers a number of important, perhaps unjustly neglected pieces from Bach's rich output for keyboard and/or lute. At the same time, we are using these pieces to demonstrate the different domestic keyboard instruments of Bach's time his home in fact: the harpsichord with pedalboard, and the clavichord, together with the lute whose delicate sounds Bach sought in the lute-harpsichord. The harpsichord was the baroque period's most popular domestic keyboard instrument, though the clavichord would be a close second. The harpsichord with the usual two manuals was a useful practice instrument for organists, and they were generally equipped with separate, organ-type pedalboards. The harpsichord's "pluck" was fixed and no variation of touch was possible, only dynamic variation through using different "stops" and/or combining, coupling-up keyboards.
Baroque German Harpsichord Music
harpsichord Music. instruments, Performance, Discography The baroque German harpsichord was undoubtedly a substantial and splendid instrument!
http://www.baroquecds.com/bqgerhp.html

Extractions: Discography It is unlikely that the lightweight, light-sounding almost jangle of the supposedly "authentic" baroque harpsichord would have been heard in Bach's Germany. The German baroque harpsichord was considerably more substantial, both in construction and sound output, with a wider specification including 16' stop, and optionally equipped with a separate, organ-style pedalboard used for domestic organ practice. In Bach's Leipzig, there was an established tradition of Collegia Musica, secular musical organizations run mainly by the students of the city's famed university, and contributing music of the highest quality. In the spring of 1729, Bach took over directorship of the Collegium founded in 1702 by Telemann, its performances given weekly in Zimmermann's Coffee House on the fashionable Catherine Strasse, centrally placed close to the Marktplatz. Himself an enthusiastic amateur musician, Gottfried Zimmerman frequently re-equipped his establishment with the latest musical instruments for use by the Collegium and other musical guests. One of his prize possessions in the late 1720s was "a clavcymbel of large size and range of expressivity" which was a Leipzig attraction in itself. It was replaced by an "even finer instrument" in 1733. The baroque German harpsichord was undoubtedly a substantial and splendid instrument! Solid and Sonorous Unlike the Flemish and French harpsichords, the baroque German harpsichord was a heavier, more solidly-built instrument with deeper sonority. The organ chorale, and organ music generally, played an important part in German religious life, and in terms of sonority the baroque German harpsichord could almost be considered as a domestic organ. Indeed Gottfried Silbermann, famed Saxon organ-builder, friend and contemporary of Bach, also built harpsichords in his Freiberg workshops.
Buying A Harpsichord
Buying a harpsichord or other early keyboard instrument is a very personal event. Flemish Single harpsichord While custom instruments are based both
http://www.hubharp.com/about_buying.htm

Extractions: Buying a harpsichord or other early keyboard instrument is a very personal event. You are going to invest a large amount of money for an item that should bring you a great deal of pleasure and satisfaction for many years to come. You deserve to have the best. As makers of very high quality instruments, we offer you our expertise in all aspects of early keyboards to help you with your decisions. Your complete satisfaction is the goal of every member of our company. We offer a full line of custom instruments based on originals produced in the 16th, 17th and 18th centuries. We also offer a number of these instruments in kit form for those who enjoy the indescribable adventure of recreating an instrument of the past. All of our instruments are prepared to exacting standards using only the finest materials and workmanship. They are faithful to their antique predecessors, but we occasionally have introduced modifications, much as the original makers continually worked to improve their designs. All modifications are undertaken with great respect for the ideas and perceived intentions of the makers of the past and are adopted only after years of experimenting and testing. Be assured that if it appears on a Hubbard, it's there for a good reason.

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