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Choreography & Choreographers: more books (100)

The Ballets of Antony Tudor: Studies in Psyche and Satire by Judith Chazin-Bennahum, 1994-03-24
Shadowplay: The Life of Antony Tudor (Limelight) by Donna Perlmutter, 2004-08-01
Dancing With Principle: Hanya Holm in Colorado, 1941-1983 by Claudia Gitelman, 2002-01
Portrait Gallery: Artists, Impresarios, Intimates by Agnes De Mille, 1990-08-23
Daniel Nagrin: A Chronicle of His Professional Career (University of California Publications Catalogs and Bibliographies) by Christena L. Schlundt, 1997-08-01
Balanchine's Mozartiana: Making of a Masterpiece by Robert Maiorano, Valerie Brooks, 1985-05
Trisha Brown: Dance and Art in Dialogue, 1961-2001
Goddess - Martha Graham's Dancers Remember: Hardcover by Robert Tracy, 1997-08-01
Bob Fosse's Broadway by Margery Beddow, 1996-08-05
Punk in motion: Steven Hoggett's choreography for American idiot melds physical theater with green day's edge.(on broadway): An article from: Dance Magazine by Sylbiane Gold, 2010-04-01
Choreography S.O.S.: onscreen dancemaking help.(UP FRONT)(Dance Designer software)(Brief article): An article from: Dance Magazine by Jennifer Stahl, 2010-08-01
Secret Muses: The Life of Frederick Ashton by Julie Kavanagh, 1997-05-13
Fernando Bujones: An Autobiography by Fernando Bujones, Zeida Cecilia-Mendez, 2009-05-01
Merce Cunningham by Germano Celant, David Vaughan, et all 2009-09-30

lists with details

DanceOlympus & DANCEAMERICA: National Young Choreographers
the other routines entered in the Young choreography category for that city. DANCEAMERICA welcomes all young choreographers to showcase their own
http://www.danceolympus-america.com/young_choreo_entry.html

Extractions: At every DANCEAMERICA preliminary, studios are invited to submit entries choreographed by a full time student (15 years of age or older) in this very special category. Routines competing for this award will perform in their regularly scheduled category but will be judged twice: once for placement and once for choreography. Judges are made aware that a particular routine will be perform in the Young Choreographer category and on a special judgeâs sheet, they will record the choreography score along with the other routines entered in the Young Choreography category for that city. Scoring is based on the following six criterion: Vision, Costuming, Musicality, Creativity, Staging and Emotion. The routine receiving the Young Choreographer Award will be invited to perform at the 2005 DANCEAMERICA National Finals along with other Young Choreographer Award recipients from all other preliminary cities. The highest scoring of these contenders will receive the prestigious 2005 National Young Choreographer Award.
2004-2005
Instruction and choreography by student choreographers. Nunca voy a olvidarte. Instruction and choreography by Lester M. Malta. Reggaeton
http://www.gardenahighballetfolklorico.org/2004-2005.htm

Extractions: Follow the pepper to the next page! School events only! All others are on their own pages. Cinco de Mayo Assemblies Sorry, kids, terrible lighting! Las Comaltecas and Morisma de los machetes Instruction and Choreography by Julio C. Flores Open House Thursday, April 21, 5:30 p.m. Las Comaltecas and Morisma de los machetes Instruction and Choreography by Julio C. Flores Our Annual Panoramic Picture Salsa Team ASB Winter Show Thursday, December 16 Colima Cuadro Instruction and Choreography by Julio C. Flores El Sinaloense (Sorry! Not one good picture!) Instruction and Choreography by Carola de la Rocha El Sinaloense Instruction and Choreography by Carola de la Rocha Parent Institute for Quality Education Wednesday, December 15 Colima Suite Instruction and Choreography by Julio C. Flores Aren't we cute? Look at us move! El Sinaloense Instruction and Choreography by Carola de la Rocha Sorry! Not one good picture; you move too fast! ELAC Awards Thursday, December 9 El gusto Instruction and Choreography by Raquel Ramírez El jarabe Tapatío Instruction and Choreography by Raquel Ramírez Nonasina and Kaua Instruction and Choreography by student choreographers Nu nca voy a olvidarte Instruction and Choreography by Lester M. Malta
Honolulu Star-Bulletin Features
Hula choreography is about more than hands. It can embrace feet as well as lyrical body collaborate; theirs is a unique choreography of choreographers.
http://starbulletin.com/97/03/31/features/story1.html

Extractions: Star-Bulletin WHILE you're keeping your eyes on the hands, Aunty Mae Loebenstein is focusing on the feet. "I'm a feet person," said the kumu hula, whose Ka Pa Hula O Kauanoe O Wa'ahila performs at the 34th annual Merrie Monarch Festival hula competition this weekend. "You dance with your feet. You don't dance with your hands really. It's your feet that take you around, not your hands." Hula choreography is about more than hands. It can embrace feet as well as lyrical body motions reflecting nature, and dynamic change in the pursuit of perfection. "When you put your feet down strong, you control your body for the hula," said the 85-year-old doyenne who's been crafting dances for more than six decades. "But if you're on your toes, you're kinda little wobbly, yeah." She teaches dancers to plant both feet flat and sway into their steps. She emphasizes a natural, controlled hip movement, as if dancers are floating across the stage. The feet don't skid, they don't tap, they don't jerk. The torso is pa'a (not bobbing) and hand movements are very subtle.
Career Choreographers
choreographers create dance routines and teach them to dancers. choreography classes are a part of most college dance programs. Work Experience
http://www.iseek.org/sv/13000.jsp?id=100271
Male,Female,Kids Models In India,Cosmetic Surgery Clinic,Plastic Surgery Clinc I
For choreography Purposes ( As Fashion choreographers, Runway fashion choreographers, Fashion choreography ) . Mail Your Query To biz@sumitinfosoft.com
http://www.sumitinfosoft.com/modelling.html

Extractions: About us Software Services Clientele Business Promotion ... Contact us Designs Categories Accessories Auto Parts Architects/ Contractor Buying House ... 4Modelling.com Male Model Registration Female Model Registration Indian Modelling Agencies Modelling Agencies,India Cosmetic Surgery Clinic in New Delhi,India Plastic Surgery Clinic in India Plastic Surgery Clinic in New Delhi,India
Ballet-Dance Magazine - Pacific Northwest Ballet - Choreographers' Workshop Prev
Preview of PNB s choreographers Showcase Frames Dancers New Works Many people like yourself are hungry for new choreography and we are wanting to
http://www.ballet-dance.com/200504/articles/PNBWorkshop200504.htm

Extractions: Advertising Information Pacific Northwest Ballet Choreographers' Showcase Preview of PNB's Choreographers' Showcase Frames Dancers' New Works Vivacious Voicing by Dean Speer PNB Principal Dancer Olivier Wevers is one of the PNB dancers whose new choreographic work will be shown in a special, one-time outing on the boards of Seattle’s McCaw Hall next Wednesday (3/23/05). Mr. Wevers took a few minutes from his busy rehearsal schedule – having a stage run-through of "The Merry Widow" the night of our interview – to talk about this important project. Other company members contributing works to the program are: Jonathan Porretta; Kiyon Gaines; Christophe Maraval; and PNB School faculty member Sonia Dawkins. Nicholas Ade is serving as coordinator for this project. DS: Please tell us about this project. What is its genesis? Tell us about your piece. Kaori Nakamura is cast with Jonathan Porretta, and Noelani Pantastico is with Lucien Postlewaite. Kaori and Lucien end up together at the end and Laura Gilbreath has a solo female role. How would you characterize your choreographic style or voice?
AMBER FAUN WEB SITE
The International Serge Diaghilev Competition of choreography Art has a form of choreographers and choreography students of art colleges may take part.
http://www.amberfaun.com/en/rules.html

Extractions: The Third International Serge Diaghilev Competition of Choreography Art will take place at Danuta Baduszkowa Music Theatre in Gdynia, one of the biggest and most modern theatres in Poland. On the stage of this theatre the finest cultural events are held, among these are: Polish Feature Film Festival and The International Shakespeare Festival . In 1997 The 7th Eurovision Competition for Young Dancers and in 2003 The Second International Serge Diaghilev Competition of Choreography Art took place in this theatre.
THE THIRD INTERNATIONAL SERGE DIAGHILEV COMPETITION OF CHOREOGRAPHY ART
of choreography of several renowned choreographers including Tandy Beal, Since 1999 he has cooperated with outstanding choreographers such as Emil
http://www.amberfaun.com/2004/jury_en.php

Extractions: Dancer, teacher, Director and Resident Choreographer, the Founder of the Moving Arts Dance Company (San Francisco). She has performed numerous pieces of choreography of several renowned choreographers including Tandy Beal, Bill Evans, Doris Humphrey, Margaret Jenkins, Cliff Keuter, Alwin Nikolais, and Anna Sokolov among others. She has choreographed over 50 major works and received national awards including national selection as one of nine choreographers for the prestigious National Dance Festival Award presented at the Kennedy Center in Washington DC. "Diablo Magazine" has named her as one of the 21st century visionaries. In 2004 she became a member of Contra Costa County Women's Hall of Fame for her contribution to the choreography development. Ms. Ray has appeared in television shows and commercials nationally and in France. For a number of years she was a lecturer at colleges and universities around the country.
Ballet, Famous Ballets, Ballet Dancers
choreographers, Ballet choreography. choreographers and composers. Artslynz . choreographers of The Paris Opera Ballet . Balanchine, Georges .
http://www.zeroland.co.nz/ind2.html
Dancing Times Magazine - September 2004
The Rough Guide to choreography charts the process and progress made as it provides an overview of choreography, choreographers, dance styles plus a
http://www.dancing-times.co.uk/DT200409/dancingtimes200409-1.html

Extractions: email: dt@dancing-times.co.uk The Rough Guide to Choreography By Sophie Roper S Michael Nunn William Trevitt The series breaks down into the four programmes taking viewers step by step through the creative process including the highs and the lows. The final episode includes the performance of the piece at the Barbican Theatre, London, as part of the BITE04 festival back in July this year, plus response from key members of the audience. We begin our journey with Nunn, Trevitt and their company in April 2003. They are working with five different professional choreographers, each creating a short piece for the company. Nunn and Trevitt begin to question at this time whether, having worked closely with a number of choreographers, they themselves have got the experience for and are capable of creating their own work as choreographers rather than dancers. They both feel that this is a natural progression for them and George Piper Dances. Aware that this next step will be a risk, they take confidence from the reputation that their company is not one to tackle the safe option. We move to the USA tour in the autumn of 2003. Nunn and Trevitt are still looking for the initial spark/inspiration for the piece and go to a Capoeira class whilst in New York. They were impressed with the power of the movement as the dancers worked and shifted around their partner, all without making contact. They felt this was an idea that might work for them.
Moves Like This: Choreographers
For the first time ever, the biggest names in choreography have come together to Moves Like This has brought together awardwinning choreographers of
http://www.moveslikethis.com/choreographers.htm

Extractions: For the first time ever , the biggest names in choreography have come together to provide you with fresh, original material every month. Moves Like This has brought together award-winning choreographers of national championship cheerleading and dance teams from the high school, collegiate and All-Star levels, as well as pro sports dance teams and television events to create hot new dance routines for cheer squads and dance teams that are easy-to-learn and easy-to-teach. These are hot, fresh routines that will make you look good and make the crowd go crazy! These are the choreographers who start trends, and who create the exciting, dynamic routines that win championships and awe crowds. Every month, Moves Like This highlights two choreographers one for cheer-dance and one for dance. That means every month, you get a new routine from the biggest names in cheer and dance choreography.
UPDATE: Dance Performances At Tenth Annual American Choreography Awards Annou
The event honors contributions to the art and craft of choreography for the choreographers Rich and Tone Talauega, who created several of the dance
http://www.ipressroom.com/pr/aca/info/TENTH-ANNUAL-AMERICAN-CHOREOGRAPHY-AWARDS-

Extractions: Pressroom Pressroom Home Press Releases UPDATE: Dance Performances at Tenth Annual American Choreography Awards Announced Matthew Rushing, Jason Samuels Smith, The David Parsons Company and Diavolo to Appear Jean-Claude Van Damme, Carmen Electra and Other Celebrity Presenters Confirmed To honor the 30-year choreography career of Kenny Ortega (Dirty Dancing, Salt Lake Winter Olympics) there will be a special surprise performance that promises to bring down the house. Ka-Ron Brown Lehman, the artistic director of the L.A. County School of the Arts, will receive the Educator Award with a tribute featuring former student and principal dancer Matthew Rushing of the Alvin Ailey American Dance Theater and vocalist Nita Whittaker (Ten Commandments). Rushing danced with Ailey II and joined the Company in 1992. Diavolo, which likes to be known as "LA's riskiest dance company" will be performing an excerpt from its full evening work "Catapult," in which the dancers display strength and grace while navigating themselves inside, outside, on and around a 12 foot rolling wheel.
10TH ANNUAL AMERICAN CHOREOGRAPHY AWARD WINNERS SHINE AT STAR-STUDDED DANCE EXTR
choreographers nominated in eight different categories of choreography for the camera feature film, short film, television special, episodic and variety
http://www.ipressroom.com/pr/aca/info/TENTH-ANNUAL-AMERICAN-CHOREOGRAPHY-AWARDS-

Extractions: The winning choreographers were decided by seven committees comprised of media choreographers, casting directors, directors and producers with expertise in their respective categories. Agents, managers, their employees and submitting choreographers, producers and directors are not eligible and did not serve on the ACA Nomination and Voting Committee or vote on any of the nomination panels. About the American Choreography Awards Celebrating its tenth year in conjunction with the Academy of Dance on Film, the American Choreography Awards recognizes outstanding achievements in film, television, commercials, and music video to raise the awareness of the art and craft of choreography for the camera and to honor its creators. The organization also honors individuals who have made significant contributions to dance with annual Career Achievement, Educator, Innovator, and Governors Awards. Originally named the L.A. Dance Awards, and then the Fosses, the American Choreography Awards is recognized as the highest standard of achievement in choreography throughout the entertainment industry.
Cottey College: Dance Department
choreography choreographers compose movement for theatre, screen and television. A strong dance background is essential along with good communication
http://www.cottey.edu/academic/dance/fields_study.html

Extractions: The dance department has drawn up a list of possible career opportunities related to the field of dance. Each career choice includes a short description of the field. All fields of study listed have a list of suggested Cottey College dance courses which will give you a start toward the successful entrance into further study of the field. Below are some areas you may wish to investigate further. No formal education necessary, but if the college/university route is chosen then a bachelor of fine arts degree is strongly suggested because of its concentration on performance. As the lines between dance idioms become more and more blurred it is recommended that performers have an eclectic background in dance. The study of ballet, modern, and theatrical dance is strongly suggested. Suggested Cottey courses: all technique areas, Choreography, Repertory Dance Company, Beginning Acting, music courses, Dance Appreciation or Dance History I and II. People in this group work in hospitals, educational, rehabilitation and other health care institutions, prisons and recreational centres. They also work in private practice. Dance therapists plan and carry out specialized programs to aid in the treatment of mental and physical disabilities. Extensive dance experience and a liberal arts background with coursework in psychology. For specific prerequisites contact the graduate program you plan to attend. Professional training is on the graduate level. Graduates receive a masters degree in dance/movement therapy. Graduates from an "approved" dance/movement therapy program are eligible for the D.T.R. (Dance Therapist Registered). Alternative routes can be investigated by visiting the following Web site. http://www.umanitoba.ca/student/counselling/spotlights/dancether.html
Dance The World With Dance-
Each showcase is a unique blend of distinguished choreographers and Shimladka s choreography draws inspiration from various forms of dance and theatre.
http://www.danceformsproductions.com/

Extractions: Dance the World with Dance-Forms Productions! Roman Arch, Barcelona, Spain The 24th International Choreographers' Showcase Teotihuacan, Mexico Royal Mile, Edinburgh, Scotland. When was the last time you performed in Spain, or Austria? France? Germany? Guatemala? Holland? Lithuania? México? Monaco? Scotland? USA? Welcome to "THE INTERNATIONAL CHOREOGRAPHERS' SHOWCASE," providing emerging and distinguished choreographers opportunities to present their work at dance events worldwide! Imagine yourself and your dancers performing in the theaters of Asia, Europe, North, South, and Central America. Do you feel it will be of benefit to you? Are you wondering who participates? Well, choreographers and dancers, many of whom are so busy throughout the year teaching, choreographing, directing, administrating, or performing for parent companies, they have no time or opportunity to engage themselves in international productions. Sound familiar? Have you ever said to yourself, "I would love to be able to simply show up at the theater, walk on stage alone, or with my dancers, and it's show time!" So, let's do it! We provide a complete production package, which includes excellent theaters, lighting, sound, technical assistance, publicity, box office, printed programs, and pre-show rehearsal arrangements. The benefit to the choreographer/dancer is the perfect simplicity. No hassles. No headaches, and no last minute freak-outs.
Critical Path, Australia, Sydney, Choreography, Dance, New South Wales, Choreogr
choreography of Japanese Kota Yamazaki and Senegalese Germaine Acogny. The masterclass will be open to choreographers and will take place at the Drill
http://www.criticalpath.org.au/staffandsponsors.html

Extractions: Director Sophie Travers Adminstrator Sally MacDonald Finance Consultant Will Sheehan Board of Directors Chair Amanda Card Secretary Fiona Winning Treasurer Claire Beckwith Barry Stewart Josephine Ridge Kate Champion Lucy Guerin Philip Rolfe Critical Path Related Links: Sydney Opera House Sydney Festival Australia Council for the Arts Dancehouse Melbourne ... Restless Dance Photo Credits: Jonathan Burrows- credit Herman Sorgeloos Akram- himself- credit amyandtanveer Akram- dancer upside down- credit Vincent Nghai
Minnesota Dance Festival Choreographers
He has danced works of internationally renowned choreographers such as Kylian, Danny continues to lead the dance community in innovative choreography in
http://www.balletminnesota.org/MDFhtml/MDFChor.html

Extractions: Mr Andre has danced for many major companies throughout North America including the Joffrey Ballet, Les Grands Ballets Canadiens, and the Royal Winnipeg Ballet amongst others. He has danced works of internationally renowned choreographers such as Kylian, Duato, Van Manen, Tetley, Morris and Kudelka. Mr Andre has danced extensively in the Twin Cities since his arrival in 1998. He has danced leading roles with Zenon, Minnesota Dance Theatre, James Sewell and Corning Dances.
School Of American Ballet - Winter Term
In 1997, Peter Martins initiated the School s Student choreography Project to Student choreographers are allotted studio rehearsal time over a two week
http://www.sab.org/choreographyprojects.htm

Extractions: Since the mid-1960s, the School has invited new choreographers to create original works on students for inclusion in SAB's annual Workshop Performances. In the 1980s, Peter Martins introduced annual choreographic workshops at which outside choreographers were invited to create works on students to be performed in a closed-workshop setting. In the late 1990s, Martins altered the format of the annual choreography workshops and limited the choreographer and dancer participants to SAB students only.
Legacy Spirit Association Presented By The BSU Cheerleaders
Phase 3 choreography of Routine The choreographers design the routine from Phase 4 - Instruction The choreographers come to your school to teach
http://www.legacyspirit.com/choreography/

Extractions: Home Summer Camps Squad Workshops Pre-Tryout Clinics ... subglobal8 link Dance and Mini Routine Choreography also available. Phase 1 - Team Analysis : The choreographer(s) visits a practice and assesses your team's skill level, strengths, etc. At this time, the choreographer wil need a copy of the rules your must abide by for the competition your are attending. (apx. 2 hours) Phase 2 - Stunt Trials Practice : The choreographer brings several stunt and pyramid ideas into a workout practice. These pyramids will be taught and the choreographer, in conjunction with the coach of the school will decide which sequences will be the best fit for your team. (apx.6 hours - in one day) Phase 3 - Choreography of Routine : The choreographers design the routine from begining to end. Phase 4 - Instruction : The choreographers come to your school to teach your squad its custom routine. They will also teach you the basics of your stunts. You might not master the stunts during this phase but you will know what to do. The Instruction Phase (apx. 12 hours - divided into 2 days)
Dance Magazine: Can Choreography Be Taught? Ask Five Teachers And You'll Get Fiv
Full text of the article, Can choreography be taught? choreographers Adam Hougland, formerly with Toronto Dance Theater and the Limon Company;
http://www.findarticles.com/p/articles/mi_m1083/is_4_79/ai_n13493421

Extractions: ALAN Review Afterimage American Drama American Music Teacher ... View all titles in this topic Hot New Articles by Topic Automotive Sports Top Articles Ever by Topic Automotive Sports Can choreography be taught? Ask five teachers and you'll get five answers Dance Magazine April, 2005 by Kathryn Posin Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. AT THE NATIONAL BALLET SCHOOL of Canada, a group of 9 to 14-year-olds take turns presenting their choreography to an informal audience of parents, other students, and teachers. The children, however tentative, seem to take joy in participating in the creative process using a movement vocabulary they love. They are part of the school's Professional Ballet/Academic Program that integrates classical ballet training with an academic education for students in grades 6 through 12. But how many of these young dancers will become professional dance makers? Is creating choreography an ability that can be taught? Can the requisite skills be transferred, like following a recipe in cooking? Or learning a formula in algebra? DANCE MAGAZINE posed these questions to school directors, composition teachers, choreographers, and artistic directors. The responses reveal that the real question is not whether we should nurture the ability of a talented individual; but instead, what is the best platform for an emerging choreographer to work, risk, fail, succeed, and come back again a little more confident?

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