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Silliman Ron: more books (76)

Tottel's 14. by Bruce, Ron Silliman, editor Andrews, 1970
Paradise by Ron Silliman, 1986-01
We Who Love to Be Astonished : Experimental Women's Writing and Performance Poetics (Modern Contemporary Poetics Series)
The Sophist (Salt Modern Poets) by Charles Bernstein, 2004-08-15
Language Poets: Michael Palmer, Ron Silliman, Susan Howe, Nick Piombino, Charles Bernstein, Barrett Watten, Rae Armantrout, Hannah Weiner
People From Tri-Cities, Washington: Hope Solo, Ron Silliman, Adam Carriker, Isaac Carpenter, Jeremy Bonderman, Travis Buck, Preston Zimmerman
The Difficulties: Ron Silliman Issue by Tom Beckett, 1985
Biography - Silliman, Ron(ald) (Glenn) (1946-): An article from: Contemporary Authors by Gale Reference Team, 2003-01-01
Ron Silliman and the alphabet (Quarry West) by editor. Thomas A. Vogler, 1998
In the American Tree
The Grand Piano: Part 8 by Ron Silliman, Lyn Hejinian, et all 2009-08-15
Paradise. by Ron. SILLIMAN, 1985
L=A=N=G=U=A=G=E #1 by Clark, Silliman, Ron et al Coolidge, 1978
Sitting Up, Standing, Taking Steps (Tuumba 17) by Ron Silliman (Cover illustration by Debra Fine Yohai), 1978-01-01

lists with details

Eleana Kim On Language Poetry 8
Andrews, Bruce, Charles Bernstein, ron silliman, Ray DiPalma and Steve McCaffrey. Legend. . silliman, ron and Carla Harryman, Lyn Hejinian, Steve Benson,
http://home.jps.net/~nada/languagebib.htm

Extractions: Eleana Kim Language Poetry: Dissident Practices and the Makings of a Movement Bibliography Hills . 1-9. Ed. Bob Perelman and Michael Wathuch. Iowa and San Francisco. (1973-1983). This . 1-12. Ed. Barrett Watten and Robert Grenier. Gloucester and San Francisco. (1971-1982). L=A=N=G=U=A=G=E . Ed. Bruce Andrews and Charles Bernstein. New York. (1978-1982). Allen, Donald, ed. The Poetics of the New American Poetry . Grove Press, 1973. Andrews, Bruce. Corona . Providence, RI: Burning Deck, 1973. Edge . Arry Press, 1973. Executive Summary . Potes and Poets, 1991. Film Noir . Providence, RI: Burning Deck, 1978. Getting Ready to Have Been Frightened . New York: Roof, 1988. Jeopardy . Windsor, VT: Awede, 1980. Praxis . Berkeley, CA: Tuumba, 1978. Vowels . O Press, 1976. Wobbling . New York: Roof, 1981. Andrews, Bruce, Charles Bernstein, Ron Silliman, Ray DiPalma and Steve McCaffrey. Legend . New York: Segue. 1980. Antin, David. "Modernism and Postmodernism: Approaching the Present in American Poetry."
Ron Silliman
www.english.uiuc.edu/maps/ poets/s_z/silliman/silliman.htm It would be impossible to overestimate the importance of ron silliman s Age of Huts ; it was ground-breaking when it first began to appear, piecemeal,
http://www.english.uiuc.edu/maps/poets/s_z/silliman/silliman.htm
Small Press Distribution
Perelman, Bob; Watten, Barret; Benson, Steve; Harryman, Carla; Mandel, Tom; silliman, ron; Robinson, Kit; Hejinian, Lyn; Armantrout, Rae; Pearson, Ted
http://www.spdbooks.org/SearchResults.asp?AuthorTitle=grand piano
Ron Silliman Interviewed By Thomas A Vogler
ron silliman has written and edited 26 books to date, most recently Under Albany. Between 1979 and 2004, he wrote a single poem, entitled The Alphabet.
http://www.argotistonline.co.uk/Silliman interview.htm

Extractions: The Argotist Online Home Articles Interviews Poetry ... Links Ron Silliman Interview Ron Silliman has written and edited 26 books to date, most recently Under Albany Between 1979 and 2004, he wrote a single poem, entitled The Alphabet . In addition to Woundwood a part of VOG , volumes published thus far from that project have included ABC Demo to Ink Jones Lit Manifest , N/O, Paradise , (R), Toner, What and Xing . He has now begun writing a new poem entitled Universe In the 1970s, he was associated with the L=A=N=G=U=A=G=E poetry group that also included Charles Bernstein, Bruce Andrews, Lyn Hejinian, Bob Perlman and Susan Howe. He was a 2003 Literary fellow of the National Endowment for the Arts, and was a 2002 Fellow of the Pennsylvania Arts Council as well as a Pew Fellow in the Arts in 1998. He lives in Chester County, Pennsylvania, with his wife and two sons, and works as a market analyst in the computer industry. Thomas A. Vogler
The Stakes Of Narrative In The Poetries Of David Antin, Ron Silliman And Lyn Hej
La rigueur de la poésie de David Antin, ron silliman et Lyn Hejinian est dans .. Thus if one compares the poetries of ron silliman and Lyn Hejinian with
http://www.cairn.info/article_p.php?ID_ARTICLE=RFEA_103_0079
POETRY FROM ZYZZYVA
silliman, ron, from Toner, 17 silliman, ron, from Jones, 25 Silverstein, Murray, I, Cobweb, 67 Smallfield, Edward, Cattaraugus Creek, 17
http://www.zyzzyva.org/published.poetry.htm
Sojka
ron silliman, who theorized the idea of new sentence in a book of the same title, . silliman, ron. Disappearance of the Word, Appearance of the World.
http://clcwebjournal.lib.purdue.edu/clcweb01-2/sojka01.html

Extractions: 3. This late twentieth-century avant-garde challenges dominant modes of writing espousing the expressive theory of language. In the United States language poetry emerged as both a reaction to and an outgrowth of the "New American Poetry" as embodied by Black Mountain, the New York School, and Beat aesthetics (in the mid 1970s). Within the pages of little magazines like Tottle's This Hills , and the Tuumba chapbook series, writers such as Charles Bernstein, Bruce Andrews, Bob Perelman, Ron Silliman, or Barrett Watten developed modes of writing that implicitly criticized the bardic, personalist impulses of the 1960s and focused attention on the material of language itself. This practice was supplemented by essays in poetics published in journals such as L=A=N=G=U=A=G=E Open Space Paper Air Poetics Journal The Difficulties O.blek
BiggerBooks.com â Discount Bookstore. Bestsellers, New Books, Used Books An
Author(s) silliman, ron. Edition 1st. ISBN10 0520250168 volume collects for the first time the four components of silliman s seminal The Age of Huts
http://www.biggerbooks.com/book/9780520250161
Register Of Charles Bernstein Papers - MSS 0519
Also includes correspondence with ron silliman and Bruce Andrews. . Coedited with Lyn Hejinian, Barrett Watten, ron silliman, Steve McCaffery,
http://orpheus.ucsd.edu/speccoll/testing/html/mss0519a.html

Extractions: University of California, San Diego Extent: 50.00 linear feet (129 archives boxes, 5 card file boxes and 5 oversize folders) Letters of recommendation located in Box 31, Folder 14 are restricted until 2025. Charles Kegel Bernstein was born on April 4, 1950, in New York City. As a student at the Bronx High School of Science, Bernstein edited and wrote for the school newspaper, SCIENCE SURVEY, and was active in his synogogue's youth group. Before entering Harvard University in 1968, Bernstein met visual artist Susan Bee, whom he would later marry and with whom he occasionally collaborates. During his years at Harvard University, Bernstein studied philosophy with Stanley Cavell and wrote his final thesis on Gertrude Stein and Ludwig Wittgenstein, portions of which were later published. After receiving his A.B. in 1972, Bernstein and Bee moved to Vancouver, British Columbia, and then the following year to Santa Barbara where he worked part-time as a community health education coordinator. In 1974, the two moved back to New York City. Over the next ten years, as Bernstein became an established poet, he earned his income by editing and writing for medical and healthcare publications. During this time, Bernstein was very active in the experimental poetry scenes of New York, San Francisco and Toronto, not only as a poet, but also as an editor and publisher. Bernstein and Bee started Asylum's Press, which brought out some of their collaborations as well as the works of other poets who are now well-known. In New York, he met Bruce Andrews, with whom he founded and co-edited the L=A=N=G=U=A=G=E Journal, the name also given to the loosely connected group of experimental writers with whom Bernstein has been most closely associated. In conjunction with the magazine, Bernstein co-founded Segue Distribution service, which made small press publications more accessible to readers.
WOMPO - Women's Poetry Listserv
silliman, ron. In the American Tree. Hanover, N.H. University Press of New England silliman, ronald. I Meet Osip Brik; San Francisco Destroyed by Fire.
http://www.usm.maine.edu/wompo/BooklistAlpha3.html

Extractions: Navigate Home Member Info Foremothers Corner Old Girls Network ... Contact WOMPO - Women's Poetry Listserv Books by WOMPO Members Alphabetical List [N-Z] Chronological List Compiled by Amanda French Nasarina, Tasalima, and Carolyne Wright. Light up at Midnight: Selected Poems. Dhaka: Biddyaprakash, 1992. Nezhukumatathil, Aimee. Fishbone. Cambridge, N.Y.: Snail's Pace Press, 2000. Nezhukumatathil, Aimee. Miracle Fruit: Poems. 1st pbk. ed. Dorset, Vt.: Tupelo Press, 2003. Nguyen, Quang Thieu, Martha Collins, and Chung Ba Nguyen. The Women Carry River Water: Poems. Amherst: University of Massachusetts Press, 1997. Nicholls, Sandra, and Diana Brandt. What Is a Nice Feminist Living Archives of the Feminist Caucus of the League of Canadian Poets,. Toronto: Feminist Caucus of the League of Canadian Poets, 1993. Nikolayev, Philip G., Claire Keyes, and Anthony C. Alessandrini. Artery Lumen. Cambridge, Mass.: Barbara Matteau Editions, 1996. O'Brien, Margaret O. S. U., and Ellen Smith. Discovering Your Light: Common Journeys of Young Adults. Mineola, NY: Resurrection Press, 1991. O'Melveny, Regina. Blue Wolves: Poems and Assemblages. Treadwell, NY: Bright Hill Press, 1997.
MIPORADIO THE WAY POETRY SOUNDS
ron silliman s baseball career was impeded by the fact that he was a slow, lefthanded Reading at Zinc Bar, June 2007 - Jessica Smith and ron silliman.
http://www.miporadio.net/RON_SILLIMAN/

Extractions: Ron Silliman's baseball career was impeded by the fact that he was a slow, left-handed second baseman who couldn't hit a fast ball. He has been a semester's credits short of a B.A. degree at U.C. Berkeley now for 34 years. These days, he lives in Chester County, Pennsylvania. His most recent book is Under Albany RSS Reading at Zinc Bar, June 2007 - Jessica Smith and Ron Silliman. Download mp3 June 3, 2007-Gil Ott Memorial Reading Part 1 Short tape of Gil singing a song CA Conrad, host Tim Peterson, reading from his award winning book. Tape of Gil reading Stingere Eli Goldblatt discussing Gil and reading a number of emails from him. Frank Sherlock, reading from Maize CA Conrad reading Harryette Mullen's discussion of Gil from the intro to her book Recyclopedia CA reading from The Amputated Toe. Jenn McCreary reading from The Yellow Floor Ron Silliman reading from The Whole Note Chris McCreary reading from The Whole Note Ryan Eckes reading Empathy from Pact Tim Peterson reading Gil's poem "Status"
The Age Of Huts (compleat)
It would be impossible to overestimate the importance of ron silliman s Age of Huts; it was groundbreaking when it first began to appear, piecemeal,
http://www.ucpress.edu/books/pages/10742.html

Extractions: "The Age of Huts is a shining example of what the language poetry school has contributed to contemporary letters. . . . Silliman is actively reshaping what poetry means and causing us to rethink the very nature of language. Can you ask for more than that from any artist? If The Age of Huts provides any indication, we're witnessing the development of what is sure to be a defining literary project of the postmodern era." Philadelphia Inquirer "It would be impossible to overestimate the importance of Ron Silliman's Age of Huts ; it was ground-breaking when it first began to appear, piecemeal, a quarter of a century ago, and it remains a revolutionary work today. With its proliferative architecture, its encyclopedic arc, and its endlessly inventive methodology
MultiPlex By Karen Mac Cormack And Ron Silliman
MultiPlex was published to celebrate Karen Mac Cormack s and ron silliman s readings at Stanford University at 4.00 p.m. on Thursday October 29th
http://www.wildhoneypress.com/BOOKS/MUL.html

Extractions: and at New College Theater , 777 Valencia Street, San Francisco (Small Press Traffic) at 7.30 p.m. on Friday October 30th, 1998 No ISBN. Ordering Information Click here for Karen Mac Cormack's author page at the Electronic Poetry Centre Ron Silliman's author page at Modern American Poetry, the Electronic Poetry Centre or at the Pew Fellowships website A detailed bibliography for Ron Silliman. See below for extract.
Poetics Today -- Sign In Page
silliman, ron 1993 Canons and Institutions New Hope for the Disappeared, silliman, ron, et al. 1988 Aesthetic Tendency and the Politics of Poetry A
http://poeticstoday.dukejournals.org/cgi/content/refs/21/1/129

Extractions: Password Forgot your user name or password? Purchase Short-Term Access Pay per Article - You may access this article (from the computer you are currently using) for 2 days for US$15.00 Pay per Issue - You may access this issue (from the computer you are currently using) for 2 days for US$30.00 Regain Access - You can regain access to a recent Pay per Article or Pay per Issue purchase if your access period has not yet expired. Sign Up Subscribe to the Journal - Subscribe to the print and/or online journal. This Article Abstract Full Text (PDF) Alert me when this article is cited ... Alert me if a correction is posted Services Similar articles in this journal Alert me to new issues of the journal Download to citation manager Citing Articles Citing Articles via Google Scholar Google Scholar Articles by Rifkin, L.
Stephen Vincent » 2004 » July
In addition, how does the impulse and intention of these earlier twentieth century works vary from, say, those of ron silliman and Lyn Hejinian,
http://stephenvincent.net/blog/?m=200407
Jacket 2 - Kate Lilley: This L=A=N=G=U=A=G=E
silliman, ron. Benjamin Obscura. The L=A=N=G=U=A=G=E Book. Ed. Bruce Andrews and Charles Bernstein. Carbondale Southern Illinois UP, 1984, 6365.
http://jacketmagazine.com/02/lilley02.html

Extractions: Kate Lilley This paper is taken from the Vol. 1 No. 4 May 1997 pamphlet in The Impercipient Lecture Series , edited and published by Steve Evans and Jennifer Moxley in Providence, Rhode Island. It is about 11 printed pages long. "When I say ’equals’ I don’t mean indifference but distance." The Marginalization of Poetry: Language Writing and Literary History , he stresses the contingent and ad hoc beginnings of the movement in various metropolitan cells: The poetic movement known as language writing or language poetry began to take shape in the San Francisco Bay Area in the early seventies and a few years later in New York City, with a smaller nexus in Washington, DC. While language writing has, by the mid-nineties become a recognized literary-historical term, there was never any self-consciously organized group known as the language writers or poets - not even a fixed name. (11-12) habitus The ostensibly ephemeral and local character of connections and products was always bolstered by ideological, affective and financial investment in the model of grassroots organising and modernist homage. At one extreme, nostalgic technologies such as letterpress were used to produce notoriously impenetrable aesthetic texts, fetish objects of antique postmodernity. However, language writers were also keen to make use of new techniques of production and distribution, and to explore their effects for different textual practices and projects. In one of the first issues of
FROM THE FRAGMENT
This concentration was further deepened with the arrival of Lyn Hejinian, Tom Mandel and others. ron silliman ( Language, Realism and Poetry xvii)
http://myweb.brooklyn.liu.edu/bhenning/FromtheFragment.htm

Extractions: Dear poets and students in my writing workshops- Some of the areas that are covered include: (1) To approach language as material; (2) To live a poetic life, collaborating with other poets and artists; (3) To break rules and make up new forms and constraints; (4) To write the truth, as you know it; (5) To acknowledge and consider the slippery nature of truth, language and thought; and (6) instead of attempting to reproduce reality, attempting to change it. There are approximately 115 passages, including my own text; the passages range from one short sentence to 150 words. I hope that this fragmented collection of manifestos, interviews, essays and statements on poetics will introduce you to some of the history and slanted thinking about experimental poetics and poetry, at least by those writers who have influenced my writing and thinking. Perhaps you will consider jotting down your own thoughts and quotes from other writers in the right hand margin. With humor and confusion
Project MUSE
In reference to the early formulations of poets such as ron silliman and Steve McCaffery, George Hartley can point quite casually to the
http://muse.jhu.edu/journals/pmc/v011/11.3nickels.html

Extractions: How Do I Get This Article? Athens Login This article is available through Project MUSE, an electronic journals collection made available to subscribing libraries NOTE: Please do NOT contact Project MUSE for a login and password. See How Do I Get This Article? for more information. If you have password access to this journal, please login below. (Help with Login)
ENG 669: Bib Method Thursday
silliman, ron in author 6 results, none authored explicitly by silliman, ron (NCSU) Chapel Hill 5 results, 4 of which were authored by ron silliman.
http://blogs.lib.ncsu.edu/page/eng669thu?entry=weekly_assignment_2
The Varying Roles Of Freedom In Poetry « Only On Wednesdays
Idetrorce on ron sillimans Poetry Re Katie Mac, Katie Mac on Social Responsibilities of Sci Julie, Julie on Analysis of Shooting an Elepha.
http://invisibleflan.wordpress.com/2007/12/03/the-varying-roles-of-freedom-in-po

Extractions: [I do not give permission for others to use this essay in any way, shape, or form without informing me. If you would like to use parts, or refer back to parts, ask me and I will consider.] The beauty of poetry is that one cannot keep it confined in a single form. Even though we may classify it as âsocialâ or âromantic,â for example, these classifications do not in any way define the structure of a poem itself. Social poetry is often thought of as anti-war, political, or calling for revolution, but poems by such writers as Dan Silliman greatly contradict that common thought. Social poetry can reach any aspect of sociality, particularly freedom, which seems to be a very important running theme and which one can see in many well-known poems by social poets. The use of freedom in social poetry can be looked at in two ways. Firstly, the poet has the freedom to craft a poem any way he pleases, in any form he pleases. This is most evident in Sillimanâs language poetry, which has no apparent structure or meaning to it. Unlike sonnets, cinquains, quatrains, or other types of poems that require a specific form, language poetry allows the writer to take whichever form he wishes. Although language poetry is not the prime usage of social poetry, I would like to focus on it in order to portray the social effects it can have despite not being confined within a form of any sort. Language poetry tends to let the reader form his or her own meaning of the poem. In this way, the reader can also glean his own social analysis of the poem, which makes language poetry in its own way effectively the easiest kind of poetry to interpret as social, despite the fact that it is one of the hardest kinds of poetry to make any straightforward sense of.

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