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Shange Ntozake: more books (100)

For Colored Girls Who Have Considered Suicide / When The Rainbow Is Enuf by Ntozake Shange, 1977
For Colored Girls Who Have Considered Sucide/When The Rainbow Is Enuf by Ntozake SHANGE, 1977
The Beacon Best of 1999: Creative Writing by Women and Men of All Colors by Ntozake (Editor) Shange, 2000
The love space demands; a continuing saga. by Ntozake Shange, 1991-01-01
Betsey Brown by Ntozake Shange, 1985
Betsey Brown: A Novel by Ntozake Shange, 1985-01-01
For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf: a Choreo by Ntozake Shange, 1977
Sassafrass, Cypress & Indigo by Ntozake Shange, 2011-01
For Colored Cirls Who have Considered Suicide When the Rainbow is Enuf; a chorepoem by Ntozake Shange, 1981
LILIANNE: A Novel. by Ntozake. Shange, 1994
I Live in Music. by Ntozake & BEARDEN, Romare. SHANGE, 1996
Robert Mapplethorpe Black Book by Ntozake - forward Shange, 1986-01-01
Ridin the Moon in Texas 1ST Edition by Ntozake Shange, 1987
Nappy edges. by Ntozake Shange, 1978-01-01

lists with details

17 More Plays
For several years after its very successful New York run launched by a nonprofit theatre, of course, the play made ntozake shange the second most
http://www.vcu.edu/arts/playwriting/readingsi.html

Extractions: When You're Not Writing THE PLAYWRITING SEMINARS 5 PLAYS Louis Malle Playwriting is primarily a verbal art, so hearing plays is better than reading plays. Seeing plays in production helps, but less than you'd think until you're attuned to the technique of this craft. If the production is anything short of absolutely terrible and if you're like most folks at first you'll get so swept away by the story and characters that you'll have only a hazy memory of the important structural techniques the playwright used. So reading is a better approach to start with. If you're doing this on your own, forget everything you ever learned about speed-reading: read these plays out loud to yourself or do it silently in your head, but saying every word. This way, the technical structure will be clearer to you. And so will the playwright's Voice Ariel Dorfman
Blackwell Synergy - Cookie Absent
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http://www.blackwell-synergy.com/doi/pdf/10.1111/1467-6443.00187

Extractions: User name: Password: A cookie is a small amount of information that a web site copies onto your hard drive. Synergy uses cookies to improve performance by remembering that you are logged in when you go from page to page. If the cookie cannot be set correctly, then Synergy cannot determine whether you are logged in and a new session will be created for each page you visit. This slows the system down. Therefore, you must accept the Synergy cookie to use the system. Synergy only stores a session ID in the cookie, no other information is captured. In general, only the information that you provide, or the choices you make while visiting a web site, can be stored in a cookie. For example, the site cannot determine your email name unless you choose to type it. Allowing a web site to create a cookie does not give that or any other site access to the rest of your computer, and only the site that created the cookie can read it. Please read our for more information about data collected on this site.
IUP - Meridians: Feminism, Race, Transnationalism
Your browser may not have a PDF reader available. Google recommends visiting our text version of this document.
http://inscribe.iupress.org/doi/abs/10.2979/MER.2004.4.2.205

Extractions: ADVANCED SEARCH LOGIN JOURNAL TITLES BROWSE SUBJECTS ... SUBSCRIBE Meridians: feminism, race, transnationalism Alison Mills and Ntozake Shange, Black Bohemian Feminists in the 1970s Harryette Mullen Spring 2004, Vol. 4, No. 2, Pages 205-235 Posted Online December 5, 2006. PDF (100 KB) PDF Plus (100 KB) Title Information Editorial Details Submission Information ORDER A Subscription/A Membership A Renewal ... An Electronic Back Issue ABSTRACT This article does not have an abstract. Next Article Previous Article Title Home Add to Favorites ... Customer Service Technology Partner - Atypon Systems, Inc.

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