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Jones Leroi:     more books (101)

Dutchman & the Slave by Leroi Jones, 1964-01-01 Play On by Amiri (Jones, Leroi) Baraka, 1996 Revolutionary Party: Revolutionary Ideology by Imamu Amiri (Leroi Jones) Baraka, 1974-01-01 THE BAPTISM & THE TOILET: by LeRoi: Jones, 1967 The Dead Lecturer: Poems. by Imamu Amiri Baraka, LeRoi Jones, 1964-10 BLUES PEOPLE The Negro Experience in White America and the Music That Developed from It by Leroi Jones, 1971 The Dead Lecturer by Leroi Jones, 1964 Black Music 1ST Edition by Leroi Jones, 1967 Yugen 8. by Amiri [As Leroi Jones], Editor & Contributor Baraka, 1962-01-01 Four Black Revolutionary Plays. by Leroi. Jones, 1969-01-01 AFRICAN CONGRESS: A Documentrary of the First Modern Pan-African Congress by Imamu Amiri (LeRoi Jones), ed. Baraka, 1972 A Poem for Black Hearts by Leroi (aka Amiri Baraka) (BROADSIDE PRESS) JONES, 1967 A Black Quartet; Four New Black Plays by Ben Caldwell, Ronald Milner, et all 1970 Transbluesency: The Selected Poetry of Amiri Baraka/LeRoi Jones (1961-1995) by Amiri Baraka, Imamu Amiri Baraka, 1995-10-01

lists with details

41. Leonard Jones — Lincoln Jones : ZoomInfo Business People Information
    jones, leroi, Red Bank Upper Elementary/Middle School, Mr. leroi jones Leroy jones North side of Cermak south to the north side of 55th St., .  
    http://www.zoominfo.com/people/level2page20053.aspx
    
    Extractions: ZoomSearchBox.init(1, ''); Welcome, Guest Register Sign in Help Welcome to the ZoomInfo People Directory Find the person you're searching for in the list below and click on their name for more detailed information. Or use the search box above to explore our entire directory of over 30 million business professionals. Can't find yourself in ZoomInfo? Create your own profile now. var biz_data = ""; Jones, Leonard Ararat Shrine Hospital Transportation Fund Leonard H. Jones , North Kansas City, MO, went to the presence of the Lord, November 20, 2005 at St. Luke's ... Jones, Leonard Black Box Voting Leonard Jones leonard jones@gov.state.ak.us Jones, Leonard Cedar Crest Golf Course The Board of Directors of the Leonard Jones Minority Junior Golf Foundation will host a reception to honor its founder, Jones, Leonard Cox Communications , Inc. Leonard Jones Cox Communications Jones, Leonard Delicate Fade Inc Leonard Jones Delicatefade.com Leonard Jones Leonard ... Jones, Leonard Employment Connection Leonard Jones- (314) 340-5512 Sanction Career Specialist (Team Leader) Jones, Leonard

42. LeRoi Jones Dutchman - Bertolt Brecht, LeRoi Jones And Antonin Artaud
    custom writing essays custom written essays custom written research papers custom writing term papers leroi jones Dutchman Bertolt Brecht, leroi jones and  
    http://www.123helpme.com/view.asp?id=39785

43. Jones, LeRoi. The American Heritage® Dictionary Of The English Language: Fourth
    jones, leroi. The American Heritage® Dictionary of the English Language Fourth Edition. 2000.  
    http://www.bartleby.com/61/13/J0061300.html
    
    Extractions: Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia Cultural Literacy World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations Respectfully Quoted English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference American Heritage Dictionary Jones, John Paul ... BIBLIOGRAPHIC RECORD The American Heritage Dictionary of the English Language: Fourth Edition.

44. Wessel And Lieberman Booksellers: A Poem For Black Hearts. By Jones, Leroi.
    Detroit, MI Broadside Press, 1967. Reprint.A Poem for Black Hearts. by jones, leroi. Title A Poem for Black Hearts. Author jones, leroi.  
    http://www.wlbooks.com/cgi-bin/wlb455.cgi/34867
    
    Extractions: Author: Jones, Leroi. Description: Detroit, MI: Broadside Press, 1967. Reprint. Single sheet measuring 6.5 x 11". Near Fine with small creases at corners. Broadside No. 7. Reprinted from Negro Digest, September 1965, by permission of the Sterling Lord Agency. Item # Add to your cart Material offered subject to prior sale. Washington residents please add 8.9% sales tax. Items are returnable, with notice, within seven days of receipt. Libraries and Institutions may receive special terms to meet billing requirements. Important! If your credit card billing address is different than the shipping address, please include the billing address with your order. We Accept Visa, Mastercard, American Express, Paypal or checks in US$. Home Contact Us About Us Terms ... Search

45. Register Of Donald Allen Collection - MSS 0003
    Published as Writing 3, this volume contains work by leroi jones, 65, 16, jones, leroi. 5 ALs, 9 TLs, 2 APCs, 2 APCs, 2 TPCs, 20 R, (45 leaves)  
    http://orpheus.ucsd.edu/speccoll/testing/html/mss0003a.html
    
    Extractions: University of California, San Diego Extent: 33.50 linear feet (71 archives boxes, 1 records carton, 1 card file box, 30 oversize folders) Donald Allen, one of the most influential editors and publishers of contemporary American literature, was born in Iowa in 1912. During the Second World War he was a Japanese translator, and then became an editor at Grove Press, where he stayed for sixteen years. Allen has devoted his career to making innovative writing available to the public. He has edited several important anthologies of contemporary American writing and has published the work of many important poets through his two presses. Allen's editorial career began in the mid fifties when he accepted a position with Grove Press. One of his early projects was a collection of work by Brother Antoninus (William Everson), Robert Duncan, Kenneth Rexroth, Gary Snyder, Jack Spicer, and other poets of the San Francisco Renaissance, for an issue of Grove's EVERGREEN REVIEW (1957). He also aided in editing EYE OF MEXICO, an Evergreen issue devoted to contemporary Mexican writing and culture. During these first years at Grove Allen translated several of Eugene Ionesco's theatre works, including THE BALD SOPRANO (Grove, 1958), and edited books by Jack Kerouac, John Rechy, Lysander Kemp, and others. In 1958, Allen began work on his most important project at Grove, THE NEW AMERICAN POETRY anthology. Following the Pound/Williams tradition, Allen hoped to present the range of experimental writing produced in the United States since the Second World War. The project took two years to complete and required extensive correspondence with poets, editors, and literary agents. Finally published in 1960, the anthology chronicled the emergence of the Beat, Black Mountain, and New York schools of poetry. It also increased recognition for such poets as Robert Duncan, Robert Creeley, Denise Levertov, Paul Blackburn, and Charles Olson. Allen originally planned to publish revised anthologies every two or three years. However, he produced only two such books over the next twenty years: NEW AMERICAN WRITING (Penguin, 1965), and THE POSTMODERNS (Grove, 1965).

46. "the Screamers" In Genesis West 5 (1963). - JONES, LE ROI.
    Small stain at the head of the spine, otherwise near fine in original wrappers. Special issue on Ken Kesey. leroi jones also contribute to this issue.  
    http://www.antiqbook.com/boox/librar/015004.shtml

47. Sherri's Beat Bibliography
    jones, leroi. THE MODERNS AN ANTHOLOGY OF NEW WRITING IN AMERICA. NY Corinth Books, 1963. Kherdian, David. ed. BEAT VOICES AN ANTHOLOGY OF BEAT POETRY.  
    http://www.litkicks.com/Biblio/SherriBiblio.html
    
    Extractions: Maintained by Sherri , official Literary Kicks bibliographer The following is a general bibliography, listing works not specifically about any one Beat author. Bibliographies of books and articles about Jack Kerouac Allen Ginsberg and Ken Kesey are also available. Further bibliographies will follow. (Note: these bibliographies are books about the Beat movement and the individual writers; lists of each writer's works are available under each writer's name in the main section of Literary Kicks.) (Updated 1999) Ash, Mel. BEAT SPIRIT: THE WAY OF THE BEAT WRITERS AS A LIVING EXPERIENCE. New York: Putnam, 1997. Bartlett, Jeffrey. ONE VAST PAGE: ESSAYS ON THE BEAT WRITERS, THEIR BOOKS AND MY LIFE. Berkeley: J. Bartlett, 1991. THE BEAT BOOK. Boston: Shambhala, 1995. THE BEAT GENERATION WRITERS. Boulder, CO: Pluto Press, 1995. BIG SKY MIND: BUDDHISM AND THE BEAT GENERATION. NY: Riverhead Books, 1995. Carr, R., B. Case, and F. Dellar. THE HIP: HIPSTERS, JAZZ AND THE BEAT GENERATION. Faber and Faber, 1986. Charters, Ann. BEATS AND COMPANY, PORTRAIT OF A LITERARY GENERATION. Dolphin Doubleday, 1986.

48. Jones, LeRoi - Definition Of Jones, LeRoi By The Free Online Dictionary, Thesaur
    Definition of jones, leroi in the Online Dictionary. Meaning of jones, leroi. What does jones, leroi mean? jones, leroi synonyms, jones, leroi antonyms.  
    http://www.thefreedictionary.com/Jones, LeRoi

49. Amiri Baraka (LeRoy Jones) (b. 1934)
    Poetry of the Early 1960s. In Amiri Baraka/leroi jones The Quest for a Populist Modernism. New York Columbia University Press, 1978, 8395.  
    http://college.hmco.com/english/heath/syllabuild/iguide/baraka.html
    
    Extractions: Marcellette Williams The typical problems in teaching Baraka's poetry have to do with what has been called his "unevenness"perhaps more accurately attributable to the tension inherent in balancing Baraka's role as poet and his role as activistand the strident tone of some of his poemsalso related to his political activism. Both problems are probably best addressed directly by inviting the students to describe or characterize their impressions of the impetus for the poems as they read them (stressing "their reading" is critical and complements what current reading theory regards as the essential role of the reader in any reading paradigm), then asking them to substantiate textually those impressions. Such a strategy finesses the temptation to engage in a definitive debate of the politics of the time as the genesis and raison d'être of Baraka's poetry. Further, such a strategy allows students to explore the aesthetics as well as the politics of his poetry and understand better the inter/inner-(con)textuality of the two. Because the "sound" of Baraka's poetry is essential to texturing or fleshing out its meaning, readings aloud should contribute to discussions as well as to the introduction to his work.

50. Amiri Baraka: Biography And Historical Context
    www.english.uiuc.edu/maps/poets/a_f/baraka/bio.htm  
    http://www.english.uiuc.edu/maps/poets/a_f/baraka/bio.htm
    
    Extractions: Amiri Baraka: Biography and Historical Context William J. Harris Dutchman . After the death of Malcolm X he became a Black Nationalist, moving first to Harlem and then back home to Newark. In the mid-1970s, abandoning Cultural Nationalist, he became a Third World Marxist-Leninist. In 1999, after teaching for twenty years in the Department of Africana Studies at SUNY-Stony Brook, he retired. However, in retirement he is as active and productive as an artist and intellectual as he has ever been in his career. Currently he lives with his wife, the poet Amina Baraka, in Newark. Adapted from the biography in The LeRoi Jones/Amiri Baraka Reader Historical Context The Beat Period (1957-1962) William J. Harris Yugen and Floating Bear The New American Poetry: 1945-1960 Baraka’s Beat-period views on form: "there must not be any preconceived notion or design for what a poem ought to be. ‘Who knows what a poem ought to sound like? Until it’s thar’ say Charles Olson . . . & I follow closely with that. I’m not interested in writing sonnets, sestinas or anything . . . only poems." From the "Introduction," to

51. Dante's Hel. - JONES, LEROI
    Dante s hel.; jones, leroi. Offered by Verzendboekhandel Calliope.  
    http://www.antiqbook.nl/boox/cal/15412.shtml

52. Schwarze Musik. (Essays Und Reportagen). - JONES, LEROI
    Schwarze Musik. (Essays und Reportagen).; jones, leroi. Offered by Antiquariat Thomas Haker.  
    http://www.antiqbook.de/boox/haker/247816.shtml

53. La Mort D'Horatio Alger. Nouvelles. - JONES, LEROI.
    La Mort d Horatio Alger. Nouvelles.; jones, leroi.. Offered by Librairie Yves Deprins.  
    http://www.antiqbook.be/boox/dep/109-386.shtml

54. Jazz, Bibliography H-P
    jones, leroi. Blues People. New York William Morrow and Co., 1963. Katz, Bernard. The Social Implications of Early Negro Music in theUnited States.  
    http://community.berea.edu/historyofjazz/BibH-P.html
    
    Extractions: Funded by the Appalachian College Association, Summer 1997 BOOKS, H-P Hadlock, Richard. Jazz Masters of the Twenties . New York: Collier Books, 1965. Hagar, Andrew. Satin Dolls, The Women of Jazz . New York: Michael Friedman Publishing Group, 1997. Hagar, Andrew, Hattie Gossett and Fred Karl Jr. Ella Fitzgerald: Black Dog Masters of Jazz . New Providence, NJ: R.R. Bowker, 1997. Hall, Fred. More Dialogues in Swing: Intimate Conversations With the Stars of the Big Band Era . New York: Pathfinder Publishing of California, 1991. Hamm, Charles. Yesterdays: Popular Song in America . New York: W.W. Norton and Co., 1979. Harrick, Raymond. Profiles in Jazz: from Sidney Bechet to John Coltraine . New Brunswick: Transaction Pub., 1991. *Harrison, Daphne Duval. Black Pearls: Blues Queens of the 1920s . New Brunswick: Rutgers University, 1988. Hartman, Charles O.

55. Fall 2007 Course Descriptions Web
    jones, leroi (Amiri Baraka), Dutchman (New York William Morrow, 1964) ISBN 0688-21084-8 Reid, Mark. African American Drama COURSE PACK  
    http://www.clas.ufl.edu/users/mreid/Fall.htm
    
    Extractions: This course employs a comparative approach to study narrative and non-narrative films made about black women in the Americas, Europe, and Africa. Most of the film screenings cover films made by black female directors and screenwriters. However, the course also includes a few films made by nonblack and or male filmmakers. Lectures and discussions will consider how the films explore generational, gendered, racial, religious, and class conflicts that result from immigration, globalization, and western education. Ideas about ethnicity, race, nation, class, gender and sexuality will be discussed in relation to how they transform notions about women in Africa and its diaspora in Europe and the Americas. Students are expected to learn and correctly employ film and theoretical terminology when they discuss and write about black female-centered film. Additionally, students will analyze how various types of films imitate, appropriate, and or resist the dominant representational regimes that determine black female subjectivity. The course introduces students to womanist cultural theory, contemporary film history, and African Diaspora Studies in Western Europe and North America.

56. By Author Query
    jones, Joseph Stevens. People s Lawyer. Representative plays by American dramatists. PS623 .M7 1964 v.2. jones, leroi. Dutchman. Dutchman and the Slave  
    http://www.corban.edu/LibraryReports/Author_A-Z_2003PlayList/J_Author.html
    
    Extractions: By Author Query Sorted Author of play Sorted Title of play Source Title Call number of Source Jacker , Corrine Later (Monologue) Monologues: Women 2 Jacker , Corrine Later (Monologue) Monologues: Women 2 Jacob, Eva Robin Hood Tricks the Sheriff Children's Plays from Favorite Stories Jacob, Eva Snow White Children's Plays from Favorite Stories Jacob, Eva Crowded House, The Children's Plays from Favorite Stories Jacques As You Like It Theatre Audition Book Jailer's Daughter Two Noble Kinsmen, The Theatre Audition Book Jason Medea Theatre Audition Book Jean, Miss Julie Miss Julie Theatre Audition Book, The Jeffers, R. Cretan woman, The From the modern repertoire, series three PN6112 .B4 v.3 Jefferson, Joseph Rip Van Winkle Representative American Plays Joan Henry VI, Part I Theatre Audition Book Jones, Henry Arthur Michael and His Lost Angel Chief Contemporary Dramatists Jones, Joseph Stevens People's Lawyer Representative plays by American dramatists PS623 .M7 1964 v.2 Jones, LeRoi Dutchman Dutchman and the Slave Jones, LeRoi Slave, The Dutchman and the Slave Jones, Martin

57. UVa Library Exhibit: American Theatre
    Through his fiction, essays, poems, and plays, Amiri Baraka, born Everett leroi jones, has produced a body of work with a strong political message  
    http://www.lib.virginia.edu/small/exhibits/theatre/voice.html
    
    Extractions: Hughes addresses the appropriation of black culture and the parallel stereotyping of African Americans by a white theatrical tradition. The poem speaks to the fact that, for approximately the first 150 years of American theatre, nearly all African-American characters were created by white playwrights and often performed by white actors in blackface. African-American playwrights did not have a voice in the popular theatre of the eighteenth and nineteenth centuries nor did they have a legitimate venue for any works that they may have created. While several early African-American actors and playwrights found success in European theatres, those who remained in America were forced to conform to the expectations of white theatre audiences. Not until the latter half of the nineteenth century did African-American musical theatre movements begin to form. African-American minstrel troupes and writers started to create musicals that catered to African-American audiences that assembled in church halls, community centers, and small local theatres and auditoriums on the periphery of mainstream American theatre. With the Harlem Renaissance in New York City in the 1920s, the surge and prominence of African-American artistic talent paved the way for African-American playwrights to emerge on the Broadway and Off-Broadway scene in the middle of the twentieth century. The American stage finally saw fully realized African-American characters and powerful portrayals of African-American life.

58. Project MUSE
    In his transitional poems Le Roi jones/Amiri Baraka theorizes the connections leroi jones/Amiri Baraka s Tone Poem is dedicated to Elvin jones,  
    http://muse.jhu.edu/journals/college_literature/v034/34.1muyumba.html
    
    Extractions: How Do I Get This Article? Athens Login This article is available through Project MUSE, an electronic journals collection made available to subscribing libraries NOTE: Please do NOT contact Project MUSE for a login and password. See How Do I Get This Article? for more information. If you have password access to this journal, please login below. (Help with Login)

59. Emerald: Article Request
    Chapters on the Beat origins in the East Coast and the West Coast, Black Beats (leroi jones/Amiri Baraka, Ted Joans, Bob Kaufman), and a chapter on the  
    http://www.emeraldinsight.com/Insight/ViewContentServlet?Filename=Published/Emer

60. MW Books Ltd. At Antiqbook.co.uk
    11777 jones, leroi The Moderns. An Anthology of New Writing in America . 5699 jones, LE ROI - Preface to a Twenty Volume Suicide Note.  
    http://www.antiqbook.co.uk/boox/mwb/books23000.shtml

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