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Qualiton Imports Ltd.: BRONISLAW HUBERMAN BACHhuberman Nun Komm der heiden heiland. bronislaw huberman, violin; TheNational Orchestral Association/ Leon Barzin, rec. New York 1944 (Beethoven); http://www.qualiton.com/Merchant2/merchant.mvc?Product_Code=ARBITER 115&Screen=P
The Violin Tutor - Violin Practice Software For Windows Patrick Harris tribute to bronislaw huberman. The great Polish virtuoso violinistbronislaw huberman. Elementary Violin Technique http://www.theviolintutor.com/index.cfm?fuseaction=dspObject&ObjectID=69
Discoteca Di Stato - Lista Accessioni huberman, bronislaw, Concerto in D Major for violin and orchestra, columbia, 1,Disco (78 gg.) huberman, bronislaw, Concerto in D Major for violin and http://www.dds.it/servizi/accessioni/autore-hp.htm
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Extractions: Tracklist Bach Johann Sebastian Concerto for Violin and Strings No. 1 in A Minor, BWV 1041 I. Allegro moderato II. Andante III. Allegro assai Mozart Wolfgang Amadeus Concerto for Violin and Orchestra No. 3 in G,KV 216 I. Allegro II. Adagio III. Rondo Beethoven Ludwig van Concerto for Violin and Orchestra in D, Op. 61 I. Allegro ma non troppo II. Larghetto III. Rondo. Allegro Listen before you buy! Click on to hear a sound sample. Price: $20.70
Cheryl North Interviews Joshua Bell Bells most recent hit recording, the Op. 64 Violin Concerto in E Minor by it was owned early in the 20th century by Polish virtuoso bronislaw huberman. http://www.northworks.net/c_bell.htm
Extractions: Cheryl North Interviews Joshua Bell Classical Music Column for September 13, 2002 ANG PREVIEW Section by Cheryl North The rarefied world of the violin, its masters and its lovers, brims with intrigue - and uncanny coincidence. Consider last night at Davies Symphony Hall. Joshua Bell, the hot young head of the world's current remarkable set of youthful violin virtuosos, performed Samuel Barber's resplendent Violin Concerto with the San Francisco Symphony on his multi-million-dollar 1713 Stradivarius Violin. But just a few feet to his right, was another multi-million-dollar instrument of great significance to Bell. The 1742 Guarneri del Jesu violin, known as the David, was cradled in the arms of SFS Concertmaster Alexander Barantschik. Named for one of its previous owners, the great 19th century virtuoso Ferdinand David, the David was the favorite instrument of the 20th century's premier virtuoso, Jascha Heifetz. Now heres the kicker. Bells most recent hit recording, the Op. 64 Violin Concerto in E Minor by Felix Mendelssohn with Sir Roger Norrington conducting the Camerata Salzburg, was actually inspired by the very David for whom Mendelssohn wrote the piece. In fact, it was this self-same violin under Barantschik's chin, with which David had premiered the Mendelssohn concerto in 1845. During a cell phone interview with Bell on Monday as he was traveling on a Los Angeles freeway to a recording studio, I told him the astonished Bell that the David' would actually be within his reach when he performed on the Davies Hall stage later in the week.
Yale Herald Online: Impatient Bluster Foils A Once-forgotten Phrase BRONISLOW huberman. Brahms Sonata for violin and piano in G major, Op. 78 bronislaw huberman (18821947) is one of the many forgotten heroes of the http://www.yaleherald.com/archive/xxiii/2.21.97/ae/bluster.html
Extractions: BRONISLOW HUBERMAN Brahms: Sonata for violin and piano in G major, Op. 78 J.S. Bach: Partita for solo violin in d minor, BWV 1004 Schubert: Fantasy in C major for piano and violin, D. 934 Sarasate: Romanza Andaluza, Op. 22, no.1 (Arbiter) Bronislaw Huberman (1882-1947) is one of the many forgotten heroes of the music world. While his name is virtually unknown in this country, the orchestra he founded 50 years ago warrants universal praise. What is currently known as the Israel Philharmonic Orchestra is a product of this man's arduous mission to find a musical home for Jewish musicians who lost their positions as a result of Nazi policies. In addition to being a social and political activist, the Polish-born violinist was one of the most respected musicians of his generation. As one of the last adherents of a nineteenth-century style of violin playing, Huberman used wide vibratos, extensive sliding between notes, and exaggerated agogic accents. The printed page was never sacrosanct to Huberman, and his interpretations were recognized for their beauty of tone and individuality. These recently-released live recordings, made between 1936 to 1942, attest to those qualities. Huberman had a special affinity for the music of Brahms; as a child, he performed for the composer and received a rare compliment from the master. Indeed, there are some wonderful moments in Huberman's slightly idiosyncratic reading of the G major violin sonata. One of these occurs in
All Things Strings: Reviews All Things Strings offers violin, viola, cello, and bass resources for performers, 1, Naxos Historical 8.110909), and bronislaw hubermans Beethoven http://www.stringsmagazine.com/issues/strings92/reviews.shtml
Extractions: by Benjamin Ivry Outstanding Recent Historical Reissues Despite the woeful cries of the Gloomy Guses who pestiferate in the musical press, the classical CD is by no means dead, nor has it been "killed" by historic reissues. Vast areas of our precious musical past have yet to be uncovered, and a fascinating crop of recent reissues reminds us of a major benefit of listening to old records: we are confronted with past personalities and approaches, far from what is common coin in conservatories and concert halls today. The mysteries of past excellences need to be studied by all who have passed the stage of child prodigy, working on instinct alone. Some artists are especially alert to the vital importance of the past. Veteran violinist Ida Haendel has just released a new CD recital, accompanied by
Bronislaw Gimpel Archives The violin soon occupied his principal attention. At eight, he was accepted by The critics hailed him as bronislaw II, alluding to bronislaw huberman. http://www.gimpelmusicarchives.com/bronislawgimpel.htm
Extractions: by Peter Gimpel The outbreak of the War and an invitation from Klemperer brought Gimpel to Los Angeles, and to the concertmastership of the L.A. Philharmonic. Joined a year later by his brother Jakob, whose pianistic career had been similarly interrupted, Bronislaw assumed an active role in the musical life of the city as founder and director of the Hollywood Youth Orchestra, leader of the Philharmonic Quartet, and also frequently conducting the L.A. Philharmonic and the WPA Orchestra. After enlisting and serving in the U.S. Army from 1942 to the end of the War, Gimpel visited New York. He was immediately offered, and he accepted, the position of Concertmaster of the ABC Radio Symphony, where he also frequently appeared as soloist and as guest conductor. While holding that position, and leading the American Artist String Quartet, he also joined the New Friends of Music Quartet, with Hortense Monath. Two years after the War's end, Gimpel resumed his solo career in Europe, where he was received, once again, with great acclaim. Though he abandoned his post at ABC in 1950 in order to devote himself entirely to concertizing, Gimpel never lost interest in chamber music. The Mannes-Gimpel-Silva Piano Trio, formed that same year, quickly acquired an outstanding reputation, but dissolved in 1956, when Gimpel decided to transfer his domicile to Europe. Indeed, with as many as a hundred solo appearances a year in Germany alone, Gimpel's European commitments now required his constant presence. There followed eleven years of intense and exhausting concert and recording activity on both sides of the "Iron Curtain."
Separateissue bronislaw huberman 2. Release Apr.2001 Price full price Beethoven ViolinConcerto 1934 (matCol WHAX3038) George Szell(sond),Vienna phil Violin Sonata http://homepage1.nifty.com/classicalcd/japanesecd/opus_kura/separateissue.htm
Extractions: Release Apr.2001 Price full price Beethoven Violin Concerto <1934> (mat:Col WHAX30-38) George Szell(sond),Vienna phil Violin Sonata No.9 "Kreutzer" <1930> (mat:Col AX5730-37) Ignaz Friedman(P) Bronislaw Huberman(Vn) OPK 2006 NATHAN MILSTEIN Release Sep.2000 Price full price Sarasate Carmen Fantasy (mat:Col 55086/7) T.Saidengberg(P) Sarasate Zapateado (mat:Col 98561) Cui Orientale (mat:Col 146919) Wagner Prize Song(from Meistersinger) (mat:Col 98738) Drigo Valse Bluette (mat:Col 146918) Bach Air on the G string (mat:Col 98737) Emmanuel Bay(P) Schumann Treumerei (mat:Col 220207) T.Saidenberg(P) Chopin Waltz G flat major Op.70-1 (mat:Vic 11540A) Glinka Persian Song (Mat:Vic 1154B) Aulin Impromptu (mat:Col 98562) Drigo Serenade (mat:Col 98567) Emmanuel Bay(P) Dedra Souvenir (mat:Col 220208) Sarasate Zigeunerweisen (mat:Col 55082/3) T.Saidenberg(P) Efrem Zimbalist(Vn) OPK 2003 JOSEPH SZIGETI
Violin Concerto In D Major, Op. 35 Program notes and related information about Violin Concerto in D major, Op. 35 . It was bronislaw huberman who persuaded him to compose it, http://www.kennedy-center.org/calendar/index.cfm?fuseaction=composition&composit
Jan's Workshop SECOND PICTURE Jan carefully polishes a recentlyvarnished violin with wettedtripoli The great bronislaw huberman (1882-1947). http://gviolins.cc/workshop/
Extractions: Joshua Bell : Well, I'm only now starting to emerge from the cloud that is just completely over everyone here in the city. I was home here in New York, in my apartment, when I actually got a call from my mother in Indiana who saw it on the news. I was still sleeping and she told me to turn on the television. I saw both of the buildings were already on fire by then. Obviously, it's unthinkable for anyone, but particularly for someone living in New York, who sees the Twin Towers all the time. It's just unfathomable. I went up on the roof of my building, which has a direct view of the Twin Towers, and I watched them burn and I was just in complete disbelief. I mean, I'm fortunate, I don't have any close people in my life that were injured or killed. But everyone knows someone that died. I know so many people that have friends that died. JB : I'm a couple of miles away, but still pretty close, and close to the cutoff point. Everything below 14th Street was pretty much closed off for a long time. Anyway, I canceled everything that week, interviews, and I canceled my trip to Europe, and was kind of helpless. But I was able to do a couple of things. One memorial service at Riverside Church on Sunday with some other musicians, and also got together with some friends a couple days after the event, and we played a little impromptu performance at one of the Red Cross shelters where people were sleeping, people who were out of [their] homes and were being taken care of.
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Bowing To History has been stolen twice, in 1919 and 1936 years that it was owned by Polishviolinist bronislaw huberman, founder of the Israel Philharmonic Orchestra. http://www.startribune.com/stories/1646/5040594.html
