Extractions: Link to Us Hamburg Passenger List - 1872, Maw-Meil Surname Given Name Age Depart Date Vessel Destination Film Page Mawe Auguste 28 Aug 1872 Weatphalia NY B Mawe Ferdinand 28 Aug 1872 Weatphalia NY B Mawe Herrmann 28 Aug 1872 Weatphalia NY B Mawe Johanna 28 Aug 1872 Weatphalia NY B Mawe Wilhelmine 28 Aug 1872 Weatphalia NY B Max Wilhelmine 13 Jan 1872 Saxonia NY A Maxfeldt Auguste 20 Apr 1872 North Star NY/Glasgow C Maximilian Johan 19 Mar 1872 Eugenie NY/Liverpool C Maxter Jacob 31 Jan 1872 Cimbria NY A May Anna 5 Jun 1872 Hammonia NY A May Anna Lisette 2 Oct 1872 Silesia NY B May Aug Wilh 13 Mar 1872 Hammonia NY A May Auguste 5 Jun 1872 Hammonia NY A May Bernard 13 Sep 1872 Gitana NY D May Carl 5 Jun 1872 Hammonia NY A May Carl O. 11 Sep 1872 Thuringia NY B May Emma 5 Jun 1872 Hammonia NY A May Gill 4 Sep 1872 Holsatia NY B May Louise 5 Jun 1872 Hammonia NY A May Marie 5 Jun 1872 Hammonia NY A Maybohm Anton 16 Oct 1872 Westphalia NY B Mayburg Wiebke 6 Aug 1872 Vandalia NY B Mayenn Alexander 30 Nov 1872 Saxonia New Orleans B Mayens Alvine 5 Jun 1872 Hammonia NY A Mayer A 14 Aug 1872 Silesia NY B Mayer Adolph 8 May 1872 Silesia NY A Mayer Albertina 18 Oct 1872 Hansa NY D Mayer Albertine 13 Jul 1872 Gitana NY/Liverpool C Mayer Anna 24 Jul 1872 Hammonia NY B Mayer Aug 12 Jun 1872 Cimbria NY A Mayer Aug 12 Jun 1872 Cimbria NY A Mayer Auguste 12 Jun 1872 Cimbria NY A Mayer Auguste 12 Jun 1872 Cimbria NY A Mayer Bernhd 15 May 1872 Westphalia NY A Mayer Carl 21 Aug 1872 Frisia NY B Mayer Carl 13 Mar 1872 Hammonia NY A Mayer Carl
Career Opportunities Levy mayer. adolph Kraus. The firm represented White Sox owner, Charles A.Comiskey, in the 1919 World Series scandal. http://www.mayerbrownrowe.com/careeropportunities/city.asp?nid=796
Motion Pictures: American Film In the postWorld War I period the production genius of such men as Samuel Goldwyn,Louis B. mayer, adolph Zukor, and Jesse L. Lasky, and the innovative http://www.infoplease.com/ce6/ent/A0859792.html
Extractions: google_ad_client = 'pub-1894504138907931'; google_ad_width = 120; google_ad_height = 240; google_ad_format = '120x240_as'; google_ad_type = 'text'; google_ad_channel =''; google_color_border = ['336699','B4D0DC','DFF2FD','B0E0E6']; google_color_bg = ['FFFFFF','ECF8FF','DFF2FD','FFFFFF']; google_color_link = ['0000FF','0000CC','0000CC','000000']; google_color_url = ['008000','008000','008000','336699']; google_color_text = ['000000','6F6F6F','000000','333333']; Encyclopedia motion pictures The first American studios were centered in the New York City area. Edison had claimed the patents for many of the technical elements involved in filmmaking and, in 1909, formed the Motion Picture Patents Company, an attempt at monopoly that worked to keep unlicensed companies out of production and distribution. To put distance between themselves and the Patents Company's sometimes violent tactics, many independents moved their operations to a suburb of Los Angeles; the location's proximity to Mexico allowed these producers to flee possible legal injunctions. After 1913 Hollywood, Calif., became the American movie capital. At first, films were sold outright to exhibitors; later they were distributed on a rental basis through film exchanges.
Bylines Bud mayer. adolph Bud mayer ( 41), longtime head of public relations for theUniversity of Denver, died in Denver on April 8. He was 80. http://www.colorado.edu/journalism/bylines/spring99/obit.htm
Extractions: Bud Mayer Adolph "Bud" Mayer ('41) , longtime head of public relations for the University of Denver, died in Denver on April 8. He was 80. After graduating from CU, Mayer worked as an account executive with the Denver Max Goldberg advertising agency. He was a police reporter with the Rocky Mountain News for two years, then went to work for the San Francisco Examiner . He also worked for NBC and the Sacramento-based McClatchy newspaper chain before returning to Denver in 1949 to do publicity for the Central City Opera House. At the time, the venue was owned by the DU Foundation. His work eventually earned him a job at the university. Back to table of contents
The Art Institute Of Chicago: Provenance Research Project Work Oberlin College, Oh., Allen Memorial Art Museum, The adolph mayer Collection,longterm loan exhibition beginning in 1948, catalogue published in Allen http://www.artic.edu/aic/provenance/extended/1955_747.html
Extractions: Adolf Mayer, Mannheim and The Hague, by December 1936 [see The Hague 1936 exh. cat., no. 77, and label on reverse of stretcher]. By descent to his sons, Adolf I. Mayer Jr., New York, and H. Herbert Mayer, The Hague [see forward of 1948 Oberlin exh. cat.]. Probably offered for sale by Adolf I. Mayer Jr. and H. Herbert Mayer through Van Diemen-Lilienfeld Gallery, New York [see forward of Oberlin 1948 exh. cat. and Van Diemen and Lilienfeld label on reverse of stretcher]. Sold by Van Diemen-Lilienfeld Gallery, New York, to the Art Institute, 1955. Exhibition History
Louis B. Mayer, Saint John, N.B. Aside from mayer, the group includes Paramount s adolph Zukor, Universal s CarlLaemmle, Columbia s Harry Cohn, and the Warner brothers. http://new-brunswick.net/Saint_John/fame/mayer.html
Extractions: Times Globe staff writer I The provocative documentary tells the story of the Jews that came from Eastern Europe in the early 20th century to become Hollywood's movie moguls. Not only did these immigrants live the American dream, they also created it through the visions they chose to commit to film. It is also a documentary that holds special interest for Saint Johners. That's because Louis B. Mayer, the Hollywood magnate who was born in Russia but raised in the Port City, is one of the charismatic figures explored in the film. And despite the fact that Mayer was so devoted to the United States that he claimed July 4th as his birthday, his grandson says he never forgot his link to Saint John. "Oh yes, he was very much aware of it," says Daniel Selznick, theatre producer, director and critic. "He used to keep a photo up in his home of a large group of people from Saint John." Selznick says that photo was taken in 1950 when Mayer came back to Saint John for the 50th anniversary of some event - Selznick can't remember exactly what it was. The Telegraph Journal's files show that Mayer was involved, in a Saint John event in 1950, but only from afar. A new memorial chapel at Shaarei Zedek Cemetery was being dedicated to Mayer's mother, Sarah Mayer. The Telegraph reported that Louis B. Mayer donated money for the construction of the chapel, but did not attend the event because of "pressure of business and poor health."
Hollywood Studio Era In the postWorld War I period the production genius of such men as SamuelGoldwyn , Louis B. mayer , adolph Zukor, and Jesse L. Lasky, and the innovative http://www.paradisepath.com/hollywood-studio-era.html
Film History Before 1920 adolph Zukor Until around 1912, producers and exhibitors insisted that adolph Zukor, Samuel Goldwyn, Carl Laemmle, William Fox, Louis B. mayer, http://www.filmsite.org/pre20sintro4.html
Extractions: Griffith's Landmark Epics: D. W. Griffith also advanced cinema by experimenting with longer film lengths, after the phenomenal success of the two-hour Italian epic Quo Vadis? (1913) , directed in Europe by Enrico Guazzoni. Griffith's response to the full-length features that were already coming over from Europe was the first American four-reeler, Judith of Bethulia (1914) , starring Blanche Sweet, Henry Walthall and the Gish sisters. It was the last film he directed for Biograph. The early epic was made over-budget and secretly produced in 1913, but not released until a year later due to concern about its uncharacteristic length. The film's story was based on the Apocrypha and told about an attractive widow/martyr of ancient Bethulia who undertook to save her city under battle siege by seducing and killing the Assyrian general/conqueror. The film marked the transition point between shorter films and longer feature films, and demonstrated more of Griffith's cinematic techniques (e.g., cross-cutting of concurrent narratives). Soon afterwards due to conflict with the short-sighted Biograph over the expensive and lengthy film, he left the studio in 1913 to make longer 'feature' films, and joined the independent Mutual/Reliance-Majestic studio in Hollywood, California. He brought along his talented cameraman G.W. "Billy" Bitzer and other actors.
KUsports.com - : Mayer: Allen Worthy Of Top-10 Listing By Bill mayer, Contributing Editor. Saturday, May 10, 2003 Yet adolph usedto come back for some of the reunions of the 2223 guys and could be http://www.kusports.com/news/columns/story/107094
Extractions: Skip to content Skip to navigation The 2005 season screensavers and wallpaper are here! Get yours ... advertisement Get Today's Forecast KU Jammin Jayhawk Polo, Denim, Twill, and T-Shirts plus Jayhawk figures. Go to the store ... By Bill Mayer , Contributing Editor Saturday, May 10, 2003 During the 2003 NCAA basketball tourney, CBS-TV presented a feature on the "10 best coaches" in college annals. Most of the choices were no-brainers, but there probably were at least a couple in there you might wonder about. advertisement Like Pete Newell and maybe John Thompson. And some were irked by the inclusion of Bob Knight if for no other reason than he's Brash Bobby Knight. Yet everyone in this pantheon won at least one national title, and the selectors had the good sense to include Kansas' Phog Allen. Doc finished ninth on the list, as I recall, but he at least made it. He should have been higher considering his massive contributions as the designated Father of Basketball Coaching. He was given that name, of course, by the guy who invented the game, James Naismith. No. 1, naturally, was UCLA's John Wooden with his string of 10 titles in the 12 seasons from 1964 through '75. Nobody ever will match that. Wooden posted a 664-162 record in 29 seasons at Indiana State and UCLA, a percentage of .804. That falls short of the 879-254 record of North Carolina's Dean Smith in 36 seasons, and the 876-190 by Kentucky's Adolph Rupp in 41 years as the Bluegrass Baron.
Extractions: Skip to content Skip to navigation The 2005 season screensavers and wallpaper are here! Get yours ... advertisement Get Today's Forecast KU Jammin Jayhawk Polo, Denim, Twill, and T-Shirts plus Jayhawk figures. Go to the store ... By Bill Mayer , Contributing Editor Sunday, March 16, 2003 Ever hear of a college basketball team that posted a 25-0 season record but sat at home during the NCAA Tournament because its coach chose not to let it go? advertisement Happened in 1953-54. Adolph Rupp, a Halstead product and a Phog Allen protege, was the eye of a furious, devastating three-year storm. For all his success and achievements, the Baron of the Bluegrass took some huge personal and professional lumps in the early 1950s. There were shocking fixing scandals which ultimately involved a batch of his "boys." Adolph's program got an NCAA "death penalty" enforced idleness in 1952-53, because of the fixing taint. Then came the forced ineligibility of three of his key men for the 1954 tourney. That happened after the Wildcats spent all of '52-53 practicing and snarling over the chance to get revenge in '53-54. Adolph and his dedicated boys boldly announced their goal was the 1954 NCAA title. Yet three Kentucky starters were ruled ineligible for the tourney because they had already graduated (the rule since has been changed). They were Cliff Hagan, Frank Ramsey and Lou Tsioroplous. They delayed their pro careers a year, eager for a vengeful '54 conquest.
Extractions: It is 6:30 of an August morning in southern California's San Fernando Valley, and the first rays of sunlight are streaming westward over the scrubby San Gabriel mountains. As the light burns off the ground fog, the eye begins to pick out the faint outlines of a tall glass office building known locally as the Black Tower. By Manhattan standards the fifteen-story structure is no skyscraper, but here in the valley it dominates the landscape as surely as its owner and occupant, MCA Inc., dominates the television and motion-picture production industry. This is the heart of Universal City, the home of MCA and its subsidiary, Universal City Studios, and already makeup artists are applying pancake to the expensive face of Gregory Peck as he is readied for his role in the movie MacArthur and carefully mussing Peter Falk's hair for another day's shooting of "Columbo." During the following hour, carpenters, painters, electricians, and plumbers begin streaming through the studio gates, followed, in turn
American Jewish Archives Correspondence and other papers of adolph Proskauer, Alabama, of Mrs. adolphProskauer, and Arthur Joseph mayer Proskauer; manuscripts of articles, essays, http://www.americanjewisharchives.org/aja/collections/01_p.html
Extractions: Papers describe the professional career and activities of Passamaneck, an active administrator of the Young Men's Hebrew Association (YMHA) in both Kansas City, Missouri, and Pittsburgh, Pennsylvania. The collection includes correspondence and newspaper clippings. Of particular interest is correspondence with Jacob Billikopf during his time in Kansas City, Missouri. Inventory available. PORTER, JACK NUSAN. (1944- ) Papers describe the life of Prentis as businessman and philanthropist. The collection includes correspondence and articles concerning Prentis' association with General Motors, articles and correspondence pertaining to his involvement with Jewish and non-Jewish organizations, along with family charts describing seven generations of the Prensky/Prentis family.
Greatescape Douglas Gomey, Film Scholar The stars were Louis B. mayer, adolph Zukor, themen, mostly men, who were on the scene. They were created as larger than life http://www.hsse.nie.edu.sg/staff/blackburn/studiosystem.htm
Extractions: De Forrest Kelly, Actor: 'Every studio was a city. It had your comissionary. You had your hospital, where a child can be born or a person die.' Catherine Turney, Writer: 'It was enclosed like a cocoon. While you were in there, you were in another world completely.' Charleton Heston, Actor: It was well put when it was said that 'the trouble with movies as a business is that it is an art. The trouble with movies as an art is that it is a business. And everyone of us who makes films struggles with that everyday you do it.' Paramount Pictures, MGM, Universal, and Twentieth Century Fox completely controlled the American movie industry in the golden age of the 1930s and 1940s. How were they able to again and again create the cinema's tireless classics, and how did they exercise their power? Paramount is the focus of the story, beginning in the 1930s. Every artist who came through the studio lot gates was under contract. This was the first rule for running a Hollywood studio lot. De Forrest Kelly, Actor: 'When you are in a contract it is like a family feeling. You have a family to go to you if you have a problem. Somebody on the lot has your interest at heart.'
Mount Sinai Congregation - Wausau, WI - History Of Jews In America Harry Cohn, Louis B. mayer, adolph Zukor, and Jack and Harry Warner were amongthe prominent Jewish immigrants who helped build the new Tinseltown. http://www.mswisc.org/_kd/go.cfm?destination=Page&Pge_ID=1113
New Mexico Union Officers mayer, adolph H. Major, Co.F S, 4th NEW MEXICO Infantry mayer, adolph H. Major,Co.F S, 1st NEW MEXICO Cavalry McAlister, David Second Lieutenant First http://home.okstate.edu/homepages.nsf/toc/NMofficers.htm
Extractions: 500+ Following names are those of known commissioned who served in Federal New Mexico units. Please let us know of additional officers as this list may not be 100% complete. Descendants of commissioned officers are eligible for membership in MOLLUS and DOLLUS (our ladies counterpart). Please visit our homepage Texas Commandery details.
The House Of Rothschild mayer Carl is at odds with adolph. Although notably partisan in her eldestbrother s favour, Charlotte s diary details some of the illfeeling this rivalry http://www.nytimes.com/books/first/f/ferguson-house.html
UW Libraries - Database Search mayer, adolph, 18391908 Neumann, Carl, 1832-1925 (2) Waerden, BL van der (BartelLeendert), 1903-. Click here to see record details http://www.lib.washington.edu/resource/search/ResFull.asp?Field=author&ID=291934
Biography For Samuel Goldwyn and with an iron hand Louis B. mayer (MGM), adolph Zukor (Paramount), In 1916 the Lasky Company merged with another Paramount producer, adolph http://www.imdb.com/name/nm0326418/bio
