BMG Music Service: CD Detail pianist krystian zimerman is soloist in this set that includes orchestral versionof Valses nobles et sentimentales. http://www.bmgmusic.com/catalog/product/cd_detail.jhtml?productId=30143
Soloists Demonstrate Technique, Finessee In BSO Concert pianist krystian zimerman played the Bartk Piano Concerto No. 1. Polish pianistkrystian zimerman made a name for himself by winning the prestigious http://www-tech.mit.edu/V113/N49/bartok.49a.html
Extractions: By Thomas Chen Two young soloists joined maestro Seiji Ozawa and the Boston Symphony Orchestra on Saturday for a memorable and effective night of music-making. Pianist Krystian Zimerman played the Bartk Piano Concerto No. 1. And soprano Christine Schfer sang in the last movement of Mahler's Symphony No. 4. Both soloists showed technical security and artistic finesse, splendidly led by Ozawa. Hungarian composer Bla Bartk (1881-1945) wrote his first two piano concertos as vehicles for his own pianistic and compositional skills. This was not uncommon as Mozart, Beethoven, Rachmaninov, and Prokofiev also wrote for their own fingers. Bartk's first piano concerto was written in the fall of 1926, for the occasion of his American debut. Although Bartk ended up playing another of his works for his debut, his concerto did finally receive an American premiere in 1927. Because of the percussive use of the piano and dissonant harmonizations of folk melodies, the concerto received a less than enthusiastic reception. Besides Prokofiev, not many composers at that time really treated the piano as a percussion instrument. However difficult the work is to listen to, its innovations of repeated notes in distinct rhythmic units and treatment of the piano as a pitched percussion instrument have helped it survive as an influential piece in the concerto repertoire.
Soloists Demonstrate Technique, Finesse In BSO Concert I I - I Polish pianist krystian zimerman made a name for himself by winning the prestigious pianist krystian zimerman played the Bart6k Pianso Concerto No. 1. http://www-tech.mit.edu/archives/VOL_113/TECH_V113_S0785_P015.txt
Eclectic Season Offered By Cal Performances the Tallis Scholars, pianist krystian zimerman, the Takács Quartet, April 23 krystian zimerman, piano. April 28 Michael Feldman s Whad Ya Know? http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2005/05/05/DDG
2002-2003 Season - 84th Concert Season American pianist Peter Serkin, recognized the world over as an artist of passion krystian zimerman, Piano, krystian zimerman. Thursday, April 24, 2003 http://www.camasb.org/archives/2002-03.shtml
Extractions: The Los Angeles Philharmonic led by Esa-Pekka Salonen opens CAMA's 84th season performing its 253rd CAMA concert in Santa Barbara since the year of their mutual founding in 1919. American pianist Peter Serkin, recognized the world over as an artist of passion and integrity, is one of the most thoughtful and individualistic musicians appearing before the public today. [Serkin] is one of the supreme musicians of our time. - New York Magazine
88keys.com - Featured Books & Recordings After the young Finnish pianist Paavali Jumppanen auditioned for him, His enthusiasm for krystian zimerman s former pupil was shared by The New York http://www.88keys.com/docs/feat_br.html
Extractions: Published by Amadeus Press [340 pages (hardcover); ISBN: 1-57467-072-7]. In The Composer-Pianists: Hamelin and The Eight . Readers will find within these pages vivid and unusual portraits of the enigmatic, iconoclastic men who conceived some of the most challenging piano music ever written. Chapters on music criticism, virtuosity, eroticism and transcription further explore their ingenious creativity. The volume includes rare photographs and concludes with an extensive bibliography, listings of the complete solo piano works of The Eight, and discographies of their solo piano recordings. In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating inspiration for the future."
Extractions: Utopia gets surprisingly mixed reviews in classical music. Any number of artists and their admirers will tell you that their favorite performances are those that had no rehearsals. Then there are those who create a mystique around themselves by insisting on greenhouse circumstances that musicians are said to long for. The latest is Krystian Zimerman , the Polish pianist who is touring the world playing both Chopin concertos with an ensemble he hand-picked himself, the Polish Festival Orchestra, which offers him endless rehearsals and a chance to analyze nearly every chord. Even though the group has played engagements all over Europe and spent seven days making the Deutsche Grammophon recording that would take other forces seven hours, there are still daily rehearsals up to four hours long. "Five years ago, I wouldn't have dared this performance, because it's so far out of range of the kinds of performances we have on the market," he says.
Science Blog -- UCLA News Consummate pianist krystian zimerman Performs Brahms and Beethoven at UCLA UCLA Live presents internationally acclaimed pianist krystian zimerman in http://www.scienceblog.com/community/older/archives/O/b/ucl2851.shtml
Extractions: UCLA Live presents internationally acclaimed pianist Krystian Zimerman in concert performing at 8 p.m., Wednesday, April 23, at UCLA's Royce Hall. This one hour, 45-minute performance has one intermission. Zimerman's program will feature Brahms' Six Klavierstucke, Op. 118; Beethoven's Sonata No. 31 in A-Flat Major, Op. 110; and Brahms' Sonata No. 3 in F minor, Op. 5. Zimerman is devoted to Russian and Polish music, as well as the works of Prokofiev and Beethoven. Critics praise his "warmth and brilliance" and his ability to reveal music's inner voices and hidden melodies, which leaves audiences begging for more. The Washington Post has written of his work, "Zimerman gave more than an inkling to his audience as to why the Grand Prix du Disques and other recording industry awards fall to him like so much confetti. Zimerman has wonderful control he seems to build phrases from the inside out finding each pivotal point, then working out to the ends." Born in Poland into a family of rich music-making traditions, Zimerman began playing piano at the age of 5, later studying with Andrei Jasinski at the Music Conservatory in Katowice. Having achieved early success at a number of piano competitions, he embarked upon his international career after winning the Grand Prix at the 1975 Warsaw Chopin Competition, where he was the youngest competitor.
Mixed Media - Forbes.com 1 2, krystian zimerman, Boston Symphony Orchestra, Seiji Ozawa; recording ofconcertos 1 and 2 by pianist krystian zimerman and conductor Seiji Ozawa. http://www.forbes.com/business/fyi/2004/0329/084_2.html
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Rotterdams Uitburo Voor Studenten : Kaartjes krystian zimerman. Geen eigenzinniger pianist dan krystian zimerman. Hij speeltwat hij vindt dat hij moet spelen en hij doet met zijn programmakeuzes geen http://www.studentenuitburo.nl/?request=kaartjes&id=51
De Doelen Op zaterdag 14 mei aanstaande speelt krystian zimerman in de Doelen in Rotterdam . Een optreden van de Poolse pianist is nimmer doorsnee. http://www.dedoelen.nl/concertgebouw/index.php?fuseaction=home.showArtikel&artnr
De Doelen Geen eigenzinniger pianist dan krystian zimerman. Hij speelt wat hij vindt dathij spelen moet en hij doet met zijn programmakeuzes geen enkele concessie. http://www.dedoelen.nl/concertgebouw/index.php?fuseaction=home.showAgendaDetail&
Sonning :: Alle Prismodtagere:: Krystian Zimerman krystian zimerman, pianist. krystian zimerman er født 1956 i Zabrze, Polen, ogstuderede ved konservatoriet i Katowice. I 1975 vandt han førsteprisen ved http://www.sonningmusik.dk/cms/view/index.asp?ipageid=48
.: Universal Music :. krystian zimerman werd in 1956 geboren in Zabrze, Polen en begon op zijn De pianist heeft gewerkt met alle grote orkesten in Europa en de VS onder http://www.universalmusic.nl/artist_detail.php?aid=1002186837
Polish Music Reference Center : January 1995 Newsletter RESERVE THE DATE April 18, 1995 on your calendar to see and hear pianist krystianzimerman in recital Andrzej Jasinski (krystian zimerman s teacher). http://www.usc.edu/dept/polish_music/news/jan95.html
Extractions: Vol. 1, no. 1 Wednesday, February 1, 1995; A MARATHON CONCERT OF POLISH MUSIC will be held on campus at USC in the United University Church from 12:00 - 4:00. It will feature Polish pianist and composer, Andrzej Dutkiewicz , professor at the Chopin Academy of Music in Warsaw, who is a visiting scholar at USC this semester. He will be joined by local artists and musicians, including Rodney Oakes of Harbor College and others. Music on the program will include: Chopin, Szymanowski, Moniuszko, Panafiuk, Malawski, Sierocki (Swing Music), Paderewski, Bacewicz and others. For the listeners in Los Angeles area, Fred Hyatt will present SZYMANOWSKI's opera " King Roger " in two recorded versions for your comparison. Tune in to KPFK 90.7 FM on Sunday, January 15th from 1:00 - 5:00 P.M. NOTEWORTHY NEWS: Polish composer and percussionist Marta Ptaszynska , who has been living in the U.S. for some years now, is presently (January 2 - March 17) a visiting composer at the University of Cincinnati College-Conservatory of Music. She was commissioned to write a " Fanfare for Peace " for the Cincinnati Symphony Orchestra Centennial Celebration. The concert on November 18, 1994 opened with the world premiere of Ptaszynska's "
Polish Music Reference Center : December 1994 Newsletter The British journal Gramophone s 1994 Record of the Year for Best InstrumentalRecording AWARD went to Polish pianist, krystian zimerman, for his rendition http://www.usc.edu/dept/polish_music/news/dec94.html
Extractions: Vol. 0, no. 1 This column will cover all current events pertaining to Polish music, its composers, its artists and artists performing Polish music. It will be updated on a regular basis. Submissions are welcome. Contact Wanda Wilk, Director The British journal Gramophone's 1994 Record of the Year for Best Instrumental Recording AWARD went to Polish pianist, Krystian Zimerman , for his rendition of Debussy's Preludes . (DG 2 CD 435773-2). As described by the editor of Gramophone, James Jolly, it is " a work of infinite variety and breathtaking colours. It may not be a conventional way of interpreting these masterpieces, but it is one of enormous insight and an impressive staging post in the career of one of the century's undisputed keyboard masters. Herbert Glass reviewed the discs for the Los Angeles Times on June 12, 1994: " In his stunningly fine new recording of the two books of Debussy Preludes, he is at once the most analytical of pianists and the most imaginative. What strikes the listener from the outset is the reflectiveness that Zimerman has invested in these performances. Yet they never seem studied Ever since winning the 1975 Chopin Competition the Polish pianist has recorded exclusively for Deutsche Grammophon. This is his second recording to win a Gramophone Award. (Chamber music category in 1990). Look up Zimerman's recording of Lutoslawski's
Poland :: KRYSTIAN ZIMERMAN Translate this page krystian zimerman (geb. 1956) - pianist, Absolvent der Musikakademie in Katowice.Er ist einer der hervorragendsten pianisten. Zu seinem Repertoire gehören http://www.poland.gov.pl/?document=2195
Krystian Zimerman Translate this page Actuellement, krystian zimerman vit avec sa femme et ses deux enfants à Bâle Ecoutez krystian zimerman dans Debussy, Extrait du 6ème Prélude du livre II http://sostenuto.piano.free.fr/krystianzimerman.htm
Extractions: Après son Prix, il décide de s'installer 14 mois à Londres et en profite pour approfondir sa connaissance de la langue et de la littérature anglaise. A mon sens, le nom de Zimerman est indissociablement lié à l'oeuvre de Chopin. Depuis sa victoire au Concours, il enregistre essentiellement les oeuvres du compositeur polonais (à ma connaissance, il existe 3 versions des Concertos avec Giulini, Kondrachine et lui-même à la direction). Néanmoins -et c'est là l'autre facette de Zimerman- il subjugue également l'auditoire par ses visions personnelles mais très convaincantes des Préludes de Debussy (version concurrente à Michelangeli?) ou de la Sonate en si mineur de Liszt. Exigeant et minutieux également dans le choix et la conception de ses programmes de concerts, Zimerman impose ses volontés si bien qu'il lui faut parfois demander à 5 ou 6 imprésarios pour pouvoir inscrire à son programme l'oeuvre qu'il souhaite. Parce qu'il préfère la qualité à la quantité, il allait jusqu'à régler lui-même au début de sa carrière ses pianos de concerts. Il déclarait, à ce sujet:
