Ivory Classics Bien sûr, EarlWild, ce n est pas le même genre de piano. Les apparences pourtant peuvent http://www.abeilleinfo.com/dossiers/dossier.php?nomdossier=wild&rg=1&tit_dos=Ivo
Arlington Street Church - Music In 1996, Rodger Vine was asked by the eminent Grammy Awardwinning pianist EarlWild to proof-read his transcriptions of Rachmaninov and Gershwin in http://www.ascboston.org/music/musicstaff.html
Extractions: Director of Music MFelipe@ASCBoston.org A native of Ann Arbor, Michigan, Miguel currently lives in Brookline, Massachusetts. In addition to his tenure at Arlington Street Church, which began in 2000, he is music director of the Boston Choral Ensemble , an a cappella chamber choir. Miguel is on the faculty of The Boston Conservatory where he is the conductor of the Women's Choir. In 2005, he was a guest faculty member at Brown University Currently, Miguel is a doctoral student at Boston University International Federation for Choral Music Most recently, Miguel was artistic director of The Maine Gay Men's Chorus where he served for five seasons. Miguel was also a student at the Pierre Monteux School for Conductors and Orchestral Musicians in Hancock, Maine, Michael Jinbo, director. Prior to his move to Boston, Miguel lived in Cincinnati, Ohio, where he completed a degree in Music Theory and Conducting at The University of Cincinnati College-Conservatory of Music summa cum laude under the tutelage of John Leman and Christopher Zimmerman. While in Cincinnati, he worked as a church musician for several area churches including
Sequenza21/The Contemporary Classical Music Weekly Earle Brown, a veteran of the original postwar avant-garde of John Cage, Since his breakthrough as a teenage pianist 40 years ago, the virtuoso Andre http://www.sequenza21.com/070802.html
Extractions: Volume 2 of the collected Piano Music of Franz Liszt - edited by virtuoso pianist Earl Wild - contians music mainly dating from 1837-1849, with the later 'Fountains of the Villa d'Este' as an addition. Includes the grief-stricken, bitter Les Funerailles , composed as a homage to three of his closest friends who died in the Hungarian uprising of 1849, plus the Dante Sonata - a vision of the descent into Hell. Notes on each piece and the pedalling/editing are included.
