Baylor University || School Of Music || Dr. Bradley Bolen the first live performance of renowned pianist earl wild s Sonata 2000.As a result, Mr. wild wrote, Bradley Bolen is one of the most astute musicians http://www.baylor.edu/music/index.php?id=11359
Extractions: Ezequiel Viñao was born in Buenos Aires, Argentina in 1960. At age 20, encouraged by the legendary American pianist Earl Wild, and through the auspices of the United Nations, he moved to New York City where he still lives. At the time, in addition to his activities as a concert pianist, Viñao immersed himself in the task of blending the classical instrumental tradition with computer generated sound worlds. In 1987 he was invited to the Festival d'Avignon to work with the late Olivier Messiaen. The result of these explorations was La Noche de las Noches . These "seven concentrated, evocative pieces, of austerely theatrical force" (The London Times), written for string quartet and live electronics, were selected by the European Broadcasting Union for over 100 broadcasts throughout the world. Other works from this period include
Keyboard Links - Ken Davies' Musical Instrument Links playpiano.com Oregon pianist/teacher Duane Shinn has an excellent piano (andmore) resource wild, earl (1915) - Includes biography and discography. http://www.kendavies.net/resources/instrumentlinks/keyboardlinks.html
Extractions: http://www.kendavies.net/publications/sheetmusic.html KenDavies.net Resources Instrumentlinks > keyboardlinks.html Instrument Links Index Brass Piano, Pianola Synthesizers Organ ... Accordian, Concertina, Bandoneon KEYBOARD - GENERAL EZINES - JOURNALS Accordion USA - National News Publication for the accordion community.
WMU News pianist Korevaar performs in free recital at Dalton Center. March 3, 2003 and at age 13 he became a student of the great American virtuoso earl wild. http://www.wmich.edu/wmu/news/2003/0303/0203-ae078.html
Extractions: Pianist Korevaar performs in free recital at Dalton Center March 3, 2003 KALAMAZOO Pianist David Korevaar returns to Kalamazoo for a guest artist recital in Dalton Center Recital Hall at Western Michigan University Monday, March 17, beginning at 8:15 p.m. The concert is free and open to the public. A member of the piano faculty at the University of Colorado-Boulder, Korevaar has appeared in Kalamazoo on a number of occasions as a Young Concert Artists Series collaborative artist. His March 17 performance features works by Bach and Beethoven, the Ballades of Chopin, and works by Lowell Liebermann. Korevaar, who has recorded the complete Bach Preludes and Fugues, recently completed recording the complete works of Liebermann. Korevaar has presented recitals in New York's Alice Tully Hall, Town Hall, Merkin Concert Hall, and the Kosciuszko Foundation. He has performed across the United States, from Yale and Harvard, the Kennedy Center, Library of Congress and the Phillips Collection, to Chicago, Cincinnati, Houston, Dallas, and San Diego. International performances have included appearances in Australia, Japan, Korea, and Europe. Korevaar began his piano studies at age 6 in San Diego with Sherman Storr, and at age 13 he became a student of the great American virtuoso Earl Wild. By age 20, he had earned his bachelor's and master's degrees from the Juilliard School, where he continued his studies with Earl Wild and studied composition with David Diamond. He completed his Doctor of Musical Arts from the Juilliard School studying under Abbey Simon.
Earl Wild Official Web Site earl wild official web site. This site gives biographical information, a discography,information for ordering wild s own piano transcriptions, http://www.earlwild.com/
Extractions: Earl Wild Official Web Site This site gives biographical information, a discography, information for ordering Wild's own piano transcriptions, details of upcoming projects, and upcoming performances. Frame and JavaScript capable browser is required for browsing this site. home transcriptions compositions recordings ... bottom frame
Earl Wild earl wild. Thank you, for visiting click here or you will be redirected to theNew earl wild website. www.earlwild.com. http://www.andrew.cmu.edu/user/wild/bio.html
Extractions: Disc 1: Track Name MP3 Sample Piano Concerto No.1, Op.1 MP3 Sample Piano Concerto No.2, Op.18 MP3 Sample Disc 2: Track Name MP3 Sample Piano Concerto No.3, Op.30 MP3 Sample Piano Concerto No.4, Op.40 MP3 Sample Rhapsody on a Theme of paganini, Op.43 MP3 Sample American pianist Earl Wild's classic performances of the Rachmaninov concertos still rank among the critic's top recommendations. The original recordings have been remastered in stunning 24 bit digital sound. Artist: Earl Wild (piano) / Royal Philharmonic Orchestra / Horenstein
ArkivMusic The Romantic Master - Earl Wild (The 1985 Sessions In 1985 earl wild recorded three double albums of Liszt s music for the Dutch Performer earl wild (Piano) Country of Origin Germany Period Romantic http://www.arkivmusic.com/classical/album.jsp?album_id=2717
Natasha Paremski ♪ Official Website The reason I go to Ohio to study with earl wild is that he is the only pianistremaining from the Golden Age and the only teacher who can teach, Natasha http://www.natashaparemski.com/mercurynews.html
Extractions: T.T. Nhu November 15, 2002 Natasha Paremski, this year's soloist with the California Youth Symphony, is a 15-year-old prodigy who was born in Moscow, lives in Fremont and studies with a teacher in Ohio. Five years after she made her debut on the piano, Natasha has already won numerous awards, including the Bronislaw Kaper Award, sponsored by the Los Angeles Philharmonic. She is also the featured soloist on the Moscow Philharmonic Orchestra's recently released CD of Rubinstein's "Piano Concerto No.4" and Rachmaninoff's "Rhapsody on a theme of Paganini." At 2:30 Sunday, Natasha will play "Piano Concerto No.2" by Brahms with the California Youth Symphony at the San Mateo Performing Arts Center. "Natasha is potentially one of the great artists of our time," said Earl Wild, her teacher and himself a former child prodigy. Natasha began playing piano at 4 and made her professional debut at 9 with the El Camino Youth Symphony, playing Haydn's "Concerto in D Major." The young prodigy began studying the piano with Nina Malikova in Russia when she was 4. After immigrating to the United States in 1995 with her parents, she has been studying with Wild.
Earl Hines earl Hines recorded many outstanding piano solos in the early days of jazz. Titles recorded that day included Weary Blues, New Orleans Stomp, wild Man http://www.bluesrolls.com/BTFan_Hines.html
Extractions: "Say, say, say. Say, Earl Hines, why don't you let us in on some of that good music, Pops?" - Louis Armstrong, intro to "A Monday Date", recorded June 27, 1928 Earl Hines was born December 28, 1903 in Dusquesne, Pennsylvania. Reviewer Scott Yanow describes Hines' innovations concisely: "Once called "the first modern jazz pianist", Earl Hines differed from the stride pianists of the 1920's by breaking up the stride rhythms with unusual accents from his left hand. While his right hand often played octaves so as to ring clearly over ensembles, Hines had the trickiest left hand in the business, often suspending time recklessly but without ever losing the beat" (please read more like this at the All Music web site). Hines' Early Recordings Hines' collaborations with Louis Armstrong are some of my very favorite early jazz recordings. They recorded together as part of Johnny Dodds' Black Bottom Stompers on April 22, 1927. Titles recorded that day included Weary Blues, New Orleans Stomp, Wild Man Blues, and Melancholy. These are available today on an excellent Dodds CD entitled "South Side Chicago Jazz" (MCA / Decca 42326).
2004 INTERNATIONAL KEYBOARD INSTITUTE AND FESTIVAL a performance of Schubert s Die Winterreise by tenor Jon Frederic West withpianist Jerome Rose; Concert earl wild, piano Haydn Sonata in D http://www.newschool.edu/html/press release/06_15_mcm_ikif.html
Extractions: JULY 11 - 25, 2004 New York, NY - June 15, 2004 Mannes College of Music of New School University announces that the 6th Annual will take place this summer from July 11-25, 2004 at Mannes, 150 West 85th Street, NYC. The festival, conceived by founder and director Jerome Rose , who performs the opening concert on Sunday, July 11, 2004 at 8:00 p.m., attracts some 100 pianists from around the world who come to participate in two weeks of intensive master classes, lectures and concerts led by the festival faculty. For more information on the International Keyboard Institute and Festival, call (212) 580-0210, ext. 336, e-mail: IKI@newschool.edu or visit the Web site at www.mannes.edu/iki/ . Evening events are $20; Master Classes are $15; and a Daily Pass is $50. (Transportation: Take the #1 train to 86th Street or #104 bus.) This year's 2004 Festival will be taped for broadcast and aired over the WFMT Radio Network, beginning in January 2005.
MSN Encarta - Jazz The most brilliant pianist of the 1920s, comparable to Armstrong in sheer was earl Fatha Hines, a Chicagonurtured virtuoso considered to possess a http://encarta.msn.com/encyclopedia_761560708_2/Jazz.html
Extractions: Search for books and more related to Jazz Encarta Search Search Encarta about Jazz Editors' Picks Great books about your topic, Jazz ... Click here Advertisement document.write(' Page 2 of 4 Encyclopedia Article Multimedia 50 items Article Outline Introduction Characteristics Origins History A Shortly after the turn of the 20th century, the earliest fully documented jazz style emerged and centered in New Orleans, Louisiana. In this style the cornet, trumpet, or violin carried the melody, the clarinet played florid countermelodies, and the trombone played rhythmic slides and sounded the root notes of chords or simple harmonies. Below this basic trio the guitar or banjo sounded the chords, along with a piano, if available; a string bass (or tuba for marching parades) provided a bass line; and drums supplied the rhythmic accompaniment. In theory, these roles were the same as in other kinds of musicâit was the addition of improvisation, along with elements of other black music such as blues and ragtime, that made jazz unique. A musician named Buddy Bolden appears to have led some bands that influenced early jazz musicians, but this music and its sound have been lost to posterity. Although some jazz influences can be heard on a few early phonograph records, not until 1917 did a jazz band record. This band, a group of white New Orleans musicians called The Original Dixieland Jazz Band, created a sensation overseas and in the United States. Among the bandâs many successors, two groups emerged in the early 1920s that were particularly celebrated: the New Orleans Rhythm Kings and the Creole Jazz Band, the latter of which was led by cornetist
R&B, Soul, Doo-Wop - Earl Palmer -> Piano Red Hank Crawford, Fathead Newman, Louis Jordan and earl Bostic all come to mind when The Atlanta born bred pianist was one of the founding fathers of http://www.rootsandrhythm.com/roots/RANDB-DOOWOP/randb_p1.htm
Extractions: PIANO RED EARL PALMER Ace CDCHD 719 The World's Greatest Drummer, Ever 30 tracks, 70 mins, highly recommended. Great compilation featuring the work of this great session drummer from recordings made in New Orleans and on West Coast in the 50s. A nice mix of old favorites and obscurities including a handful of cuts with Palmer as the leader (the two part Johnny's House Party Drum Village ). Among the treasures included here are I Got It by Little Richard, Shame, Shame. Shame by Smiley Lewis, Chicken Shack Boogie by Amos Milburn, Dance With Me henry by Etta James, King Kong by Big T. Tyler, Little Bitty Pretty One Red Hot Rockin' Blues by Jesse james, La Bamba by Ritchie Valens, Somethin' Else by Eddie Cochran and lots more. Great sound and set comes with 12 page booklet with extensive notes by Stuart Coleman and rare photos. Another winner from Ace! (FS)
Classical CD Reissues Pt. 2, 11/04 - AUDIOPHILE AUDITION earl wild plays Rachmaninoff RACHMANINOFF 13 Song Transcriptions earl wild,piano Ivory Classics 74001 7755 (Distrib. VAI)**** earl wild (b. http://www.audaud.com/audaud/NOV04/reissues/recds2.html
Extractions: Along with a strong sense of musical architecturedifficult always in Mahler since there are so many peaks and upheavals in the course of a single movementBarbirolli elicits some of the warmest orchestral tone one will hear from the Berlin Philharmonic. The muted playing in the horns is exact, finely paced and beautifully balanced. Barbirolli neither sentimentalizes the yearning Mahler nor does he avoid the moments of vulgarity, realizing that Mahler wants both extremes at once. The many-sided polyphony achieves an incandescent texture of expression, a shimmering transparency. As a side note, Barbirolli after the concerts with the BPO, received the Gustav Mahler Prize from Dirk Nabering, then chairman of the international Gustav Mahler Society.
Extractions: ALAN Review Afterimage American Drama American Music Teacher ... View all titles in this topic Hot New Articles by Topic Automotive Sports Top Articles Ever by Topic Automotive Sports The Pianist's Guide to Transcriptions, Arrangements, and Paraphrases. . - Books - book review American Music Teacher Dec, 2001 by Rebecca Grooms Johnson Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. The Pianist's Guide to Transcriptions, Arrangements, and Paraphrases, by Maurice Hinson. Indiana University Press, (601 N. Morton St., Bloomington, IN 47404), 1990 (paperback edition 2001). 192 pp., $19.95. To any professional pianist the name Maurice Hinson calls forth a number of images: meticulous scholar, prolific editor and author, energizing and inspiring lecturer. Hinson has greatly enriched the piano teaching and performing professions with his guides to various genres of repertoire, his informative and extensively researched editions of music, and his workshops and videotapes.
