T.I.S. Music: Search Results Performance Practices in Classic Piano Music Their Principles and Applications NoteLearning to Trust Your Mus Author westney, william Publisher Amadeus http://www.tismusic.com/results.cfm?thedept=B&brow=Piano Performance
JW Pepper Son, Inc. william westney Amadeus Press, Inc. In this groundbreaking book, prizewinningpianist and noted educator william westney helps readers rediscover their own http://www.jwpepper.com/catalog/search?weblist=web_home_page_June-2005&index=17
Search Results Detail-MMB Music Therapy 1574670832. Amadeus Press, LLC. In this groundbreaking book, pianist and noted educatorWilliam westney explores some important paradoxes about making music. http://www.mmbmusic.com/therapy/action.lasso?-database=MMBstore&-layout=mt&-resp
Arsis Press: Music By Women Composers It is a terrific trip! (IAWM Journal) A Liszt Fantasie for piano was writtenin 1984 and dedicated to william F. westney. The piece http://www.instantweb.com/~arsis/Keyboard.html
Extractions: The composer writes: " Etude grew out of a conversation I had with a colleague. We were contemplating what it is about some pieces of music that makes them feel like they are floating on air, and what it is about some other pieces that makes them seem to be so close to the earth. Although there are many other elements at work, one important element seemed to be the nature of the rhythmic resolution. It is the treatment of rhythm that I chose to explore in this piece. The form is ABA, where each A section is mostly floating and the B section is mostly not."
Cherrykilgore.com In 1979 I returned to Texas Tech University to study with william westney, PianoAward Winner of the Geneva International Competition, and earned a Masters http://cherrykilgore.com/music.html
Introduction his irrational dreams he resurrected his youthful desire to become a concertpianist. After two years studying piano under Dr. william westney, http://www.bibleandanthroposophy.com/Smith/main/disciple/introduction.html
Extractions: by Christopher Bamford It is a privilege to write a few words to introduce this pithy, far-reaching essay by Edward Reaugh Smith The Disciple Whom Jesus Loved focuses (with many fascinating asides) on the identity of the beloved disciple: the one leaning on Jesus bosom, whom Jesus lovedthe one to whom Jesus gave His mothernot to mention the one who wrote the Fourth Gospel, the Apocalypse, and certain Letters that expound the Christian teaching of love more perfectly than any other human text. Ordinary Christians have always called this author John, which tradition has sometimes interpreted to mean to whom is given and which Smith tells us comes from a conflation of two Hebrew words Yah (or Yahweh) with Anna, meaning grace. In other words, John manifests and bears witness to Gods grace. Certainly no Christian texts have exerted a comparable initiatory influence. Indeed, whether or not it is justifiable to speak of a Johannine spiritual (esoteric) Church, in contrast to the Petrine or institutional (exoteric) Church, St. John has always stood for the heights of mystical theology: the deepest Christian initiation. His identity, therefore, is a matter of more than passing interest. This is one reason why, when asked by the New York Open Center and the Anthroposophical Society to contribute to a lecture series celebrating Christianity at the beginning of the new millennium, Ed Smith chose the theme of the identity of John: it would allow him to talk of Christian initiation in a new way, one whose time he felt had come. Another reason surely was that it allowed him to bring together a number of
Always On Sunday Schedule Winner of the Geneva International Competition, william westney has appeared assoloist with the Houston Symphony, San Antonio Symphony, lOrchestre de la http://www.winthrop.edu/news/releases/archivereleases/fall1999/always.htm
Extractions: July 27, 1999 Here is the schedule: * Natalia da Roza, Sept. 5 Natalia da Roza serves as professor of music and head of the piano area at Georgia State University. She holds a bachelor of science degree in music education from Nazareth College, a master of music degree in performance from Holy Names College and a doctor of musical arts degree in performance from North Texas State University. She has given recitals throughout the United States, Spain and the Far East and is in demand as a lecturer and adjudicator. Da Roza maintains an active private studio of outstanding pre-college students. **Canceled as of September 1st** * Emile Blondel, Sept. 19
Chautauqua Music Festival 2005 | Piano Lisa Campi, Fort Lewis College Robert Schwartz, San Franciscobased pianistMichael Boyd, University of Toledo william westney, Texas Tech University. http://music.ciweb.org/piano_faculty.html
Printer Friendly Schedule With the pianist Joseph Nykiel, he recorded two CD, the first dedicated to Benjamin westney received both his Bachelors and Masters degrees from The http://www.idrs2005.org/print.php?view=prop&prop=261
Amtadir.org/table1 pianist and classical mezzosopranist, Julia continues to perform and teach in Piano study with M. Duphil, Hong Kong; Wm. westney, TTU; Rosalyn Tureck, http://www.amtadir.org/table1.html
Extractions: THEORY LAURA BAKER NM PM B.M., voice, piano, Univ. of Tex. at Austin; graduate study in voice, music, UNM. Member Mu Phi Epsilon. Teaching since 1962. Recital/performance experience. All levels/ ages in piano/ theory, beginning voice at age 15. Student winners in AMTA/PMTNM competitions in performance, theory, and composition. 3400 La Sala del Este NE
Extractions: Put exact phrases in quotes Search within Results by media type: We searched for: we found: results by media type: journal articles: magazine articles: newspaper articles: encyclopedia articles: books on: prokofiev music - 441 results More book Results: Prokofiev Book by Israel V. Nestyev Florence Jonas ; Stanford University Press, 1960 Subjects: Prokofiev, Sergey1891-1953 ...Koussevitzkys motives in championing Prokofievs music as both publisher and conductor...oversimplification. A strange fate pursued Prokofievs music written on patriotic Soviet...measure, will help to popularize Prokofievs music and to further scholarly study... Record Ratings: The Music Library Association's Index of Record Reviews Book by Kurtz Myers Richard S. Hill ; Crown Publishers, 1956 Subjects: MusicDiscography Sound RecordingsReviewsIndexes RECORD RATINGS THE MUSIC LIBRARY ASSOCIATIONS INDEX OF RECORD...No clear-cut opinion 1956, by The
Extractions: Let me begin by backing up a bit. Two years ago, in yet another one of my grand experiments, I decided to not only learn to play the Prelude and Fugue in D Minor (BWV 539) but also to simultaneously memorize it. As a result of that experiment, I wrote my FREE Workshop #11: "The Case for Memorizing: Am I Crazy?!?" Utilizing the "chunk" method discussed in that workshop, I actually successfully learned and memorized 60% of the D Minor fugue. Unfortunately, a few months into the project, with three pages down and two pages to go, I hit a wall. Yes, the passage on the other side of the final page turn was complex but it wasn't just the music that was the problem, it was my focus. I'd lost it. At each practice session, I tried valiantly to continue work on the almost-done piece but I couldn't seem to regain my interest in it. The momentum I'd had began to dwindle and other projects began making inroads on my time and attention. Before long, the fugue slid quietly beneath the surface, and on down into the depths of "Projects Started with Good Intentions but Lacking Follow-through." It's possible that I just needed a break from it but I was in uncharted territory with this dual-learning process thing. All I knew was that I'd never before taken a piece that far and not finished it. It seemed like such a waste and, believe me, I wasn't without guilt over the amount of time I'd spent on the fugue only to let it languish.
DR V4.2: The Bassoon At Lubbock, 1981 classic work. Nakagawa combined his dark, fluent style of playing with pianistWilliam westney for a convincing performance. Le Phenix http://www.idrs.org/Publications/DR/DR4.2/bassoon.html
Extractions: David DeBolt On Tuesday of the 1981 IDRS Conference week I was pleasantly surprised to find that the bassoon requirements of the Kansas City Philharmonic repertoire for the week would allow me freedom to be in Lubbock for most of the events. The enjoyment and valuable information gained there more than counterbalanced my second surprise, that of finding myself appointed bassoon reviewer just as I was preparing to leave. The atmosphere of the convention was at once Texan, International and adventurous. A warm West-Texas welcome was extended not only by Richard Meek and staff, our excellent hosts, but also by the delicious food and comfortable rooms, the gracious townspeople who were guides at the ranch museum, and the community orchestra players whose efforts made possible a concerto concert. Texas-sized bassoon and double-reed ensembles appeared several times, and programming throughout the convention emphasized pieces for two or more double reed instruments. Quartets and larger groups made a striking effect, but not without some reminders of the pitch and balance problems inherent in such undertakings. The most notable Texas-sized exception was the group of 6 oboes, 6 English-horns, 6 bassoons, contra-bassoon, and sometimes 2 flutes performing "Ye Banks and Braes O' Bonnie Doon'; The Immovable Do
»çÀÌÆ®·Î ±¸¼ºÇÑ ¼¼°è¹®Çп¹¼úµµ¼°ü Oleg VolkovPianist(RU) The Virtual Piano Virtual Piano Museum David WongPianistAli WoodPianist(AU) John Bell YoungPianist william WestneyPianist Earl Wild http://school.pressian.com/dictionary/art_music_07.htm
Tech Sets Hemmle Concert Series Slate Cello and Piano with violinist John Gilbert, cellist Terry King and pianistWilliam westney, Martinu s La Revue de Cuisine and Zelenka s Cantata http://lubbockonline.com/news/083197/techsets.htm
Extractions: Tech sets Hemmle concert series slate The Texas Tech School of Music will host another Gene Hemmle Memorial Concert Series from Sept. 13 through April 4, 1998. General admission tickets for each concert are priced at $5 for the general public and $3 for Tech students. Scholarship Concert tickets are priced at $12.50 for the general public and $8 for Tech students. Entitled ''Vistas Virtuosic: Music for Every Horizon,'' the 1997-98 series will feature Tech faculty, students and alumni in performances of a variety of demanding musical works. All concerts will be performed at the campus' Hemmle Recital Hall; all will begin at 8 p.m., with the exception of the March 8 Scholarship Concert at 3 p.m. On Sept. 13, a faculty-student-alumni chamber orchestra will perform Mozart's ''Per questa bella mano'' with baritone Gerald Dolter and double bass player Paul Sharpe, Faure's ''Elegie,'' Saint-Saens' ''Allegro Appassionato'' with cellist Terry King and Prokofiev's ''Peter and the Wolf'' with narration by William Hartwell. The Nov. 15 program will showcase Mozart's ''Quartet in D Major for Flute and Strings'' with flutist Margaret Redcay, Beethoven's ''Sextet in E-flat Major, Op. 71'' and selected songs by Schubert.
Powell's Books - Music-Education And Therapy Piano Lessons 3 Piano Lessons by Hal Leonard Synopsis Unit 1 of Book 3opens with eighth notes first in 4/4 time, then in 2/4 time. http://www.powells.com/subsection/MusicEducationandTherapy.5.html
