Article Template Linda Minety will explore the music of the Quinte Symphonys upcoming concert withpianist, alexander tselyakov and will focus on Russia, Rachmaninoff http://www.communitypress-online.com/template.php?id=13556&RECORD_KEY(ACeditoria
Article Template March 28 The Quinte Symphony presents tselyakov Rocks, with pianist, Alexandertselyakov, on March 28 at 230 pm at the Empire Theatre, Belleville. http://www.communitypress-online.com/template.php?id=13712&RECORD_KEY(ACeditoria
Concert For New York - Alexander Tselyakov At Carnegie Hall Concert for New York. A special piano concert at Carnegie Hall by AlexanderTselyakov honouring the victims, families and heroes of the September 11. http://www.pianos.co.uk/news/tselyakov.php3
Extractions: Recognized as "one of the outstanding pianists living and performing in Canada today" by the Toronto Star , Russian-Canadian pianist Alexander Tselyakov has joined the ranks of Canada's most talented pianists since his Canadian debut in 1994. He has won international competition awards from around the world
Eastern Conservatory Online Music Library Townsend, Jenefer (flute); Tsang, Bion (cello); Trubitsyna, Valentina (soprano);tselyakov, alexander (piano); Peterson, Tanya, (violin http://easterncollege.us/artists.html
Extractions: English to Chinese English to French English to German English to Italian English to Japanese English to Korean English to Portuguese English to Spanish Chinese to English French to English French to German German to English German to French Italian to English Japanese to English Korean to English Portuguese to English Russian to English Spanish to English Powered by Systran Soloists Conductors Ensembles Orchestras ... Opera/Management agencies/Miscellaneous Adam, Bill (Bill Adam Tribute Web site) (trumpet) Afrocentric Voices in Classical Music ; Biographies and bibliographies on African Americans in classical vocal music Ainsley, John Mark (tenor) Alban, Carol (flute) Aler, John (tenor) Allen, Susan (harp) Allen, Sir Thomas (baritone) Alykova, Valentina (violin) Anfuso, Nella
Ottawa Chamber Music Society :: RealAuction by RealDecoy. 300 USERS 452 ITEMS. 335 alexander tselyakov 20th CenturyPiano Album - Autographed. Send this auction to a friend. http://tm.realauction.ca/ocms/en/auctions/item/?auction=15e251f8d68d15dfec9fde2e
Ottawa Chamber Music Society :: RealAuction Application Development by RealDecoy. 300 USERS 452 ITEMS. 124 alexander tselyakov,pianoLive performance. Send this auction to a friend. http://tm.realauction.ca/ocms/en/auctions/item/?auction=c4b10e621ecb9afd63cbd577
Mount Allison University News And Events Performing Arts Series Virtuoso alexander tselyakov to perform Born in Bakuin the former Soviet Union, alexander tselyakov demonstrated a keen http://www.mta.ca/news/index.cgi?id=20
Winnipeg Symphony Orchestra 3/05 @ 8 pm Sat, Mar 5/05 @ 8 pm *Friday night subscribers attend Thursday performancealexander Vedernikov conductor alexander tselyakov piano Carrabré New http://www.wso.mb.ca/concertbydate.php?selectedMonth=1109656800
Winnipeg Symphony Orchestra 3/05 @ 8 pm Sat, Mar 5/05 @ 8 pm *Friday night subscribers attend Thursday performanceDavid Lockington conductor alexander tselyakov piano Carrabré Paginini http://www.wso.mb.ca/concertbydate.php?selectedMonth=1111816800
UW Gazette, September 18, 1996 Conducted By Jan Narveson September We d rather have heard the pianist alone in these fine pieces. SundayAlexander tselyakov had established himself with KWCMS audiences last year, http://www.communications.uwaterloo.ca/Gazette/1996/September18/Cecilia on Music
Extractions: UW Gazette, September 18, 1996 Conducted by Jan Narveson September 10: The WLU noon-hour series opened with a concert devoted entirely to works of Shostakovich, featuring violinist Youri Zaidenberg, bass singer Sterling Beckwith, and pianist Sofia Moshevich. First off was about half of Shostakovich's sonata for violin, Op. 134 , allegretto and largo. The first or these is frantic and angular, and hard to make attractive; this violinist was not up to the job. By the end of this long movement, we were rather uncomfortable. The largo calls for beautiful tone, and here Zaidenberg was better; still, they did not plumb its depths. At the end of the program the two returned with about five of the 24 Preludes for piano, Op. 34, arranged for violin and piano. Some of these worked well in this form, but again we found Zaidenberg unconvincing - sound not attractive, and intonation not entirely accurate. We'd rather have heard the pianist alone in these fine pieces. However, the contributions of the singer with pianist were the main meat of this concert. Beckwith has a lovely big, deep bass, just right for the Russian literature. The selections ranged from very deeply felt to very quirky. One was to poetry of Robert Burns, sung in English, though the note credited a Russian translation. Did Shostakovich, like Beethoven, write this Scottish song to English metre without knowing what it meant? Whatever, the result was pretty interesting, as were the others. This is mostly not great Shostakovich, but it was intriguing, arresting, and singular, wholly typical of this composer and a welcome rounding-out of this listener's acquaintance with him. Beckwith was a pleasure to hear, and his pianist sympa thetic. September 14: The K-W Symphony Orchestra at its opener lacked its former concertmaster, associate concertmaster, principal violist, and associate principal cellist; despite that, though, it sounded generally fine, and in fact we seemed to discern a bit more strength as well as the customary sheen in the strings. The program was an odd one, and several hundred conspicuously empty seats suggested that the World Cup hockey game won out over it in too many cases. Milhaud's Le boeuf sur le toit (The Bull on the Roof) was the opener. Its Brazilian rhythms and clever use of polytonality make it a catchy and interesting piece. Somehow, though, despite excellent playing by our band, the piece didn't quite make it on this occasion - its samba rhythms, etc., require hair let down a bit farther than Chosei Komatsu is inclined to go. Next up was the Strauss Horn Concerto No. 2, with James Somerville in the soloist's position. Unenviable position, one might add, for the solo part in this concert is the very devil. Thus it was all the more impressive that Mr. Somerville encompassed its fiendish leaps, chromaticisms, and so on with such aplomb and smoothness. There are nice touches for cello and for oboe too, beautifully handled by John Helmers and James Mason. The amazing solo part excepted, though, this concerto is a puzzler and difficult to make really persuasive; we have to say that it was not so on this occasion, anyway. Its general lines sounded rather fussy - so very opposite to the gestalt of the Mozart concerti that Strauss is supposed to have had as his models. The remaining work was Dvorak's great "New World" Symphony, which has beauties aplenty: ravishing melodies, nice orchestration, spirit, refinement, expert organization - a real winner of a symphony. And in the big climaxes and the exciting bits, Komatsu was just fine. However, there's a lot more to do to sustain interest in this long piece, and we were not very impressed with his management here. There's something very special about Czech rhythms, which need to sound always a little relaxed and yet spirited; the art of rubato needs to be in an advanced state to get everything working to the point of magic that is possible here. And again, this performance didn't have that. One sensed a lack of real heart and conviction here. No amount of lovely playing can make up for that, alas. But the lovely playing was there, in abundance: Faith Levene's account of that glorious English Horn solo in the slow movement was something to treasure, the horns and brass throughout were simply inspired, strings played with beauty and discipline. Visiting concertmaster Martin Foster - familiar to Chamber Music Society audiences - had only a couple of real solo bits, but those were very beautiful indeed. He will have played in yesterday's CCE concert too, so we'll have more to report on that promising front. Altogether, then, a somewhat mixed rating on this one. Sunday: Alexander Tselyakov had established himself with KWCMS audiences last year, and so we were expecting good things. We weren't disappointed. The opening Bach Prelude and Fugue No. 8 (Bk. I, WTK) is slow and gentle; Tselyakov took it at a very, very slow and extremely steady pace, reminiscent of Glenn Gould; his touch control is so advanced that the prelude underwent a steady crescendo from about as quiet as one can readily imagine a playing up to a solid forte over the space of a couple of minutes; the whole was shaped beautifully, and this worked very well. The fugue was played in such a way as to leave one simply with an impression of what a wonderful composer Bach was, and how does one do better than that? Chopin's Barcarolle is one of his finest pieces, and depends on establishing the rocking rhythmic pattern so well that it becomes integral with the rest as it gets more ornate and involved. That came off well too, along with the finely adjusted volleys and the suggestion of serenade that makes this such a winning piece. Prokofiev's 5th Sonata is rather different from the rest; it isn't quite so insistently propulsive, and runs to a subtle kind of reflection. The second movement requires tour-de-force level rhythmic and dynamic control, and as in the Bach, this was managed beautifully. The finale isn't tub-thumping but becomes extremely busy and suddenly one realizes that it's a hugely demanding movement, though Tselyakov takes such things in stride to a degree that makes one forget how treacherous it all is. Very impressive! After intermission, a pair of sets of variations on the famous theme of Paganini, starting with Book II of the Brahms set, and then proceeding to an utterly remarkable new set by the Russian Alexander Rosenblatt - a new name to us all. The Brahms set is a batch of leftovers, really, including several that Brahms must have decided were essentially impossible to play. That's the kind of thing that this pianist eats right up, and even though this was the first time he'd played it in public it went like gangbusters. One notable variation is in 2nds throughout, and comes as quite a shock; others seem to require a mini mum of three hands, crossing each other in quite wild fashion. And so onÉ suffice to say that here indeed was a virtuoso display of a rare order. However, Mr. Rosenblatt apparently decided he wasn't about to be one-upped in that department, as his set alternates shotgun-level clusters of notes at dizzying velocities with ingenious settings in real American bluenote jazz styles. It's a subtle crossover piece, and Tselyakov takes to the jazz idiom remarkably well. In fact, we were completely taken with this work. This was its very first performance in North America, we understand, and we think it could take concert stages by storm, and hope it will get lots of exposure on them in the masterly hands of this pianist. The full house on hand earned two beautiful encores: Tchaikovsky's "October", from The Seasons, and Liszt's furious Transcendental Etude in f, performed with consummate ease and fine style. He doesn't do anything by halves! The rest of the world needs to find out about this artist, and hopefully will ere long; but meanwhile we can be very grateful for these opportunities to take in his astonishing abilities close-up. Forthcoming: Thursday, Friday, Saturday: The KWS "Pops" concert features Quartetto Gelato, which has deservedly rocketed to world prominence in recent years. How their special brand of brilliant musical high-jinks will go over with an orchestra in tow remains to be seen, but Peter de Sotto singing "Danny Boy" is something to which no heart in working order can fail to respond. 578 1570 for tickets. Sunday: Catherine Manoukian is another of the brilliant young violinists that the contemporary age seems to be so replete with; she played very well with the K-W Symphony last year, at 14, and now comes to the K-W Chamber Music Society's Music Room with serious stuff on the bill: Mozart's Sonata in G, K. 301, and the magnificent Franck Sonata in A, arguably the finest of all sonatas for that combination. There are also short pieces of the Encore variety": Meditation from Thais by Massenet, Brahms, Hungarian Dance No. 1; Tchaikovsky, Serenade Melancolique; Sarasate, Caprice Basque; Chopin, Nocturne #20 in c# (arr. Milstein); and Baghdassarian, Rhapsody. Tuesday, September 24, noon (12:00, Maureen Forrester Hall, WLU): Those who can spare the noon-hour period this year are in for a treat as the Penderecki Quartet begins its six-concert traversal of the Bartok Quartets with #1, plus analysis by Professor Charles Morrison. For those who can't, not to worry: KWCMS is presenting evening concerts of this same series, two quartets at a time, also with the same commentator, on three Thursdays: November 7, January 23, April 3. The Bartok Quartets are among the major achievements of 20th C. music, and previous performances of the occasional one by this quartet shows that they are equal to the task, and then some. Wednesday: First it was Baroque and Beyond, then Focus, and now it's Great Composers: The K-W Symphony's series in the Theatre of the Arts opens with Music of the Italian Baroque, including trumpet concerto by Torelli, with Dan Warren, trumpet, and the Marcello Oboe Concerto, and various other things from that musically delightful period. Tickets at the door. Potential series purchasers should note that concert 2 on November 20 will be at the Benton street Baptist Church in Kitchener instead of the Theatre; the winter and spring concerts will return to UW.
University Of Winnipeg Event Calendar For more information, contact alexander Freund or Nolan Reilly. Aug. 25, 2005 alexander tselyakov / Penderecki String Quartet http://www.uwinnipeg.ca/uwauthortest/dsp_eventcal.cfm
Extractions: A Program Officer from the Natural Sciences and Engineering Council of Canada (NSERC) will be visiting The University of Winnipeg campus to present information to students and faculty on NSERC's scholarships and fellowships programs. Each program will be explained as well as the application process. The session will followed by a question-and-answer period. Katherine Barber, "The Word Lady," graduated from The University of Winnipeg with a Bachelor of Arts in French. She has turned her love of words into a career, working on dictionaries in Canada and abroad. She was recruited by Oxford University Press in 1991 to head up their Canadian Dictionary department. She received the University of Winnipeg's Distinguished Alumni award in 2000.
Events 9690099. MAR. 28 tselyakov ROCKS Brilliant pianist, Alexandertselyakov performs with Quinte Symphony. 230pm. APR. 29 http://www.watershedmagazine.com/watershedding.html
Rolfs Piano Series Frederic Chiu, January 11, 2002. alexander tselyakov, February 22, 2002 alexander tselyakov. profline.gif (2803 bytes). McIlwain Presbyterian Church http://www.mcilwain.org/Rolfs/2001-02.htm
Centre De Musique Canadienne alexander tselyakov http://www.centremusique.ca/apps/index.cfm?fuseaction=score.FA_dsp_details&bibli
ASSOCIATION NATIONALE FRANCE - CANADA - Http://www.france-canada.info Translate this page RéCITAL DE PIANO alexander tselyakov, piano Le jeudi 10 juillet 2003 à 20 hConservatoire russe de Paris Serge Rachmaninoff 26, avenue de New-York PARIS http://www.france-canada.info/article.php3?id_article=107
Annuaire Pianistes Découvrir Translate this page alexander tselyakov - The Official Web Site - alexander tselyakov is a pianistuniversally recognized as a masterful virtuoso in the grand Romantic http://www.pianobleu.com/annuaire_decouvrir.html
Extractions: Alexander Tselyakov - The Official Web Site - Alexander Tselyakov is a pianist universally recognized as a masterful virtuoso in the grand Romantic tradition. Mr. Tselyakov's phenomenal virtuosic interpretative conceptions and deeply poetic lyricism have made him a favorite of concert audiences around the world Antoine Bouvy : Site officiel du pianiste Antoine Bouvy Beata Szalwinska, pianiste concertiste polonaise - Beata Szalwinska, pianiste concertiste polonaise, connue pour ses récitals en Pologne et ailleurs en Europe, a reçu des prix internationaux pour son interprétation de compositeurs polonais comme Chopin et Szymanowsky. Beata informe sur son cv, ses concert
BU Newsletter - November 2003 alexander tselyakov is Associate Professor of Piano at Brandon University. Born into a musical family in Baku, Azerbaijan, alexander tselyakov studied http://discover.brandonu.ca/recruit/newsletters/0311/index.asp
Extractions: Along with universities from across Canada, Brandon University will be in Winnipeg from the 12 to the 15 November 2003. If you attend the events, be sure to stop by and say hello, we will have packages of information for guidance counsellors including application forms, Calendars, Admissions Handbooks, etc. Again this year, Brandon University's representative will be accompanied by a music school student: excellent resources from which to get information about BU. BN Move The faculty and students of the University of Manitobas Brandon site School of Nursing, formerly housed at the Brandon Regional Health Centre, have re-located to the new Health Studies Complex at Brandon University. This will remain a University of Manitoba program for the 2003-2004 academic year, but will become a Brandon University program in September 2004.
Piano News Archive Jan 2002 alexander tselyakov at Carnegie Hall. A special piano concert at CarnegieHall honouring the victims, families and heroes of the September 11 http://pianos.co.uk/news/old.php3
Extractions: Pianoshop Articles News Archive 2003 August 30th Cullum jazzes up Terfel's festival more August 25th Music College goes All Steinway more August 22nd Blind pianist is autistic... and inspiring more August 19th Bruce Hornsby gathers some friends around the piano more August 17th Alfred Brendel gives last live broadcast more August 16th Hornsby returns with new album, old friends: Singer-pianist teams with Clapton, Sting on 'Halcyon Days' more August 6th Marathon piano concert slated for Carter's 80th more August 5th Steinway Reports 2nd Quarter 2004 Results more June 28th 2004 Ernest Bloch Music Festival arrives ... more November 26th 2003 Renovations complete on huge keyboard instrument museum... more November 19th 2003 Grand Piano Raffle to raise money for orchestra...
»çÀÌÆ®·Î ±¸¼ºÇÑ ¼¼°è¹®Çп¹¼úµµ¼°ü FI) Ronald StevensonPianist/Composer(UK) Alexei SultanovPianist(RU) MagdaTagliaferroPianist(BR)(d. 1986) alexander TselyakovPianist(CA) Rosalyn Tureck http://school.pressian.com/dictionary/art_music_07.htm
Embassy - Newspaper Online. Music Festival, through August 7. Enjoy the superb music of alexander Tselyakovon piano, Stephen Sitarski on violin, Paul Marleyn on cello, and many others. http://embassymag.ca/html/index.php?display=story&full_path=/2004/august/4/listi
