Rudolf Serkin: Definition And Much More From Answers.com He toured all over the world and continued his solo career until 1988. He diedof cancer at his Guilford home. He is the father of pianist peter serkin. http://www.answers.com/topic/rudolf-serkin
Extractions: Czech-born American pianist known for his interpretations of the works of Austrian and German composers of the classical and romantic periods. Encyclopedia Serkin, Rudolf, 1903â91, Austrian-American pianist, b. Bohemia. Serkin gave joint recitals with Adolf Busch and made his U.S. debut (1933) with the Busch chamber players. He was a soloist (1936) with the New York Philharmonic-Symphony Orchestra under Toscanini. Serkin and Busch brought the entire cycle of Beethoven piano-and-violin sonatas to New York audiences in 1938. In 1939 he joined the staff of the Curtis Institute in Philadelphia, and was later (1968â75) its director. He also became director of the Marlboro School of Music in Vermont in 1951. His son Peter Serkin, 1947â, b. New York City, is also a noted concert pianist. The younger Serkin is known for his performances of the standard classical repertoire and of pieces by contemporary composers. WordNet Note: click on a word meaning below to see its connections and related words.
Pianist: Definition And Much More From Answers.com A performing classical pianist usually starts playing piano at a very young age, András Schiff Artur Schnabel peter serkin Rudolf serkin http://www.answers.com/topic/pianist
Extractions: Wikipedia pianist A pianist is a person who plays the piano A professional pianist can perform solo pieces, play with an orchestra or smaller ensemble , or accompany one or more singers or solo instrumentalists A performing classical pianist usually starts playing piano at a very young age, some as early as three years old. Many well-known classical composers were able pianists themselves; for example, Wolfgang Amadeus Mozart Ludwig van Beethoven Franz Liszt Johannes Brahms ... Robert Schumann , and Sergei Rachmaninoff were all virtuoso pianists. Most pianists specialize in certain composer(s)'s music or a certain period to some extent.
Peter Serkin - Rochester Philharmonic Orchestra Recognized as an artist of passion and integrity, American pianist peter Serkinis one of the most thoughtful and individualistic musicians appearing before http://www.rpo.org/info_serkin_peter.html
Extractions: Bravo Brahms! concert also features Stravinskys Petrouchka Rochester, N.Y., March 21, 2005 Pianist Peter Serkin joins conductor Christopher Seaman and the Rochester Philharmonic Orchestra for Philharmonics Series concerts on Thursday, April 7 and Saturday, April 9 at 8 p.m. in the Eastman Theatre . In addition to Brahmss Piano Concerto No. 2 , the Orchestra will perform Beethovens Overture to Egmont and Stravinskys Petrouchka , the story of the classic puppet Punch, his love for a beautiful Ballerina and her love for the handsome Blackamoor. Mr. Seaman will also give the Pre-concert Chat at 7 p.m. where ticketholders can learn more about the music on the evenings program. On Thursday, April 7, the RPO also honors local music teachers during
Los Angeles Philharmonic Association - Performer Details American pianist peter serkin is one of the most thoughtful and individualisticmusicians appearing before the public today. Throughout his career he has http://www.laphil.org/resources/performer_detail.cfm?id=645
New York Philharmonic: Peter Serkin During the 200405 season, pianist peter serkin continues his strong advocacy ofnew compositions by performing the world premiere of Charles Wuorinens http://newyorkphilharmonic.org/attend/guests/index.cfm?page=profile&personNum=57
AOL Music: Peter Serkin Recognized as an artist of passion and integrity, American pianist peter Serkinis one of the most thoughtful and http//www.rpo.org/info_serkin_peter. http://music.aol.com/artist/main.adp?artistid=180656
Extractions: RECORDINGS BRAHMS: THE VIOLIN SONATAS Pamela Frank, violinist; Peter Serkin, pianist. London 289 455-643; CD. R eviewed by Bernard D. Sherman "Most current Brahms performances," complains the pianist Stephen Kovacevich, "suggest a comfortable, overweight bank manager reluctantly refusing an overdraft." Not these ones. To Pamela Frank and Peter Serkin, the operative word for Brahms seems to be "intense." The intensity manifests itself in various ways, including a few extreme tempos. For example, the artists begin the Third Sonata's Adagio as slowly as can be done without losing the pulse. But their noble phrasing makes the tempo work. And when the opening theme returns later, differentiated from its initial appearance by a flowing new bass line and by the instruments' singing it together, the artists play it somewhat faster. The increase in tempo sounds natural and adds urgency to what may be the most heart-rending passage in all the sonatas. For all their intensity, the pair knows how to shape movements, holding back in one place so as to build toward something more passionate later. In only one movement - the opening of the First Sonata - does this approach leave me unsatisfied. While the pair builds to an exceptionally rhapsodic second thematic group, they make the opening theme sound a bit matter of fact. The problem is that their fast tempo suits the second group perfectly but is too fast for the gentle lyricism of the opening. A more flexible tempo, starting more slowly and speeding up gradually
Extractions: HOME Contact: Amanda Savio (860) 987-6068; e-mail: amanda_savio@bushnell.org March 4, 2003; HARTFORD, CT - Pianist Peter Serkin will perform with The Brandenburg Ensemble at The Bushnell Center for the Performing Arts' Belding Theater on Saturday, March 22, 2003, at 7:30 p.m. as part of the Webster Classical Series. The concert is part of a special project with conductor Jaime Laredo's Brandenburg Ensemble, with Serkin performing select keyboard concerti of J.S. Bach. Tickets are $28.00-$55.00 and can be purchased at The Bushnell Box Office, located at 166 Capitol Avenue in Hartford, or by calling (860) 987-5900. Tickets are also available through The Bushnell's website, www.bushnell.org. Groups of 10 or more may contact (860) 987-5959. Ranging from Bach to Berio, Serkin's recordings reflect his distinctive musical vision. The Ocean that has no West and no East, released by Koch Records, contains compositions by Webern, Wolpe, Messiaen, Takemitsu, Knussen, Lieberson and Wuorinen. Other recent recordings include Peter Lieberson's piano concerto Red Garuda with the Toronto Symphony and his Rilke Songs with mezzo-soprano Lorraine Hunt Lieberson for Bridge Records, the Brahms violin sonatas with Pamela Frank for London Records and Dvorák's Piano Quintet with the Orion String Quartet for Arabesque. About the Brandenburg Ensemble - The Brandenburg Ensemble was founded in 1973 by Frank Salomon to bring together some of the country's finest concert artists and chamber music players under the inspired direction of the late Alexander Schneider. Devoted to the performance of great music and the presentation of outstanding young soloists, the ensemble plays for only a few audiences each season, sharing with them their joy in making music.
Biografie peter serkins rich musical heritage extends back several generations. His grandfatherwas violinist Adolf Busch and his father pianist Rudolf serkin. http://www.kdschmid.de/englisch/06kdsuk/1kuenstler.php3?k_id=21
ArkivMusic Beethoven Piano Sonatas Op 27 No 1-2, Op 57 / Peter At first hearing you might unfairly label peter serkin s softspoken yet The slow movement s barlines virtually disappear by way of the pianist s http://www.arkivmusic.com/classical/album.jsp?album_id=2258
Classical Voice Of North Carolina peter serkin Michael Stern Join for a Special EMF Concert Michael is theson of Isaac Stern, and pianist peter serkin is the son of Rudolf serkin. http://www.cvnc.org/reviews/2005/072005/wtwEMF12.html
Extractions: by William Thomas Walker Rossini's Overture to La gazza ladra The Thieving Magpie ) received a lively reading. The lock-step march of the opening served to accentuate the fiery allegro portion. The percussionists played the antiphonal snare drums to the hilt, and the principal bassoon, oboe, and piccolo made strongly-characterized contributions. Mozart's Piano Concerto No. 24, in c minor, K.491, is my favorite of the 25 works for single keyboard. I cannot imagine a better performance of the work than that given by Serkin, Stern, and the members of the all-faculty orchestra. The pianist was in his finest form, and he deployed his technical mastery in a probing exploration of the work's emotional and expressive depths. The close co-ordination between Serkin and the woodwinds in the second movement took us outside the mundane world. Time seemed suspended. Stern's interpretation of Ravel's Hindemith's "Symphonic Metamorphoses on themes of Carl Maria von Weber" received a brilliant Technicolor reading by Stern and the orchestra. Percussion was given its head, and there wasn't anything inhibited about the playing. The horns, trumpets, and – especially – the trombones, were resplendent.
Rudolf Serkin ; Youngrok LEE's Music Page 1899~1972), Irene and Rudolf, their son Shorn(hornist) and peter(famous pianist; serkin said Although I am pianist, the piano has always less been http://my.dreamwiz.com/fischer/Serkin/serkin-e.htm
Extractions: Music Home Photo Gallery Discography Jacket Images ... Korean Rudolf Serkin(28th Mar. 1903~8th May 1991) [ The piano has always been less interesting to me than the music ] Curriculum Vitae [ Photo from Philips Homepage Many pianists begin as solist, but turn to other way(chamber musician or vocal accompanist) after they know the talent of their own are not proper to solist. The opposite cases are so rare, in which I think Rudolf Serkin perhaps succeeded most. Furthermore, he is one of the most outstanding example of a professional musical family in 20th century. Rudolf Serkin was born in Eger(Bohemia? Austria?) on 28th March 1903 in a Jewish Russian family. He was taught music by father(singer) and moved to Vienna at nine, where piano by Richard Robert and composition by Joseph Marx(then George Szell was among his pupil, and the two musician coworked in many recordings later in USA). Rudolf was hailed as a child prodigy as he played Mendelssohn's concerto with Vienna Philharmonic at twelve, but he started regular concert carrier in 1920. It is said that his connection with Busch family was in 1920, also. (I heard this story that) Adolf Busch was seated at a concert by Rudolf. Busch was amazed by Rudolf's gifts and tried to meet him so as to ask his accompaniment, managing to meet Rudolf at train station shortly before Rudolf's leaving because he was disappointed by audiences' response. The two men, met by accident, had played for 32 years. Rudolf gave the Berlin d
Extractions: Three Pieces for Piano Three Pieces for Piano was premiered by Peter Serkin at the 92nd Street Y on November 11, 1989. It was commissioned for him by the 92nd Street Y with funds provided in part by the Mary Flagler Cary Charitable Trust, and with public funds from the National Endowment for the Arts and the NY State Council on the Arts. Three Pieces for Piano Tim Page "Peter Serkin, a great pianist at the peak of his powers, has had the splendid audactity to devote an entire program to new music...he has commissioned short works from 11 composers... Serkin chose his composers carefully; they have rewarded him with miinatures of unusually high quality. "Tobias Picker provided three interrelated pieces: the outer two shot by quickly and brilliantly, the central movement was serious and sumptuous." The New York Times Bernard Holland "Peter Serkin joined the early-music movement...by offering one of the most authentic of 18th-century practices: programs consisting of all new music. "One recurring impression throughout the evening...was of composers who care for Mr. Serkin's chosen instrument, who have written music that flatters the piano, exploits its pleasures and bathes in its most attractive qualities.
Serkin pianist peter serkin to Perform at Franklin Marshall April 14. LANCASTER, Pa. Renowned pianist peter serkin will perform Friday, April 14 at 8 pm in http://server1.fandm.edu/departments/CollegeRelations/PressReleases/1999-00/PR13
Extractions: The grandson of violinist and composer Adolf Busch and son of pianist Rudolf Serkin, Peter Serkin entered the Curtis Institute of Music at the age of 11 and a year later made his debut at the Marlboro Music Festival. Since that time, Serkin has performed with symphony orchestras worldwide, including those in Boston, New York and Philadelphia, as well as the London Symphony, New Japan Philharmonic and the Vienna Symphony. In addition to playing chamber music with individual performers and orchestras, including Pablo Casals, Yo-Yo Ma, the Budapest String Quartet and Tashi (which he founded), Serkin has performed numerous worldwide premieres. Serkin has premiered several of Peter Lieberson's and the late Toru Takemitsu's pieces. Mr. Lieberson recently completed his eighth work for Serkin, a piano piece titled "The Ocean that has no West and no East" in memory of composer Toru Takemitsu. Toru Takemitsu. This season, Koch Records will release an album that contains compositions by Webern, Wolpe, Takemitsu, Messiaen, Wuorinen, Knussen, and Lieberson.
Three Goldbergs Sergey Schepkin, Maria Yudina, peter serkin (Piano). Three Goldbergs serkin isa superb pianist and does a great job with Bach. http://www.bach-cantatas.com/NonVocal/Klavier-Goldberg-X3.htm
Extractions: Goldberg Variations BWV 988 Sergey Schepkin, Maria Yudina, Peter Serkin (Piano) Three Goldbergs The Goldberg Variations Goldberg Variations BWV 988 Sergey Schepkin (Piano) Ongaku Jan 1995 CD / TT: 71:53 Maria Yudina Great Pianists Goldberg Variations BWV 988 Maria Yudina (Piano) Philips Jan 1968 CD / TT: 70:55 Goldberg Variations Italian Concerto Goldberg Variations BWV 988 Peter Serkin (Piano) RCA June 1994 CD / TT: 44:30 Donald Satz wrote (June 19, 1999): Largely through coincidence, I had three piano versions of the Goldberg Variations in my hands last night: Sergey Schepkin on Ongaku, Maria Yudina on Philips, and Peter Serkin on RCA. The most obvious note I made to myself before listening was that the Serkin was only 44 minutes long; that means "forget the repeats." I also figured that I would not be agreeable to the lack of repeats. After listening to the three versions, my conclusions are: a. Yudina's aria and the other "slow" variations are superb. She presents them beautifully with a high level of emotion and even a sense of urgency which I found compelling. However, the faster variations were very routine. The sound has some hiss and breaks now and then. That's no problem when her interpretation is excellent, but it was bothersome in the fast variations. b. Based on Schepkin's excellent discs of the partitas, I expected much from him in the Goldbergs. Expectations were dashed as Schepkin was on an embellishment kick which annoyed me significantly. His recording is not recommended.
Extractions: For Musicians One of the leading piano teachers in New York City and author of the highly acclaimed book The Art of Practicing: A Guide to Making Music from the Heart , Madeline Bruser helps pianists transcend their current level of performance by releasing physical and mental tension and unleashing their innate musical talent. Drawing on physiological, meditative, and musical principles she presents practical techniques for cultivating free and natural movement, heightened sensory awareness, rhythmic vitality, and mental relaxation. She thus guides both aspiring and professional players toward discovering their true virtuosic capabilities and fulfilling their deepest expressive potential.
CONSERVATORY OF MUSIC peter serkin piano. peter serkin has a rich musical heritage that extends back was the violinist Adolf Busch and his father the pianist Rudolf serkin. http://www.bard.edu/conservatory/faculty/popup.php?action=details&id=1234
CONSERVATORY FACULTY which included pianist peter serkin, violinist Ida Kavafian, peter serkin,piano, has a rich musical heritage that extends back several generations. http://www.bard.edu/conservatory/faculty/
Extractions: Instrumental and composition faculty will be drawn from the following roster ( in formation as of date of publication ). Applicants may request specific instructors; final assignments, announced at the time of acceptances, will be made by Conservatory faculty and administration based on the availability of spaces in the teachers' studios as well as musical and pedagogical considerations. Most instrumental faculty will also coach chamber ensembles. Laura Ahlbeck oboe
