Extractions: Hall, 1992. Ardley, Neil. Music . New York: Alfred A Knopf, 1989. (4 copies) Autexier, Philippe A. Beethoven: The Composer as Hero . New York: Harry N. Abrams, 1992. (2 copies) Badura-Skoda, Paul. Interpreting Bach at the Keyboard . New York: Oxford University Press, 1995. Boyd, Malcom. Bach . New York: Vintage Books, 1987. Cooper, Barry. Beethoven and the Creative Process . New York: Clarendon Press, 1995. Davies, Laurence. Paths to Modern Music . New York: Charles Scribner's Sons, 1971. Delone, Richard. Aspects of Twentieth-Century Music . Englewood Cliffs, NJ:
Hudson Review, The: Chopin At Carnegie Hall (one imagines) shock from the audience as the pianist moved from near silence The following weekend, on October 17, maurizio pollini gave a Sunday http://www.findarticles.com/p/articles/mi_qa4021/is_200501/ai_n9468936
Extractions: Taking it in his right hand, he tested the string: And it sounded beautiful, like a swallow's voice. It sounded beautiful. A violin, a voice, a piano-or, in the Odyssey, the murderous bow as metaphorically musical lyre-is per se instrumentally beautiful. So Andrew Manze, for instance, will have played on a violin made by the school of Amati, circa 1690, with a bow made by Gerhard Landwehr, Heemstede, 1986-such information about certain instruments (particularly string instruments) is readily gleaned from the notes of any program or disc which is worth, so to speak, its weight in gold. Not so for the piano. We shall return to this problem at the end of the chronicle.
Sonntag, 1. Mai 2005, 19 Uhr Glockenhaus, Glockenstraße In Lüneburg In this piece of Music Theater for prepared piano, the pianist becomes almost Dedicated to maurizio and Marilisa pollini , Nono poetically explores and http://www.neue-musik-lueneburg.de/event_studienwoche_05_konzert_electrifiedPian
Extractions: In Zusammenarbeit mit der Gaudeamus Foundation (The Netherlands) Der Höllenfranz : Hämmerklavier XVI- Moritz Eggert/ Jochen Kuhn 2003/04 This piece was commissioned by the Eclat Festival and premiered by Moritz Eggert in Stuttgart in february 2004. Sonsoles Alonso premiered it in The Netherlands in november of the same year. In this piece of Music Theater for prepared piano, the pianist becomes almost an 'übermensch' who has to manage the use of an incredible amount of 'preparations' in a musical way, to support the showing of the silent movie. Tullius Rooms - Marko Ciciliani 1999/2000 for piano, electronics, and soundscapes Tullius Rooms is a diverse musical landscape of piano sound, electronic material, singing, whistling and percussive or "performance" actions. Image de Moreau - Louis Andriessen 1999 The commission from Carnegie Hall to write a short piano work fitted with a request to write a piece for a Toccata-project of the Dutch pianist Ivo Janssen. The toccata form was developed by Frescobaldi and Sweelinck, but became fashionable again in the early 1920s. This was the starting point for Image de Moreau, but the piece soon turns towards French late-Romanticism, the time and spirit of painters like Redon and Gustave Moreau. The paintings of Moreau combine large areas of abstraction with very sharp figurative details, faces and objects, opening up unexpected emotion
Extractions: BERN Strangely perhaps, in a land dominated by the Alps, the countryside around the Swiss capital is shaped by rolling hills that invite nothing more dramatic than unhurried contemplation. And it was this, both mood and look, that Renzo Piano sought to evoke when he added an $86 million museum, the Paul Klee Center, to the orderly Bern landscape. The results are both striking and discreet. The center's three round "hills" are etched and molded in a stainless steel that mirrors the sky, while their sloping roofs disappear under a field of barley. Thus the three basic tenets of Klee's semi-abstract work - line, form and color - are present. And by chance, a mere 100 yards, or 90 meters, away, is the Schosshalden Cemetery, where Klee is buried. The center, in a way, is a typical Piano museum, but typical only in that, when planning a museum, Piano noted, he does not work from a template but instead allows the location and purpose of each project to define the design. And this at least explains how the contrasting styles of, say, the Pompidou Center in Paris, the Menil Collection in Houston and the Paul Klee Center can be the work of the same architect.
Golem.de - Lexikon Translate this page Dieser Artikel basiert auf dem Artikel maurizio pollini aus der freien Bereits im Alter von neun Jahren gab maurizio pollini sein Debut als pianist. http://lexikon.golem.de/Maurizio_Pollini
Extractions: News Forum Archiv Markt ... Impressum Lexikon-Suche Lizenz Dieser Artikel basiert auf dem Artikel Maurizio Pollini aus der freien Enzyklopädie Wikipedia und steht unter der GNU Lizenz für freie Dokumentation . In der Wikipedia ist eine Liste der Autoren verfügbar, dort kann man den Artikel bearbeiten Letzte Meldungen Externer DL-DVD-Brenner merkt sich unbekannte Rohlinge Galaxy: Sun stellt neue Opteron-Server vor ... Originalartikel Maurizio Pollini 5. Januar in Mailand ) ist ein italienischer Pianist und Dirigent Bereits im Alter von neun Jahren gab Maurizio Pollini sein Debut als Pianist. Arturo Benedetti Michelangeli Beim Internationalen Pianistenwettbewerb in Genf im Jahre , in dem kein erster Preis vergeben wurde, errang Pollini den zweiten Preis. Im Jahre gewann er den Ettore-Pozzoli-Wettbewerb in Seregno , im Jahr darauf den Chopin-Wettbewerb in Warschau . Seither tritt er international in Konzerten auf. Rossini-Festival in Pesaro erhielt er den Ernst von Siemens Musikpreis , im Jahre den Echo Klassik Chopins . Ende der 60er Jahre Schwerpunkte von Pollinis Repertoire sind Werke von Chopin
KlassikAkzente Maurizio Pollini Balance-Akt Translate this page KlassikAkzente maurizio pollini Balance-Akt - Klassik Online-Shop und Magazin mit Denn der ins Exil nach Paris geflüchtete pianist und Komponist http://www.klassikakzente.de/page_8397.jsp
Kurier.at - Event-Programm Translate this page Den Zapfenstreich der Salzburger Festspiele 2005 gestaltet diesmal maurizio pollini.Der pianist hat sich vorgenommen, Chopin zu spielen. http://programm.kurier.at/cont/events/detail.aspx?eventid=1213260&date=31.08.200
Lyon S Blog - Ycul Blog - ? Translate this page maurizio pollini (born January 5, 1942) is an Italian classical pianist. He wasborn in Milan, the son of the Italian rationalist architect Gino pollini. http://wrinklecream.yculblog.com/
BBC - Radio 3 - Daily Schedule morning afternoon evening. 1930 Performance on 3 maurizio pollini Italian pianist maurizio pollini, given at the Royal Festival Hall, London. http://www.bbc.co.uk/radio3/schedule/2005/05/09/day/
Extractions: Click to listen to Sound Samples Detailed Work Information Sonata for Piano no 5 in C minor, Op. 10 no 1 Composer Ludwig van Beethoven (1770 - 1827) Performer Maurizio Pollini (Piano) Genre Sonata Date Written Period Classical Country Vienna, Austria Recording Studio Venue Hercules Hall, Munich, Germany Recording Date Sonata for Piano no 6 in F major, Op. 10 no 2 Composer Ludwig van Beethoven (1770 - 1827) Performer Maurizio Pollini (Piano) Genre Sonata Date Written Period Classical Country Vienna, Austria Recording Studio Venue Hercules Hall, Munich, Germany Recording Date Sonata for Piano no 7 in D major, Op. 10 no 3 Composer Ludwig van Beethoven (1770 - 1827) Performer Maurizio Pollini (Piano) Genre Sonata Date Written Period Classical Country Vienna, Austria
Extractions: Click to listen to Sound Samples Detailed Work Information Sonata for Piano no 13 in E flat major, Op. 27 no 1 "Quasi una fantasia" Composer Ludwig van Beethoven (1770 - 1827) Performer Maurizio Pollini (Piano) Genre Sonata Date Written Period Classical Country Vienna, Austria Recording Live Venue Hercules Hall, Munich, Germany Recording Date Sonata for Piano no 14 in C sharp minor, Op. 27 no 2 "Moonlight" Composer Ludwig van Beethoven (1770 - 1827) Performer Maurizio Pollini (Piano) Genre Sonata Date Written Period Classical Country Vienna, Austria Recording Live Venue Hercules Hall, Munich, Germany
Biography Of Maurizio Pollini 1942, 5 January maurizio pollini was born in Milan. His father is the architectGino pollini, one of the leading representatives of Italian rationalism and http://www.deutschegrammophon.com/artist/biography.htms?ART_ID=POLMA
Extractions: Read today's paper Sign in Register Go to: Guardian Unlimited home UK news World news Newsblog Archive search Arts Books Business EducationGuardian.co.uk Film Football The Guide Jobs Life MediaGuardian.co.uk Money The Observer Online Politics Shopping SocietyGuardian.co.uk Sport Talk Travel Audio Email services Special reports The Guardian The northerner The wrap Advertising guide Crossword Soulmates dating Headline service Syndication services Events / offers Help / contacts Feedback Information GNL press office Living our values Newsroom Reader Offers Style guide Travel offers TV listings Weather Web guides Working at GNL Guardian Weekly Money Observer Public Home Culture Vulture Live reviews Art ... Critics
Music | Glittering Continuities maurizio pollini on disc and in concert. maurizio pollini has been playingbefore the public for more than 40 years. In the maurizio pollini Edition, http://www.bostonphoenix.com/boston/music/other_stories/documents/02249631.htm
Extractions: Maurizio Pollini has been playing before the public for more than 40 years. In the Maurizio Pollini Edition, a new Deutsche Grammophon 13-CD compilation of his recordings (mostly from the 1970s), theres a live performance of Chopins First Piano Concerto from the 1960 International Chopin Competition in Warsaw, when Pollini was only 18. The sound is muddy, the conducting nothing special. But theres an extraordinary sweetness in the playing and every now and then already the anticipation of that miraculous Pollini sound: the uncanny definition of every note, no matter how fast its going by, no matter how many other notes are also rushing past, that brilliant gleam that some critics have called cold but that seems like controlled white heat to his admirers, and the shapeliness of the phrasing, the sense of both moment and movement , of direction, of continuity, that everything is connected, coming from somewhere and heading somewhere. The set also brings home in the most graphic way the extraordinary range of Pollinis musical interests. Theres no Bach (the one area in which he profoundly differs from Glenn Gould), no Baroque music at all the earliest composer represented is Mozart. But then theres a direct line from Mozart to Beethoven (six sonatas, three concertos) to powerful, radiant Schumann, eloquent Schubert, magisterial, moving Brahms, unmelodramatic Liszt, brilliant yet unshowy Chopin, scintillating, witty Debussy. Then zoom! were in the 20th century.
ArkivMusic Chopin 4 Scherzi, Etc / Maurizio Pollini Performer maurizio pollini (Piano) Country of Origin Poland Period RomanticWritten 18311832, Date of Recording 09/1990 Venue Herkulessaal, Residenz http://www.arkivmusic.com/classical/album.jsp?album_id=3818
Extractions: Some Pollini recitals are so memorable it seems they will never be forgotten. Some show tantalising flashes of Pollini at his best amongst performances that can appear less than involving. This concert was a curious mix of the two with some variable Beethoven rubbing shoulders with Chopin that, at times, approached greatness. Beethovens Piano Sonata in D, Op. 10 No. 3 is in some ways a curious beast, with the vast majority of the argument contained in the first two movements. It was almost as if Pollini wanted to emphasise this disjunction, for instead of the Menuetto easing into focus out of the depths of the Largo e mesto, there was a signifcant gap. Perhaps he was settling himself, for the first movement contained some messy elements that were unsettling (particularly in the cross-handed effects, firstly with the tone going awry, closely followed by a clear miss). Despite an effective textural crescendo towards the end of the movement, this was a worrying start. It was the slow movement that pointed towards Pollini the Great, its desolation only disturbed by
IClassics 78 maurizio pollini (1 of 2) CD Deutsche Grammophon 1998 $16.99.Add to cart Beethoven Piano Sonatas opp. 54, 57, 78 90. maurizio pollini http://www.iclassics.com/artistDiscography?contentId=763
IClassics Add to cart Beethoven Piano Sonatas opp. 54, 57, 78 90. maurizio pollini Schumann Allegro / Kreisleriana / Gesänge der Frühe. maurizio pollini http://www.iclassics.com/artistBio?contentId=763
