BU Alumni Web :: Bostonia :: Spring 2003 people like pianists Myra Hess, Ania Dorfman, and guiomar novaes, but never, I even wondered about my mothers relationship with the pianist, http://www.bu.edu/alumni/bostonia/2003/spring/cottle/
Past Artists Jose Echaniz, pianist Elena Gerhardt, German Lieder singer guiomar novaes, pianistLondon String Quartet Cecilia Hansen, violinist 19251926 http://www.tuesdaymusicalomaha.org/past.htm
Extractions: About Us Our Season Tickets Past Artists ... Home Past Artists Established in 1892 as the Tuesday Morning Musical Club, Tuesday Musical's first concerts were held in local homes and the Fontenelle Hotel ballroom. After 1911 it expanded into local theaters and emerged as a non-profit concert series of international artists, open to all. Many of the artists, unknown at the time of their engagement here, have since become legend; some have been relegated to oblivion, but all contributed in some measure to the musical life of Omaha. It has been estimated that in the first 70 years following the change from club to non-profit organization, Tuesday Musical brought 95 percent of the world's greatest artists to Omaha. Here is a partial list of artists who have been part of this pioneer endeavor:
Benjamin Intartaglia Jelly Roll Morton specialist, the excellent jazz pianist Butch Thompson. Ethel Leginska, Teresa Carreno, guiomar novaes, Vladimir de Pachmann, http://www.ragtime.nu/intartaglia.htm
Extractions: Benjamin Intartaglia was born on April 3, 1981, in Paris, France. He started to play piano at the age of 5, and organ at age 12. Here is Benjamin's biographical sketch in his own words: My passion for ragtime music is recent although I have listened to it since a very early age because my father often listened to the famous movie soundtrack of "The Sting" , featuring Scott Joplin's music. At age 5, despite my deafness, I started to attend music courses, initially with a young and passionate jazz piano player and next at the conservatory. When an organist visited my primary school to speak about his passion and profession, he invited us to hear him play at his own Great Organ at the Jacques Decour lyceum chapel. Since then I've been interested in the "pope of the instruments", as Franz Liszt called the great organ. After completing organ courses (with improvisation, graduated in organ at age 18 composition, and accompaniment-related subjects), I graduated in organ at 18. After being titularized (made a church's head organist) at age 16 at the Saint-Jean Bosco church in Paris, France, I discontinued my professional organ activities in 1999. Now, although I play organ only for fun from time to time (when I'm not busy with other music activities), I'm always delighted to hear my organ colleagues when they play for recitals or concerts.
Article On Maryla Jonas, In Newsweek, 1946. 25 Maryla Jonas was just another refugee pianist making a Carnegie Hall debut . produced the English Myra Hess and the Brazilian guiomar novaes. http://users.bigpond.net.au/nettheim/jonas/newsweek.htm
Extractions: Par 1 On Feb. 25 Maryla Jonas was just another refugee pianist making a Carnegie Hall debut. On March 30, frightened and nervous, she sat behind the biggest, blackest eight-ball in New York. Came the morning of March 31 and she awoke, more bewildered than ever, to find that she had become the most sensational story of the 1945-46 music season. Par 2 That this could all happen in the short space of 34 days is naturally a tribute to indisputable artistry. But it is also a telling reminder of the power of the New York critics. Miss Jonas was so unknown when she made her debut that Carnegie Hall contained only the barest handful of listeners. It is the policy of the New York newspapers, however, to review practically every Carnegie or Town Hall debut, major or minor, promising or unpromising. Par 3 Par 4 On the strength of Bohm's review and the strong support given his stand by the afternoon papers, Miss Jonas was immediately signed to a contract by the Metropolitan Musical Bureau, a part of Columbia Concerts, biggest bookers in the business. A second concert was scheduled for March 30. Would the New York Times, which had been caught off base by not printing a review of the debut, agree with The Tribune and thus guarantee Miss Jonas as a "must" to every local impresario all over the United States? Or would The Times disagree and thus cast doubt on the discovery of a new star? And could Miss Jonas, a sensitive artist and a frightened foreigner unused to American methods of marketing music, stand the strain and play as well the second time as she had the first?
Belknap Collection For The Performing Arts Production Stills novaes, guiomar pianist Now and Forever Nozze di Figaro, Le Nutcracker, TheNutcracker, The - Boston Ballet O Brother Sun and Sister Moon - dance http://web.uflib.ufl.edu/spec/belknap/miscellaneous/Stills.htm
Pianos Online guiomar novaes The Gift of Music; Leo Ornstein Sanity in Music Study Ignaz Friedman SelfDevelopment a Necessity for the pianist http://www.pianosonline.co.uk/Shop/Johnson_Bower_sup.htm
Extractions: Home About POL Stock catalogue Download order form ... FAQ contents - interviews Ignacy Paderewsk Hofmann Godowsky Gieseking shares his thoughts on the necessity of relaxation. Filled with insights for pianists on all levels, this book provides a unique opportunity to learn simple but unforgettable lessons from the great masters. Original Dover (2003) compilation drawn from Piano Mastery Piano Mastery , Second Series (1917), and Modern Masters of the Keyboard (1926), all published by Frederick A. Stokes Co., New York. Introduction by Dr. Jeffrey Johnson. xviii+233pp. 5 " x 8 ". Paperbound. Contents - Interviews from Piano Mastery Ignace Jan Paderewski Wilhelm Bachaus Harold Bauer Hans Von Ferrucio Busoni Teresa Ossip Gabrilowitsch Rudolph Ganz Katharine Goodson Mark Hambourg Ethel Leginska William Mason Tobias Matthay Raoul Pugno Ernest Schelling William H.
Le Ragtime Français. Biography JellyRoll MORTON specialist, the excellent Jazz pianist Butch THOMPSON. Ethel LEGINSKA, Teresa CARRENO, guiomar novaes, Vladimir de PACHMANN, http://www.ragtime-france.net/Gen/Equi.htm
Extractions: A t that time, I wasn't interested in ragtime or even jazz. My music education is traditional, and my idols were (and still are) Johann-Sebastian BACH and Antonio VIVALDI. During my music education, I've been successively interested in other great composers, especially during my harmonical courses for their original harmonic progressions: Richard WAGNER, Léo DELIBES, César FRANCK, Max REGER, Johann Jakob FROBERGER and Rudolf FRIML. W hen an organist visited my primary school to speak about his passion and profession, he invited us to hear him play at his own Great Organ at the Jacques Decour lyceum chapel. Since that time I've been interested in the " pope of the instruments," as Franz Liszt called the great organ. After completing organ courses (with improvisation, graduated in Organ at age 18 composition, and accompaniment-related subjects), I graduated in organ at 18. A fter being titularized (made a church's head organist) at age 16 at the Saint-Jean BOSCO church in Paris, France, I discontinued my professional organ activities in 1999. Now, although I play organ only for fun from time to time (when I'm not busy by other music activities), I'm always delighted to hear my organ colleagues when they play for recitals or concerts.
The Boeuf Chronicles | Vamo Maruca, Vamo The chorus is followed by pianist guiomar novaes, playing her own arrangement ofsection B in a Columbia recording from the 1920s. pianist Anna Stella Schic http://daniellathompson.com/Texts/Le_Boeuf/boeuf.pt.18.htm
Extractions: Corso in Rio Le Boeuf sur le Toit or the names of their composers, but some images stayed with him for decades. In the unpublished article Bresilien Music I arrived in Brazil just in the middle of the carnaval. It is a time during which popular mirth bursts forth with a violence undreamed of by Europeans accustomed to the three days of festivity of a carnaval in Nice or Aix, interrupted by the sternness of Ash Wednesday giving way to Lent. In Brazil three days are not enough. During the months preceding a carnaval, one organizes it. Clubs are founded, a group of friends decides that they will remain together during the carnaval festivities and thus forms a committee with a president, a vice-president, a secretary and a treasurer. The major part of their savings goes into the making or the renting of gorgeous costumes, in which ostrich feathers play an important part. For several weeks on Saturday evenings these small clubs sing and dance along the streets; they take part in the popular dances held in public squares or enter the dance halls. In the country these same groups, seated on floats covered with foliage, sing their favorite songs on the roads, accompanied by the different instruments indispensable to all carnavalesque clubs.
The Boeuf Chronicles | Tango Brasileiro Alexandre Levy (18641892) was a composer, pianist, conductor, guiomar novaes,Antonieta Rudge and Eudóxia de Barros are some of the pianists who have http://daniellathompson.com/Texts/Le_Boeuf/boeuf.pt.21.htm
Extractions: was located Alexandre Levy A text E realmente são estes dois homens [...] as primeiras conformações eruditas do novo estado de consciência coletivo que se formava na evolução social da nossa música, o nacionalista. In the website he dedicated to Alexandre Levy, Nando Florestan provides the following information about the composition:
Vassar History Index Barrere Ensemble Gives Concert Myra Hess, pianist, Gives Concert Vassar College Choir guiomar novaes Gives Recital Pushkin Centennial Observed http://faculty.vassar.edu/daniels/theater_music_dance.html
Fridman As A Teacher Victor Schioler (Denmark s top pianist) and Ignaz Tiegerman a diminutive Ossip Gabrilowitsch, guiomar novaes, Percy Grainger, Mischa Levitski, http://www.arbiterrecords.com/musicresourcecenter/friedtch.html
Extractions: [Note: Clavier Magazine is supposed to publish this article in early 1997. As they accepted it in 1992, it seems that their scheduling is a little behind. Read it here first. A.E.] At the piano with Ignaz Friedman, by Allan Evans. Friedman's introduction to teaching came as he assisted for four years his own teacher, Theodor Leschetizky (1830-1915), himself a pupil of Beethoven's pupil Czerny. Daily contact with Leschetizky sharpened Friedman's pedagogical abilities even further. Friedman witnessed how his Professor adopted a unique approach to each talent, broadening their playing and refining it into mastery. Friedman recalled : "He was probably the last of the great artists who knew how to unite the sovereign and the Bohemian in one and the same person. He was one of the teachers who knew, who knew positively , when the student had ceased to be a student and had become an artist. Then the man who the day before had played the part of a veritable tyrant, would show himself the day after in the role of an old colleague, ready to consult on a footing of equality with his erstwhile pupil. Though he might have thrown a volume of music at his pupil's head a few hours before, once he felt that the former had crossed the boundary line which separated him from artistic maturity, he would discuss the most delicate nuances of his art with him in the most loyal and open-hearted manner, and permit him to take all sorts of liberties. All this merely because he realized that what had been merely grape juice was turning into wine."
Table Of Contents guiomar novaes, The Gift of Music . Leo Ornstein, Sanity in Music Study Ignaz Friedman, SelfDevelopment a Necessity for the pianist http://web.doverpublications.com/cgi-bin/toc.pl/0486427811
Extractions: American History, American...... American Indians Anthropology, Folklore, My...... Antiques Architecture Art Bridge and Other Card Game...... Business and Economics Chess Children Clip Art and Design on CD-...... Coloring Books Cookbooks, Nutrition Crafts Detective, Ghost , Superna...... Dover Patriot Shop Ethnic Interest Features Gift Certificates Gift Ideas History, Political Science...... Holidays Humor Languages and Linguistics Literature Magic, Legerdemain Military History, Weapons ...... Music Nature Performing Arts, Drama, Fi...... Philosophy and Religion Photography Posters Psychology, Education Puzzles, Amusement, Recrea...... Science and Mathematics Shakespeare Shop Sociology, Anthropology, M...... Sports, Out-of-Door Activi...... Stationery, Gift Sets Stationery, Seasonal Books...... Summer Fun Shop Summer Reading Shop Teacher's Store Travel and Adventure Women's Studies Clearance Center Piano Mastery: The Harriette Brower Interviews
Re: Re: Guiomar Novaes (lagc_at_cipsga.org.br) Translate this page Re Re guiomar novaes. Lista de discussão sobre samba e choro, estilos musicaisbrasileiros. I am an American pianist living in Germany. http://www.samba-choro.com.br/s-c/tribuna/samba-choro.0311/0783.html
Extractions: http://luisalberto.sovacodecobra.com.br/ lagc no #debian-br em irc.debian.org - lagc@jabber.org Músico amador .''`. http://www.sovacodecobra.com.br/ Tradutor solidário : :' : http://www.debian-br.org/ Jornalista voluntário `. `'` http://www.cipsga.org.br/ Programador pós-moderno `- http://sp.debian-br.org/ http://www.samba-choro.com.br/tribuna/cancela Para ASSINAR esta lista: http://www.samba-choro.com.br/tribuna/assina
TCU School Of Music She did additional limited piano study with guiomar novaes and She may beheard as pianist on two CDs The Woodwind Sonatas of Paul Hindemith with Noah http://www.music.tcu.edu/faculty_j_solomon.asp
Extractions: Judith Solomon, Associate Professor of Piano, teaches piano, accompanying, and music theory at TCU. She earned a bachelor of arts degree with honors from Rutgers University where she was a piano student of Thomas Richner and a master of music in piano performance from the Yale School of Music where she studied piano with Donald Currier and theory with Allen Forte and Mel Powell. She did additional limited piano study with Guiomar Novaes and accompanyihg study with Norman Shetler in Vienna. She has also attended the Dorothy Taubman Piano Institute and the College Music Society's Institute of Music Theory Pedagogy Studies. Ms.Solomon has considerable experience as a collaborating artist with both singers and instrumentalists. She may be heard as pianist on two CDs: The Woodwind Sonatas of Paul Hindemith with Noah Knepper and Songs for Tenor and Piano with Roger Bryant. She has also authored articles on various aspects of performance and music theory that have been published in Clavier, American Music Teacher magazine, and Journal of Research in Singing. Ms. Solomon has served on the music faculty at TCU for over 30 years where she has distinguished herself for excellence in teaching. In 1996 she was selected to represent TCU's College of Fine Arts as a finalist for the Chancellor's Award for Distinguished Teaching and in both 1996 and 2000 she was a finalist for the Deans' Award for Excellence in Teaching.
George Szell CDs In Stereo $5.00 Szell performed as a conductor, pianist, and composer at a concert of the BerlinPhilharmonic Orchestra the 2 w. Szell guiomar novaes 7/1/51 NY http://www.musicinthemail.com/classicalconducting/szell.html
Extractions: GEORGE SZELL 1897-1970 George Szell was born in Budapest on June 7, 1897 and was taken to Vienna at the age of three. Szell studied piano there with Richard Robert and gave his first public concert as an infant prodigy at eleven. George Seell first appeared as a conductor at sixteen, leading the Vienna Symphony Orchestra in a summer concert at Bad Kissingen when the regular conductor was indisposed. Szell performed as a conductor, pianist, and composer at a concert of the Berlin Philharmonic Orchestra the following year. It was at this time that Richard Strauss appointed him to the conductorial staff of the Berlin State Opera after hearing him play his own piano transcription of " Till Eulenspiegel." He remained in Berlin as assistant to Strauss for two years, and on Strauss' recommendation he succeeded Otto Klemperer as principal conductor of the Strasborg Municipal Theatre. In 1921, at the age of 24, he became principal conductor of the Court Theatre in Darmstadt, and a similar position at the Municipal Theatre in Dusseldorf followed. From 1924 to 1929 he was chief conductor of the Berlin State opera and of the Symphony Orchestra of the Berlin Broadcasting Company. He also was a member of the faculty of the famous Hochschule fur Musik in Berlin. In 1929 he went to Prague to become General Musical Director of the German Opera House and the Philharmonic Concerts and Professor at the Academy of Music and Dramatic Arts. At this period of his career he began to make guest appearances as guest conductor, leading most of the great orchestras of Europe and, in 1930 and 1931, journeying to America for extensive engagements with the St. Louis Symphony Orchestra
A2Z Languages - Brazil - Country Guide - Music And Dance guiomar novaes was a noted pianist. The Portuguese influence in music is threefold.When the Portuguese people arrived in Brazil, they had with them many http://www.a2zlanguages.com/brazil/brazil_music_dance.htm
Extractions: Program Locations Argentina Austria Bolivia Brazil Chile Canada Costa Rica Dominican Republic Ecuador France Germany Greece Guatemala Italy Mexico Peru Portugal Puerto Rico Russia Spain Switzerland Venezuela Music and Dance The African musical influence is very strong in Brazil and is found in the instruments, rhythms, and dances that are enjoyed there. The most familiar African instruments are various large drums, two-toned agogo bells, a variety of rattles, and bowed instruments with a resonating gourd attached. Another popular African instrument is the friction drum, which is a metal drum with a leather head that is punctured by a stick wrapped in a wet cloth and moved up and down, making a haunting sound. Much African music is used to accompany dances that are included in rituals. The drums are considered sacred, and the drummer plays a very important role in the rituals. The most popular dance in Brazil, the samba, comes from African rhythms and movements. The music for the samba is usually played on African-derived instruments but might also include brass instruments and guitars. Each region of Brazil has its own form of samba. The best time to experience the music and dance of Brazil is during Carnival. This is a pre-Lenten festival in which groups of people dress in elaborate costumes and parade through the streets. The celebration usually begins with marches with lyrics that praise women and criticize the government. Members of different samba schools gather and enter the parade, dancing their samba down the street and singing their school song, accompanied by large drums.
Annuaire Pianistes Renommés Et Pianiste Jeunes Talents Translate this page guiomar novaes Site consacré à la pianiste brésilienne guiomar novaes Idil Biret - pianiste - Welcome to the homepage of the pianist Idil Biret - one http://www.pianobleu.com/annuaire_pianistes.html
Extractions: piano bleu Piano bleu - Visitez les pages sur les pianistes concertistes Abdel Rahman El Bacha : page ua piano bleu sur le pianiste Abdel Rahman el Bacha (interview, liens...) Abdel Rahman El Bacha : Site officiel du pianiste Abdel Rahman El Bacha Alain Lefèvre - Gagnant dun trophée Félix décerné par lADISQ dans la catégorie Meilleur Album Classique de lAnnée (2001) pour sa splendide interprétation du Concerto de Mozart No.23, Alain Lefèvre est pianiste soliste invité du Royal Philharmonic Orchestra de Londres, de la SWR
Music Library The French pianist, teacher, composer, and editor Isidore Philipp (b. Notable are Aaron Copland, guiomar novaes, Wilfrid Pelletier, Albert Schweitzer, http://library.louisville.edu/music/coll/philipp.html
Extractions: University of Louisville UofL Libraries Music Library Special Collections ... Minerva - library catalog The Isidore Philipp Archive was established in 1977 at the University of Louisville under the aegis of the American Liszt Society and is recognized as the largest Isidore Philipp repository. A catalog of the archive is forthcoming. Inquiries and additions to the archive are welcome. The collection includes: The French pianist, teacher, composer, and editor Isidore Philipp (b. Budapest, 1863; d. Paris, 1958) fled Paris during the Nazi invasion in 1940, arriving in the United States in 1941. His teachers at the Paris Conservatory included George Mathias (pupil of Chopin), Theodore Ritter (pupil of Liszt), and Camille Saint-Saëns. From about 1900 to 1955 Philipp was a pre-eminent teacher of piano at the Paris Conservatory, at the American Conservatory of Fontainebleau, and in New York. Many of Philipp's students became celebrated pianists, conductors, composers, and teachers. Notable are: Aaron Copland, Guiomar Novaes, Wilfrid Pelletier, Albert Schweitzer, Alexander Tcherepnine, and Beveridge Webster. Among his associates and friends were Boulanger, Busoni, Debussy, Godowsky, Lumière, Massenet, Paderewski, Rosenthal, Saint-Saëns, and Widor.
Sorabji.com: February 12, 2003 - Cheating With The Classics (Like maybe he would have let the pianist grab that DSharp with the left hand, I recently bought the guiomar novaes recordings of the Chopin Etudes http://www.sorabji.com/whois/readthestories/2003/02/12/
Extractions: Visitors to the Sorabji.com/Mark A. Thomas household tonight would have heard me practicing Chopin's Nocturne in E Minor, Op. 72 , and Chopin's Etude, Op. 10 #1 . (Click to listen with RealAudio) I wonder if any pianists who played this Etude ever reached up with their left hand to hit that D Sharp on the fourth beat of measure 8? It's sure tempting now that the idea has crossed my mind, but I don't think I'd do it. You'd need the pedal there to hold the octave on the bottom, but it's right at the spot where a quick change of pedal has to happen (even if it's not indicated in the score). It would be almost Victor Borge-like to see someone hit that high E in Measure 48 with the left hand. Har dee har har, but I do know how to amuse myself. I laughed about this while practicing tonight, imagining a pianist reaching up with the left hand to pluck all those unaccompanied high notes in this piece. I think of the Op 10 #1 Etude as militaristic. I have played it since high school, but picked it up again recently after not touching it for many years. I'm going to work through all the Chopin Etudes between now and this summer. I decided to start with Op. 10 #1 from scratch, but got psyched out by it when I read that Horowitz considered it the hardest of all the Chopin Etudes. Horowitz himself never recorded it, and complained that Chopin would have changed many things about this and other of the Etudes if he had written them for a modern Steinway. (Like maybe he would have let the pianist grab that D-Sharp with the left hand, dammit...)
Nivaldo Tavares Translate this page He is a very complete musician and a wonderful pianist. 1989 1º lugar noConcurso Nacional de Piano Homenagem a guiomar novaes (SP) http://pianist.sites.uol.com.br/
Extractions: Natural do Rio de Janeiro, Nivaldo Tavares nasceu em 23 de agosto de 1968. Iniciou seus estudos musicais aos 13 anos de idade no Conservatório Brasileiro de Música do Rio de Janeiro, com as professoras Marilda Dabul e Lícia Monteiro. A partir de 1984, deu prosseguimento aos seus estudos sob a orientação dos pianistas Linda Bustani, Antônio Guedes Barbosa e Silvio Merhy . No decorrer do ano de 1994, transferiu-se para Nova Iorque como Bolsista da 92nd St.Y School of Music onde estudou com o pianista russo Pavel Ostrovsky. Nessa mesma época, obteve Bolsa para estudar na State University of New York ( SUNY-NY ) e na Texas Christian University ( Fort Worth - TX ), tendo optado por esta última. De 1995 a 1998, cursou o mais alto nível de performance como solista e camerista através do Artist Diploma Performance Program sob a orientação do pianista húngaro Tamás Ungár.
